BEEHIVE CANDY

RE-POSTED JANUARY 2013 -   This is Gillian Welch and David Rawlings  live at the Jefferson Theater, Charlottesville, Virginia, USA, on either the 5th May 1998, or the 21st May 1998, depending on which version of this recording you have. Feel free to elaborate if you can confirm which one is right. I became an instant fan of the music of Gillian Welch upon my first hearing of the incredible 'My Morphine' and would thoroughly recommend the studio version as well the live version within this set. Dave Rawlings has been a long time 'live' partner for Gillian, and deserves equal billing, his musicianship is excellent, and without bothering to check it out, I think he has produced some of her studio output. Source: Stereo soundboard direct recording. Sound Quality: Very good MP3 @192kbps. Genre: According to Wikipedia (wait for it), bluegrass, neo traditional country, Americana, old time, folk, American Primitivism. Set: Full content from the nights first set....

RE-POSTED JANUARY 2013 -  This is Willie Nelson and Merle Haggard live in concert at La Zona Rosa, Austin, Texas, USA back on the 3rd December 1997. This is a reasonably well circulated concert bootleg and is highly regarded for the superb audio quality, the musicianship, and the respect that both Willie and Merle have for each other, the songs and the band. This concert just oozes quality the distinct lack of ego and the warmth and camaraderie that you pick up on between songs just adds to the overall splendour of this gig. I read elsewhere that "This is the first time ever they do “Pancho and Lefty”  together live and that its fitting that Merle forgets a few lyrics, seen that he didn’t even remember recording the song when they did it years ago". The word legend is so over used in the music business, it does however go without saying that here we have two musical legends who have both lived life on the edge and lived to tell the tale. OK enough cliche's just e...

Background: With a classic touch like James Morrison, the folky heart of Ray LaMontagne, and a unique melodic adventurousness, George Woods creates his own signature style of Folk-Funk. George Woods’ effervescent lyrics and lighthearted indie folk sounds shine through on his new full-length studio album, “Heartbeat” which drops Summer 2012 in Boston, MA and online. “Heartbeat” features thirteen interwoven tracks, each blending classic grooves with stellar songwriting to guide the listener through a storybook summer soundtrack. The record aims to be relatable, and keep you moving with lush string arrangements, heart felt lyrics, and solid grooving rhythms. Some highlights are tracks like the laughable danceable "Stock In The Stars," or the gospel inspired powerhouse "Marry Me.” George’s solo project began after the dissolution of his group Birds In The Woods, a Boston based band that won the 2008 Boston Music Festival, received radio spins at home and abroad, and s...

This is  The Smashing Pumpkins recorded live back on August 4th, 1998 at the Fox Theatre, Atlanta GA, USA. The show was broadcast locally by  99X, Atlanta. The concert was part of the bands Adore tour and is a fairly typical example of the songs performed at this time. After the marathon Infinite Sadness tour, the band embarked on a scaled-back 36-date world tour entitled An Evening with The Smashing Pumpkins to support Adore. Abroad, the Pumpkins played at what had been called an "eclectic mix of interesting venues", among them the rooftop of a FNAC record store in Paris, France, in the botanic gardens of Brussels, Belgium, at the Cannes Film Festival, and at an International Shipping Harbor in Sydney, Australia. In the United States, the Pumpkins donated 100% of their ticket profits to local charities (yet one stop on the tour, Minneapolis, was a free concert and underestimated the attendance of the show). In the end, the Pumpkins, with the help of their fans,...

This is  Clare and the Reasons back on July 16th this year performing on Irene Trudel's programme at WFMU . Clare and the Reasons call Brooklyn home, but after touring around the world extensively for their first two albums with Van Dyke Parks, My Brightest Diamond, and on their own, they needed a new setting – one that would make them see and hear differently. For 8 months in 2011 they lived in an apartment on Berlin’s Bergstrasse, on the western edges of what used to be the East. They got a 1968 Schwalbe moped – model KR-51 – and sped around the city at a velocity the congested New York streets would have prohibited. While riding under the vast skies of Berlin, the city a blurred filmstrip of cobblestones, trees, and graffiti, they dreamed up the sounds of this new record. After months of writing under the influence of Berlin they packed up a van and drove to Haldern-Rees, a little German village, to record KR-51.  In Oct-Nov of 2011, they recorded for long hours, in...

This is Camper Van Beethoven live at the  40 Watt Club in Athens, Georgia, USA earlier this year on March 2nd. The band have a simple taping policy. It's okay with us to tape live Camper Van Beethoven performances and trade them freely, so long as no money changes hands. You send 'em a blank, they make you a tape, and vise-versa. As soon as money enters in on any level, it's a commercial transaction; and with our music, decisions on commerce are ours and ours alone. This is a really superb recording both audio and performance wise. From wikipedia - Camper Van Beethoven is an American alternative rock group formed in Redlands, California in 1983 and later located in Santa Cruz and San Francisco. Their eclectic and ever-evolving style mixes elements of pop, ska, punk rock, folk, alternative country, and various types of world music. The band initially polarized audiences within the hardcore punk scene of California's Inland Empire before finding wider acceptance and,...