Tuesday, 23 October 2018

The Steel Woods - Half Stack

The Steel Woods - Old News.

Old News, the new album from Nashville based southern-inspired rock band The Steel Woods is set for a January 18th release via Woods Music/Thirty Tigers. Centred around the soulful and commanding vocals of lead singer Wes Bayliss and the instrumental prowess of guitarist Jason (Rowdy) Cope, Old News makes a statement in the continuing evolution of The Steel Woods as a unit and the Bayliss/Cope combo as songwriters, something their 2017 debut Straw In The Wind only scratched the surface of. 

Over the last two years The Steel Woods have built a loyal and passionate fan-base through their road warrior touring mentality and extraordinary live shows. Whether headlining or supporting artists such as Dwight Yoakam, Lynyrd Skynyrd, Jamey Johnson, Cody Jinks, Miranda Lambert, Blackberry Smoke and many more, The Steel Woods consistently convert audiences with each performance.

The themes reflected on Old News range from perseverance (“Wherever You Are”, “All of These Years”), to unity (“Blind Lover”) to hope and resilience in the stand out title track “Old News”. Their belief in finding common ground through shared life experiences and a musical connection was inspired by the conversations the band had with people they met on the road.  

As with their acclaimed debut album, The Steel Woods again included a Black Sabbath cover (“Changes”), but also felt the need to acknowledge some important artists we have recently lost. The four tribute tracks honour Tom Petty (“Southern Accents”), Merle Haggard (“Are The Good Times Really Over (I Wish A Buck Was Still Silver)”), their dear friend Wayne Mills (“One Of These Days”) and Gregg Allman (“Whipping Post”).

Old News was recorded at Echo Mountain Studio (Asheville, NC) and Blackbird Studio (Nashville, TN) and features band members, Wes Bayliss (guitar/vocals/keys/mandolin/harmonica), Jason Cope (guitars), Johnny Stanton (bass) and Jay Tooke (drums/percussion). 

The Steel Woods are a band steeped in Southern culture with a modern approach and powerful intensity in live performance. Though their style is apologetically Southern Rock and Rock, just pull back the layers to find lyrics that feature passionate storytelling and messages that resonate. TWITTER.


The Steel Woods have shared the title track for 'Old News' with the album due to drop in January 2019. Southern Rock and associated culture might not be for everyone, however I have to say it has always travelled well, with the likes of The Allman Brothers introducing me in part, at Knebworth Park in England back in 1974 (I was very young - honest).

In the less distant past (under 20 years ago) The Black Crowes are another band that have set standards high in terms of expectation for this classic southern music. I mention this (in part because it might make some old rockers a little jealous), but more seriously, due to the fact that The Steel Woods have made this music their own and are just incredible to listen to. There is heart, passion, and depth to this song alone, it's hard not to be stirred a little, because at the core I sense it is genuine, something good Southern rock has always been.


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Half Stack - Quitting Time (Album).

Combining outlaw country with sweet 60's psych, Oakland's Half Stack have really hit their sweet spot on Quitting Time, their first LP out this week on taste-making Bay label Processional Cross. Produced by Jay Som's Melina Duterte, the record is simultaneously lo-fi and lush, with slide guitar accents and sparkling leads.

In the past year, Half Stack have played around the Western US, appeared at SXSW, and received a nod from NPR with musical features in its national broadcasts. They're currently riding the waves their new record, Quitting Time, is making, with praise from The FADER, SF Weekly, Bandcamp, Tiny Mix Tapes, and The Deli, among others. Notable performances have included an appearance with Alex Cameron at the Noise Pop Festival in the Bay Area, as well as supporting Chastity Belt, The Garden and many others.

A standout among the flourishing DIY community in Oakland, the five-piece band blends cosmic-Americana with the rough-around-the-edges sound of the East Bay on their debut LP, Quitting Time. Pete Kegler's casual vocals perfectly encapsulate the laid back feel Half Stack cultivates, supported by the pulsing melodies of Callum Beals bass playing and Marley Lix-Jones harmonized, jangly guitar riffs.

