Wednesday, 4 July 2018

Sonny Falls - The Ophelias

Sonny Falls - Easy To Lose.

Background - Chicago based indie rock band Sonny Falls shares the lead single "Easy To Lose" off their forthcoming LP Some Kind Of Spectre, due out 8/17 on Sooper Records (Nnamdi Ogbonnaya, Sen Morimoto). On "Easy To Lose" the band addresses the way a toxic situation can be all-consuming. It is about codependency in all forms, like addiction or an unhealthy relationship. The rest of their forthcoming album deals with the same themes. Over 10 tracks, Sonny Falls’ Some Kind of Spectre finds songwriter and frontman Ryan 'Hoagie Wesley' Ensley exploring the nuances and complexities of relationship; whether with a person, a drug, or even just a mindset.

While the album contains explicit references to heroin and the opioid epidemic, metaphorical lyrics create space for the listener to insert their own meaning. Hoagie makes obvious reference to particular issues that have plagued he and his loved ones, but the flexibility of interpretation also highlights the archetypal nature of human struggle. Despite the drastic differences between people in the world, there is space for empathy in the commonality that we all have Some Kind of Spectre.

Sonny Falls is the song-writing project of Chicago DIY veteran Ryan “Hoagie” Wesley Ensley. Disarmingly personal in his presentation, Consequence of Sound once described Sonny Falls as “the sound of a songwriter struggling to assert his own agency in a world that refuses to do him any favors.” Hoagie’s writing gives voice to a depleted notion of modern Americana saturated by fortuneless upbringing, tragic devotion, and the untold losses of the opioid epidemic. These themes recur honestly and without pretension in his writing; erected as dark windows into the soul of songs that nonetheless break glass to let the sunshine in. Dire narratives are beset by a survival instinct of unrelenting optimism, and are delivered with a graceful balance of honest guitar rock and soulful self-expression. The result is that special kind of timeless indie rock. Bands like Built to Spill and Neutral Milk Hotel are strong points of reference not only because of the familiar sonic territory but because, like those bands, Sonny Falls is a project that listeners might fall in love with forever.  

On 2018’s Some Kind of Spectre (Sooper Records), themes of codependency and addiction underwrite melancholic sing-alongs extruded through a foundation of blistering guitar rock. The rhythm section of drummer Calvin Schaller and bassist Jeff Perlman joyride with the signature lead guitar of Anthony Santoro to rocket the songs light years beyond the domain of singer-songwriter tropes. Notable horn and string arrangements feature prominently in the album and shine as a definitive symphonic element. The result is an epic of honesty presenting as the masterwork of a talent screaming to be heard. Bleak but optimistic, Some Kind of Spectre is an ambitious work of pop-rock brilliance that urges the recognition of Sonny Falls as an authentic and substantive voice in the landscape of American rock music, FACEBOOK.


'Easy To Lose' is a sturdy rocker, with bags of energy and vocals that ooze rock and roll credentials. The video adds a layer of good feeling to the song, with or without the images, this is one fine blast of natural rock music.


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The Ophelias - Lunar Rover.

Background - The Ophelias have just shared the new track and video "Lunar Rover." Through a blend of understated rock, baroque pop and wide-skied atmospheres, The Ophelias explore the juxtapositions of youth on their album, Almost.

Having formed the band while still in high school, bassist Grace Weir, guitarist/lyricist Spencer Peppet, percussionist Micaela Adams, and violinist Andrea Gutmann Fuentes first met at a time when each were independently serving as the “token girl” in various dude-bands from their hometown of Cincinnati, OH. Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a sideperson.

“In the past we had all kind of been the ‘girl in the band,’ in some capacity,” Peppet said. “Having a band of all women eradicates that possibility logistically, but also makes for a really creative environment without the patronization that often comes along with being the ‘girl in the band.’”

Produced by Yoni Wolf, the new album Almost glides between palatial assuredness and pallid introspection, looking back on youthful yearning — the uncertainties, the traumas, the anxieties — without discounting its soft beauty. The Ophelias steer Almost through the lineage of coming-of-age confessionals, and affectionately document their growth into a warm, fractured adulthood. TWITTER.

