Saturday, 13 January 2018

Corniglia - TC&I - Walter Martin - Wild Child - Lauren Ruth Ward

Corniglia - Strange Desires.

Background - Corniglia is a wonderful, psychedelic infused shoegaze band from Perth, Australia. Their second single from their self-titled debut album, "Strange Desires," both released this week. The songs are ethereal, tinged with a melancholia that somehow coexists with a feeling of transcendence. The gauze-y hooks in the guitar textures blend with Matt and Chloe's voice and bring a feeling of compassion to the bleak themes of the songs.

Matt says of the new single, "It's a song written in two parts. Most of the lyrics were written about 4 or 5 years ago. Looking back, it was mostly about a general sense of feeling lonely or not fitting in. It was revisited and finished off recently, where I view it differently now. Most people probably feel like they don't fit in at some point. Everyone is a lot more similar, working through the same problems and insecurities. I feel the song is more about growing up now."

There is a dark and somber beauty suffusing all of the art the group produces. It is the layers of sinewy texture overlaying the tracks. It’s in the lyrics that paint abstract portraits of these impressions. It’s in both Chloe and Matt’s voices. Chloe lends her artistic strength, as well as her voice to the band. She was raised to adolescence in Italy, before moving to Australia and continuing her creative studies.

Corniglia is a respite from and a reflection on the very peculiar world of Matt and Chloe. The two do not just write and record all of the music but also make all of the art and all of the videos for the project. It is an endeavour that is entirely DIY, with all of the artistic output, naturally with the help of family and friends who help them realise their vision, made by Matt and Chloe at the home they share. WEBSITE, FACEBOOK.


Fourth time around on Beehive Candy for Corniglia, this time with 'Strange Desires' the second single from their debut album. Once again we are treated to some dreamy genre spanning music, the rhythm is faster paced than the vocals and other musical components, providing additional energy and another dimension to the bands sound.

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TC&I - Scatter Me.

Background - Fans of XTC will be thrilled to know that bandmates Terry Chambers and drummer Colin Moulding, the rhythmic powerhouse behind the Swindon-based legends, have reunited to release new music under the tongue-in-cheek name of TC&I. Their new 'Great Aspirations' EP consists of  four new original recordings that allow us to fully appreciate Colin’s English pop vision.

On this debut offering as TC&I, Moulding and Chambers put their XTC history behind them to create some truly original music. Not only is this a new start, but also a thing apart from their musical past. This is also the first new material from Moulding in many years.

"I thought I’ve got to do something, you can’t just sit around and eat chocolate cake and then you get the inkling that you should start writing again and you start meddling and the next thing you know Terry’s on the door step," says Colin Moulding.

Terry Chambers adds, “You’re only here once in your life and this felt a bit like unfinished business. When I left XTC it wasn’t the greatest set of circumstances and you can’t go through your life thinking ‘what if?’ so when Colin offered the opportunity I thought, yes lets do this again."

The EP delivers XTC's trademark qualities of melody, rhythm, variety, and idiosyncratic subject matter, mixed in with nostalgia fuelled by an understated political anger. In following with his songwriting history to date, Moulding shows an appreciation of the good things, such as friendship, landscape and longing. Here he again reminds us of what we stand to lose in the name of progress, looking at the rapidly changing world around him. FACEBOOK, PLEDGEMUSIC.


TC&I have a fine legacy to build on and rather than play it safe and set out from where their time with XTC ended, the new EP and featured song 'Scatter Me' are both original and refreshing. There is a certain "Englishness" to their sound, along with some fresh and creative music, TC&I have not let us down, this is a superb EP.


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Walter Martin - Ride Down The Avenue.

Background - Walter Martin (co-writer/multi-instrumentalist of The Walkmen) will release his new album Reminisce Bar & Grill on February 16th via Ile Flottante Music. His fourth solo record since The Walkmen's hiatus in 2013, it's one that might throw fans of his two award winning kids' records (2014's We're All Young Together and last year's My Kinda Music) for a loop. Listeners will still recognize the same affable narrator and quirky musical style, but here the subject matter is shifted dramatically. With frankness, poignancy and humor, Martin, now a 43-year-old married man with two young children, squarely tackles the subject of adulthood - specifically, his own.

