Metaspion - Trampoline - Sun Salute - Watling & Bates

The very idea of fusing folk, EDM alongside other genres had me intrigued and Metaspion doesn't disappoint with the splendid track entitled 'Pyros'. Trampoline released their debut album last month and 'Emilys Tea Party' is to good to pass up on even if we are (ahem) a little late to the party. Sun Salute share some gorgeous roots music channelling natural reggae vibes with a timeless feel. Watling & Bates give us a taste of Australia meets Americana style country music, that is both imaginative and a little on the Gothic side.

Metaspion - Pyros.

There is a new single from acclaimed Norwegian electronica artist Metaspion entitled "Pyros" (feat Skam R' Tist). Metaspion is known for fusing folk, EDM and other genres in intriguing ways as evidenced on his 2018 full-length Folktronica Schmolkfonika..

About new single "Pyros", he says: "It was a "wow!" moment when I first put an 808 kick over a Hardanger fiddle playing a folk riff. I remember thinking this is something the world has never heard before. It was like something exploded or caught fire. Which later led to the lyrics."

Metaspion is a departure from Morten Richter’s glam rock past. He felt rock n roll didn't make sense anymore and needed reinvention. His passion for both folk music and electronic music would eventually lead to a new folktronica solo project. It's a fusion of the old and the new: traditional Scandinavian folk music and the quintessentially modern genre of electronic dance music or EDM.  Richter plays the majority of the instruments on the album himself with the occasional guest appearance. Like DJ's today, the fiddler was the star of the party in the 1800's and provided music people could dance to, even capturing them in a trance-like state.

That’s what Richter hopes to achieve with Metaspion; “I want to bring those vibes and that energy into the electronic music today and combine it with crazy new sounds.”


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Trampoline - Emily's Tea Party.

Many say “variety is the spice of life” and that's exactly what Trampoline are bringing to the tablein 2019! With the trio's release of their debut concept album, Happy Crimes (released in February), avoiding the label of just one genre is exactly what makes them stand out from the musical pack.

"Michelle’s provocative vocal delivery – comparable to Patti Smith or Fiona Apple – is tailored to suit the message of each song on Happy Crimes. From the intensity of “Mary Alice” to the sweetness of “Twins on Fire,” she is a singer who employs a wide range of vocal techniques to get her point across with sincerity." - Grace Hrabi, Stylus Magazine - "Trampoline will be everyone's favorite band by 2019." - Gary Yates, film director.

“I think that as soon as a genre becomes established, there is an expectation of what a band/group is supposed to sound like,” Trampoline drummer, Steve Martens, explains. “To some degree, we kinda fit in the rock category; a better summation of us is 'unpredictable human beings making funny and thoughtful noise in an intentional and cohesive manner', but that's a mouthful.”

Charged by the whims of satire, playfulness and deeply heartfelt emotion, Trampoline explores the highs and lows of the human experience and has you bouncing while they do.

“What excites me most about song writing is the notion of transforming something dark and painful into something bright, beautiful and funny,” Trampoline lead vocalist/guitarist, Michelle Lecnik, says. “Suffering quickly becomes comedy once it's worked through my system (or once it becomes more conscious) and the spirit of these songs reflects the process of transcending disturbing emotional material and the bliss that ensues.”


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Sun Salute - No More.

Born of the snow season in Victoria, jamming and snowboarding together, Sun Salute are an international collective of musicians that draw inspiration from nature, travel and community. Their philosophy is both simple and infinitely complex: to use the power of music for healing and change.

Politically driven and unafraid of voicing the truth, Sun Salute are not without their bite, but even at their most lyrically pugilistic they are positive and uplifting. No More, the first single off their album due out this year, is a perfect example of all of the above. Taking a full reggae ensemble, giving the horns a delicious Motown twist, and delivering socially conscious lyrics through an epic tropical melody; No More is a glorious hybrid of tones, styles and ideologies.

Featuring local Indigenous custodian Ken Dodd, No More lends its voice to the original owners of this land and to all people around the world whose cultural values, sacred protocols and ancient voices have been silenced by corruption and misinformation. Serving a call-to-action for people to rise up against the increasing corporate influence over the planet, Sun Salute pay honour to the creed of saying what you mean and meaning what you say. That is the philosophy of Sun Salute in a nutshell. Be real. Speak the truth.

