Crystal Eyes - O-SHiN - Avalyn - Violent Vickie

Photo - Walter E. Neuman

Crystal Eyes - Like A Movie.

The Calgary, Alberta-based psych-rock/dream-pop band, Crystal Eyes are now sharing their new single, "Like a Movie" which comes off the back of support for earlier releases from FLOOD Magazine, Brooklyn Vegan, Exclaim, CBC Radio and more. The new single is the latest to be lifted from the forthcoming second record, The Sweetness Restored which is set for release via the beloved Madrid label, Bobo Integral (Motorists, Ducks Ltd, Quivers) on April 22.

Crystal Eyes, who are made up of Erin Jenkins (singer/guitarist) and a revolving cast of musicians, currently Jordan Tettensor (guitar), Joleen Toner (synth), Will Johnson (bass) and Paul de Andrade (drums) describe the new record as a "feel-good self-help record for the age of existential dread." The Sweetness Restored displays a kind of wistful self-awareness right from the start, it's a collection of ten tracks that flirt with musical influences ranging from new wave, psych-rock and shoegaze, with songs driven by melody and steeped in texture.

Recorded at Montreal's Breakglass Studios with producer/engineer, Andrew Woods (The Operators, Legal Vertigo, Basia Bulat) before being mixed by Mark Lawson (Arcade Fire, The Unicorns, Peter Gabriel) the record contains thoughtful attention to musical detail thanks to the talented team of artists behind the project. And with the beautiful, warm tones of the Neve console, it's at once a unique sound, but one that feels comfortingly familiar. The prolific Scott' Monty' Munroe (Preoccupations, Chad VanGaalen) contributed bass and the talented Eve Parker Finley composed and performed string arrangements.

With the new single, the band once again harness saccharine psych-pop sounds and place these into a jangle-pop formula. Speaking about the track, singer Erin Jenkins says: "'Like a Movie" is three minutes of indie rock bliss in the artistic vein of Sharon Van Etten or Alvvays. The secret to its sound is a classic Hammond organ with Leslie speakers, a kick-ass guitar solo and the backing of a string quartet that calls to mind flashbacks of Neutral Milk Hotel. If love is 'like a movie', how will the ending be?"

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O-SHiN - Visitor.

O-SHiN, the project of rising electronic producer Stefanie Martens, has shared new single ‘Visitor’. In the last 6 months, O-SHiN shared critically acclaimed singles ‘Holy Night’ and ‘Silence Is My Nature’, both of which called to mind the technicolour electronica of acts like Four Tet and Maribou State and garnered widespread support from the likes of BBC Radio 1, BBC Radio 6 Music and Clash Magazine.

In 2016, Stefanie was travelling from Rome to Amsterdam when she found herself onboard an aeroplane with a terrorist. The harrowing experience had a profound effect on the artist. “For the first time in my life, I experienced the fierce feeling of death being really close, not knowing if you’ll survive or if these are your last seconds on earth,” she says. “It was an intense experience and this song [Visitor] helped me cope with the emotions I was feeling at the time.”

Born in Germany after her parents returned home from the Soviet Union in the 1970s, O-SHiN found her voice through experimentation, and an inner journey that continues today. The name O-SHiN, meaning “time for a good cry” in Japanese, is symbolic of her relationship with existence. Moving from Germany to the Netherlands, spending a lot of time in Sweden and the States, she finally settled in Berlin, a fertile breeding ground for her artistic outlets.

O-SHiN’s long awaited debut album is complete and scheduled for release in Autumn 2022. With her new material, O-SHiN encapsulates many of the conflicting emotional and societal dilemmas that she has observed since she was a young girl. Issues like loss, acceptance and also appreciation for life have become particularly prominent following her experience on board the flight. ‘Visitor’ is out now via Galaxy Cat Records.

O-SHiN · Visitor

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Avalyn - When We Were Nothing.

This week sees the release of AYALYN's  stunning new single "WHEN WE WERE NOTHING," an abstract look back at the highs and lows of naïve youth. Avalyn formed in late 2021 after long-time friends Andy Power (Guitar & Vocals) and Ben Croft (Lead Guitar) decided to start writing together due to them both being dissatisfied with their previous musical efforts. Soon joined by Cain Garcia (Drums) and Emily Turnbull (Bass & Vocals), the band appeared all over their local music scene in 2021, including playing their first gig supporting Junodream alongside Lime Garden at The Shipping Forecast in Liverpool, as well as going into Whitewood Recording Studio with Robert Whiteley to record their latest offering. 