While Martin approaches these subject matters with candor and sincerity, he clearly also enjoys mining them for humor. "I wanted this album to be an entertaining discussion of marriage, fatherhood, work, fear, and weakness," he explained. "I'm definitely influenced by Woody Allen movies. No matter how serious or romantic or dark his story may be, there's always a strong undercurrent of comedy."

Reminisce Bar & Grill was recorded at various studios in Brooklyn and at Richard Swift's National Freedom Studio in Cottage Grove Oregon. The songs were mixed by D. James Goodwin (Bob Weir, Craig Finn), Richard Swift (The Shins, Foxygen) and Phil Ek (Fleet Foxes, Band of Horses). A nimble multi-instrumentalist, Martin handled guitar, piano, organ, bass and percussion duties, but he also relied on the services of a coterie of crafty players and singers: Brian Kantor (Fruit Bats) on drums, Josh Kaufman (Craig Finn, Josh Ritter) on guitar, and Jamie Krents (French Kicks) on bass. The soaring harmony vocals woven throughout the album are delivered by Clap Your Hands Say Yeah singer Alec Ounsworth. WEBSITE, FACEBOOK.


Less than a month ago we featured 'I Can Run Now From The Hellhounds But I Can't Hide' by Walter Martin and 'Ride Down The Avenue' is another fine song that pretty much ensures the forthcoming album receives our attention. The song is hard to pigeonhole into any one genre, its melodic, energised and catchy, that much is certain.


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Wild Child - Sinking Ship / Back & Forth.

Background - Wild Child latest singles "Sinking Ship" and "Back & Forth," were produced by Max Frost and Delta Spirit's Matthew Logan Vasquez, respectively. The band's gearing up for the release of their new album, Expectations, out February 9th on Dualtone Records.

Wild Child won't settle. For seven years now the Austin-based ensemble has carried its infectious blend of indie-pop and infectious melodies across the international music scene, charting viral hits and wrapping their arms around a diverse and dedicated fan base. But earlier this year when the band set out to make their fourth studio album, they found they had their hands full: After half a decade of maturation, the group had grown beyond its traditional writing and recording process. “We had too many ideas for how we wanted to make this record” says Kelsey Wilson, the group’s lead vocalist and violinist. She shrugs. “So we said, ‘Why not just do all of them?’”

The group realized this offered an exciting opportunity to make a kind of record bands rarely get right: To take a new, multispectral approach to writing and recording that went beyond simply trying to engineer success. The band made a list of their favorite musicians who were also great producers in their own right — choosing ones they thought would shine a new and unique light on specific compositions — and then Wild Child set about chasing their album from studio to studio all over the world, never saying no to an idea. The result — the band’s fourth album, Expectations — is Wild Child’s most creative, colorful and intellectually engaging album to date.

Now a seven-piece pop mini-orchestra (Wilson on violin and vocals; Alexander Beggins on ukulele and vocals; Sadie Wolfe on cello; Matt Bradshaw on keyboards, trumpet, and harmonica; Tom Myers on drums; Cody Ackors on guitar and trombone; and Tyler Osmond on bass), Wild Child formed in 2010 when the group's core duo of Wilson and Beggins wrote and released their first album, Pillow Talk. WEBSITE, FACEBOOK.


Another band we featured last month and they are back and again sharing two more songs for our pleasure. 'Sinking Ship' and 'Back & Forth' are two very contrasting pieces, 'Sinking Ship' is a beautiful and gentle song with gorgeous vocals and harmonies. 'Back & Forth' is a feisty full bodied tune with a funky blues feel, this band do variety and they do it with style.


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Lauren Ruth Ward - Sideways.

Background - Lauren Ruth Ward just released her new song "Sideways". "Sideways" is an anthem for those who get lost while acclimating to a new life." 

Says Lauren, "Whether it's intentional or unintentional, you gotta roll with it but not let the people walking faster than you distract you." The song is about when Lauren moved from Baltimore to Los Angeles about 2 years ago.