Returning to their roots in the Victorian snowfields, the band tracked their new material at reggae icon Nicky Bomba’s mountain cottage with legendary engineer Robin Mai (John Butler Trio, Melbourne Ska Orchestra). Refining and finishing the tracks with reggae maestro Paulie B (The Beautiful Girls, Bobby Alu), Sun Salute's ARIA Award-winning production team has done an exceptional job in capturing all of the classic reggae rhythms, dubs, solid grooves and jams of the band's notorious live show.


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Watling & Bates - In The Dead Of The Night.

Drawing inspiration from the spirit of the land, Watling & Bates are raconteurs of contemporary rural Australia and revivalists of the country’s past. In The Dead of Night is a song shrouded in magic, mystery and morbid curiosity, as it emerged from the mists of the McPherson Ranges.

Written by Geoffrey Bates, the song arose as if from a dream. It was not until the discovery of some archival news articles that the song’s meaning and story became clear. Its embodiment by the duo becoming eerily potent.

Watling & Bates are songwriters from Unumgar, on the western edge of the Northern Rivers of NSW. Fiddle, banjo, and guitar provide a backdrop for their tales, which recount local history, simple joys, or the complexities of a troubled mind.  Their songs move like a will-o-the-wisp between Australiana and Americana, Gothic country and dark folk, hillbilly and honkytonk. Their influences are drawn from a diverse and eclectic range of artists, from the old time music of the Appalachian Mountains to contemporary Australian country Gothic.

Watling & Bates’ career highlights range from small country halls to the streets of the city. They performed in an Opera Queensland small hall production in 2016, with an original work included in the script. In 2018 they head lined a small hall tour of the Bundaberg region, culminating at the prestigious Moncrieff Entertainment Centre during the Bundaberg Crush Festival.


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Hobby Club - Rainbrother - HunBjørn

Hobby Club make their second appearance on Beehive Candy this year with 'Bedroom'. In January we described their music as " bright indie pop - with some fabulous vocals and a crisp musical backdrop," the new song pretty much confirms they are very good at this. Rainbrother have a new album on the way and 'Warriors' suggests it will be well worth checking out, the band are creative and not stuck in any particular rock genre. HunBjørn shares a gorgeous electro pop song with lush synths and an expansive musical backdrop supporting some very engaging vocals.

Hobby Club - Bedroom.

Jangle-pop duo Hobby Club release their cheerfully melancholic single ‘Bedroom’ from their first EP ‘Video Days’ released 8th March on Manchester tastemaker label Heist or Hit (Her’s, Pizzagirl). Inspired by Arthur Russell, The Beach Boys and Kate Bush, Beth Truscott and Joe Rose’s sound is as unique as their vision of the world – sharing an unusual eye condition they only discovered after meeting each other.

‘Bedroom’, whilst about a bedroom and written in one, was ironically recorded in guitarist Joe’s favourite childhood venue, an ex-shipyard canteen. Faced with the constant threat of closure he describes ‘long nights panic tracking till the sun came up toiling away endlessly in the hopes we would finish before the builders kicked the door in.’

A “by-product of a fleeting obsession with 80's children's tv show theme songs, especially Fireman Sam which has the most perfect guitar tone you could ever dream of” ‘Bedroom’ is the demonstration of Hobby Club’s mastery of musical juxtaposition. Joe considers how “whenever I dip into the bad times, I always seem to counteract it by writing frustratingly happy songs, maybe in some vein attempt to reinterpret nostalgia into something that doesn't leave a sour taste in the mouth.”

Deceptively cheery, ‘Bedroom’ is Beth’s personal account of heartbreak: “turning you from a reasonable human being into a crumpled heap of gelatinous matter and tears, incapable of making a phone call or keeping track of your personal effects.” The track’s upbeat façade represents a feeble attempt to remain composed, when actually “going home to a darkened room becomes the best option after any minor setback whatsoever.” Beth confesses: “this song, in essence, is me ripping my heart out and showing it to all of you, in the hope that the person who I wanted to see it the most would.”

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Rainbrother - Warriors.

Danish band Rainbrother are releasing new single ‘Warriors’ taken from upcoming album Island. The band tell us the new track is about finding conviction in your beliefs, whether they be about love, human connection or politics. In the modern age of increasingly fragmented and disparate, they long for “the old days, back when life was simple and you understood what you were fighting for.”

Fronted by songwriter Bjarke Bendtsen, the five-piece explore themes of voluntary isolation, lost love and self-acceptance over the album’s ten tracks. In order to escape the rat race and record the album, the band relocated to the attic of an old farm along with producer Kennie Takahashi (Danger Mouse, Beck, Black Keys).