Tour Dates:
07/12 Kansas City, MO - Uptown Arts Bar
07/16 Los Angeles, CA – Moroccan *
07/19 Seattle, WA – Fremont Abbey *
07/20 Portland, OR – Mississippi Studios *
07/22 San Francisco, CA – Swedish American Hall *
07/23 Salt Lake City, UT - Kilby Court
07/27 – Cincinnati, OH – We Have Become Vikings
* = w/ The Low Anthem.


We featured 'Fog' in May, 'General Electric' in June and now were in July 'Lunar Rover' makes it's timely arrival, increasing our anticipation even further for The Ophelias new album 'Almost'. Well three in a row is all down to the bands unique and fascinating creative works, which have consistently grabbed my attention. The latest song is another mixture of baroque meets low key rock, the vocals add more dimension and depth, this is very impressive and pleasing material.

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Tuesday, 3 July 2018

Moderate Rebels - Atlanta Arrival - ilu

Moderate Rebels - Beyond Hidden Words.

Background - London-based “Anti-Music Collective” Moderate Rebels release ‘Beyond Hidden Words’, from their just-completed second album, due out in November on Everyday Life Recordings. Describing it as an ‘un-song’, Moderate Rebels say, “We’re not sure what this music is exactly. It arrived with us as a feeling, then a defiant chant, a repeating half hallucination set to building noise, an invocation of strong communal power and hope, through the confronting of the uncomfortable, and the taking of some personal responsibility for being part of that conversation… The sound of a dream, set to the dream of a sound.”

‘Beyond Hidden Words’ arrived as an experiment, as much Moderate Rebels material has, from posed questions: “Can 3 chords and ‘the truth’ still work in 2018?... At what point does repetition become psychedelic?... Once you lose track of structure and time in music, do you get any sense of the infinite?”

“We know ‘Beyond Hidden Words’ has become important to us, and we find it emotionally stirring, more so as we listen to it, and we do believe these to be the correct words for us to sing, to our bones, and perhaps that’s enough for now”.

“Some London gigs and a UK tour in November are being planned. We may play ‘Beyond Hidden Words’ and some other new songs for the whole 45 minutes at some. We’ve done it before with [MR’s first single] ‘God Sent Us’ and enjoyed it very much… None of us knew what was going on or what would happen. Once you get a taste for that kind of chaotic night… It’s addictive.”

Moderate Rebels follow their debut album ‘The Sound Of Security’ and ‘Proxy’ EP, both released in 2017. The collective’s previously stated approach to their songwriting is “to use as few words and chords as possible”. TWITTER.


We featured Moderate Rebels a couple of times last year including their debut album, and I think it fair to say they were one of my favourites bands of 2017. Returning with 'Beyond Hidden Words' the first taste of their second album due in November, and the bands ethos of using just a few chords and words remains intact, as does their ability to do so with imagination and fascination. The bonus personally is that I can remember all the lyrics, as I sing along (privately that is, you wouldn't want to hear me sing).

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Atlanta Arrival - Colliding Stars (A Tribute To Björn Mertz).

Background - “On 17th May, we had to say goodbye to our dear son, brother, uncle, friend and drummer Björn Mertz. He was a fighter and an optimist, always determined to support his beloved ones instead of burdening them with his own stroke of fate. After months of battling cancer, it seemed like a miracle when he left the hospital cancer-free at the beginning of this year – still full of enthusiasm and joy of living. He enjoyed the time with friends and family and poured all his energy into his music, his one true passion. So, after our former band The Satellite Year split up, we composed an album that was supposed to be our next project.

Björn was about to go to a health resort, so we wanted to record the songs afterwards – but as if he had had a vision, he insisted on finishing the recording of the drums before his leave. And so he did: 9 songs in only 8 hours! At this time there was no way that anybody could have known that he was already developing a number of new tumours. While his friends believed that Björn was at the health resort as planned, really he was staying at the Uniklinik Homburg, a hospital, again fighting a battle against cancer with only his family by his side – and he did fight to the last. There is no rational explanation for what had happened during the last few weeks of his life or why this even had to happen. Similarly, there are no words for the pain and grief we feel. But should pain, emptiness and misery be the only things left? He himself would not have wanted this.