Her new album "Well, Hell" is coming out February 9th, and you can see the campaign that American Apparel did with her here. She is a hairstylist during the day to be able to keep her music career afloat. 


Lauren has organically grown fans in places like Italy, France, Spain, Germany, etc. There is such a love for her music that they created fan pages on Instagram. FACEBOOK, INSTAGRAM.

'Sideways' is the second song from Lauren Ruth Ward that we have shared, and once again her rock vocals are centre stage and gripping. This is natural and exuberant rock & roll, dive in and enjoy!


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Friday, 12 January 2018

Joel James - Will Stewart - Berlev's Rock 'n' Roll Hotel - Winter Wilson - Natalie Shay - Young Galaxy - Sly & Robbie meet Dubmatix

Joel James - Adorn Above.

Background - Joel James makes a statement in new single Adorn Above telling the industry, he is here to stay. Adorn Above is a battlecry in the form of a rock orchestral sound. Joel James lands his delicate poetry in between the whaling sounds of triumph. The track illustrates rejection being a societal norm but shows the urge to keep fighting, while having an endless desire to come out on top.

“‘Been torn apart a thousand times, but now there’s more of me to see’ - When I wrote that line, the song made sense. It’s such a bad ass statement, so much attitude. I believe that anyone who is used to rejection, no matter the industry they are in, will live and breath those lyrics” - Joel James

Adorn Above is exactly what it sounds like, a battlecry. It’s about a certain breaking point, having a whole industry crush you, losing everything to an unfair advantage. The song highlights the burning desire to bounce back head first and straight into the deep end without hesitation. Rejection becoming the norm, and success becoming our meaning to lif

The song was written, recorded, produced and mastered in Joel’s childhood bedroom by himself. That’s how all his releases are created. In 2016 Joel James released debut EP I’m a Fool opening with hit Still Around, generating buzz on Australia’s Hit Network and creating waves in the Gold Coast reaching number 8 on the 102.9 Hot Tomato Playlist. While Joel is laying the foundations of what looks like a solid career, he continues to raise the bar with every release, always experimenting with new colours of music and building the world he dreams of. FACEBOOK.

Powerful and expansive 'Adorn Above' is fully charged right from the very start. Joel James vocals are passionate and implore the listener to take note. Dramatic? just a little...

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Will Stewart - Sipsey.

Background - Will Stewart’s County Seat, coming out on Cornelius Chapel Records April 6th, explores the modern South through an interpersonal lens while reaching into it's complicated past, and present. As American Songwriter’s Brittney McKenna says “[County Seat] explores the complicated tangle of Stewart’s Southern roots, blending nostalgia and reverence with a stark awareness of the region’s dark, flawed past.” 

On the nostalgic first single from County Seat, “Sipsey”, Stewart longs for the wonder and innocence of young adulthood. “The title references a place in northwest Alabama called Sipsey Wilderness Preserve,” Stewart says. “I wanted to use that as a sort of visual, tangible anchor to otherwise vague, impressionistic lyrics. I also just like the way it sounds. But overall, the song is about trying to recapture the sense of awe, wonder and abandon — and maybe innocence, to a lesser degree — of young adulthood, coming to realize that things that were once inconsequential in youth are now the only things that matter.”

County Seat is a guitar-fueled Americana record, caught somewhere between the worlds of country and electrified rock. The songs are roomy and lush,  the result of an inspired band — led by Stewart, who handles singing and guitar-playing duties — whose members recorded all nine tracks in two short days. There are swirls of swooning pedal steel, layers of vocal harmony, and the pastoral punch of a songwriter looking to turn the landscape of his home state into music.

Co-produced with Les Nuby (who also engineered and mixed the album) and recorded in a series of live takes, County Seat nods to a number of songwriters who sing about the beauty of their homeland without glossing over its imperfections. There are electrified moments influenced by Neil Young, guitar arpeggios suited for R.E.M., turns-of-phrase worthy of Bob Dylan, and the modern-day folksy charm of Hiss Golden Messenger. On an album that evokes some heavy starpower, though, Will Stewart shines the brightest. This is his first full-length release as a solo artist: a rallying cry from a Son of the South who, having returned home after a long trip, looks at his birthplace with renewed eyes. WEBSITE, FACEBOOK.


