Hobby Club serve up a bright indie pop song with some fabulous vocals and a crisp musical backdrop. Rue Snider has impressed us in recent years, his ideas and musical creations are always met with keen anticipation. London alt rockers Heavy Heart mix melodic vocals with some natural rock vibes. From Italy Amycanbe have a distinctive sound, with plenty of detail in the musical arrangement and soft enticing vocals gliding above. Last today we have our second track share from Lily & Madeline ahead of next months album release and it's another beautifully crafted and hook laden song.
Hobby Club - For Maurice.
London based indie-pop duo Hobby Club release their debut single ‘For Maurice’ from their first EP ‘Video Days’ released 8th March on Manchester tastemaker label Heist or Hit (Her’s, Pizzagirl).
Beth Truscott and Joe Rose’s sound is as unique as their vision of the world – sharing an unusual eye condition they only discovered after meeting each other. Inspired by Arthur Russell, The Beach Boys and Kate Bush, the duo craft a lyrical domesticity that evokes harbours and mills towns, polyester and chip wrappers, bus tickets and slate grey skies.
‘For Maurice’ is Hobby Club’s anthem for leaving home, named after a local celebrity in Joe’s hometown Barrow, the “brash and absurd, yet sensitive and creative” Maurice G. Flitcroft, who “at all times was striving for something more than his humble origins would allow by studying art and literature and becoming the self-professed best at anything he put his mind to.”
The track becomes the duo’s rebellion of limited small-town life: “Like my own Dad,” Joe describes, “Maurice begrudgingly worked in the shipyard but never let the narrow opinions of others corrode his delusions of grandeur.” Subverting this tradition, Joe now uses an abandoned canteen in the shipyard to record the jangle-pop of Hobby Club, proving “that no matter how absurd your goal is, you can just tell yourself you’re the best and that everybody else is wrong”.
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Rue Snider - Tripping On a Raft With Girls/Go Back To Carolina.
Go Back To Carolina is a brand new track by Brooklyn, NY based singer songwriter Rue Snider that has an indelible hook punctuated by biting electric guitars and organ reminiscent of the louder side of early alt country favorites like Uncle Tupelo, Whiskeytown, and Vigilantes of Love. The lyrics address the concept of psychological triggering, which in this story comes in the form of an Avett Brothers song.
“'Go Back To Carolina' is an attempt to illustrate the idea of psychological triggers in a funny, sort of profane way that most people will be able to understand even if they haven't been introduced to the concept before. Once I started to grasp the role that my past plays in my current life and began to have compassion for myself for some of my triggered responses, and once I started to really identify what those triggers were, I was able to begin the process of rooting them out."
Tripping On a Raft With Girls celebrates the need for community that feels built into human DNA. It details a psychedelic experience that the narrator undertakes with a group of friends. The lyrics are his inner monologue. It features Jon Estes on guzheng.
Both songs have lyrics that make a stab at humor and are a bit absurd but dig into serious topics. They fit together sonically as they're both loud rock songs and lyrically as they both take place inside of someone's brain.
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Heavy Heart - Bed Bug.
London alt-rockers Heavy Heart share deeply emotional new cut Bed Bug, the first of three tracks mixed and co-produced by Grammy Award-winning producer Gabe Wax (The War On Drugs, Fleet Foxes, Soccer Mommy).
Starting out as a bedroom project in a tiny South London flat, the quartet have since capitalised on their early promise with widespread praise throughout the online community (NME, The Line Of Best Fit) and across the airwaves (BBC Radio 1, BBC 6 Music, Radio X), with their introspective and intimate soundscapes earning plenty of fanfare.
Touching on profoundly relatable themes of love, loss and finding happiness, Bed Bug showcases elements of Alvvays and Wild Nothing nestled deep within their sound, coupling luscious melodies and cascading guitars with a vivacious blend of dreamy, atmospheric noise.
Detailing their upcoming single, the band stated: “Bed Bug is a nocturnal love song exploring obsession and lethargy, sex, blood and dirty sheets. It’s about staying in bed all day and staying awake all night, feeling your skin crawl and your nerves itch. It’s also about the beauty and agony of loving someone to the point of self-destruction; picking the wounds open again just to feel the way it felt the first time”.