Therefore, it’s the deepest wish of his family and friends that Björn’s music and with it his unique spirit live on. We finished Björn’s favourite song of the album as well as a music video and kindly ask you to donate whatever you want and can afford to give, in order to support the German Cancer Foundation”. FACEBOOK, BANDCAMP.


A sad background with plenty of reasons to feature this music video regardless of the quality. However 'Colliding Stars' is a fine song that deserves to be shared on it's own merit. Only featuring music we like, enables Beehive Candy to be positive about all we share, and in it's own minor way hopefully that understanding provides a small tribute, to a drummer we never personally knew and clearly, a naturally talented musician. 


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ilu - Graffiti Hen Ewrop.

Background - Hymns of heartbreak and poetic reflections on grief and loss all dressed in music, steeped in the infectious energy and experimentation of 70s West Germany (Neu! Can, Faust). ilu also possesses a modernist European perspective that at first seemed at odds with their organic song-craft, yet it all coalesces into one coherent moving sound. 

Krautrock, motoric grooves propel their songs, songs that are also informed by a love for spiky post-punk and its melancholic longing, evident in ilu's rain soaked chords that sit comfortably on these city rhythms. Splitting their time recording between Tallinn, Estonia and rural Wales, ilu will be releasing their debut single 'Graffiti Hen Ewrop' on August 3rd. This singular reclusive band are well worth the wait.

'Graffiti Hen Ewrop' - The lyrics came in one go, driving around a snowy Tallinn on Christmas day, throwing grief and sadness into the night that is falling around the city. "I had just lost my father a few months before moving to Tallinn and I was dealing with my grief and my own confusion that was crippling at the time. The album was written and recorded there in a small flat in Merivälja looking across the harbour over at the old medieval town, it is very much a journey back into the light”.

The rest of the recording and mixing were done under the guidance of Producer Tim Lewis (Coil, Julian Cope, Spiritualized) from his studio in rural Carmarthenshire, Wales. Mastering is by Iwan Morgan (Euros Childs, Gruff Rhys, Cate Le Bon, Sweet Baboo). TWITTER.


If you have been here often enough you may well have noted we have a thing about Krautrock. It's a very positive thing at that, and 'Graffiti Hen Ewrop' is one of those tracks that satisfies, as it also promises more! ilu have nailed it with this song.

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Monday, 2 July 2018

Gaffa Tape Sandy - Mikey Collins - Polyplastic

Gaffa Tape Sandy - Meat Head.

Background - Rising garage rockers Gaffa Tape Sandy launch their punishing new single Meat Head, building on their brand of high-octane, adrenaline-fuelled rock ‘n’ roll delivered with a vital message.

“Meat Head was written as an attack on the type of mind-sets people harbour which involve believing that they somehow own or have the right to the body of another person”, the band stated. “The song is intended to be a pointed finger, an accusation and a vexed comment aimed towards reckless attitudes that exacerbate rape culture. It’s a topic we feel strongly about, and so wanted to perform with passion and indignation”.

With drummer Robin Francis’ viciously executed pre-choruses and bassist Catherine Lindley-Neilson’s fierce vocal delivery, the subject of the song can be widely felt within the performance just as much as the lyrics, adding to the wave of momentum surrounding the trio heading into the summer months.

One of NME’s 100 Essential Acts for 2018, the Bury St. Edmunds outfit have already toured across the UK with Indoor Pets this year and will be hopping all over the festival circuit with imminent slots at Latitude (BBC Introducing) and Y Not following raucous displays at The Great Escape and Live At Leeds. WEBSITE.


Feisty garage rock with plenty of punk attitude oozes throughout 'Meat Head' a sub three minute sonic blast of timeless and sincere "message attached" no nonsense rock.

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Mikey Collins - Falling.

Background - "Falling" is the second single to be taken from the forthcoming debut album by Allo Darlin' drummer Mikey Collins. Hoick is due out via Fika Recordings on 17 August. The song is a bright, upbeat pop number with call and response vocals provided by Laura Kovic from Tigercats. It is about Mikey proposing to his wife, something he swore blind he'd never do.