Influenced by the great punk powerhouses, Avalyn takes their cues from the likes of My Bloody Valentine, Slowdive & Lush. What emerges is the ferociously uplifting sound that can be heard on the group’s latest track; "When We Were Nothing," out now. Featuring mastering work from the Lead Singer & Guitarist of the seminal 90s Shoegazing band RIDE, Mark Gardener, the track melds brooding experimentalism, with an unshakeable punk sound. Thrashing guitars play under Power’s haunting vocals, as he sings about the euphoric uncertainty that comes with youth, and the always present, uncertain future. 

“When We Were Nothing was the second song we ever wrote together as a band,” says Power. “Our guitarist Ben brought in the main riff and I could tell from the beginning it was going to be great, so I wrote a verse for it and then we wrote the lyrics together.  Everything really came to life once we brought it into the practice room with the addition of Cain’s drum part and Emily’s bass and vocal Recording with Rob Whiteley was a lot of fun as we felt like he was able to help give us the freedom to experiment with the sounds we wanted as well as being able to put all our ideas together into a cohesive mix. The mastering job from Mark Gardener was the final touch that has taken the song to another level and we’re excited to continue working with him going forward.”

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Violent Vickie - Lovelace (Kontravoid Remix).

After performing in Florida and Mexico, Violent Vickie returns with “LOVELACE” (Kontravoid Remix) , a sad, powerful darkwave remix of her original track. “LOVELACE” (Kontravoid Remix)  is the third track off of Violent Vickie's Division Remixes LP which will be out in April 2022.  Vickie wrote "LOVELACE" after watching a disturbing documentary about Linda Lovelace's experience in the porn industry. 

Violent Vickie is a Los Angeles based Dark Synth-Riot artist consisting of Vickie and co-producer/recording guitarist E.  Vickie has toured with Hanin Elias of Atari Teenage Riot and has shared the stage with Trans X, The Missing Persons,  Jessie Evans (The Vanishing),Them Are Us Too, Pastel Ghost and Aimon.  

Her track "The Wolf“ was featured in a National Organization for Women film and she was interviewed for the documentary “GRRRL”, part of the museum exhibit “Alien She”.  Her LP "Monster Alley” was voted best album by KALX and her tracks have been remixed by 25+ artists.  Violent Vickie's Division LP was released in September 2020,  followed by a remix album of "Under The Gun" in February 2021 and a cover of Johnny Cash's Ring of Fire in July 2021.   Violent Vickie’s “Division” Remixes LP will be out in March 2022.

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Alice Costelloe - Niloo - Album Club - Charlotte Rose Benjamin - Nora Kelly Band

Alice Costelloe - California.

Having played in bands since she was 12 years old, London born musician and songwriter Al (Alice) Costelloe signed to Mute records at just 17 as half of shoegaze two-piece ‘Big Deal’. The band released 3 critically acclaimed albums, garnering enthusiastic support across British radio with multiple singles playlisted at BBC 6 music. Further to this, the inclusion of the duo’s song ‘Dream Machines’ on the soundtrack of blockbuster movie ‘Divergent’ helped deliver them to a wider audience, amassing 70,000 followers online and over 10,000,000 streams.

After years of international touring, supporting the likes of Depeche Mode and The Vaccines and appearing at festivals such as SXSW, NOS Alive and Reading & Leeds, Costelloe disbanded the band after a breakdown within the partnership made continuing impossible. Disillusioned with life on the road, and traumatized by the tumultuous relationship within the project, Costelloe suffered a crisis of confidence in her musical capabilities and was resolved to never write or perform again, taking up a job as a nanny instead. 

However, whilst walking back from a shift one night she chanced upon the members of ‘Superfood’ (Dirty Hit) outside a local bar who convinced her to not give up on music and to play bass with the group as they toured their new album. Encouraged by the band members, as well as her partner ‘VANT’ (Parlophone) who she also began to tour with, Costelloe began to consider creating her own music again and tentatively started work on recording home demos which form the basis of her upcoming singles.

 

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Niloo - All in the Name.

Niloo tells us 'All in the Name' is the sophomore single off of my self-titled EP, and it’s the follow-up to To Feel It Deep.

All in the Name is a mellow dream-pop track about the solitude, reflection and calm one often experiences after the ending of a turbulent relationship. It is about re-discovering yourself after the dust settles, taking stock of the lessons you have learned from past relationships and coming to some clarity about dynamics that you won’t accept in the future. The lyrics, along with the vocals and the musical arrangement of the song, create a mood that is soothing and bittersweet.