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Amycanbe - White Slide.
Born and based in Cervia, Italy, Amycanbe was formed by Mattia and Marco until 2005 when they decided to add Francesca and Paolo to the lineup, and this the quartet Amycanbe was born. Amycanbe has had some slight lineup changes throughout the years, but they currently consist of Francesca Amati (vocals), Mattia Mercuriali (bass, guitars, keys), Marco Trinchillo (drums, keys) and Mattia "Matta" Dallara (keys). With 3 albums and several EP’s behind their name, their 2011 album ‘Mountain Whales’ garnered significant success with their hit ‘Buffalos’ gaining a lot of traction from fans and critics alike.
Inspired by legendary acts across the genre spectrum such as Nina Simone, Radiohead, Pink Floyd, Portishead, Aphex Twin, and David Bowie, it is clear that Amycanbe prefers to surround themselves with only the best influences. With dream pop being rooted in elements of alternative and psychedelic rock ‘n roll with a blend of pop, it’s evident that any fans of The xx, The Naked and Famous, or The Cocteau Twins will enjoy Amycanbe’s music as part of their collection.
‘White Slide’ reimagines the ethereal song with hard hitting bass while the wobble in the bassline ensures a groove between each bar. Francesca’s tender voice is only complemented by the intricate, yet subtle production elements that can be heard throughout. ‘White Slide’ demands multiple listens as the undiscovered concaves of this track are revealed to the listener upon every repeated listen. A stellar track that aims (and succeeds) in transporting the listener to a cosmic realm where Amycanbe controls every facet of this musical plane. True performers by nature, this live version is a testament to their electrifying performances.
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Lily & Madeleine - Analog Love.
US sister duo Lily & Madeleine are pleased to share their new single "Analog Love", which is taken from their forthcoming album Canterbury Girls - out on 22 Feb via New West. The album was recorded in Nashville and produced by Daniel Tashian and Ian Fitchuk, the team behind Kacey Musgraves' Golden Hour. Although the bulk of the album's songs are burdened by personal angst and the weight of expectations, "Analog Love" is a sweet romantic plea.
As Lily and Madeleine explain: "We wrote "Analog Love" with our dear friend, songwriter Lucie Silvas. The song is an attempt to capture the feeling of an uncomplicated and reassuring romantic relationship. Being on tour a lot of the time, nearly all relationships we have become long distance at some point. Communicating over the internet is a great way to continue to share your love, but after a while, its monotony makes you wish you could just be face to face with the person, communicating without any distractions. In the studio we wanted the song to feel whimsical and nostalgic with lap steel, acoustic guitar, and soft, tender vocals. We don't write many love songs, but "Analog Love" was written so easily with Lucie, and captures a special feeling of uncomplicated love."
Lily and Madeleine Jurkiewicz explore the conventions of 21st century womanhood on the ten-track Canterbury Girls, named after Canterbury Park, located in the duo’s hometown of Indianapolis, Indiana. The songs were all written or co-written by the sisters, which, despite the album's poppy veneer, boasts some of Lily & Madeline's densest and most intense lyrics to date.
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Sunday, 27 January 2019
Friday, 25 January 2019
Stephanie Rose - Roman Harris - Fling - ElectroBluesSociety feat Boo Boo Davis - Odetta Hartman - Small Forward - Business of Dreams
Stephanie Rose - Luxury.
A storyteller beyond her years, Stephanie Rose is an old soul with a new sound. Her new single Luxury is a perfect example of using real life experiences as fodder to blaze a lyrical trail. Rose embraces the true reality of love amidst the hardships of life.
Nominated for two categories at the 2018 Saskatchewan Country Music Awards, small town Stephanie Rose has had a big year. Releasing her single “Crushed” on February 5th, 2018, she cracked the Top 100 on both the BDS and Trax national radio charts, which was the launching pad to a great season.