On tracks such as opener ‘Black Chemicals’, earthy, textured guitars are paired with distinctive vocal harmonies that are reminiscent of Fleet Foxes. Elsewhere on the record, for example on ‘Rio Rita’, more progressive elements come to the fore with clear nods to Pink Floyd and a wider palette of sounds, both acoustic and electronic.

Along with touring their native Denmark and the UK, the band have appeared at Bestival, SPOT Festival and SXSW – where in fact the band made the news on the BBC and CNN for an immigration debacle involving their front man Bjarke. When he was denied entry, they had to improvise and they used a pre-taped performance from him projected on a screen behind a drummer while they played their parts in sync.

The metaphorical ‘Island’ refers to withdrawing from the digital noise of the physical world, taking stock of what’s important and choosing to spend more time with the people that you really care for.

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HunBjørn - Who Are We To Love.

HunBjørn is a new act on the Danish indie and electro pop scene. Her musical universe is both raw and vulnerable. Catchy melodies, dreamy waves of synths, vocals and distorted guitars in a tight setting of bass and beats. HunBjørn released her debut EP “In Vacuo” in September of 2018, which received great reviews in her home country Denmark and when the first single “A Flutter Of The Heart” was released earlier that year in May, it immediately got selected selected by the hyped music Blog Soundvenue as one of that weeks “Top Tracks”.

She grew an engaged fan base on social media quite rapidly by using new technologies such as a messenger-bot called the She Bear Bot, an interactive behind the scenes experience for her EP that fans could join, and personal V-logs about every song and the story behind it. Now HunBjørn is ready with a second EP with the title “Next Summer”. She produced the EP herself and had it mixed by Brian Batz aka Sleep Party People, with whom she also worked with on her first EP.

The first single will be the song “Who Are We To Love”, which draws an even more electronic and dreamy approach to her music. The single is released March 1st on the Danish label All We Are Music. “Who Are We To Love” is a love song to the environment – a post-it in the forehead on all of us, to remind us that the environment is the responsibility of all of us.

HunBjørn aka Ulla Pihl, former lead singer and songwriter in the experimental pop band Lima Lima is inspired by the sonic structures in music and by the transformation of an instrument’s sound by using effects. Her lyrics always circle the grey areas in life and the complex feelings in relationships between human beings in a complex world. She’s inspired by bands such as Blonde Redhead, Japanese Breakfast, Grouper, Beach House and Alvvays. The name HunBjørn derives from the Latin origin of her personal name Ulla and means “a small she-bear” in Danish. The name is the incarnation of courage, vigour and feminine strength.


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Paper Cameras - Elva - Eyreton Hall

Paper Cameras share some rich and powerful alt rock with 'We Hear Your Name' ahead of their new album due in a few days. The duo Elva are an absolute delight, we've featured Allo Darlin in the past and Elizabeth Morris's vocals can once again charm us as does Ola Innset with his pristine musicianship. Eyreton Hall provide us with a melodic and beautiful song that is steeped in folk sensibilities and crafted to a very high standard.

Paper Cameras -We Hear Your Name.

The Painted Light LP from Paper Cameras has been a long time coming and well worth the wait. The lo-fi polyphonic soundscape is full of ethereal harmonies reminiscent of the 90’s garage influenced rock scene that veteran Portland musician Michael Carothers helped form. The history of Paper Cameras began in 2005, when Carothers (Spectator Pump/All The Dead Horses/The Glib) conceived the project and began writing songs. Three years later, the E.P. Lost Weekend was born. The E.P. was recorded with longtime friend, Nashville’s Jerry Wayne Campbell (Spider Virus/Millionaire Magicians) and producer Sean Flora (Black Keys/Shins/Stephen Malkmus).

The following years Carothers took a brief hiatus from songwriting to open the successful Japanese restaurant, Miho Izakaya and spent the next half decade keeping sake flowing and quietly writing songs in his few spare hours. In 2014, with a renewed musical focus he sold his stake in Miho Izakaya and bought a Tascam 8 track cassette recorder and began new material with longtime friend, Portland musician Nathan Junior(Dandy Warhols, The Early Stuff, M. Ward, Duover, Sea Wolf) and artist and taxidermist Little Debbie Bartling sharing time behind the mic with Nathan Junior. The result was The Easy Wolves Sessions, a lo-fi mix of bubblegum psych pop. Later, in 2016 Nathan Junior and Carothers recorded the E.P. Mars Was Yesterday with producer Adam Selzer (Decemberists/Peter Buck/M. Ward/ Fleet Foxes) at Type Foundry Studios where Carothers’ vision began to take on an identity reflective of the kind of alchemy that comes from friendships and like minded musicians, highlighting the strength and creativity of each member.