The video was shot on a summer's day in London, bringing the track to life, adding colour and movement, featuring the dancer Dessy Adesuwa, who choregraphed the piece herself. As Mikey explains; "London always shows it's best side on a sunny day and we shot the footage in ten hours around Little Venice, Fitzroy Square and St James Park... much to the joy of many onlookers."

Mikey explains further about the song; "This is about the process of proposing to my wife. About how I changed my opinions on marriage and how I changed my mind from it being something that I never wanted to do to being something very important to me!"

With Hoick, Mikey Collins combines his love of solid grooves and joyous harmonies to create a fun and sonically varied record. Mikey played most of the instruments and mixed the record himself, with some assistance from Laura Kovic (Tigercats) on vocals and fellow Allo Darlin' member Paul Rains on lead guitar. The flicker of his previous band provided the building blocks of an upbeat, positive record, but Mikey wanted to add his own quirky, disco spin & sonic expansiveness, aided by co-producer John Winfield (who has worked with Jimmy Somerville), with the aim of making a record that people stood a chance of being able to dance to. To create this eclectic sound, Mikey draws on influences are as far flung as Dexy's Midnight Runners, Bruce Springsteen & Todd Rundgren as well as more current artists such as Night Works, Matthew E White and Father John


It was a real pleasure to share the first single from Mikey Collins and the second one 'Falling' is equally special and pleasing to feature. Once again we are treated to some refined pop sensibilities, the smooth delivery and upbeat lilt, is taken up a further notch by the dual harmonies, and the video really is "the icing on the cake."


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Polyplastic - Next Slide.

Background - LA-based, post-punk band Polyplastic have released their new EP, Not No. Polyplastic is the project of Los Angeles natives Charlie Ellis and Emily Ibarra. 

Inspired by his time as a welder in North Philadelphia, Ellis’s songwriting is influenced by industrial and post-punk genres, marrying lyrical melodies with angular guitar lines and a driving rhythm section.

With a few bare-bones demos, the band started playing shows in LA and touring the US, supporting acts such as Wolf Alice, Ryley Walker, Draemings, and Tennis System. Polyplastic have released a few one off singles over the past few months, leading up to the release of their EP, Not No, due out June 29th. The band will be touring nationally, in support of the EP. TWITTER.


The single from Polyplastic's brand new EP 'Not No' is 'Next Slide' which exclusively includes 'Memphian Circles' as the B side. The band develop intriguing post punk orientated music where the vocals are just right for the genre adding depth and passion, whilst the musical backdrop is solid and robust.


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Sunday, 1 July 2018

Moon Panda - Hannah Featherstone - Slow Culture

Moon Panda - Rabbit.

Background - The sounds of Portishead, Mitski, Beirut, Beach House, and Angel Olsen have been key to the formation of Moon Panda. After the duo of Californian songwriter Maddy Myers and Danish guitarist Gustav Moltke decided on the talents of Bristolian synth player George Godwin and London-based percussionist Alfie Webber to join them, they settled on Brighton in 2018 as their creative base to launch Moon Panda.

Their debut single ‘Rabbit’ released June 29th on boutique record label My Little Empire is an impressive introduction with dark undertones. “Rabbit is about unhealthy love.” Myers explains. “It’s someone so infatuated with their partner that they can’t end their tragic, dependent relationship.” Inspired by a character formed in Heiko Julien’s collection of wit-filled 21st century love poems ‘I’m Ready To Die A Violent Death’, Myers looks to personify the atmosphere evoked. “I wanted ‘Rabbit’ to feel quite hypnotic and have some edge. Like a predator lurking around.” The single was produced by Cameron Blackwood who has also recently worked with the likes of Florence & the Machine, The Horrors, British Sea Power, and London Grammar.

Moon Panda create a hypnotic, mellow soundscape, with lush electronic harmonies and dense drums that weave throughout and leave an instantaneous desire for more. The fragility and sensitivity felt in ‘Rabbit’ has been part and parcel of Myers’ songwriting journey throughout her life. In fact, she was sparked into first picking up a guitar at 16 after her self-confessed sweetly sheltered childhood saw its first glimpse of the real world when her treasured adolescent possessions were stolen from a broken into car. “I had a really charmed, kind, upbringing and it was the first time I’d ever really felt cruelty,” explains Myers.