Playing multiple shows throughout the spring of 2018, which included a packed-house performance at the Professional Bull Riding circuit in Nipawin, SK. Stephanie shared the stage with her fellow Saskatchewan artists at the Songwriters Café at the 2018 SCMA awards weekend. With the release of her sophomore album EP “Sprout” (Sept. 28th, 2018), produced by RyLee Madison (ECMA Country Recording of the Year) and Clay Krasner (touring bass player for Terri Clark) of 7-17 Music, Stephanie Rose will be bringing her new songs on the road again in 2019 and to both Commercial Country Radio and the international media.
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Roman Harris - The Smell Of Heather.
Roman Harris is a singer and songwriter from Brixton, South London. With his guitar in hand, a voice of raw emotion and heart on his sleeve he crafts songs of simplicity enriched with depth and feeling.
In 2016 Roman achieved song writing credits on the Snakehips ‘Money On Me’ EP with the track ‘Falling’ followed up in 2017 with his first feature as an artist on the track ‘Moving Again’ produced by Cr3on & Marcus and released through Dutch record label PM Recordings.
Influenced by Indie, Folk and R&B, Roman now releases his debut single ‘The Smell of Heather’ a truly heartfelt ballad influenced by a poem of the same title from the book ‘Heather’s Book’ written by the poet Vivian Anglin.
Roman is now looking forward to a year in which he intends to let the world hear his sound and warm the ears and hearts of many. That starts with ‘The Smell of Heather’. ‘The Smell of Heather’ will be released on all platforms on 25th January, 2019 with a house concert at a secret location taking place that night in celebration of the release.
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Fling - Revolution.
Psych-rockers Fling are set to release debut album ‘Fling Or Die’ via Dance to the Radio on 22nd February. Ahead of this they tease with one final SoundCloud only single, Revolution, an upbeat fuzz-bass driven psych stomper, with a colourfully cathartic chorus. The quintet’s kitchen-sync approach to instrumentation comes to the fore, a glittery wall of noise ramping up the decibels throughout.
The debut LP release comes off the back of a year of sold-out hometown shows, appearances at Live at Leeds, Swn Festival, Neighbourhood Festival and singles supported by Steve Lamacq (6 Music), Huw Stephens (Radio 1), Gideon Coe (6 Music), Tom Robinson (6 Music) Radio X, Beats 1 across radio, and Wonderland, The Line of Best Fit and Clash at online press.
Describing themselves as ‘Wonky Pop’, the 5-piece from Bradford comprise of Charles McSorley (Vocals), Jack Winn (Guitar), Billy Fielding (Drums), Jake Lees (Bass) and Sam Malynowsky (Keyboards).
The quintet explain the feelings they’re chasing: “This album for us, is a coming together of our collective imaginations, through themes of longing, wonder and hedonism. It feels like an audible representation of a brief moment in our lives and how we evoke the best emotions in each other. There’s an overall positive undertone to the record that definitely reflects on us as people, and it feels good to be able to share it with everyone.”
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ElectroBluesSociety feat Boo Boo Davis - Little Red Rooster.
For this recording session ElectroBluesSociety went back to basics and teamed up with Mississippi blues man Boo Boo Davis.
Together they revisited classic Chicago blues and recorded seven songs. These will all be released as singles in the near future.
Here is the fifth track from the recording session This time it’s another Howlin Wolf classic with a little 'electrofication'.
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Odetta Hartman - You You.
Following the release of her critically acclaimed album 'Old Rockhounds Never Die', Odetta Hartmam has shared a new video for track 'You You', to mark her return to the UK and Europe at the end of January. Inspired by the fuzzy double vision of first love, 'You You' dances through a pastoral adventure while celebrating a young woman in bloom. In this wild, wonderful and warm landscape, Odetta Hartman explores the superpowers of romance on a sultry summer night.
'Old Rockhounds Never Die' is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.
Drawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company ('Cowboy Song'), to experiencing the intense natural beauty of Icelandic waterfalls ('Dettifoss'), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.
Raised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colourful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB's. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax. Lomax is writ large on 'Old Rockhounds...' at least in spirit anyway. Odetta plays all the instruments on this and her debut '222'.
