Quasi Qui - Abby Sage - Iceblynk - Astralux

Photo - Maxime Imbert

Quasi Qui - Terminal 5.

Since the announcement of their signing to microqlima records (Isaac Delusion, L’Impératrice, Pepite, Fils Cara), things have moved fast for British alt-pop duo Quasi Qui. After playing a number of tastemaker festivals in France (Pete The Monkey, Coconut, Love Letters..), and the release of the singles 'Directorial Debut', 'Epoch' and '10 years', the duo is back with 'Terminal 5'. A dense and colourful number, much like the forthcoming album Downloading A New Operating System, which is set to be released November 4.

Together, Yehan Jehan and his sister Zadi are Quasi Qui. In the dystopian / utopian sci-fi reality that they envisage on their new album, the earth has split into two, and it’s up to you to hitch a ride on the parallel universe of your choosing. The duo are not only reimagining how to make great pop music on their debut album, they’re also remodelling the future and imagining a civilisation that works for us all. Such confident prognostications are certainly welcome right now.

The concept for Downloading A New Operating System came to Yehan Jehan periodically, by way of a recurring dream. He describes those dreams as like “a collage of cinematic films”, which formed the basis of ‘City Mashups’, the assured opening track that imbues the spirit of Quincy Jones in widescreen. ‘City Mashups’ sets the tone for the rest of the record, which passes through personal experience, present experience, and then, according to Yehan: “future aspiration and a new hope or innocence.” Their debut is suitably audacious and teeming with musical invention, offering a roadmap out of our current collective malaise by imploring us to dream big and open up our imaginations.

Yehan has turned heads with his production nous, making a plethora of bands sound more expansive and technicolor, though he’s more than just a slick producer: “The modus operandi was to make sure the songs were strong,” he says. That marriage between melody and production is felicitous on tracks like new single ‘Terminal 5’, where breakbeats, sub-bass and sequencers form a nexus with catchy melodies.

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Abby Sage - High Five.

LA/London based alt-pop artist Abby Sage shares her sophomore EP The Florist via Nettwerk. The Florist EP represents a dynamic shift, an evolution in Abby Sage’s artistry. The 5-track collection is fueled by Sage’s love for character sketches, with each song becoming a tiny play or narrative. The songs off The Florist gently flow through the different phases of early adulthood—from the uncertainties and complexities of daily life to those moments of pain and joy that shape us in who we are and who we want to become.

Abby Sage shares this about her EP, “‘The Florist’ I leaned heavily into a ‘fly on the wall’ mentality. I was spending a lot of time alone but surrounded by many people in transit. I wrote the project with others in mind; others and their experiences and stories, particularly struggles people face through the various stages of life. For example, ‘Pool Party’ really zeroes in on moments of youth feeling unprepared, overwhelmed, and a bit out of sorts. To contrast this, I included a conversation I had with my Nanna (the interlude “Irene”) where she speaks on the troubles she faces and her overarching feeling of falling behind, regarding technology in particular. I think we really glorify youth and there are a lot of pieces of work out there that focus on ‘firsts,’ such as first love, first heartbreak etc. My Nanna really inspired the project because I wanted to get both sides of the timeline. The beginning and the end, that’s what I wanted to capture with The Florist.”

Brand new track “High Five” is a celebration of solitude. Co-written with fellow Nettwerk artist, LA singer/songwriter Miya Folick, “High Five” highlights Sage’s reposeful vocals, buzzing alt-pop melodies, and gentle drum beats. “High Five” casually blends nostalgic fueled lyricism with sonically trippy vibes. “‘High Five’ came to me when reflecting on the importance of alone time. I’ve always been a more reserved person who enjoys my space and my own company,” says Abby Sage. “I came to the idea of high five as an homage to that. Waking up alone and going to bed alone with all of those special moments in between. It feels like a beautiful secret between you and the morning hours or you and the night. Only you heard that bird sing or that car passed, only you saw the glow of the streetlight. It’s intimate. I don’t think there’s any better feeling than that.”

Abby Sage · High Five

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Iceblynk - Seen Gone.

Queens, NY-based indie-pop trio, Iceblynk, made up of Andrea Lynn (vocals) and brothers Martin (guitars, bassVI, mellotron-D) and James Newman (bass, drums, lapsteel) release their debut, self-titled EP Iceblynk via A Secret Brand. 

To accompany the EP release, the band highlights their latest single “Seen Gone,” which features guitarist Martin Newman cleverly layering hypnotizing and dreamy guitar plucks over a 12-string guitar throughout the track. From there, a solid drum groove and silky-smooth Fender BassVI steps in to lead the listener into the crescendo. 

