Globetrotting: Matt Townsend - The Proper Ornaments - Kamaliza - The Insatiables

Matt Townsend - Came Down From The Mountain.

Background - The Drifter and the Dream (Part I) is the first installment of a two-part EP series. It features some of Western North Caroli-na’s finest musicians, such as Bill Berg (Drums on Bob Dylan’s Blood on the Tracks) River Guerguerian, Kat Williams, Franklin Keel, Jackson Dulaney, Carly Taich, Charles Gately (Doc Aquatic), Ryan Burns.

With his distinctive voice, and a world weary insight, Matt Townsend delivers his original songs, formed in the wells of Folk music, 60’s rock and pop, indie rock, ambient music and the American songwriting tradition.Live, his band flows from high energy rock and roll, to quiet folk tunes and back. Bob Dylan, Neutral Milk Hotel, Neil Young are counted among some of his musical guiding lights.

The Asheville, North Carolina-based musician has been performing across the country since 2012. 2016 marks the anticipated release of Townsend’s latest work, The Drifter and the Dream (Part I), a five-track EP, which is part one of a double EP series. The songs were recorded at Echo Mountain Studios in Asheville with producer Michael Selverne (Welcome to Mars Productions), and features Bill Berg (The drummer on the Minnesota sessions for Bob Dylan’s Blood on the Tracks, Cat Stevens, Leo Kottke). The first EP explores the personal relationship to social and political issues, spiritual connection, and humanness in a de-humanizing society. Along with recording and touring, Townsend is also the the founder of Eternal Mind Records, a new arts collective and record label in Asheville, NC. Website here. Facebook here.

The second of five songs on the EP 'Came Down From The Mountain', is a good indicator of the quality to be found on 'The Drifter and the Dream (Part I)'. Mixing lighter acoustic songs with more expansive pieces, the wonderful vocals of Matt Townsend are just a gift for this type of music. The craftsmanship of the musicians and the quality of each song, make this a must have for me.

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The Proper Ornaments - Cremated (Blown Away).

Background - The Proper Ornaments – the project of James Hoare (Ultimate Painting, Veronica Falls) and Max Oscarnold (Toy) – will release their sophomore album 'Foxhole' on January 20 via Slumberland Records (US) and Tough Love Records (ROW). This week the band shares album standout "Cremated (Blown Away)".

James and Max started out writing Foxhole, the follow up to the bands 2014 released debut album ‘Wooden Head’, in January 2015. On ‘Foxhole’ they’ve sliced away a whole stratum of their sound, removing some distortion and lowering the frequency of plectrum strokes to allow more nuanced, piano-led ideas to emerge. The title isn’t a reference to Television’s jaunty proto-punk record but seems to be more of a dark, protective interior, a head space sketched out on ‘Jeremy’s Song’. While their particularly recognisable production style remains, three things stand out as likely reasons for the shift in mood. By the time they got around to recording again in James’ bedroom in Finsbury Park that Summer, the instability around the recording of ‘Wooden Head’ (and the five years before) had slid into a deep and seething acrimony. Second, they both bought pianos. Third, when the band, with Daniel Nellis and Bobby Syme joining on bass and drums went to record at Tin Room in Hackney in June, the pinch wheel on the 8 track machine was broken and somehow no one noticed. All but one recording, ‘The Frozen Stare,’ was hopelessly warped, so they went and did it all again from scratch back at James’. Facebook here.

Tour Dates:
01/22 Leeds, UK - Brudenell Social Club (Games Room)
01/23 Glasgow, UK - Mono
01/24 Birmingham, UK - The Hare & Hounds
01/26 London, UK - Moth Club
01/28 Lille, FR - Le BiPlan
01/29 Lyon, FR - Sonic
01/30 Luzern, CH - Gewerbehalle
01/31 Lausanne, CH - Le Romandie
02/01 Winterthur, CH - Albani Music Club
02/02 Heidelberg, DE - Karlstorbahnhof
02/03 Berlin, DE - Marie Antoinette
02/05 Hamburg, DE - MS Stubnitz
02/07 Amsterdam, NL - Paradiso
02/08 Utrecht, NL - ACU
02/09 Rotterdam, NL - V11
02/10 Paris, FR - La Mecanique Ondulatoire.

'Cremated (Blown Away)' has a distinct sound and feel to it, one that has that timeless element. Keeping the arrangement quite simple results in each instrument standing out and the refined vocals are a really good fit. Another fine musical example of  "less is more".  

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Kamaliza - Zermatt.

Background - London-based company, Cape & Monocle do a fantastic job of creating a video that is just as mesmerising as the song. Switching between a series of complex visuals that encompass a spectacular world of beauty inspired by Kamaliza's travels through Switzerland.