All of the groups members have known each other for years, and played in countless bands together. Kegler & Beal spent their college years in the beach town of Santa Cruz, where they first honed their unique talent for surfy twang, and guitarist Oliver Pinnell also tours with Jay Som, who drummer Digger Barrett often tour manages.

On their first full length, Half Stack establish themselves as a fully formed and unique Western outfit, fit for indie rock kids who are ready for something familiar but new. Mostly, they're just here to have a good time. FACEBOOK.

From the opening moments of the first track 'Dually' Half Stack had gained my attention with the musical arrangement, where there is something just a little hypnotic going on behind the carefree vocals and harmonies. Then they change style with 'Quitting Time' a timeless taste of Americana with a loose and enticing feel. From there on the the album 'Quitting Time' continues to work it's charm, twist and turn and impress in a fabulous way. It's all presented below, and well worth a listen.


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Monday, 22 October 2018

Bessie Turner - Parabola West - Georgie and the Georgettes

Bessie Turner - Nino.

Tackling universal themes with a personal focus, Bessie’s song-writing falls one or two cryptic references short of laying herself totally bare. This mix of openness and obliqueness, alongside a lighter-hearted edge, makes for the beginnings of a captivating collection of releases so far. Her languid garage-rock indebted sound positions her alongside transatlantic artists like Soccer Mommy, Snail Mail or Angel Olsen, with nods to Brooke Bentham and Fenne Lily also.

Continuing this trend is new single Nino, which was produced by Richard Woodcraft, who won a Grammy for his work on Radiohead’s iconic album In Rainbows.

It’s an exploration of anxiety, and the value of having people around you to lean on, to push and pull at the right moments. “'Nino' is something my boyfriend calls me when I say I can't do something,” Bessie explains, “like if I am feeling unconfident about a performance, or something else that I totally have the ability to do, but I feel like I'm not able to, purely because of my own brain.

“The song has some well disguised personal references that relate to me...body image, boredom, sex, and that feeling like you want to go into self-destruct mode because of it all. Life can overwhelm and consume everybody and having someone there to give you a push or a boost is sometimes all it takes.”

Artists are often both a product of, and reaction to, their spatial surroundings. Bessie has lived her whole life in the countryside, and its eerie sparseness, punctuated by points of natural beauty, seeps into her artistic endeavour. Tackling the juxtapositions in both her thematic self-analysis and sonic textures can partially be attributed to the contrasts inherent in the environment that has shaped her. TWITTER.


Bessie Turner delivers gorgeous and sparkling vocals on 'Nino' an uncomplicated mixture of indie pop and rock (with some garage rock styling for good measure), where the hooks dig in early doors and don't budge.

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Parabola West - Calling Your Name.

Parabola West is back with her new single 'Calling Your Name'. The artist persona of New Zealand-based American singer and songwriter Amy Tucker West. Drawing inspiration from Celtic and Nordic folk roots, electronica, and organic sounds, Parabola West's music is a lush soundscape of layered melodies.

This new release follows up Parabola West's 2017 EP 'Purity of Weakness' and lead single 'Fire', which was released both digitally and on CD. Her debut EP 'Did You Hear?' was released in 2014. Often piano-driven, her music is laced with hints of Celtic and Scandinavian influences and a dash of fantasy. 

Originally from Springfield, MA (near Boston) on the U.S. east coast and currently based in Raglan, New Zealand, Amy began songwriting on piano as a teenager and, at age 21, she was recruited into the London-based trip-hop band Dreamfield during their recording sessions in Boston. With two critically acclaimed releases to their credit, the band split in 2003 and West relocated to New Zealand.

The self-confessed ‘math & science nerd’ then took a 10-year break from the music industry to work in IT and engineering recruitment, returning to her musical roots in 2013 as solo artist Parabola West. 