Carothers, a native Tennessean, had known Tripp Lamkins (The Grifters/Dragoon) since the early days of famed the Memphis band The Grifters. Upon hearing about the Paper Cameras project, Tripp made his way to Portland, OR to record at Jackpot Studio with Tape Op founder Larry Crane (Elliott Smith/Sleater Kinney/ Go-Betweens/Thermals). They began tracking with no band rehearsal and recorded the record in just only two days. With rhythmic complexity and blended harmonies, the outcome is reminiscent of a lower-fi New Pornographers, Wedding Present, with hints of later Royal Trux. Larry Crane’s honest straight-ahead production style anchors the songs and would easily be in step with fans of Summer Cannibals.

This collaboration of veteran musicians came together more smoothly than they ever could have imagined. After the songs were instrumentally framed, Carothers brought painter Michelle Anne Muldrow to sing with Nathan Junior. The result became the EP Painted Light, due out in the fall of 2018 on No Night Travel. Painted Light floats within sonic range between 90’s garage influenced rock and inventive, harmony-laden 80’s power pop.

Look out for the Painted Light EP out March 8th on No Night Travel Records.

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Elva - Athens.

Elva is the new project of Allo Darlin’s Elizabeth Morris and Ola Innset, of the Norwegian bands Making Marks and Sunturns.

Winter Sun was recorded in the autumn of 2018 in an old school house in the Swedish forest, during moose hunting season. Meaning ”The River” in Norwegian, Elva take their inspiration from the natural world, the beauty of the Scandinavian summer and the harshness of the winter. Several of the songs on the album are tellingly inspired by the birth of Elizabeth and Ola’s daughter.

Some might feel the album is sonically most similar to the Allo Darlin’ album Europe, thanks in part to the lush string arrangements courtesy of long-time Allo Darlin’ collaborator Dan Mayfield on violin and cellist Ofelia Østrem Ossum. Michael Collins, who played drums in Allo Darlin’, recorded and produced the album, building on work he has done in recent years with artists like Metronomy and Girl Ray. Diego Ivars on bass and Jørgen Nordby on drums round out the band.

The sonic palate of the record is detailed and delicate, with a mix of acoustic and distorted guitars, vintage keyboards, strings and intricate vocal harmonies. Lyrically and melodically, the album showcases the depth of both Morris’s and Innset’s songwriting. At times recalling the gentleness and screech of American indie bands like Yo La Tengo, at other times the country-tinged heartbreak of Linda Ronstadt or Laura Veirs, Winter Sun is something of its own: a rich combination of polar opposites. Summer and winter, Australia and Norway.

Elizabeth says: ”I really wanted to make an album that had a nice mix of really quiet and gentle songs, together with the louder feedbacky stuff. It was great to be able to share songwriting duties with Ola, as finding time to write is trickier these days with a baby in tow, so it really took the pressure off to write all the songs myself. It also gives the album another dimension, and I have always loved bands with two songwriters, like The Go-Betweens. Hopefully we bring out the best in each other’s writing. But having less pressure on myself to write all the songs meant that the songs I could contribute felt worthy enough of having a place on the record.”


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Eyreton Hall - Weekend.

Kiwi, chamber folk duo Eyreton Hall share a whimsical new track 'Weekend' off their upcoming album Spaces, which is due out May 24 on Marigold Music.

Eyreton Hall will be celebrating the release of 'Weekend' with an intimate live show at 13th Floor on Sunday 3 March, with special support from Sophie Mashlan.

Long time partners in creativity and in life; musicians Andrew Keegan and Toni Randle make up the heart of folk/chamber pop outfit, Eyreton Hall. Blending wide influences ranging from European jazz to classical to contemporary singer-songwriters, Eyreton Hall bring it all under the warm umbrella of Folk, telling stories of upheaval and coping, love and loss. Shining through it all is the voice of Toni Randle; a talent that urges you to feel the power and emotion in every note, and like the best of voices, draws you in completely to the stories being woven in song. Couple with Andrew Keegan’s intuitive, steady drumming feel, they are a musical pair unmatched.