'Sipsey' has some classic Americana feeling that resonates beautifully. Rich with fine instrumentation and delicious harmonies Will Stewart's naturally refined vocals complete the circle.

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Berlev's Rock 'n' Roll Hotel - Let's Go To The Movies.

Background - Berlev’s Rock ’n’ Roll Hotel plays rock. Sometimes hard rock, other times more soft rock, certain times straight forward rock ’n’ roll but always filled with energy. Søren Berlev, the old drummer of the biggest rock n roll band ever in Denmark and Scandinavia has been working several years to write new music and has gathered a band. Berlev’s Rock ’n’ Roll Hotel succeeds in the delivery of a wild, participatory and musical performance of the songs.

The band consists of Søren Berlev on drums, Erik Winther on guitar, Esben Hegelund on vocal and Søren Fjalland on bass guitar. Together they play a live performance which leave the audience with no doubt about the bands love for rock n roll music. When the band plays their highly energetic songs they make sure to the audience is rocking to the loud guitar solo and singing along on the catchy melodies.

Musicians: Søren Berlev (drums), Esben Hegelund (vocal), Erik Winther (guitar)and Søren Fjalland (bass). WEBSITE.


If you like a little rock & roll then 'Let's Go To The Movies' ticks a whole load of boxes. Unpretentious and full of magnetic hooks this is the business for rockers of all ages.


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Winter Wilson - Far Off on the Horizon.

Background - Winter Wilson are preparing to hit the road with the legendary Fairport Convention - but they could very easily be on the dole. This is the story of a couple who turned the nightmare of redundancy into a dream of playing music for a living... "We gave ourselves a year to see how things would turn out," says singer Kip Winter. "Five years later we are still getting away with it! It’s not easy, but playing music professionally beats working for a living."

Kip and partner Dave Wilson were popular part timers on the folk scene and released Winter Wilson albums at their own leisure. But, following the banking crash and global crisis of 2012, things changed for the couple and music became the priority. Since then, critical acclaim has followed their every move and they even made one of the Daily Telegraph's 'Top Ten Folk Albums' of 2014 in the redundancy-inspired and intrepid 'Cutting Free’.

The music they make is as sharp in sound as it is observational in message and is delivered with a keen ear for melody and instinctive harmonies. Dave Wilson’s songs pull no punches and are as comfortable in a contemporary box, as they are at home on the floor of a folk club. Indeed, his songs have found their way into the repertoire of many a seasoned floor singer, as well as several other recording artists.

The duo has been hand-picked to support musical legends Fairport Convention in 2018 and are ready to delight audiences around the country. To coincide with this, they are releasing their brand-new album ‘Far Off on the Horizon’ on January 25th and it’s another outstanding collection of original songs on subjects as diverse as migration, old age, young love and Australian weather! This latest collection of songs fits very well with the emotional geography of the roads they're now travelling. WEBSITE.

 
Winter Wilson touring with folk legends Fairport Convention in 2018:
25 Jan 2018, Tewkesbury, The Roses Theatre
26 Jan 2018, Southport, The Atkinson
27 Jan 2018, Lincoln, Drill Hall
28 Jan 2018, Buxton, Opera House
30 Jan 2018, Nottingham, Playhouse
31 Jan 2018, Peterborough, Key Theatre
01 Feb 2018, Coventry, The Albany Theatre
02 Feb 2018, Morecambe, The Platform
03 Feb 2018, Settle, Victoria Hall
04 Feb 2018, Salford, The Lowry
06 Feb 2018, Milton Keynes, The Stables
07 Feb 2018 Stoke, The New Vic Theatre
08 Feb 2018 Durham, Gala Theatre
09 Feb 2018 Whitby, Pavilion Theatre
10 Feb 2018, Leeds, City Varieties
11 Feb 2018, Banbury, Trades and Labour Club
13 Feb 2018, Canterbury, The Gulbenkian
14 Feb 2018, Canterbury, The Gulbenkian
15 Feb 2018, Worthing, Connaught Theatre
16 Feb 2018, Frome, Cheese and Grain
17 Feb 2018, London, Union Chapel
18 Feb 2018, Winchester, Theatre Royal
20 Feb 2018, Farnham, The Maltings
21 Feb 2018, Exeter, Corn Exchange
22 Feb 2018, Tunbridge Wells, Assembly Hall Theatre
23 Feb 2018, Bury St Edmunds, The Apex
24 Feb 2018, St Albans, The Alban Arena
25 Feb 2018, Bromsgrove, The Artrix