With a mismatch of influences including the misunderstood maverick composer Charles Ives, the intricate, technical guitarist Erik Mongrain, and US alt-lit writer Heiko Julien, it might come as some surprise that Moon Panda create such beautifully relatable songs - but it results in a perfect balance of intrigue and understanding. WEBSITE.


The musical landscape is uncomplicated and could even be described as precise on 'Rabbit'. The vocals are alluring to say the least, and all elements combine to give a lush a distinctive sound. There are influences and comparisons to be made, these however are positive as the result is a song that seemingly begs to be heard again.

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Hannah Featherstone - What's In A Name.

Background - Hannah Featherstone is Franco-British artist. Her voice glides through styles and ranges. Her piano sets a steady groove. Her music blends the catchy riffs of electro pop with the off-beat meanderings of jazz.

Born in England and raised for the most part in France, she's never been able to choose between the two countries and finds herself most at home somewhere in between. Brought up in a family of musicians, she was naturally immersed in music from the start. Her extensive experience of singing in classical and gospel choirs, but also in jazz, world music and pop ensembles, has nourished an eclectic and unique sound.

Hannah makes herself at home on any stage, in both small and large venues, fashioning her own space with a relaxed vibe that quickly spreads to the audience. As a result, every performance ends up feeling like a real heart-to-heart between her and the audience, varying in number from tens to thousands.

Her new album, Word Bound, explores both the creative and reductive power of words, using her lyrics and their musical setting to reach beyond what meets the eye. What is left when labels are stripped away?

What's in a name, opening track from album Word Bound, is both quirky and catchy. Seemingly playful, this song takes a jab at the incessant urge to label one another and the pressure to prove our worth through status. "Beyond the glitz and the glam that we feign, everyone tries to differ... Are we not one and the same?"

In collaborating with young French music producer Estienne Rylle and with established drummer David Allevard, Hannah Featherstone has developed a subtle and powerful electro backdrop for her pop-jazz harmonies. 'Word bound': a truly authentic and disarming album has just been released. WEBSITE.


Electro pop with plenty of class, is probably an understatement on 'What's In A Name' simply because of Hannah Featherstone's sublime vocals. They add a subtle jazz dimension to the song, indeed they are outstandingly melodious and combine seamlessly with the soundtrack, this one is very memorable.

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Slow Culture - Idle Motion.

Background - Sydney's Slow Culture share new single 'Idle Motion' Atmospheric and beautiful, Slow Culture's eponymous debut EP is awash in rich, ambient tones and captivating melodies. Juxtaposing the complexities of jazz, the hypnotic rhythms of psychedelia and the effective simplicity of alternative rock, the Sydney four-piece have poured an ocean of imagination into their debut, resulting in four majestically idiosyncratic songs.

Opening to the sound of chatter and eerie synths, Idle Motion is the first single set to be launched on July 20. An infectious vocal melody and a relentless groove blend with the instrumentation, paving the way as the song displays the group’s elegance and unfiltered energy.

Engineered by Richard Lake and mixed by Steve James, the new material is as sonically textured as it is meticulously written. The delicacy of the band's nuances are captured and presented perfectly in balance with their outright intensity. Layering lavish, reverb-soaked vocals atop sophisticated beats, every track has unshakable foundations, around which the band paint texture upon texture.

Comprised of Jack O'Neale (vocals/guitar), Ben Grover (drums), Leon Moore (guitar) and Payton Ellis (bass), Slow Culture are unafraid of treading new ground and Idle Motion takes them down this very rewarding path. FACEBOOK.


'Idle Motion' opens with a post rock feel, partly due to the more sombre vocals immersed in a guitar laden surrounding. The energy and vibrancy increases, and their chosen description of alt rock becomes more fitting, as does the recognition that this is an imaginative and beautifully crafted song.

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Course - Amanda Ekery - Janita - Close to Monday - Junior Scaife

Course - Hue Mirror. Chicago-based synth/pop group Course has announced their new album Hue Mirror will release on April 25th. Their third ...