This peaceful little track was made in collaboration with the amazing folks at Risque Disque Studios in the summer of 2021. The dynamic percussion was created and tracked by Jen Yakamovich of Troll Dolly; equally melancholy and playful Wurlitzer was dreamed up and performed by Finn Smith; last but certainly not least, bass guitar, co-production and mix was done by Shilo Preshyon of Cartoon Lizard.

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Album Club - Different Hours.

Album Club are a band of creatives that initially gathered to discuss music in The Laurieston, an iconic Glasgow bar in 2019. The group was started by MJ McCarthy who brought friends together to dissect albums, track by track over drinks. This gathering then morphed into something more, and the band was born over lockdown in 2020. Although not all the members were musicians, an album emerged, something beautiful created in defiance of adversity. It is an album of friendship and community crafted by a group of people brought together by a love of music.

Album Club is made up of MJ McCarthy and Adam Scott of Zoey Van Goey, playwright Douglas Maxwell, actress and writer Isobel McArthur, novelist and playwright Cathy Forde, Rhona NicDhughaill of the Gaelic arts company Theatre Gu Leor, journalist Peter Geoghegan and Emma Pollock and Paul Savage of The Delgados. 

The album also borrows backing vocals and contributions from friends around the world. The album was recorded at Chem19 in Glasgow and is set to be released by Last Night From Glasgow on the 13th May 2022. The first single from the album, The Hard Part was released in January and has been played on Radio 6 Music and BBC Radio Scotland. Second single, Different Hours is released today 25th March.

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Charlotte Rose Benjamin - Slot Machine.

Brooklyn-based artist Charlotte Rose Benjamin has just released a new single “Slot Machine” from her forthcoming debut album, Dreamtina, which is set for release on April 22. The song pairs jaunty guitar hooks with Benjamin’s stream of conscious, lighthearted lyrics about unrequited love and the “inbetween” feeling of being a millenial/gen Z cusp. The video was shot by Benjamin and frequent collaborator, Hlif Olafsdottir, documenting a leisurely day on a Williamsburg Ferry, a Chinatown Arcade, a Dime’s Square dive bar and their favorite downtown karaoke spot.

Benjamin describes “Slot Machine” as a “Sunday-morning-strolling-through-a-New-England-Beach-town kind of song,” relating it to her hometown of Martha’s Vineyard in Massachusetts. “I think there’s a waspy country club vibe that comes to mind when people hear that I’m from Martha’s Vineyard,” explains Benjamin. “That definitely exists, but most people who are privileged enough don’t choose to live there in the off season. I always identified more with the towny girls from the movie Mystic Pizza. I had a wonderful childhood, but living on an island can be incredibly isolating. My music has changed so much since I left, but I think I’ll always have a little bit of a twang in my writing because of where I grew up.” On recording the video, Benjamin says “My best friend Hlif and I got day drunk and took the Williamsburg Ferry into Chinatown with a camcorder and a dream.”

Self produced alongside her bandmates, Nardo Ochoa, Matti Dunietz and Zoe Zeeman, Charlotte Rose Benjamin’s debut album finds her analyzing her identity in correlation to romantic relationships and in comparison to “Dreamtina,” a fictitious namesake for the effortlessly-perfect girl you see and aspire to be. Under the Radar broke the news of the album, premiering the pyromaniac-puppet-show video for her song “Satisfied,” calling the song “an irresistible power pop hook, paired with instantly quotable lyrics.”

Previously released songs, “Cumbie’s Parking Lot” and “Heat Stroke Summer,” were released as an a-side/b-side single last Summer, receiving praise from Clout Magazine, which called out Benjamin’s “acerbic wit and penchant for crafting fun and memorable indie rock tunes.” The Deli named “Heatstroke Summer” its Song of the Summer. Her songs “deep cut” and “Cumbie’s Parking Lot” were featured on Spotify’s Fresh Finds: Indie playlist for more than 10 weeks. Last week, Benjamin performed alongside Japanese Breakfast and Weyes Blood in The Unfinished Fest showcase at the acclaimed SXSW festival.

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Nora Kelly Band - Hymn for Agnostics.

What happens when a break-out post-punk artist runs smack into the big COVID slowdown? A gorgeous album’s worth of alt-country tunes of course. Say howdy to the Nora Kelly Band who now release their debut single, “Hymn for the Agnostics,.”

