BEEHIVE CANDY

This is Rubblebucket live at the North Star Bar, Philadelphia, PA, USA  recorded live on the 17th April, 2010. Beehive Candy featured Rubblebucket in October 2009 as a reasonably new band to checkout, this is what we had to say in part back then - It's not only my opinion that Rubblebucket are one outstanding band, Seven Days Vermont named them best band of 2008, and others have equally applauded their excellent music and live performances. Their second album (following up on last years debut 'Rose Dream') is simply titled Rubblebucket, and cutting straight to the point I absolutely love it. If all of this is sounding like an over the top plug for Rubblebucket then I apologise, it's just that they are really, really one hot outfit. As things stand the new album may become my favorite of the year OK so it's still only October however as a contender, Rubblebucket have raised the bar considerably.  In March 2010 Rubblebucket relocated to Brooklyn, NY and con...

This is a selection of studio outtakes from Quicksilver Messenger Service during the recording of their first album in 1968 and probably came from founder member John Cipollina's personal archive. The first album was noted for its instrumental passages (most notably in "Gold and Silver" and "The Fool"), the album displayed the group's jam sound amidst lighter pop-oriented songs. Unlike contemporaries such as the Grateful Dead, Quicksilver's jams were highly planned as can be heard by comparing the studio versions of songs with those from bootleg live performances. Quicksilver Messenger Service are an American psychedelic rock band, formed in 1965 in San Francisco and is considered one of the leading acts on the city's psychedelic scene in the mid-to-late 1960s. Quicksilver Messenger Service gained wide popularity in the Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe and several of their albums ranked...

Background: On their third album (released a few days ago) 'Letters From The Coast'  The Caseworker exude the feel of a shoegazing Velvet Underground reared by the Flying Nun label - the perfect balance of drone and chime. The band creates an enigmatic intimacy and atmosphere, which they wrap around immaculately crafted pop songs like smoke. Perfectly intoxicating. With opening track and lead single ‘National Runner’, The Caseworker have an instant pop classic on their hands. The song's consummate mix of hypnotic guitars and driving rhythm section are perfectly balanced with Conor Devlin's starry-eyed vocal. Elsewhere, bassist Eimer Devlin assumes lead vocal duties for ‘The Slow Track’ and ‘Sea Years’, both reminiscent of prime Yo La Tengo, while standout ‘Boats’ carries the listener away on its buoyant yet melancholic waves of arpeggios and feedback. The album exudes a wonderful sense of timelessness and romanticism - these are songs to attach to memories. “The C...

This is Traffic during 'The Low Spark Of High Heeled Boys' recording sessions, at Olympic Studios, London, developed across various dates in 1971 . After the break-up of Blind Faith in 1969, Steve Winwood began working on a solo recording, bringing in Chris Wood and Jim Capaldi to contribute, and the project eventually turned into a new Traffic album, John Barleycorn Must Die, their most successful album yet. Traffic went on to expand its lineup late in 1970, adding Ric Grech on bass. The group further expanded in 1971 with drummer Jim Gordon of Derek and the Dominos and percussionist Rebop Kwaku Baah. The live album Welcome to the Canteen was released in September and marked the band's break with United Artists Records. It did not bear the "Traffic" name on the cover, and instead was credited to the band's individual members including Dave Mason, who returned for his third and final spell with the band. The album ended with a version of The Spencer Davis G...

This is R.E.M. with tracks 1-15 performed live at KCRW Studios, Santa Monica, California, April 3rd, 1991. Tracks 16-17 were perfomed on Saturday Night Live, in New York, on April 13th, 1991. Regarding the lead up to this period of R.E.M. and the gigs themselves wikipedia informs us - The band's 1988 Warner Bros. debut, Green, was recorded in Nashville, Tennessee, and showcased the group experimenting with its sound. The record's tracks ranged from the upbeat first single "Stand" (a hit in the United States), to more political material, like the rock-oriented "Orange Crush" and "World Leader Pretend", which address the Vietnam War and the Cold War, respectively. Green has gone on to sell four million copies worldwide. The band supported the album with its biggest and most visually developed tour to date, featuring back-projections and art films playing on the stage. After the Green tour, the band members unofficially decided to take the followin...

Internet Archive Replacement - This is Josh Ritter live at The Rivoli, Toronto, Ontario, Canada back on January 29th, 2005. This is a solo set recorded to a high standard and a must for any fans of his music and a great acoustic introduction for others. Josh Ritter was born in Moscow, Idaho in 1976. As a teenager, after hearing Johnny Cash and Bob Dylan’s “Girl from the North Country” on his parents' copy of Nashville Skyline, he attempted to write songs on a lute that his father had built, before abandoning the lute and buying his first guitar at K-Mart. Josh Ritter attended Oberlin College to study neuroscience, but later changed his major to the self-created "American History Through Narrative Folk Music". At the age of 21 Josh recorded his first album Josh Ritter at a recording studio on campus. After graduating, Josh moved to Scotland to attend the School of Scottish Folk Studies for six months. Josh then moved back to Idaho for a few months, before moving to Pr...

Background: The Coasts are Eric Mount and Ike Peters. The two met as freshman in college, became best friends, played music together just once, and laid down a rock n' roll album shortly thereafter. Enter Lovely Hearts Club. The advent of turntable.fm has allowed us to not only meet a ton of really great folks out there on the interweb but also hear some really special demos. Ike, a copywriter in Little Rock and one half of The Coasts, played a track for us in the Paper Garden Records room and we were hooked. How do we promote ourselves? Do we suck? These were just a few questions The Coasts had for us. No, you don't suck. You rule. Let us promote you! So here we are. The Coasts are just effortlessly fun, as if The Black Keys and Elvis Costello conceived an uncombed lovechild. The first track off their self-titled release, which you can listen to here, "Poltergeist" is a infectious, rolling pop song about moving into a haunted house. The thing is, you're nev...