“‘Seen Gone’ was originally recorded for Iceblynk’s straight-to-vinyl limited release as ‘Seagulls,’” explains vocalist Andrea Lynn. “I insisted not only that we include it on the EP, but that it should be highlighted as one of our singles. It’s one of my favorite songs to perform and in some ways, departs from our previous singles. 

It’s more of an emotionally charged slow burner, with gently hypnotic guitar leading us in and soft vocals that reference the sensations of flowing like a dream and floating away. All of it beckoning us to lean in and listen closely. From quiet beginnings, “Seen Gone” eventually bursts forth, intense in every sense with fevered layers of guitar and soaring vocals. Moments later, the rising tide recedes with all elements circling back to the beginning as we slowly drift back into silence.”

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Astralux - Desert Dream.

Rock n Rollers Astralux are back with a music video for their single "Desert Dream." The video showcases the Los Angeles band as they drive out to the desert and set up to perform. 

Shot in Joshua Tree, California, the video perfectly complements the overall free-spirited vibe of the song. 

Thrilling, powerful, and enigmatic, the "Desert Dream" is a sonic journey through the surreal and inspiring places we travel to when the “Sun goes away.”

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Tough On Fridays - Rosie Thomas - Sylvia Pollard - Melby

Tough On Fridays - Daisy.

Tough On Fridays have announced their new album The Encore You Didn't Ask For will be out on November 4 and is available for pre-order now via Archangel Records.

The Encore You Didn't Ask For is the second full length album from the band, with A Fantastic Way To Kill Some Time being their first full length album that was released during the height of the pandemic. The first album was the sound of a band just starting to explore who they could be, The Encore You Didn’t Ask For, is the sound of a band sure in the knowledge of where they want to go and what they deserve for all the hard work to date. 

Alongside the usual learning curves and sonic development, they have navigated around all the usual obstacles that get thrown in the path of rising bands, from lineup changes to finding management and representation, to the general cut and thrust of getting noticed in the busy, shark-infested waters that are the music business.

But Tough On Fridays is a band that has always known where it wanted to go and found a way to get there. The focus never seemed to waver, and the goals were always evident. And now, having overcome all those challenges, they reap the rewards. And the first and most immediate of those rewards is seeing their second full-length album hit the public very soon.

And what an album it is. Tough On Fridays may have done its growing up in public, but hearing all of these great tunes in one place, not to mention the fact that the band hasn't been afraid to rework older tracks so that they fit better alongside the newer songs, feels like the perfect justification. Justification of their hard work and the people's belief in them along the way.

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Rosie Thomas - Fly Little Crow (feat. Iron & Wine).

Now that the kids are back in school, (save for 1 still at home) Rosie Thomas resumes her Lullabies For Parents series helping to comfort, sooth, and encourage other parents. In Volume 2 (due in March of 2023), Rosie dives into the lessons we hope to convey to our children, and reminders we can all use ourselves.

“I imagine most parents, like myself, have some constant background anxiety of making sure we can impart any/all wisdom we’ve gathered through our lives – to pass along what we’ve learned, and hope to not miss anything. As it happens, when I think about those things, it’s often the same life lessons that are helpful to remind myself of too as an adult to ease my own worry.

Plus, as much as we want to say all the right things the right way, (impossible,) I have to remember they learn the most from just watching us, so I have to try to exhibit those attributes myself most of all. No pressure! Volume 2 deals with a lot of those “lessons/reminders” – a lot of the main ideas I want to communicate to my kids: to live wild and free, to be bold and confident in who they are, to be discerning, and not to settle.

To treat women with dignity and respect, to stand up for themselves and others. To have empathy, to look out for the overlooked, and let them know they are seen, worthy, and loved. Acknowledging while I may not have all the answers, I will always be there to help them figure it out for themselves. My hope is that wherever they land on the “big” questions of worldview, to always error on the side of love, and treat others how they would want to be treated. Okay, I just got a little angsty again thinking about it all. It’s okay. It’ll be alright;)”

Lullabies For Parents Volume 2, again sees featured guest performances from friends, and fellow parents. First with Iron & Wine on Fly Little Crow, Josh Ottum on “Life Is a Gas,” and later William Fitzsimmons, and Denison Witmer. The project is still quite the family affair with the mother/father duo of Rosie and the many-hat-wearing, Jeff Shoop (producer, co-writer, musician, engineer, art director, video director, manager, and label director, plus plus) #SupportSmallFamilyBusiness

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Sylvia Pollard - Living on Different Planets. 