I imagine that Fairport Convention are rather discerning when it comes to choosing touring partners with the emphasis on quality. Either way that is what they have with Winter Wilson as demonstrated by the tender and touching song 'Far Off on the Horizon'


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Natalie Shay - This Feeling.

Background - Natalie Shay is a 19 year old multi award-winning, indie pop/rock artist from North London. Deemed as one of London’s hottest emerging talents and having already acquired an impressive array of awards, Shay is ready to launch herself into the forefront of the industry, with her highly anticipated upcoming release.

As a classically trained guitarist from the age of five, Shay's outstanding talents soon found herself accepted into the prestigious BRIT school, known for producing such prodigies as Adele, Jessie J and Katy B. Shay credits her time at the famed BRIT school for encouraging her independence, “It allows student’s to develop creatively and socially so that they are prepared for the world once they graduate”, explains Shay.

Shay's experience at the BRIT school propelled her into a successful solo career, performing to sold-out audiences at some of London’s most iconic and renowned venues, including The Roundhouse, Ronnie Scotts and Brooklyn Bowl, O2. Her successes to date include her long list of awards from ‘Best Undiscovered Talent’ London Music Award, Winner of The Guardian’s Music Award and two time winner of the Mayor of London Gigs. Shay’s debut single ‘Follow You Home’ reached number 15 in the iTunes singer/songwriter charts, championing Ed Sheeran.

Leading single ‘This Feeling’ is thematically about the excitement of young love and the passionate desire for someone. The emotions this song conveys, combined with Shay’s raw vocals, creates a heartfelt song which resonates with listeners from all different aspects of life. Sonically ‘This Feeling’ highlights Shay’s distinctly powerful and vibrant vocals. Featuring gritty melodic guitars, punchy drum beats and an infectious anthemic chorus, Shay has established a sound beyond her years. With Shay’s mesmerising lyricism, her impressive vocal prowess and a unique flair of delivering listeners with compelling live performances, it is to no wonder that she has had the privilege of sharing the stage with artists such as Soul II Soul, J P Cooper, Alex Francis and Sex Pistol, Glen Matlock.

After extensively gigging around the UK and perfecting her sound, Shay is now ready to focus on the release of her new music. Driven by the desire to inspire other young women in the arts and helping them to flourish with confidence, Natalie Shay is set for a promising 2018. ‘This Feeling’ is due for release January 19th. WEBSITE, FACEBOOK.


A refreshing dose of indie rock comes our way in the shape of 'This Feeling' a feisty and very catchy song. Has England found it's own Amy MacDonald, not to worry Scotland there is plenty of room for artists of this calibre.

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Young Galaxy - Under My Wing.

Background - Montreal’s electro-pop duo Young Galaxy have announced the upcoming release of their first fully independent, “punk spirit” album. Down Time stories Young Galaxy’s shift into complete independence and positions the band as a countercultural beacon during the current climate of isolation, corruption and despair. 

Showcasing the band’s new independence is lead single, “Under My Wing”. The track intentionally blurs what listeners have come to expect from the band. Musically it’s cloudy and swirling, the lyrics obscured, almost unintelligible by design. As the band puts it, “it’s a song that sleeps during the day and walks the empty streets at night. It’s about the failure of capitalism, the isolation of suburbia, and the drive to discover sensuality, connection, and a spark of life in the face of despair.”

Young Galaxy began writing Down Time with a sense of reinvention in mind. In order to stay ahead of the ever-shifting landscape of the music industry, the band felt the need to step away from the industry entirely and take stock of and control over their career. Tired of the industry’s exploitative, conservative nature, the band started their own label in an effort to create a sense of community, and to stay true to an ethos of experimentalism and independence.