Pre-pandemic, the Nora Kelly-led band DISHPIT made Exclaim’s ‘Class of 2020 - Best New Band’ list in both Montreal and Toronto, and recorded their debut album DIPSHIT with Steve Albini. But when everything changed, so did Nora. She looked inward, asked hard questions about her relationships, and went to rock’s roots. Out poured tunes about love, independence, and checking into the Purgatory Motel. Last summer she and friends played her songs by railroad tracks that run by her Mile End neighborhood, and people flocked to sing along until the cops chased them off. Words spread, propelling The Nora Kelly Band to play rowdy gigs at Ursa and other Montreal venues.

Discussing “Hymn for the Agnostics”, Nora noted, “When I was 11, I had my first panic attack about my impending mortality. To calm myself I began praying to God every night, although who’s God, I couldn’t have told you. I wasn’t raised religious. In my adulthood the panic attacks have become less frequent, but my need for spiritual understanding has remained. ‘Hymn for Agnostics’ is for those of us who have no religion to lean on but who’s faith in the spiritual is supported in our connections with each other, the planet and ourselves.

I have experienced many moments that led me to feel there is some kind of design. Ghost sightings, the psychic connections between a parent and child or two best friends, DMT and the power to keep fighting when it’s easier to give up, have all played a part in my spirituality. Hopefully this song will play a part in yours.”

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Say She She - Heavy Gus - Sister Ray

Say She She - Blow My Mind.

Say She She have released their fiery and seductive sophomore single “Blow My Mind.” The song follows their recently released debut single and video “Forget Me Not” – both tracks have earned early support from KCRW’s Morning Becomes Eclectic. The band has also announced their debut 45 Forget Me Not b/w Blow My Mind, which will be released May 20th, 2022 via Colemine/Karma Chief Records.

A song about returning to reignite the fire of a former flame you still carry the torch for – even  after all these years. “‘Blow My Mind’ is about a love that you can’t seem to get rid of and you can’t quite get enough of,” explains Say She She member Nya Gazelle Brown. The impassioned and sultry cries “Mayday in my heyday, crying out for you to save me!” teeter between youthful yearning and blazing independence. Let the dreamscape bridges guide you to climactic hindi riffs, accented with operatic cries that will lift you yonder.

Named as a silent nod to Nile Rodgers (C’est chi-chi!: It's Chic!”) - Say She She, an all female discodelic soul band will transport you with their dreamy harmonies, catchy hooks and up tempo grooves. The band's sound is a hat tip to late 70’s girl groups with the three strong female lead voices of Piya Malik (featured in El Michels Affair, and backing singer for Chicano Batman), Nya Gazelle Brown, and Sabrina Cunningham - whose vocals soar through a set doused heavily with funky bass lines, rhythmic wah guitar, melodic synths and lilting bansuri flute lines, bursting into a seamless blend of dreamy harmonies and catchy hooks. A multicultural, multi-instrumental, collaborative melting pot, pulling sounds and styles from all corners of their record collections.

The Brooklyn-based three part harmony girl group have been making their way steadily through the New York City scene for a couple of years now. Backed by a roaring roster of some of NYC's finest musicians (former Antibalas, Charles Bradley, Dap-Kings and Sharon Jones, The Shacks, The Frightnrs, Twin Shadow, Combo Lulo, Hypnotic Brass Ensemble, Lee Scratch Perry). As Say She She, they have appeared in Brooklyn Paper and Bushwick Daily. Separately, the members of the band have been covered in: The Rolling Stone, The New Yorker, Billboard, Pitchfork, NPR, Pop Matters, Paste Magazine, Brooklyn Vegan, American Songwriter, have toured extensively with Chicano Batman as backing singers doing everything from Coachella to Tiny Desk, and performed at Gilles Peterson WorldWide Awards in London. Collectively, their songs have garnered over 8.8 million streams.

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Heavy Gus - Dinner For Breakfast.

California-based trio Heavy Gus released a new song “Dinner for Breakfast” alongside a fever-dream music video. With The Lumineers’ Stelth Ulvang and Blind Pilot’s Ryan Dobrowski, the track was engineered and mixed by Parker Cason (Margo Price, All Them Witches, Coin) and mastered by Pete Lyman (Chris Stapleton, Jason Isbell, Brandi Carlile). The accompanying music video, directed by maven Ben Fee (Band of Horses, The War on Drugs, Modest Mouse), shows singer Dorota Szuta navigating a whimsical dreamscape. In the upside down world of “Dinner for Breakfast,” she sings from a table set for one inside a shoulder-deep river and she traverses a long desert road on a skateboard pulled by mules and bicycles. The track is off their forthcoming debut album Notions, which is out later this year via BMG.