“Living on Different Planets” is about navigating the challenges (what is real, what is fantasy) and feelings (from alienation to elation) generated by our on- and off-line worlds, trying to stay grounded (through music) yet moving forward as individuals, a civilization, and a planet.

The song references . . Elon Musk’s vision of space expansion as an option to the demise of our planet, forcing us to look at our mortality, yet we seek immortality. Leonard Bernstein’s famous quotation: “Music is notes . . . and that’s all there is to it.” We tend to overcomplicate our lives, while craving simplicity. But will just notes (reality) ever be enough for humanity? Generational divides and the (universal) need to move away—across the country or a continent away—to find ourselves, which can feel like a world away.

In the end, we all create and live in our own fantasy worlds. “ Living on Different Planets” displays a high degree of musicality and originality. Upbeat and playful, yet philosophical and reflective, the lyrics and music conjure a magical soundscape reminiscent of some of Sylvia’s favourite artists: David Bowie, Orchestral Manoeuvres in the Dark (OMD), and Kate Bush.

Similar to her previous single ”Bully-Man”—her plea to Putin to end the war in Ukraine, Sylvia is tuned in to the zeitgeist with her new single “Living on Different Planets” exhibiting her usual calm intensity.

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Melby - Looks like a map (Album).

On a first, careless, listen, Stockholm four-piece Melby might seem like a charming, fun little jangle-pop band. Pay a little more attention however, and you’ll find their waters run a lot deeper than that. The band have all the flash and sparkle of your favourite indie band, but add an ability to touch moods and feelings with a meaning beyond most of their peers. Their guitars, drums and synths rattle, roll and flicker around each other, all held together by the soul-shiver in Wiezell’s vocals, to make immaculate little guitar-pop gems, equally dusted with sadness and sugar.

Finding comfort in a sea of uncertainty might be a good way to describe Looks like a map, the bands second album. The record captures Melby at a moment where they’re growing as people and as a band, expanding the reach of their sonic horizons, and taking in deeper and heavier themes, trying to find a home in an often-alienating world.

The music they made around that has a little touch of sorcery around it, sometimes soft as smoke, sometimes woozy and dream-blurred, sometimes crashing and explosive. But even through all that evolution, the heart and the soul have remained the same, and Looks Like A Map still has that Melby-feeling, of a band who put all of themselves into everything they make and their own blend of indie, psych, pop, rock and folk. It’s a new high for the band that have toured Scandinavia, Germany and the UK and have played festivals such as Eurosonic, Reeperbahn and By:Larm, and one that hints at even bigger things to come.

Rama Lama Records · Melby - Looks like a map

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Siv Jakobsen - This Lonesome Paradise - JEEN - Staples - Roslyn Witter

Photo - Jørgen Nordby

Siv Jakobsen - Tangerine.

Siv Jakobsen has released her new single "Tangerine", the latest taste of the acclaimed Norwegian singer-songwriter's upcoming third album 'Gardening' - out on 20th January 2023 via The Nordic Mellow. Jakobsen has also announced a UK tour this November supporting Mom + Pop signees Beach Bunny, with stops in London, Bristol, Manchester, Brighton, Dublin, Belfast and Glasgow.

Sharp yet surreal new single “Tangerine” is told from the perspective of someone who feels helpless, disposable and worthless. “I imagine this person trapped in a house, needing help and not being able to ask, then locking eyes with a neighbour and silently asking for help they’ll never get,” Jakobsen says.

Lyrically inspired by the work of Japanese author Haruki Murakami, Siv Jakobsen's stronghold of lyrical imagery is undoubtable. ["I’m a tangerine, peel me / Throw me in the sink, Leave me there to stink / I’m a tangerine, squeeze me, Let me drip down your lip"] Siv sings over a serene arrangement of hushed acoustic guitars, soft electronics and synths courtesy of Marcus Hamblett (Laura Marling, James Holden) and bass clarinet from Emma Gatrill (This Is The Kit, Lucy Rose).

Speaking more on the lyrical inspiration behind "Tangerine", Jakobsen said: "I imagined someone who was held against their own will inside a run of the mill suburban house, looking out from the front room and willing for someone to come let them out. This someone is mentally stuck, a deer in headlights, scared and frozen. Not wanting to stay but unable to leave - worthless in another's world, like a carefully peeled, squashed and tossed tangerine."