Young Galaxy’s Catherine McCandless says: “Beginning to write and record is always a question of seeking the headspace that will manifest the life that we want to live – it feels essential that we get up against what feels most valuable to us: love, art, subversion, risk and vulnerability. Those are the tools of the work of writing for us. In immersing ourselves in a kind of daily labour that brings about questions of whether we’ve gone far enough, left out enough, left bare enough, said too much, sweated enough, bled enough, I think we are putting out into the world powers and vulnerabilities that could be the balm, or even antidote to it. The music industry needs it, politics need it, people need it. It’s love and sex and comfort and blood and unity amongst seekers on the outside of what seems to be an absurd and lonely state of normalcy currently.” FACEBOOK.


We receive a constant supply of new electro pop music and are perhaps more choosy with this genre. 'Under My Wing' stands out both by the musical arrangement, atmosphere and level of originality, that and the "punk spirit" which an independent band I suspect, has more chance on delivering.

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Sly & Robbie meet Dubmatix - Dictionary.

Background - In reggae, all roads lead to the “Riddim Twins”, Sly & Robbie. They’ve been revered as style-defining icons for years, and together and individually have a massive influence on the genre. They are also renowned for their willingness to shatter boundaries and experiment with sounds. Over the past decades, they have never been shy of leaping over into other genres – for instance, their timeless, super-tight production work for Grace Jones...!

Now, Sly & Robbie meet Dubmatix. The Canadian producer and multi-instrumentalist got his hands on original Sly & Robbie tracks and spent months crafting this new album, Overdubbed. Dubmatix is celebrated for his out-of-the-box thinking and willingness to experiment, and the album shines with fresh ideas.

Sly & Robbie’s tunes, which are originally without vocals, haven’t simply been dubbed: extracting the individual essence of each track, Dubmatix has added a plethora of tweaks, ideas and individuality, making his musical signature clearly audible. On some tracks, he invited vocalists, including Jay Spaker (John Brown's Body), Screechy Dan and Prince Alla, to contribute their unique style. As well as Dubmatix himself, the album features many other musicians.

The result is an album that shines with eclectic diversity. From roots oriented tunes to dubs for the clubs, there’s a bit of everything. Dubmatix’s refreshingly playful, bass-heavy approach creates new highlights while at the same time paying deserved homage to two world-class musicians.

The guest vocalist line up is jam packed including: Prince Alla, Screechy Dan, Megative, Jay Spaker, Treson, Pato Irie, Bill King, Pablo Paul, Shaky, Illorn, Aaron Kazmer and The Heavyweights Brass Band. Dubmatrix WEBSITE.


OK I am an unashamed reggae and classic dub fan, that is always a little suspicious of modern variants. 'Dictionary' which opens the album settled my doubts from the beginning, Dubmatrix has delivered something very special here, this one is for collectors and those just discovering the genres, fabulous!


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Thursday, 11 January 2018

Lake Jons - Jon Lindsay - Safari Gold - Honeymilk - Sur Back

Lake Jons - Lake Family.

Background -  “Lake Family” is the final single that Helsinki’s innovative lo-fi pop trio Lake Jons are sharing ahead of the release of their self-titled debut album (out next Friday, January 19th via AntiFragile Music). “Lake Family” is a euphoric track, masterfully showcasing frontman Jooel Jons’ effortless vocals and the bands’ undeniably assured, anthemic sound. 

Lake Jons has been flourishing in their hometown of Helsinki since 2014, utilizing atmospheric samples, simple driving rhythms, delicate guitar progressions and lush, hook-laden vocals as pillars of their forward-thinking songs. The result is an alchemic blend of ambient lo-fi pop, psych, soul and folk… it's the kind of album that could only come from a state of severe isolation and a mystical connection with the natural world.

It also explores themes of introspection, existentialism and human relationships, while the lyrics detail a quieter existence. A calm and persistent “life will go on” motif is prevalent throughout, which follows the bands’ previous two EP’s they released in 2016, Explore and Explode, along with their most recent singles from this album, “Call Me” and “Breathe Out The Fumes”. FACEBOOK.