“’Dinner for Breakfast’ is a long-distance love song,” explains Heavy Gus singer Szuta. “It's about how lonely that can be at times, especially living in a small desert town, and the things we do to take care of ourselves, or at the least, distract ourselves from the disconnect.”

Heavy Gus formed in 2020 in the high desert of Bishop, California. Songwriting couple Szuta and Ulvang began writing together and teamed up with drummer Dobrowski as the songs took shape. The trio drove cross-country to record at one of Nashville’s oldest studios, Creative Workshop, working with Cason on the songs that would become their debut album, Notions. The yet-to-be-announced debut showcases Heavy Gus’ vulnerable yet captivating song writing, shining with spaciously vibey rock accompaniment. Reminiscent of L.A. bands like The Breeders and Acetone, Dobrowski’s tasteful drumming paired with Ulvang’s instrumental landscaping provide a familiar cushion for Dorota’s lush guitar tones and frank lyrics and vocals.

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Sister Ray - Reputations.

Sister Ray, the project of Edmonton-born songwriter, Ella Coyes (they/she) is today sharing their new single, "Reputations" which follows on from recent tips from Paste Magazine, Exclaim and more for earlier singles, "Visions"  and "Crucified". The new track comes as the latest to be taken from Sister Ray's forthcoming debut album, Communion which is set for release on May 13 via Royal Mountain Records (Alvvays, Wild Pink, U.S. Girls). They will support Communion with a full run of North American dates (TBC shortly), these come off the back of a recent slot at SXSW and previous shows opening for Julien Baker and Mount Eerie.

Communion is a raw, meticulously-crafted portrait of momentous, ordinary moments; experiences that define your past and instruct how you move through the world. It’s also a break-up album invested in exploring the motivations behind actions, rather than attempting moral judgment. It’s about “shitty shit” says Coyes. Backed by Ginla, the Brooklyn-based duo behind early Big Thief's Adrianne Lenker and Lorely Rodriguez (Empress Of), Communion is anchored by guitar melodies that bear an undercurrent of turmoil and echoes with the wisdom of hard-won lessons.

The new single signposts another crucial part of the forthcoming debut album documenting a true coming-of-age tale when Coyes packed up and traveled the length of Canada. Speaking about the track, they say: "I wrote this song to make myself feel better about breaking up with my partner and moving across the country. It felt so joyous to me when I was writing it, to say some of the things out loud that I had been tentative about for so long. It’s one of the most “produced” songs on the record, and we leaned into it. This was my little anthem and I wanted to hear some of that in the production."

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Papercuts - Laurie Biagini - Palm Friends

Papercuts - Palm Sunday.

"Palm Sunday" is a dreamy, romantic indie rock track that feels like it could have come out any time since the first post-punk era, but is singularly Papercuts. The track contains blissfully dreamy guitars and a floating chorus. Papercuts primary member Jason Quever says of the song; “it’s about lost love and unfulfilled potential. It’s about someone you never quite forgot about, but left you feeling epically let down and full of longing.”

Jason Quever has been releasing timeless guitar-based dream pop as Papercuts since 2004, impervious to trends or micro genres that have come and gone around him. In that regard, his contemporaries are artists like Hiss Golden Messenger, Fruit Bats, Andy Shauf or Kings of Convenience – artists who are more concerned with song craft and perfecting their sound, and less concerned with gimmicks or fitting into a specific scene. Past Life Regression is his new album and it’s a journey into the dreamier reaches of psychedelic folk-pop that digs deep into influences as wide-ranging as The West Coast Pop Art Experimental Band, Spiritualized, Echo & The Bunnymen, Leonard Cohen and late 60s pop of various flavors.

Crafted shortly after Jason’s relocation back to the San Francisco Bay Area after several years in LA, the new album revels in the tensions between the pleasures of homecoming and the collective miseries of the pandemic and our current political upheaval. The return home and the enforced isolation of lockdown lend the album a mood of contemplation and immersion in memory. The results are beguiling, from the lush sunshine pop harmonies of first single “I Want My Jacket Back” to the trippy farfisa-driven space-pop of “Lodger” to the gorgeous, Bunnymen-tinged “Palm Sunday.” 