Siv Jakobsen's upcoming third album 'Gardening' was produced by Hans Olav Settem and Simen Mitlid, mixed by Zach Hanson (Bon Iver, Hand Habits, Sylvan Esso, The Tallest Man On Earth), and features instrumental contributions from Emma Gatrill and Marcus Hamblett.

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This Lonesome Paradise - Nightshades (Album).

This Lonesome Paradise - the band of drifters whose western noir was born in the hazy Astoria underground released their new album Nightshades today October 21st. 

Since recording and releasing the last album the band uprooted and transplanted to Joshua Tree, Ca. At a show in Los Angeles they quickly connected with local musician DJ and Producer Pat Kearns (Goat Mountain Recording), and set up to record their second LP in his off-the-grid one-of-its-kind solar powered studio in the desert. The conditions were already perfect for their sophomore effort, but leader E. Ray Bechard maximized the time by bringing in Taylor Kirk (Timber Timbre) to produce, Bart Budwig to engineer, and George Cessna (Slim Cessna's Auto Club) to contribute.

Taylor Kirk had this to say about the new album: “Not having much experience producing live-off-the-floor recordings, I was deeply grateful to arrive in the high desert to find that E. Ray had assembled an expertly crooked roadhouse band and location for the Night Shades session. Inside of eight days at the incredible Goat Mountain Studio in Landers, California, alongside engineer Bart Budwig and This Lonesome Paradise we almost instantly turned some very foggy-formed demos into beautifully spontaneous renditions of eleven tracks vaguely resembling a Morrissey-fronted Gun Club on a Slab City holiday.

The thrill of making these recordings in first and second takes from cactus framed vistas turned to envy as the songs organically morphed into their own exotica-lounge-casino-rock genre. While generously encouraged to interfere, I’m not entirely convinced I earned the producer credit. But I will proudly take it, along with a ton of ideas for the next one.” - Taylor Kirk (Timber Timbre)


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Photo - Laura-Hermiston

JEEN - Little Idea.

Today JEEN reveals her latest full-length album, Tracer, co-produced with Ian Blurton.  She discloses, “Making this record helped me stay above water instead of going to the bottom, or at least make peace somewhere in between.” There is a vulnerable and fragile quality to her vocals: both warmer and less angular. One quickly realizes that Tracer is an immersive and intimate experience. A challenge or even a dare, to sit with and allow oneself to be taken in and even more so taken over.

“Little Idea” out today is a stripped-down song about wanting something and hoping it wants you back; like the point you give in after burning out on it for so long. JEEN continues, “I think on this album I was trying to convince myself it’ll all be ok, or if it’s not maybe that’s ok too… that quote ’find what you love and let it kill you’ sums it up pretty good for me.”

JEEN takes us down the rabbit hole of decades past, yet this feels very present. The influences are here: grunge, punk, garage, shoegaze, prog and psych rock. Tracer exudes the warmth of something familiar without being or feeling nostalgic. Every great record shares what the artist loves and inspires them with the listener. This is where Tracer absolutely shines. Yet this is all JEEN and this is her best—so far.

JEEN. · Little Idea

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Staples - Unjust Jeans (And Guillotines).

Meanjin/Brisbane group alt-rockers Staples release their instantly addictive track 'Unjust Jeans (And Guillotines)' today October 21, and you can bet it's going to stick like honey. Since forming in 2019, the band has released an EP 'Another Melodramatic Mess', sold out shows around Brisbane and last year they supported the Last Dinosaurs.

Returning to the stage in 2022 to launch their single 'Optimist', Staples look forward to releasing their highly anticipated sophomore EP out on November 18. The next release that we're lucky to witness is 'Unjust Jeans (and Guillotines)', a song as memorable as its title.

With a feel-good, bop-ready beat and nostalgia-dipped rhythm, 'Unjust Jeans (and Guillotines)' is one of those tunes that will effortlessly inspire smiles and get people moving. The tune is synonymous with festival season and sunny days spent with mates outdoors, and evokes a sound that could be a mix of The Smiths, The Cure but with a unique indie-rock twist. Though it's a fun tune, it isn't without substance, with lyrical gems like ‘revolution isn’t served on silver spoons’ given space to strike a chord. Speaking further about the song's story, Staples explain:

"Blending driving post-punk basslines, glistening synths and nostalgic jangle-rock guitars, “Unjust Jeans (and Guillotines)” explores the bleak reality of worker exploitation and corporate greed under late-stage capitalism, while encouraging solidarity and hope within the hopelessness." That hopeful energy comes through strong on 'Unjust Jeans', and will no doubt earn the group even more support. So far, they've had consistent 4ZZZ airplay for three of their singles - ‘Talkerspace’, ‘Shoegrazze’ and 'Optimist', as well as drumming up reviews by presenters over at Triple J Unearthed.