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While attending college in Los Angeles, songwriters and multi-instrumentalists Michael Stevenson and Rounak Maiti converged on a desire to collaborate and meld their love of Americana and pop music. Informal bedroom jam sessions resulted in hours of demos, constructed from the duo’s rudimentary yet textured take on songwriting. After condensing their work down to four downtempo, home-recorded songs, they self-released an eponymous debut EP in 2014. From hazy, forlorn atmospheres to more heart-on-sleeve folk, Stevenson and Maiti worked with Campbell Scott (bass) and Nick Waldram (drums) to craft rich, full band arrangements.
From 2015-16, Small Forward began developing their live act, playing with a full band across the Los Angeles area. During this time, they began recording The Moon You Stand On, the band’s debut full-length album. Here, Maiti and Stevenson’s lush, folk-inspired ideas were rounded out by a prominent rhythm section, where Scott’s dulcet bass tones dot Nick Waldram’s jazzy, intrepid approach to percussion and drums. Together, the four wrote, recorded and produced the album entirely in their shared home, over the better part of a year. Self-released in October 2016, Deli Mag described the album’s sound as “timeless, teeming with multi-layered guitars and chugging beats that lend a uniformity to their quietly resplendent melodies.”
The band began recording another project, Affections, in early 2017. They channeled 70s psych-rock and AM pop with the first single, “The Reservoir”. The release was met with praise from Gold Flake Paint and Buzzbands LA, the latter describing it as a “soundtrack to (their) reverie.” The resulting collection of 6 songs, released on Forged Artifacts in October 2017, saw left-turns and plenty of new texture, decorated with their customary take on sweet wistfulness. With live performances across the greater Los Angeles area and a southwest tour under their belt, plus two new singles on the way, Small Forward is alive, kicking and ready for 2019.
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Business of Dreams - N.R.E.A.M.
Following on from the lovely "Keep The Blues Away," Slumberland Records and Business of Dreams are psyched to share another song from their forthcoming album Ripe For Anarchy. "N.R.E.A.M." is a tune about the fashionable negativity that seems rule the mood and discourse of the day.
Says the song's writer Corey: "This song was my attempt to write something fun for the album. Of course it had to be the one song focusing on negativity but I think a dose of cynicism is quite healthy these days. Humanity isn’t exactly passing its classes lately so I decided to poke a little fun at the more coarse side of our nature. It’s my version of “Ring-a-round The Rosies.” Ashes, ashes we all fall down! Wee!"
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Wednesday, 23 January 2019
The Day - Kopper - Sarah P - Short Shadows - Jess McAvoy
The Day share a catchy and imaginative dream pop song. Kopper provides us with a six minute epic piece that is full of passion and power. A firm favourite of Beehive Candy is Sarah P, who has impressed us since her days with Keep Shelley In Athens, the new E.P. is a real treat. Short Shadows vocals are a splendid affair as is the fabulous musical backdrop and finally we have Jess McAvoy whose addictive bluesy rock song is given extra edge by her guitar licks and fabulous voice.
The Day - Grow.
"'Grow' is quite literally about growing up through different phases of life and your very personal 'pursuit of wisdom'" says Singer Laura Loeters. The song is about farewells" and realizing how you grow older yourself by watching close people around you getting older.
Laura adds: "Like many of our songs when I came up with the first idea it sounded more like a quiet more folky song. But when I picked it up on electric bass with our drummer at rehearsals it became much more of a grooving pop song than we first intended."
The Day are Laura Loeters from Utrecht/Netherlands and Hamburg based Gregor Sonnenberg. Since meeting at 'Hogeschool voor de kunsten' in Arnhem the two keep reconciling distances, differences and always new approaches and perspectives. What runs like a thread through all of this is the interest to take charge of things themselves, try out and grow on it together.
The Day is where whimsical Dream Pop meets a DIY ethos learned from hardcore. A sparse, springy and rapturous dynamic alternates with a wildly imaginative dream-pop harmony, rock and synths create just as inspiring contrasts as the refreshing, reduced postpunk references.
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Kopper – Winter Sun.
Kopper is the brainchild of visionary London musician and experimental filmmaker Jon Williams. Born in a soporific small town in Kent, the artist packed up to London to build something louder, fiercer and more anthemic. Jon is joined by his fellow provocateurs, artists and all-round renaissance men, band members: Ed Smith and George Town.