The visual art of Kamaliza's "Zermatt" mesmerises, its vivid colors encompassing a spectacular world of beauty. Inspired by his travels through Switzerland, Kamaliza describes the simple joy of a holiday with a loved one, contextualised by the natural wonder of Zermatt's majestic Matterhorn. In the video, landscape transforms into abstraction, colors distorted yet thoroughly breathtaking. The music, fittingly, is a contemporary blend between electronic and alternative, as refreshing as the crisp air of the Alps. Website here, Facebook here.

The video is a spectacular collection of creative images, where vivid colours and artistic montages combine to create an intriguing series of moments for the song 'Zermatt'. All that's needed is the right music, and Kamaliza is a natural for that, with a beautifully produced track that comfortably builds around the electronic framework.

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The Insatiables - My Dear.

Background - The Insatiables launch summery new single 'My Dear' Following on from their May 2016 EP release 'Impatient Creatures', Perth three piece The Insatiables have wasted no time and are set to launch their wonderfully crafted new single 'My Dear'.

In letter writing My Dear is an opening line used for a more intimate and affectionate approach and the same can be said of the delivery of this slice of indie-pop. A penned letter to a love accompanied by rhythmic guitars, driving sixteenths and commanding vocals, The Insatiables' writing chops step up a level as they channel textural specialists The Jezabels.

Previous single 'I Know My Scars' from the EP 'Impatient Creatures' introduced audiences to The Insatiables and scored community spins Australia wide along with commercial exposure through Perth's Mix FM. As the band prepare for a 2017 EP release, 'My Dear' will be available via all digital retailers from November 24 with a live launch date of December 17 at favourite watering hole 459 Bar in North Perth. My Dear is out November 24 via all good digital retailers. Website here, Facebook here.

'My Dear' has some notable and powerful upfront chord changes that are delivered with vibrancy. The audio production is superb, and whats more the song just happens to be one very fine indie piece.

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Midweek Muse: Nice Motor - The Amazons - Lionfly Secrets - Cocoa Futures

Nice Motor - Duck And Cover.

Background - Nice Motor is a Rock n' Soul band from Chicago, forming in late 2014. With Brian Webb on Vocals and Guitar, Seth Webb on Drums, Dave Swick on Guitar, and Neil Krajenta on bass, the band began recording music during the summer of 2015. Their first releases, "All the Neighbors" and "Turn to Stone" were made available for free on Soundcloud in the fall of that same year.

Nice Motor formed after the break-up of Chicago veteran band "Jonny Rumble", freeing up Brian and Seth for new adventures, and Dave's departure from another Chicago band, "Super Happy Fun Club". Neil was waiting in the wings, bought a bass, and off they went. Beginning with acoustic writing sessions on a balcony, and impromptu electric noise-making, the band quickly began to write tunes as a well-orchestrated unit. After pocketing a hand or two full of songs, the band began recording in May with their good friend Chris Mason manning the controls of a make-shift home-studio. The month of May also saw Nice Motor play their first show, selling out Alive One in Chicago, to benefit Team High-Life and bring awareness to suicide prevention. They quickly followed up by selling out a show at Tonic Room in June.

The band’s next show is on NYE at Double Door in Chicago. They will be opening for Lucky Boy’s Confusion. Facebook here.

I cannot help but love the vintage sounds that introduce 'Duck And Cover'. However rather than be the highlight it simply helps the refined, beautiful music and vocals that follow to stand out even further. Alt rock of sorts Nice Motor have a something pretty special going on here.

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The Amazons - Little Something.

Background - Following their recent Q Award nomination for Best Breakthrough Act, The Amazons’ upwards momentum continues with the news that their brand new track ‘Little Something’ has been chosen as Annie Mac’s Hottest Record in the World. Now available to download and stream, ‘Little Something’ impacts on January 20th.

Produced by Catherine Marks (Wolf Alice, Foals, The Vaccines), ‘Little Something’ elevates the clash of melody and aggression that simmered in The Amazons’ previous single ‘In My Mind’. It starts with an ominous air of moody atmospherics before erupting into a fiery ball of energy following a dynamic breakdown that inspires chaos when the band performs it live.

“‘Little Something’ represents the darkest and heaviest place we’ve pushed our music to,” says frontman Matt Thomson. “It’s a predatory lyric based around the hunt for an obsession that’s out of reach, and then in the darkness and failure of reaching it, finding yourself becoming something you’re not.”

‘Little Something’ will also feature on the band’s debut album which has been recorded with Catherine Marks in Flood and Alan Moulder’s famous Assault and Battery studio in London. Facebook here. Website here.

The Amazons recently played their biggest London headline show to date at Oslo and are currently finishing a run of dates as guests to Jimmy Eat World. They conclude 2016 – and preview an even bigger 2017 – with the following shows:

December:
1st - St. Albans, The Horn
8th - Bath, Moles
9th - Bedford, Bedford Esquires
10th - London, Nambucca (This Feeling club night)
15th - Newcastle, Think Tank Underground
16th - Sunderland, Independent
17th - Manchester, When In Manchester Festival

A nice thumping bass and drums combination bring 'Little Something' into play and the darker vocals and haunting guitar add additional atmosphere and urgency. This is one meaty and powerful track, a short reprise halfway through is the calm before the band storm into a full on finale.