Staples · Unjust Jeans (and Guillotines)

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Roslyn Witter - Chasing Fireflies.

Slaight Music signing Roslyn Witter, daughter of award-winning country star Jim Witter, is a charismatic, distinctive and organically-nuanced tenor. 

She's an exceptional siren whose gift of artistry bypasses cliché and stakes her authenticity as both singer and songwriter in the genre known as "three chords and the truth."

Witter's truth lies in a naturally intuitive voice and a phrasing that zigs when you expect it to zag and a lyrical prowess that expresses natural emotions and opinions. "Chasing Fireflies" elicits joy and encourages introspection. Inspired by a hike with her husband, it's about spreading love and enjoying the little things in life with your partner.

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Listen To BCMR (Beehive Candy Music Radio) streaming 24/7 with all the music featured on Beehive Candy in recent weeks and an eclectic mix of music from days gone by. BCMR-HERE.  

Jeremy Voltz - Güero - Hannah Schneider

Jeremy Voltz - Mountains.

Burned-out mathematician turned indie-soul artist, Jeremy Voltz’s music is inspired by thinking deeply about the people in his life and what he’d love to have the courage to say to them. Reminiscent of Jeff Buckley, Hozier, and Stevie Wonder, he has a voice that is powerful and haunting, delivering hook-heavy melodies with universal, heartfelt lyrics.

Voltz’s new indie-folk single, “Mountains”, follows on the heels of his debut full-length album, Weekender, produced by multi-JUNO-winning producer Michael Wojewoda. Weekender was named Album of the Year at the Ontario Folk Music Awards in addition to receiving national airplay. The music video for “Fall Apart” has been screened at film festivals internationally and received awards at the Indie Gathering International Film Festival and the Open World Toronto Film Festival.

A signed artist with Hyvetown Music Publishing, Voltz has quickly gained notoriety as a songwriter. His songs have been featured on national commercials as well as on film, television, and radio by companies such as Hallmark, TLC, the NFL, and CBC Radio. Currently featured on Spotify’s Discover Weekly, his award-winning acoustic anthem, “One Day at a Time,” has millions of worldwide listens and recently inspired an illustrated children’s book.

Jeremy Voltz · Mountains

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Photo - Mark Dillon

Güero - Scribe.

Sacramento quartet Güero have returned a new single “Scribe,” a first taste from their third album, due in early 2023. The track was produced with Akiyoshi Ehara (Geographer/The Seshen).

Discussing “Scribe,” bassist Russell Volksen noted, “We called it ‘Scribe; because it came from always recording the practices, like the way a scribe was tasked in being the record keeper. The song started just as something that we jammed on, a three-chord progression that Rik had. A week or two later, I was listening to it and thinking, ‘We have to try to make a song out of these riffs because they’re really cool’.  So, I played it for everyone and we kind of were able to grab some of the parts and construct a song using those riffs. It feels like it was the first time we ever did that, where we pulled some random riffs in a jam and said, ‘that’s the intro, that’s the verse, etc.’ Mike would always yell, ‘Scribe’ impersonating the scene from, ‘Monty Python & the Quest for the Holy Grail’ if we needed to pull up a recording for reference after this.”

Along with Volksen on bass, Güero are guitarist/vocalist Rik Krull, keyboardist Shea Ritche, and drummer Mike Ruiz. The quartet are fond of banging things out live, in their rehearsal studio, recording via the Voice Memos App, to see if anything clicks and sparks. Through this process “Scribe” was born.

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Hannah Schneider - The World’s Gone Still Now.

AyOwA’s Hannah Schneider has just unveiled a really gorgeous evocative new video for ’The World’s Gone Still Now’ from her new album ’Ocean Letters’.

From the beginning of her career, Hannah Schneider has established herself as a unique musician on the Danish scene. With her love of strong melodies and well-crafted lyrics, she constantly treads new artistic paths, carrying the weight of contemplation as a companion.

‘Ocean Letters’ is written in a time of turmoil, where the waves of water and time have inspired Hannah Schneider's universe of contrasts. Where she has found her classical roots and connected them to her electronic universe. Where gravity and hope, vulnerability and beauty exist side by side at all times.

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