Stepping forward to the present, Eyreton Hall have crafted a new and stunning album about family, hope, loss and grief, Spaces.

Self-written and co-produced with Ben King (Goldenhorse, Grand Rapids), Spaces is an authentic songbook from Randle and Keegan - written in the depths of coping with loss and grief, recovery, and finding hope and new beginnings. The ten-track story is the hearty follow up to their debut album Featherstitch, which prompted love from niche folk blogs and journalists around the globe. Spaces was mixed by Simon Gooding (The Map Room) and mastered by Howard Rogers (Bring It On Studios).


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VOIID - Seatbelts - Wy - Junodream - Jonny Kosmo - Morabeza Tobacco

VOIID just cut to the chase with Vile, a punk fuelled song without the pretence, but armed with plenty of hooks. Seatbelts 'Spanish Songs' is a refined piece that mixes fine vocals, harmonies and a few spoken words whilst the refreshing musical backdrop adds more. The vocals on 'Softie' are gorgeous and distinctive ensuring Wy standout, as they tease us with this taste of the forthcoming album. Junodream offer some rhythmic indie rock with some sparkling guitar as 'Terrible Things That Could Happen' hits the spot. Jonny Cosmo's quirky video makes a good companion for 'Circus Of Dreams' a catchy vibrant song with plenty of charm. Morabeza Tobacco have a rich and expansive sound for just a duo, what's more their music is lush, melodic and just so dreamy.

VOIID - Vile.

Taking no prisoners with an authentic riot grrrl approach, VOIID's latest belter 'Vile' isn't too dissimilar from what has come before, instead acting as a vivid sign post for what's next.

The video is the ideal DIY affair, directed by Hey Aidan and capturing the band in their natural habitat while confronting the band's punk aesthetic accurately.

The band says of the song: "‘Vile’ is a song written about a personal experience that caused a lot of hardship and pain. While the lyrics convey negative connotations, they are relatable to a lot of situations people in their late teens can go through."


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Seatbelts - Spanish Songs.

Seatbelts have released their first track of 2019, ‘Spanish Songs’.  The second single from their forthcoming EP, ‘Please Slow Down’ - ‘Spanish Songs’ is a thrillingly upbeat and lively ode to the idea of a country. A gonzo-snapshot of way of life, which brings the band’s avant-pop influences to the fore. By using a male-female vocal arrangement, which dances from English to Spanish, Seatbelts tell of the relationships formed between people and place.

As with their previous release, multi-instrumentalist, Nick Branton (Dead Hedge Trio) joins Seatbelts, this time providing bright, mariachi-inspired cornet lines, over the excited “ba ba ba ba ba!” of the backing-vocalists. This joyful experimentation makes for layered, energetic choruses, showcasing an openness to the potential chaos of collaborative-songwriting. A process which Seatbelts’ seem eager to explore.

Towards the end of the track, we hear the lines: “Hay algo real, hay algo fácil, there’s something out there I’d like to find,” sung over drummer, Alex Quinn’s hypnotic beat, and Abi Woods’ (keyboard, vocals) sun-searching synth lines. It’s in this moment when we begin to feel the pull - the sizzling heat, the Spanish skies, the Sangría-drenched dream.

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Wy - Softie.

Swedish duo Wy have announced the follow up to last year's critically acclaimed, underground debut album 'Okay'; with their forthcoming LP 'Softie' - a highly personal, eleven track account from the pair (real names Ebba and Michel), due for release on 30th April via Hybris and Beatnik. With the release of their debut, Wy garnered the highest praise with comparisons to Slowdive, Cigarettes After Sex and Mazzy Star, and the new record is set to further cement their position as one of the most exciting bands around right now. In tandem with the news, they have released a new single; the album title track, which you can listen to via the link below.

This latest track release is loaded with vulnerability; it's a raw, spell-binding ode and apology to those on the receiving end of singer Ebba's bouts of depression. In her words, "Being really down makes me a jerk to people. But if I'm being a jerk to you that probably means I love you very much. It's very complicated."  The single follows the recently released 'Pavements'; a gritty, bold and electric release which was championed by Lauren Laverne at BBC 6Music and described by Consequence of Sound as "weaving atmospheric compositions and emotional lyricism".