As always, Jason’s songcraft, arranging and production are immaculate, (Quever has been tapped to work with dream pop luminaries Dean Wareham and Beach House as of late) as evidenced by the elegant chamber-pop of “My Sympathies” and the epic flow of “The Strange Boys,” “Hypnotist” and “Remarry” in the album’s warbly second half. The mood of longing and recollection is a perfect match for the album’s dreamy textures and for the unusual times we’re living through. It’s a true testament to the resilience of the Papercuts project that after several acclaimed albums, Jason still has much that’s new to say, and is continually finding new ways to say it.

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Laurie Biagini - I'm Doing Fine.

Laurie Biagini (Bee-Ah-Genie) is a songwriter-singer from Vancouver, British Columbia Canada, whose music would appeal to fans of 1960’s California sunshine pop.  Her sound and compositions have been compared to The Beach Boys, The Mamas and the Papas, Carol King, The Carpenters, and Jackie DeShannon.   Her main influences include these artists along with The Beatles, The Byrds, The Monkees, The Turtles, and Jan & Dean.

Laurie has played piano by ear since age five, alongside ten years of classical piano training. She only started writing music in August 2006, after writing her first song which came to her with music and lyrics simultaneously one afternoon as she was commuting home from work. Since then, she has completed and released four albums: “Ridin’ the Wave” (November 2008) “A Far-Out Place” (March 2010)  “A Go-Go Girl in a Modern World” (November 2011) "Sanctuary of Sound" (May 8, 2013).

Almost all of Laurie’s songs have been written, composed, performed and recorded by herself, with the exception of a few songs from her third and fourth albums which featured guest vocals, guitar tracks and lyrics. Laurie is currently in production of her fifth album "Stranger In The Mirror."

Laurie Biagini · I'm Doing Fine

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Palm Friends - Light Pink.

Minneapolis-based quartet, Palm Friends are today sharing "Light Pink", the final advance single to be lifted from their forthcoming EP, The Delivery which is set for release this Thursday, March 24 via Forged Artifacts. The group has found support for this EP so far from the likes of Under The Radar, FLOOD, The Alternative, Mindies, Here Comes The Flood and more. The new EP, mixed and mastered by Ben Etter (Deerhunter, Cate Le Bon) follows the band's 2019 debut EP, Nice Weather.

Palm Friends first came together as a means of healing. After his brother passed away, guitarist and singer Jesse Pedersen moved from New York back home to Minnesota to be with his family. As part of the grieving process, he called up some of his high school friends and asked if they wanted to start a band. With Jon Lindquist on drums, Will Burnton on bass and Jesse on guitar and vocals, the band quickly recorded their debut EP. The result was an ebullient indie rock six-song burst, the sound of a band in its early stages having a blast together. Soon after, Shawnna Stennes joined, and the final Palm Friends lineup was solidified.

The band wrote most of The Delivery together over quarantine before recording in three ten-hour sessions at The Terrarium in Minnesota. The result is a truly collaborative effort, on a songwriting level but then also on a deeper, emotional level. As a songwriting duo, Jesse and Shawnna play off of each other’s strengths, from Jesse’s indie rock songcraft to Shawnna’s warm yet melancholic lyrics but as a full group, this is really a collaboration centered around healing and friendship.

New single and EP-standout, "Light Pink" is a wistful remembrance of falling in love with someone so slowly and easily that you don’t realize how deeply you’ve fallen till you look up. Over raindrop-like guitars and swirling piano by Pat Horigan, Shawnna sings, “Warm me up like butter in a pan on low heat/Hardly noticed now I’m in deep.”

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Hailey Whitters - Blue Violet

Hailey Whitters - Boys Back Home.

Iowa-born and Nashville-based rising Country star Hailey Whitters has just released her highly anticipated third album 'Raised' via Pigasus Records/Songs & Daughters/Big Loud Records. Also released is the Harper Smith- directed video for the album’s single “Boys Back Home” that was shot on location in Hailey’s hometown of Shueyville, IA.

Hailey Whitters is currently in the midst of her debut headline Heartland Tour which will culminate with two shows at her hometown honky tonk DanceMor Ballroom in Swisher, IA on May 6 and 7. She will also hit the road this summer with Jon Pardi on his Ain’t Always The Cowboy Tour.