“I came to a point where I needed to fully immerse myself again in the creative,” says Amy Tucker West. To achieve that she took the extreme step of moving completely off-the-grid to a rural spot on New Zealand’s rugged West Coast. West has since released two successful EPs and continues to call Raglan home.

"Calling Your Name' expresses the torment of loving someone who has become emotionally numb. Ask anyone on a significant dose of anti-depressants and they'll tell you about the numbing - that slow, subtle nothingness that keeps life ticking over without incident but turns down all the colour," says West. WEBSITE.


'Calling Your Name' is beautiful and has an expansive feel, as both the melodic and captivating vocals and more electronic musical backdrop complement each other wonderfully. Add to that a subtle Celtic feeling, that gives this piece a little extra feeling and warmth, and this certainly is one imaginative song.

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Georgie and the Georgettes - Shaloomalooma!.

American singer-songwriter Georgie Cooper and Nub recording artist George Royale have got together to write and record four spanking new songs.

Combining their love of Rockabilly…Doo Wop…1960s Girl Groups…Country and Americana on this Extra Pleasurable Expertly Produced EP Entitled Pertinently…Shaloomalooma! Nub Music - FACEBOOK.

Comprising of four songs, the opener being the vibrant 'Shaloomalooma!' there is not a lot more I can tell you about those behind it, namely Georgie and the Georgettes.

The E.P. itself travels through classic genres in a breathless and totally lovable way. It's a little bit like a retro short, sharp, shock, that demands you stand up, pay attention and then throw yourself around the room in wild dancing abandon!

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Sunday, 21 October 2018

Venice May - Palberta - Ganser

Venice May - Hiding Place (Video) and the album - Illusion Is Inevitable.

Venice May is a project founded in 2013 by Natalia and Vincent, a couple both on and off stage. Their first common effort, "Illusion is inevitable was released in September 2018. Fundamentally rock, full of melodic  entanglements and ethereal atmospheres, their music also incorporates elements from post-rock. 

They do not like to cite influences, the desire and the ambition to deliver a unique sound being too strong. Listening to them, however, it is difficult to deny their affiliation with PJ Harvey, Sigur Ros, Portishead, A Perfect Circle, Brand New or Radiohead. 

Natalia was born in Ukraine and moved to France at the age of 25, Vincent was born and raised in France. The band is a duo that is accompanied by other musicians for their live performances. The songs were written and  produced by Vincent and Natalia and then mixed and mastered by Alexey Stetsyuk at Grave Town Production. No synths were used, all the soundscapes were created using guitar effects. WEBSITE.


'Hiding Place' is taken from Venice May's new album 'Illusion Is Inevitable' and as we have the option to share both, it a pleasure to do just that. Despite their desire not to cite influences (something their PR couldn't resist above), it's always easy to look for other bands as a reference point. Venice May have an eclectic mixture of musical ideas going on within the album, and central to this is the fabulous vocals and the bands more organic style as they resist the need to use synths.

The result is a gorgeous album where warmth, creativity and a treasure trove of musical hooks, ensure every track is a new adventure. So with or without comparisons Natalia and Vincent have something quite special going on here, so much so that I just hope they reach a wider audience, they are going to appeal to a lot of different musical genre fans, and their originality and fine musical art, deserves some widespread recognition.  


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Palberta - Sound of the Beat (Live at Look to Listen Studios).

Palberta's fall tour dates with Porches, Girlpool and Speedy Ortiz, are accompanied by a new music video for their single "Sound of the Beat," performed live at Look to Listen Studios in Greenpoint, Brooklyn. 

After releasing Roach Goin' Down earlier this year, Palberta continue to bring their hypermelodic brand of experimental pop to hardcore fans and new converts alike. Palberta's Record LABEL.