Upbeat and refreshing 'Lake Family' also has plenty of heart and soul, the bands lo-fi music is the perfect soundtrack some really appealing vocals.

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Jon Lindsay - Zebulon (feat. Matt Douglas).

Background - Chicago’s File 13 Records has announced they will release 'Zebulon', the compelling yet irresistibly catchy new single from solo artist Jon Lindsay.  Slated for worldwide release on December 22, this track features a ridiculously funky horn arrangement from Matt Douglas of The Mountain Goats and drums by John Howie Junior.

'Zebulon' also happens to artfully tackle systemic bigotry—from the bigot’s point of view, no less. A sonic departure from Lindsay’s 2016 modern pop/rock opus 'Cities and Schools' (via File 13 Records), Lindsay describes the “Zebulon” sound as “sort of this psychedelic gospel pop”. While the vibe is indeed reminiscent of late-era George Harrison and Warren Zevon, and the horns, keys, congas and infectious hooks are in step with pop masters of the 1980s like Steve Winwood, something entirely new is happening here.

Lindsay (self-described as “way, way left”) wrote the song based on a true story. One night last summer, he accidentally wound up in rural North Carolina, playing music on a farm at the going away party for a farmer’s daughter, who was heading off to a northern college in the fall. Lindsay knew very little about the situation heading into the evening, but there was a lot of narrow-minded language and odd ideas voiced that night, much of it by the farmer himself. Some of this is echoed in the song.

“I didn’t want to just skewer a guy like this with some preachy, easy tune," explains Jon Lindsay, "I wanted to put a more three-dimensional character sketch together that got at the undercurrents of why this person felt like his whole world was getting away from him. Maybe it would help me understand how these things happen? I just tried to imagine how somebody could turn out so hateful and seemingly not realize it even a little bit.” WEBSITE, FACEBOOK.


Bright and engaging from the opening moments 'Zebulon' is a rhythmic and catchy pop song with a musical arrangement that skillfully adds some extra instrumentation just at the right moment.

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Safari Gold - Easy Company.

Background - I remember sitting in a hotel room (working) in India shortly after we put our first single ‘Howl’ up, and feeling grateful that people seemed to get what we were doing; especially the contrast between the light and the dark of Mog and Danny’s vocals and the mixture of organic and electronic instrumentation, which I’d tried hard to give equal bearing in the mix. More importantly, I was proud of what we’d made, and was excited
to see where it could take us.

Then a couple of us got shipped around the world with work again, passed exams, bought houses, dogs, vans…. for a while recording felt like thumbing putty into the gaps in our schedules, trying to stop the band from leaking away. But all the little seconds and minutes built up, as did the songs, and the idea of a ‘release’got swallowed up by tweaks and changes, mixing, re-mixing…. I realised we had to let go of it at some point or I might get swallowed as well.

So, at last, what feels like a decade later, I present to you the fruits of our labour as Safari Gold; a self-produced, self-indulgent, subjectively beautiful 15-track mess that our parents and labels couldn’t get their heads round, to be released across all digital platforms on January 19th, 2018.  That Friday night we’ll also be holding our album release show at our beloved Clwb Ifor Bach, Cardiff.

I owe a special thanks to Todd Campbell @ Stompbox Studios for helping me to produce it all, and reining me in when I was halfway to the moon with a drum-mic. We’d also like to thank our friend Mal who designed and painted our album cover, which encapsulates so much of what this album is about.  And of course a huge thanks to any of our friends who got dragged into the whirlpool, however briefly. Its taken a long time to finish a) because we needed to learn how to make it and b) because of life. 

It’s fun, it’s sad; it might not be what you expected. I don’t really know how to describe it properly, but what I do know is we’re incredibly lucky to be here at all, and we wouldn't be without you. So thank you too. - Lew, Sion, Mog & Danny. FACEBOOK.   


'Easy Company' is a combination of indie pop and rock where both the music, vocals and charming harmonies, suggest the album only needs to be this good to be magnificent.