"This song was inspired by the boys I grew up with. On any given Friday night we used to pile in the back of one of their pickup trucks, get a bottle of cheap Hawkeye vodka and drive out to a clearing in the middle of the woods where we’d start a fire and sit around all night drinkin' and talkin' about life,” explains Whitters.

“I grew up with a lot of wild boys that turned into strong, hardworking men. They had my back then and I know they still have it now. I wanted to sing this song as a way of saying thank you and celebrating them. I know I wouldn’t be where I am today without ‘em.”

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Blue Violet - Rabbit Hole.

A raw and minimalist ballad that tactfully grapples with addiction, self-destructive cycles and the powerlessness that comes with watching a loved one go through a hard time, “Rabbit Hole” is a shimmering and stripped-back sampler of the duo’s forthcoming full-length LP.

Gauzy and subtly heartbreaking, with a sound as tender and exposed as its lyricism, guitarist Sam Gotley began laying down the track’s foundations in the car after a long day at the studio. Speaking of “Rabbit Hole”’s inception, he says: “This was one of those songs that exploded onto the page (I had to write and record voice notes frantically to get it all down without forgetting something), but it took a lot of fine-tuning to finish. This was an emotional song to record. Musically speaking, we kept things very bare and wanted to shy away as much as possible from electronic instruments and excess overdubs, so the end result is something quite natural using a lot of acoustic instruments, which the live room at Middle Farm Studios captured beautifully.”

Citing a series of vintage influences, including Nick Cave’s “Nobody’s Baby Now” and Leonard Cohen’s “Chelsea Hotel”, “Rabbit Hole” contends with two differing perspectives: one spiralling and self-destructive, and the other determined to pick-up the pieces and cobble them back together.

And for all its vulnerability, the track proved an emotional one to lay down in the studio. Feeling compelled to retreat into herself and create an atmosphere where she felt completely alone with nobody listening, vocalist Sarah Gotley was “met with four weeping men in the control room” after she recorded the track’s vocals.

Expanding on “Rabbit Hole”’s backstory, she explains: “To me this song is about protection. Whether that’s protection of self or protection of others. It has always felt like a very delicate subject to approach, being that so many people can relate to it on some level. So, approaching it with honesty, personal experience and sensitivity was the only way that felt right. Addiction from the viewpoint of someone who is on the outside looking in is such a fragile topic. Trying to address these emotions without feeling contrived, or playing on the pain of others for personal gain is difficult.”

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The Slackers - The Cactus Blossoms feat. Jenny Lewis - Tom Jenkins - Colatura

The Slackers - Hanging On.

New York City reggae legends The Slackers have released “Hanging On,” the second single from the band’s upcoming record “Don’t Let The Sunlight Fool Ya” which comes out April 15th. This record, their first in 7 years and 15th full-length in their career, is now available on Pirates Press Records’ web store.

“Hanging On” is a mantra that almost every band, including The Slackers, have had to deal with during the pandemic. “Being in NYC in March of 2020 was an experience I wouldn’t wish upon my enemies. People talk about how great it was to get off the road or spend extra time with their family, but I was already tight with my family. We rallied and my apartment became a law office, a college classroom, a recording studio, a mail-order merch warehouse, and a high school classroom. We did what we had to do to keep going,” said saxophonist Dave Hillyard.

The process for bringing this album to life was, by all accounts, one that was met with twists and turns that would make most bands implode. The band used their sound engineer’s house to practice and record while also trying to accommodate everyone’s personal situations. “The main challenge/s we had to overcome in making the record had to do with distance, finding a way to involve Vic and Glen, who live on the West Coast and thus 3000 miles from the rest of the band. We put half the band in one room, half the band in another, we continued to wear masks around each other, put a giant shield around the drums and just hoped for the best. Glen and Vic very graciously gave up their West Coast lives to live at Marc Critelli’s house for 2 months while we completed the majority of the record,” remarked drummer Ara Babajian.

The band previously released an adorable and hilarious puppet video for the title track “Don’t Let The Sunlight Fool Ya.” The song was written by the band after the initial wave of COVID was over but it was certainly not the end of the pandemic.

Rootfire · Hanging On

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The Cactus Blossoms feat. Jenny Lewis - Everybody.

Acclaimed Americana duo The Cactus Blossoms have released a new video for the song “Everybody,” featuring Jenny Lewis. The song is featured on their recently released album One Day.