Palberta Fall Tour Dates and Shows:


10/25 - Boston, MA @ Somerville Theatre #
10/26 - Montreal, Quebec @ Bar Le Ritz PDB $
10/27 - Toronto, Ontario @ The Rec Room $
10/28 - Detroit, MI @ El Club #
10/29 - Toledo, OH @ Culture Clash Records w/ Harmony Tividad (Girlpool)
10/30 - Chicago, IL @ Bottom Lounge #
10/31 - Grinnell, IA @ Grinnell College #
11/1 - St. Louis, MO @ Ready Room #
11/2 - Nashville, KY @ Mercy Lounge #
11/3 - Atlanta, GA @ Masquerade #
11/4 - Asheville, NC @ The Grey Eagle #
11/5 - College Park, MD @ Milkboy ArtHouse #
11/6 - Philadelphia, PA @ Union Transfer #
11/27 - Boston, MA @ Sinlair *
11/28 - Philadelphia, PA @ First Unitarian Church *

 # w/ Porches & Girlpool
$ w/ Porches
* w/ Speedy Ortiz


A new live studio video for 'Sound of the Beat' (and imminent tour dates) are worth a mention and a share, as Palberta delight us with this feisty and lovable song version. At less than two minutes it's also something of a tease to see them live or check out 'Roach Goin' Down' released earlier this year.


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Ganser - Pastel.

Ganser is a Chicago-based band equal parts Space Odyssey and Ghost World that embraces a post-punk ethos with early synth music’s minimal intimacy, formed in 2014 by Nadia Garofalo and Alicia Gaines. Drawing inspiration from visual language commonly associated with film and their shared art backgrounds, the band was joined in the Fall of 2015 by drummer Brian Cundiff and guitarist Charlie Landsman.

This Spring saw Ganser’s debut LP Odd Talk exploring communication breakdown, both in “frayed nerves” (New York Times) and “smothered in anxiety” (Billboard). With their new single “Pastel,” released through No Trend Records, the Chicago post-punk band explores the sticky-sweet, repulsive need for attention.

In a world of parasocial relationships and illusions of intimacy, there is the nagging sense that no one is watching you shout into the void. “Pastel” dances with that particular anxious itch, with Alicia Gaines (bass, vox) and Nadia Garofalo (keys, vox) sharing vocals alongside Charlie Landsman’s angular guitar and Brian Cundiff propulsive drums. Pastel is a true hip-swinging panic dance.

Half boasting (“My blood’s thicker, redder than yours”), half frightened (“Hungry to show anyone anything at all”) the song details the collective consumption of self when everyone is an audience, and everyone a performer. Everything is happening all the time, and isn’t that terrifying?

The band toured the East Coast and South in support of the album, as well as playing multiple festivals this year (Do Division, Athens Popfest, Cold Waves). The foursome has had the pleasure of playing with artists like Modern English, Thee Oh Sees, Ought, Micachu and the Shapes, Cheatahs, Wax Idols and King Woman. Ganser continues to make bright black music for space transmissions and panic attacks. They are currently working on their second album. BANDCAMP.

Ganser Tour Dates
10.31 - Chicago, IL @ Lincoln Hall (Halloween Bomb Bash)
11.17 & 11.18 - Chicago, IL @ Beat Kitchen *
* with Daughters.


Ganser's new video for their brand new single 'Pastel' is our third feature for the band this year and once again we are treated to a retro video accompaniment to immerse ourselves in. Ganser's loose and potent rock and roll is as delicious as ever, and for reasons I am still to work out, both images and music when combined seem to resonate a whole lot more.


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Saturday, 20 October 2018

Haiku Garden - Curtsy

Haiku Garden - Catch My Breath.

Hailing from Ljubliana, Slovenia's flagbearers of muddy guitar noise and dreamy vocals Haiku Garden proudly present their highly anticipated debut full-length effort. They play noisy, guitar-driven music, interlaced with poppy vocal harmonies. Shoegaze, dreampop, neo-psych and noise rock are all thrown into the equation.