Elegant, emotional, energetic – the early dusk of a November evening has enticed London artist Kopper from hibernation. Their debut single, Winter Sun (released on January 10, 2019) evokes the inner warmth of a cold evening through soulful guitar and exploding electric soundscapes. Its big heart and dreamy scope enchants like a burnt dusk skyline, delivering something that will glow through your stereo on bitter nights.
The track’s sierra tones tell a story drawn from romance, heartbreak and old lives passing into the dark. Inspired by the likes of the National, the War on Drugs and Arcade Fire, it’s littered with moments of tenderness and contemplation ripped apart by glorious, cinematic melodies. This sumptuous and exciting song from one of London’s extraordinary talents is the first from Kopper’s debut EP Fading Fires, due for release in Spring 2019.
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Sarah P. - Maenads E.P.
Maenads is a triumphant return for Sarah P, where the artist explores the theme of female power – its magic, strength, and imperfect perfection.
With her debut album Who Am I (2017) praised amongst music lovers and tastemakers alike, Sarah P. returns to celebrate feminine power and her Greek heritage with a transcendent collection of songs known as Maenads. The former frontwoman of Keep Shelly in Athens does not shy away from revisiting the past as she uses music, aided by magnificent, self-directed visuals, to divulge her endless accomplishments: be it her openness about mental health and the creation of her monthly zine EraseRestart aimed to wipe out the stigma that surrounds it, to the lobbying for the protection of artists’ rights as an active member of IAO (International Artist Organisation).
“This record is the link between my previous work and what’s coming. Free symbolised my rebirth as an artist, Who Am I helped me discover different music paths and Maenads is representing 100% me, both musically and as an individual. I’m not big on classifying my music in genres, because I believe that this process is taking away from the magic of listening. I think that Maenads is way more accessible than my previous work, yet mysterious and uncommon.” (Sarah P.)
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Short Shadows - Nothing Good Comes Out Of Preston.
Short Shadows, a self-professed short-ass, middle-class, north suburban smart-ass punk with a piano has written the soundtrack to your public transport journey. The alter ego for Andy Coates; a singer, songwriter, producer and multi-instrumentalist from Melbourne, War Anecdotes From The Northern Suburbs takes indie rock, hip-hop, jazz and punk and blends it all with wry observations, punchy horns and suburban soundscapes that are epitomised in lead single Nothing Good Comes Out Of Preston.
Coates has entertained audiences Australia wide while fronting his nine-piece band Frankie Wants Out. FWO, who brought original party-swing back on to the music scene, could play a classy cocktail bar one night, then a grungey pub next and worked hard gigging, recording and touring for over ten years. While still paying tribute to his love of swing music, Short Shadows is a step away from the jump-blues and focuses on the peculiar styles of suburbia.
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Jess McAvoy - Do What You Want.
With the recent release of her newest single “Do What You Want,” Jess McAvoy just released the lyric video. Harkening back to the golden oldies with an infusion of rock, pop and blues, Jess McAvoy delivers “Do What You Want” with an astute lyricism that is seldom heard in music today.
Coming about in a playful way, McAvoy wrote the single when she seeing someone even though her heart wasn’t quite open to a romantic commitment, but both she and her partner were open to having a good time together.
Even though her friends were all up in arms over the idea of it, Jess’ outlook was very much towards the idea that good things happen when we all feel good. So, from a law of attraction standpoint, it’s important to move towards things that make us all feel the most like ourselves, even if it’s not meant to last forever.
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"'Grow' is quite literally about growing up through different phases of life and your very personal 'pursuit of wisdom'" says Singer Laura Loeters. The song is about farewells" and realizing how you grow older yourself by watching close people around you getting older.
Laura adds: "Like many of our songs when I came up with the first idea it sounded more like a quiet more folky song. But when I picked it up on electric bass with our drummer at rehearsals it became much more of a grooving pop song than we first intended."