The Cactus Blossoms will also be kicking off the next leg of their U.S. tour on March 19th starting in Red Wing, MN. Jack Torrey, who launched the band with his brother, Page Burkum, writes, “When I wrote the song it was originally from one person’s perspective, but one morning when I was drinking coffee it hit me as a conversation between two people and really came alive for me. I heard Jenny singing it in my head and couldn’t hear it any other way, so I hopped on the phone and called her to see if she’d be interested in singing on it. I’m so glad she was into the idea.”

Page remarks that “We had the chance to open a little run of shows with Jenny a few years ago and to hear her amazing voice and watch her cast her spell over her audience night after night was truly inspiring. She’s a heavy hitter in every way possible so it's a dream come true to hear her voice on one of our songs.”

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Photo - Drew Roxanne

Tom Jenkins - Back Roads.

Tom Jenkins has announced his signing to independent label Xtra Mile Recordings. The ex-Straight Lines frontman has also unveiled the video for new single “Back Roads”, a twinkling, country-tinged track that nods to Jenkins’ rural roots, highlighting the solitude and struggle of the job that has taken lives in the rural community.

Speaking of his excitement around the new signing, Tom says: “I’ve had the privilege of sharing almost my whole journey in music with Xtra Mile Recordings. From the label releasing some of my favourite bands and artists, to eventually putting out my own music as a teenager and through to my early twenties with two Straight Lines album campaigns. I’m very excited to begin this new chapter as a solo artist and grateful to be working once again with a great group of people with a great vision and ideas for their roster.”

Likewise, Xtra Mile Recordings add: “Everyone at Xtra Mile is thrilled to be reacquainted with Tom. We loved Straight Lines and have been floored by his new album. We can’t wait to start the campaign and continue our work with Tom in 2022 and beyond.”

The news comes off the back of successes with his self-released 2019 solo album “Misery In Comfort” and 2020 EP “When The Coal Dust Settled”, a patriotic folk release in support of the victims of the South Wales Valley flood.

Tom Jenkins hails from the high country of the South Wales Valleys, with the ex-coal mining communities and rugged farming landscape forming his identity and ingraining itself in the singer-songwriter’s sound. Born into a hill farming family, a life in music seemed worlds away but somewhere along the line Jenkins’ path changed: at first playing in local rock bands before eventually fronting Straight Lines, releasing albums with his old school friends and touring with the likes of Motorhead, The Presidents of the USA and more.

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Colatura - Kids Like Us.

In the midst of their debut appearance at SXSW in Austin, New York City trio Colatura has released their latest single, “Kids Like Us” this week. The track is featured on Colatura’s debut album, And Then I’ll Be Happy, set to arrive April 22, with a hometown performance set for that night in Brooklyn at The Sultan Room. 

Discussing the track, guitarist/vocalist Meredith Lampe noted, "This song is about collective family baggage, mental illness, and destructive patterns that can repeat generation after generation. We wrote it from the perspective of one sibling calling another to remind them that they made a pact to never have kids in the hopes of cutting off the negative cycle and to stop passing down traits that they wish they didn’t have themselves. The music video was made by our friend Matt Sklar (of the band Phantom Handshakes) using a collage of footage from each of our childhoods.”

Featuring the triple songwriting attack of Jennica Best (bass/vocals), Digo Degorio (guitar/vocals) and Lampe (guitar/vocals), Colatura has been called, "Fleetwood Mac with shoegaze guitars," by Fadeaway Radiate, and described by Popmatters as, “Drawing on a range of influences from '50s female-fronted outfits to Manchester post-punk and all manner of noisy things, Colatura sounds both of and out of its time, delivering music that seems to have always been.” Sonically, their foot is in a number of genres, writing music that is sometimes dreamy, sometimes heavy, with pop-leaning melodies and post-punk atmospherics.

Formed in 2019, the trio, joined by a drummer live, has played notable shows throughout New York City supporting acts such as Nation of Language, Pom Pom Squad, and Oceanator, amongst others, receiving praise from NYC tastemakers and music blogs alike. The band announced And Then I’ll Be Happy in January, with the single, “Team Sport,” which Brooklyn Vegan called, “a dreamy, warm treat in the dead of winter,” and led Under The Radar to state, “The upbeat surf guitar, blissful washes of synths, and brilliant bursts of melody make for a decadent dream pop reverie, recalling classic influences like Cocteau Twins as well as contemporaries like Alvvays or Yumi Zouma.” They followed with “Scars” last month, leading The Revue to say that Colatura create "melodies that have the same effect of a cool ocean breeze on a hot day.”



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