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Honeymilk feat. Matilda Wiezell - Coming Home.

Background - Honeymilk, who went from a four-piece to a two-piece a year ago, just completed their sophomore studio album, called “I Want You To Be Very Happy.

First track out from the album was “Time Will Kill You” which was released summer 2016, soon reaching 200 000 streams on Spotify. 


This was followed by “The Nothing New” and “Trip” which both was instantly hailed as the best tracks the band’s released by media outlets such as Clash Magazine, BBC Fresh On The Net and Jajaja Music. Airplay followed on renowned stations such as P3 in Sweden, Amazing Radio, German Flux FM, Norwegian NRK P13 and Finnish YLE Soumi..

Honeymilk’s new studio album “I Want You To Be Very Happy” is out January 26th on Birds Records. FACEBOOK.


'Coming Home' is a relaxed indie song that feels comfortable throughout, dropping hooks constantly and the vocal arrangement seriously adds some real wow factor as the tune unfolds.

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Sur Back - Valentino.

Background - NYC-based, orchestral pop artist, Sur Back, shares her lead single "Valentino" and announces her follow up EP, Kitsch II, due out February 23rd, 2018. The EP was written, recorded and produced by Sur Back, and mixed and mastered by Patrick Brown of Different Fur Studios (Toro y Moi, Grimes, Zola Jesus, K. Flay, The Morning Benders).

Sur Back is the solo project of Caroline Sans, a formally trained dancer and musician, who channels the two forms of art into a baroque pop aesthetic. Kitsch II is Kitsch's darker, more somber cousin, as displayed by the similar, but darker, album art. Although most of the second EP's tracks were written around the same time as the first EP, as a collection, the record has taken on a new meaning with Sur Back's transition to living in the city and moving away from her childhood home.

While finishing production of this record, Sur Back moved from South Florida to NYC, which is reflected through the EP's wide-eyed optimism and dreamlike aesthetic. "Valentino" was written as if scoring a fashion show, with a straightforward beat with a bit of jaggedness, as if walking in heels. The gorgeous instrumental layers that Sur Back is able to produce and write alone in her bedroom pushes past the typical DIY sound of bedroom pop. WEBSITE, FACEBOOK.


Expect the unexpected with 'Valentino' and then enjoy the gorgeous musical journey. Fascinating and captivating, this is an instant replay, and some!

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Wednesday, 10 January 2018

Locks - Skin (Video Premiere)

Locks - Skin.

Background - The basis of the song is quite simple, it’s referring to inner demons, everyone’s are different and everyone deals with them in different ways. Some people are consumed by them to the point where their life revolves around them. Others fight them every step of the way. Sometimes they’re gone for good and other times they come back, either creeping slowly or rushing towards us like a juggernaut. The song is also linked to a previous track we did, but dropped unfortunately.

We shot the video on an iPhone again, we do all our videos on phones it seems.

The video started off with a very simple idea of inter cutting shots of each of us showing different expressions. Then had the idea of using coins found in a friends’ attic to coincide with the line ‘place two coins on those eyes before they start sinking’. Then this developed into the idea that we could use certain objects that could represent vices or triggers. We also tried to interweave the phrase ‘see no evil, hear no evil, speak no evil’ which represents both that and the constrictions we can place on ourselves, another nod to our inner demons. 

We had a lot of fun videoing this, there’s quite a lot of outtakes too and we got a huge amount of black paint everywhere. FACEBOOK.


We featured this song last month, then along came the opportunity to premiere the video. Now whilst plenty of music sites appear to love plastering "premiere" and other "first past the post" statements across their home pages, Beehive Candy's shoestring arrangements, usually mean that the caveat of demands that often come with such "opportunities" are just to time consuming.

Then along comes Locks - polite, easy going, if it's not to much hassle and so on, and for such a fine song. So lets just repeat our review, leave it at that, put our feet up & go & watch the TV (OK so we are exaggerating for effect).

Last month we stated "Bluesy and with a stripped back musical opening when the vocals and harmonies kick in this becomes a rich and very catchy song. I'm left looking forward to their debut album, and some."


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