The Day are Laura Loeters from Utrecht/Netherlands and Hamburg based Gregor Sonnenberg. Since meeting at 'Hogeschool voor de kunsten' in Arnhem the two keep reconciling distances, differences and always new approaches and perspectives. What runs like a thread through all of this is the interest to take charge of things themselves, try out and grow on it together.
The Day is where whimsical Dream Pop meets a DIY ethos learned from hardcore. A sparse, springy and rapturous dynamic alternates with a wildly imaginative dream-pop harmony, rock and synths create just as inspiring contrasts as the refreshing, reduced postpunk references.
--------------------------------------------------------------------------------------------------------------------------
Kopper – Winter Sun.
Kopper is the brainchild of visionary London musician and experimental filmmaker Jon Williams. Born in a soporific small town in Kent, the artist packed up to London to build something louder, fiercer and more anthemic. Jon is joined by his fellow provocateurs, artists and all-round renaissance men, band members: Ed Smith and George Town.
Elegant, emotional, energetic – the early dusk of a November evening has enticed London artist Kopper from hibernation. Their debut single, Winter Sun (released on January 10, 2019) evokes the inner warmth of a cold evening through soulful guitar and exploding electric soundscapes. Its big heart and dreamy scope enchants like a burnt dusk skyline, delivering something that will glow through your stereo on bitter nights.
The track’s sierra tones tell a story drawn from romance, heartbreak and old lives passing into the dark. Inspired by the likes of the National, the War on Drugs and Arcade Fire, it’s littered with moments of tenderness and contemplation ripped apart by glorious, cinematic melodies. This sumptuous and exciting song from one of London’s extraordinary talents is the first from Kopper’s debut EP Fading Fires, due for release in Spring 2019.
-------------------------------------------------------------------------------------------------------------------------
Sarah P. - Maenads E.P.
Maenads is a triumphant return for Sarah P, where the artist explores the theme of female power – its magic, strength, and imperfect perfection.
With her debut album Who Am I (2017) praised amongst music lovers and tastemakers alike, Sarah P. returns to celebrate feminine power and her Greek heritage with a transcendent collection of songs known as Maenads. The former frontwoman of Keep Shelly in Athens does not shy away from revisiting the past as she uses music, aided by magnificent, self-directed visuals, to divulge her endless accomplishments: be it her openness about mental health and the creation of her monthly zine EraseRestart aimed to wipe out the stigma that surrounds it, to the lobbying for the protection of artists’ rights as an active member of IAO (International Artist Organisation).
“This record is the link between my previous work and what’s coming. Free symbolised my rebirth as an artist, Who Am I helped me discover different music paths and Maenads is representing 100% me, both musically and as an individual. I’m not big on classifying my music in genres, because I believe that this process is taking away from the magic of listening. I think that Maenads is way more accessible than my previous work, yet mysterious and uncommon.” (Sarah P.)
--------------------------------------------------------------------------------------------------------------------------
Short Shadows - Nothing Good Comes Out Of Preston.
Short Shadows, a self-professed short-ass, middle-class, north suburban smart-ass punk with a piano has written the soundtrack to your public transport journey. The alter ego for Andy Coates; a singer, songwriter, producer and multi-instrumentalist from Melbourne, War Anecdotes From The Northern Suburbs takes indie rock, hip-hop, jazz and punk and blends it all with wry observations, punchy horns and suburban soundscapes that are epitomised in lead single Nothing Good Comes Out Of Preston.
Coates has entertained audiences Australia wide while fronting his nine-piece band Frankie Wants Out. FWO, who brought original party-swing back on to the music scene, could play a classy cocktail bar one night, then a grungey pub next and worked hard gigging, recording and touring for over ten years. While still paying tribute to his love of swing music, Short Shadows is a step away from the jump-blues and focuses on the peculiar styles of suburbia.
--------------------------------------------------------------------------------------------------------------------------
Jess McAvoy - Do What You Want.
With the recent release of her newest single “Do What You Want,” Jess McAvoy just released the lyric video. Harkening back to the golden oldies with an infusion of rock, pop and blues, Jess McAvoy delivers “Do What You Want” with an astute lyricism that is seldom heard in music today.