Since their debut EP Waver in 2016, with single “Rosetta” winning Song of the Day honors on KEXP, the band has run a long way: they already toured Poland, Czech Republic, Slovakia, Hungary, Serbia, Croatia, Lithuania and Austria, playing festivals all over Europe and opening for the likes of The Jesus & Mary Chain and SUUNS in 2017.

Where If Not Now sounds very much like a cinematic experience, marking the sound of a fully fleshed-out band exploring, disintegrating and advancing their shoegaze foundation with abrasive, experimental, and even melodic approaches, imbuing their sound with a distinctive sonic signature.

Nine songs, filled with yearning, a sense of abandon and longing for things new, unexplored and unknown, unfold like a rainbow of endless colours and feelings, inviting you to escape. Where If Not Now does sound like a film, a film for dreamers with a runtime that always seems too short. During performances, the band is draped in visuals (courtesy of 5th member Kristina), which makes the experience even more mind altering. BANDCAMP.


'Catch My Breath' is the first of nine tracks on Haiku Garden's brand new debut album, showing off the more powerful Shoegaze side of their music. The band are not cornered into any one specific style, the album mixes lighter, melodic songs (coupled with some fine musicianship) alongside some creative explorations where psych, dream pop and good old rockers compete for attention. As debut albums go, there are plenty of hooks and variety and a sense that this band doesn't care to play safe, rather there is a leaning towards experimentation that is both refreshing and highly listenable.


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Curtsy - Vista Del Mar.

Curtsy is an indie-rock five piece consisting of Austin Knecht, Crystal Napoles, Kai Dodson, Tamara Simons, and Jonathan Palmquist. Curtsy was formed when Austin Knecht (vocals, guitar) auditioned as a lap steel player for a country-folk band fronted by Crystal Napoles (vocals, keys). After bonding over their mutual love of 80s pop and 90s shoegaze, the pair began writing together. Jonathan Palmquist (drums), Kai Dodson (bass), and Tamara Simons (guitar) joined the pair along the way, forming a completive, rich rhythm section. Their sound incorporates lush indie pop with dreamy guitars over driving rhythms and haunting boy/girl harmonies wrapped around perfect pop hooks—a sound that creates something both familiar and unique.

“Vista Del Mar” is about a talented musician that had the tendency to act out of control, black out, be overcome with madness, and wander into house parties that they weren’t invited to. One night, they lit their mother’s bed on fire while being in a blacked out state of mind. They ended up in Aurora Vista Del Mar Hospital, a mental institution that burned down in the Ventura fire last year.

Three years ago, indie-rock quintet Curtsy identified with the luscious soundscapes and pleasant harmonies of love-sick dreampop. Although elements of dreampop and shoegaze still season the backbone of their sound, personal and historic undoings have given Curtsy something to say, and savory sonics are no longer enough. Tell Me How This Ends brandishes relentless drumbeats, propulsive bass lines, and distinctive guitar layers behind cascading lyrics typified by self-destruction, apprehension, cognitive dissonance, and an ever-present lack of control. 


Within song-structures and harmonious melodies that pay homage to Curtsy’s dreampop roots, the seamless unification of Tell Me How This Ends’ instrumentation and biting vocals creates a sound that is both nostalgic and innovative. Tell Me How This Ends is the devastation of unmitigated reality wrapped in a shining bow. It's five people who are in love with music but fed up with its euphemisms. What does angry dreampop sound like? It sounds like this. TWITTER.

The tenth and final track on the bands 'Tell Me How This Ends' album is 'Vista Del Mar'. If this is angry dream pop then it's not short on catchy and very likable songs. In actual fact the band produce a mixture of styles with alt & indie rock overtones never far away. There is an overall polished and tight sound, plenty of natural feeling, and that vital element of emotion that ensures the material registers personally.

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Paco Cathcart - Paige Barnard - Jont - Esther Rose - Ways of Seeing

Paco Cathcart - Invasive Species. “Invasive Species” is the second advance single from Paco Cathcart’s new album Down on Them (out 2nd May)...