The album is very much a statement on the turbulence of human existence, written from Ebba's experience of being bipolar. With their clarity in emotion and unapologetic use of lyrics, it's an important record in more ways than one. She explains, "'Softie' is an attempt at proving there is more than one way of being a functioning human being. The album is about coping, growing out of your fears, learning how to distance yourself from your anxieties and the ups and downs that comes with being bipolar. 'Softie' is ultimately about releasing the pressure from yourself and that's what we have been doing in the process of writing these songs. We ended up with a record that was turbulent, back and forth and non-conforming. And we love that, because it feels very 'us' and we really wanted our second album to hit you in the face rather than rock you to sleep."

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Junodream - Terrible Things That Could Happen.

Bristol born, and now London based band Junodream are announcing the release of their debut EP 'Terrible Things That Could Happen'; as well as sharing the first single and title track.

A 90s inflected indie rock cut bursting with vibrant guitar based instrumentation - the new single..."is a one way conversation between a couple in a car," explains the band's Dougal Gray. "Trying to get a response - by saying increasingly weird things - from someone too distant to listen. It's comical but also very sad."

Taking inspiration from artists such as Beck, Brian Jonestown Massacre, and Pavement - the band have undergone many transformations over the years; recently "evolving into our superior form", as the band succinctly put it. That superior form is Junodream.

Having already surpassed over 1 million streams on Spotify, with no management or label backing, the band have also built up a heady live reputation in London in the short time they've existed as Junodream. Headlining venues such as The Pickle Factory and Bermondsey Social Club along the way - they've busied themselves self-recording and releasing various tracks over the past 12 months - the latest of which, their debut EP 'Terrible Things That Could Happen'. Due for self-release on 12th April, the EP was self-recorded by the band in an old cottage in Andover, using mattresses and pillows for soundproofing.


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Jonny Kosmo -- Circus of Dreams.

Jonny Kosmo shares new single/video "Circus of Dreams" with his forthcoming record out today.

Los Angeles artist Jonny Kosmo is no stranger to groove, most recently performing as the bassist for Los Angeles’ psych-pop synth outfit Mr. Elevator.  Steeped in pop-strange composition and a rich history of musical theater, Kosmo creates songs full of color, movement, and imagination all while keeping ears dosed in a palette of shimmery soul.

Kosmo’s solo debut demonstrates the dynamic hues and shapes his songwriting takes. The LP sees the invitation of funk/r&b idol Aldous RH, drummer Miles Wintner (Ian Sweet), synth-genius Tomas Dolas (Mr. Elevator/Thee Oh Sees), as well as a collaboration with Kassie Carlson (Guerilla Toss). Self-titled release Jonny Kosmo leaves the listener in soundscapes of wonderment and honeyed possibility. The album was recorded by seasoned producer Tomas Dolas at Studio 22 in Los Angeles California.


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Morabeza Tobacco - Ally McBeal.

Swedish duo Morabeza Tobacco have always been ones to repurpose cult TV shows into their music. With their previous single ‘Defenders Of The Glam’ taken from the 80s cartoon series Defenders Of The Earth, the pair now return with their latest release ‘Ally McBeal’, although it is not actually inspired by the hit TV show. 2018 was a blinding debut year for the band, culminating with Pitchfork naming previous single ‘TTYL’ in the Top 100 Tracks of 2018.

“We’re not sure actually [where the name came from]”, the band say. “We were talking about what to name the song, then ‘Ally McBeal’ popped up and both of us thought ‘yeah, that’s the one’. One theory we have is that we associated it with one of the lines in the song (‘it’s no big deal’ =Ally McBeal)”.

Stepping away from the more groove-filled singles of recent, ‘Ally McBeal’ looks to be the band’s more ethereal and psychedelic release, With notable comparisons to the likes of Animal Collective and Toro Y Moi, the single is filled with dreamlike synths and subtle yet commanding basslines that give this new release a very grand and cinematic-like experience.

Speaking about the creation of their latest track, the pair added, “All of it was pretty much written and produced one afternoon. The feel and the harmony were inspired by The Land Before Time, another one of those nostalgia trips. It’s probably the saddest song we’ve written so far. We have one song on the upcoming album that is another candidate in the competition of being the saddest song. Let’s hope that ‘Ally McBeal’ is gonna help some people open up their tear canals for a little cry that makes them feel better afterwards”.

‘Ally McBeal’ is set to feature on the group’s long-awaited new studio album, alongside a number of previously shared singles, adding “It’s going to be an album with eleven songs we have worked on for a long time and that are all unique. You can expect love ballads with wobbly synths, groovy tracks with mystique and our take on lo-fi pop”.


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