Coming about in a playful way, McAvoy wrote the single when she seeing someone even though her heart wasn’t quite open to a romantic commitment, but both she and her partner were open to having a good time together.
Even though her friends were all up in arms over the idea of it, Jess’ outlook was very much towards the idea that good things happen when we all feel good. So, from a law of attraction standpoint, it’s important to move towards things that make us all feel the most like ourselves, even if it’s not meant to last forever.
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Monday, 21 January 2019
Hajk - Marble Mammoth - Henry Jamison - Porteau - Living Hour
Hajk are polished, melodic and with some R&B vibes rather catchy on their new song. It's been some time since we featured Marble Mammoth and the alt rockers return with a stunning couple of tracks. Henry Jamison's beautifully crafted songs continue to impress, whilst Porteau offer us an exquisite piece that exudes both feeling and quality. Living Hour's vocals are gorgeous and the musical backdrop is a perfect complement on this wonderfully lush song.
Hajk - Breathe.
Hajk have released a brand new single entitled 'Breathe', the third and final single from the upcoming album 'Drama' that is out on February 15th on Jansen Records. The track is a soaring, emotional R&B-tinged song with an instantly infectious melody guided by Sigrid Aase’s powerful vocals that enthrall throughout.
Behind the sheen though, the band's Preben Sælid Andersen has explained that 'Breathe' is actually, "about the ability to believe in yourself and the ones close to you. It’s about trying to hold on to something, but deep down you know it's already too late. Breathing is also something we have talked about a lot during the making of this album, and it now serves as a theme throughout the record, in the lyrics and with actual breathing sounds hidden all over. Being able to take a step back and take a deep breath can be the only right thing to do sometimes."
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Marble Mammoth - The Light.
Marble Mamoth have just released a new single The Light.
It’s a track in two parts with a fuzzed out bass, a didgeridoo and sampled seagulls from The Beatles.
It is the second single release after the debut EP, and the band are planning on releasing two more tracks this spring.
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Henry Jamison - American Babes.
Henry Jamison’s upcoming album ‘Gloria Duplex’ is out February 8th on Akira Records, and is shaping up to be not only a formidable follow-up to his stellar debut album ‘The Wilds’ (which has over 90 million streams on Spotify alone), but also an insightful deconstruction of what it means to “be a man” in 2018. And this week Henry has unfolded another chapter in his exploration of masculinity by releasing the fourth single from the upcoming set, “American Babes”.
If album cuts like the previously released “Boys” and “Gloria” acknowledge the ways young boys are enlisted into a “toxic fraternity” by society, “American Babes” is a mini tableau of that society as a whole. As Henry describes it, “The verses are about a group of students that I saw on the train from New York to Vermont years ago and about a homeless man who I talked to once in Baltimore. The juxtaposition isn't totally worked-out, but it's loosely about young people who still feel some trust in institutions and an old man who felt utterly failed by them. When the structures of our lives crash down, what can we lean on?”
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Porteau - River Song.
Do we really have a choice? Does instinct guide us home? These are the questions posed in “River Song,” the first single from Water’s Gate, our forthcoming debut album. At the time, the lyrics were simply poetry I wrote in a journal during summer evenings spent in a remote Alaskan village. We were independently writing ideas/songs that neither of us necessarily intended to combine together; we weren’t trying to write a record. This poetry was a catalyst, and “River Song” as a whole naturally revealed itself.
I found myself inspired to write “River Song” while watching salmon swim in the streams. Their journey back to spawn is magnificent – one that brings life, but ultimately ends in death. Using the earth’s magnetic field, like a compass, the salmon return to their final resting place. I was struggling to wrap my head around accepting the natural cycle of life. Seeing the salmon’s instinctual guidance drawing them back to their place of birth helped me discover where I needed to be “River Song” is not a story with a concrete ending. Ask yourself – do we really have a choice? Does instinct guide us home?
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Living Hour - Water.
Winnipeg’s Living Hour shares "Water," the second single from their upcoming album, Softer Faces. The band teamed up with filmmaker Ryan Steel for a short film to accompany the song.
Steel says: "'Water' is a video about winter in Winnipeg. The video was shot covertly on the streets and in the homes of friends and grandmothers. Liminal spaces such as buses, shopping malls, and arcades all percolate together. Periods of rest and the textures of winter were captured on the outdated medium of 16mm film."
Everything about Winnipeg’s Living Hour has been expanding since their humble basement beginnings in 2015. What started with dreamy love songs inspired by the cinematic sky of their hometown has transformed into even more sprawling and expansive expressions on their latest effort, Softer Faces due March 1, 2019.
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Hajk - Breathe.
Hajk have released a brand new single entitled 'Breathe', the third and final single from the upcoming album 'Drama' that is out on February 15th on Jansen Records. The track is a soaring, emotional R&B-tinged song with an instantly infectious melody guided by Sigrid Aase’s powerful vocals that enthrall throughout.
Behind the sheen though, the band's Preben Sælid Andersen has explained that 'Breathe' is actually, "about the ability to believe in yourself and the ones close to you. It’s about trying to hold on to something, but deep down you know it's already too late. Breathing is also something we have talked about a lot during the making of this album, and it now serves as a theme throughout the record, in the lyrics and with actual breathing sounds hidden all over. Being able to take a step back and take a deep breath can be the only right thing to do sometimes."
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Marble Mammoth - The Light.
Marble Mamoth have just released a new single The Light.
It’s a track in two parts with a fuzzed out bass, a didgeridoo and sampled seagulls from The Beatles.
It is the second single release after the debut EP, and the band are planning on releasing two more tracks this spring.
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Henry Jamison - American Babes.
Henry Jamison’s upcoming album ‘Gloria Duplex’ is out February 8th on Akira Records, and is shaping up to be not only a formidable follow-up to his stellar debut album ‘The Wilds’ (which has over 90 million streams on Spotify alone), but also an insightful deconstruction of what it means to “be a man” in 2018. And this week Henry has unfolded another chapter in his exploration of masculinity by releasing the fourth single from the upcoming set, “American Babes”.
If album cuts like the previously released “Boys” and “Gloria” acknowledge the ways young boys are enlisted into a “toxic fraternity” by society, “American Babes” is a mini tableau of that society as a whole. As Henry describes it, “The verses are about a group of students that I saw on the train from New York to Vermont years ago and about a homeless man who I talked to once in Baltimore. The juxtaposition isn't totally worked-out, but it's loosely about young people who still feel some trust in institutions and an old man who felt utterly failed by them. When the structures of our lives crash down, what can we lean on?”
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Porteau - River Song.
Do we really have a choice? Does instinct guide us home? These are the questions posed in “River Song,” the first single from Water’s Gate, our forthcoming debut album. At the time, the lyrics were simply poetry I wrote in a journal during summer evenings spent in a remote Alaskan village. We were independently writing ideas/songs that neither of us necessarily intended to combine together; we weren’t trying to write a record. This poetry was a catalyst, and “River Song” as a whole naturally revealed itself.
I found myself inspired to write “River Song” while watching salmon swim in the streams. Their journey back to spawn is magnificent – one that brings life, but ultimately ends in death. Using the earth’s magnetic field, like a compass, the salmon return to their final resting place. I was struggling to wrap my head around accepting the natural cycle of life. Seeing the salmon’s instinctual guidance drawing them back to their place of birth helped me discover where I needed to be “River Song” is not a story with a concrete ending. Ask yourself – do we really have a choice? Does instinct guide us home?
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Living Hour - Water.
Winnipeg’s Living Hour shares "Water," the second single from their upcoming album, Softer Faces. The band teamed up with filmmaker Ryan Steel for a short film to accompany the song.
Steel says: "'Water' is a video about winter in Winnipeg. The video was shot covertly on the streets and in the homes of friends and grandmothers. Liminal spaces such as buses, shopping malls, and arcades all percolate together. Periods of rest and the textures of winter were captured on the outdated medium of 16mm film."
Everything about Winnipeg’s Living Hour has been expanding since their humble basement beginnings in 2015. What started with dreamy love songs inspired by the cinematic sky of their hometown has transformed into even more sprawling and expansive expressions on their latest effort, Softer Faces due March 1, 2019.
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