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Lionfly Secrets - Epiphany Spinnup.

Background - Lionfly Secrets released their new single “Epiphany” on Friday 18th November. “Epiphany ” is a bombastic, energetic electro-pop symphony. It is four minutes of hook-filled melody with striking synths, crashing guitars and a female vocal that thunders boldly through the progressiveness of the track.  The production is rich, colourful and steady.  Erica’s vocals reverb through the track and sit perfectly with the electro style of their music. Fellow bandmate Nikolai Hemmingsson is the Producer charged with the warmth and power of the production and serves up a track full of oomph and dynamism.  Erica describes the song as a moment of diversion from reality “We wanted to create a soundtrack for escapism. Walking around in headphones and dream away that you are in a dreamworld and a better place, but then you have to take the earphones out and get back to reality where nothing is as good as you hoped it was”.

Lionfly Secrets are a 5-piece from Sweden.  Vocalist Erica Zandelin hooked up with Sebastian Fernstedt whilst in High School and he produced her first single. An ongoing working relationship continued over the years, until 2015 the pair officially unified and created Lionfly Secrets and added 3 band members to the family. The band have achieved a great deal since their incarnation, including reaching the finals of “Stream Your Dream” competition in Stockholm, part of an acoustic tour in Sweden and had the opportunity to play the “Live At Heart” festival in Orebro.  As with all working bands, day jobs have to be sustained to fulfil the dream – in the case for Erica that is operating  a forklift truck – but it is the means to an end.

Release plans for 2017 for Lionfly Secrets are scheduled. Writing and recording over the winter for an EP release in Spring and touring and festivals in the summer and further releases in the autumn. Facebook here.

With something of a swirling sound 'Epiphany Spinnup' introduces itself before developing into a very catchy song that drifts between indie pop and rock. Erica Zandelin has distinct and very fine vocals and the band have a depth of sound that adds something a little extra!

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Cocoa Futures - The Grey.

Background - Perhaps Cocoa Futures’ most direct offering of sparkling, upbeat indie pop, 'The Grey' is all driven groove, sonorous dancefloor bounce and soaring vocal hooks. Such pull-no-punches positivity stems straight from the tune's lyrical subject matter, as Futures frontman Greg explains. “‘The Grey’ is about someone facing life and all of its normality after something really bad happening. It talks about how difficult that can be and the things that you can do to get through it. It's also a reminder that they will.” ‘The Grey’ is taken from Cocoa Futures’ forthcoming ‘Blue’ EP – produced by Marc Withasee (Micachu & the Shapes) – out on Lost In The Manor Records on 2 December.

“Our ethos is pretty simple – to be ambitious about making music we’re proud of. And to have a nice time.” Greg, Cocoa Futures

Scotland-bred and London-based, Cocoa Futures are the brainchild of frontman Greg (vocals/bass). They specialise in pristine pop harmonics crossed with a taste for the unexpected. Greg assembled a band including Dave (drums), Zoe (keys) and Jack (guitar) and first came to prominence in 2014 through the self-released upbeat singles ‘Do Something’ and ‘Scotland’, while commanding distinguished reviews for their select live shows, which included the Great Escape and Camden Crawl festivals. This early promise served as a staging post for the band to determine their musical direction and decamp to the studio to write. And write. 

Crafting and developing manifold demos became a daily pastime for Greg and when he sent a batch of these over to producer Marc Withasee (Micachu & the Shapes), the pair bonded over a love of ‘messed up’ pop and the producer was instrumental in setting tempos, tweaking arrangements and bringing out the band’s penchant for building tracks around loops and effects as they collaborated on the ‘Blue’ EP, completed in early 2016. When Greg shared the results with Lost In The Manor Records, the label wasted no time in offering the band a contract. ‘Blue’, mixed by Max Taylor and mastered by Jason Mitchell, is immediate yet intriguing, a collection of fantastic pop moments wrapped up in music of great depth, and its release seems set to propel Cocoa Futures to the frontline of UK pop’s key innovators. Website here. Facebook here.

It was back in August that we featured the first single 'The Blue' from next weeks EP release. 'The Grey' is another fabulously alternative pop song, where the melodic creativity is delivered in style. The EP is just so, so good!

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Genre Wander: Happyness - Country Lips - Teen Daze - Juliana LaChance

Happyness - Falling Down.

Background - When Happyness first burst into the public conscience with 2013’s debut single It’s On You, their spirited take on US college rock was as big a surprise as it was an instant hit. The resulting full length, Weird Little Birthday, went on to feature in many of 2014’s End of Year album lists. Worldwide tours, an NME Award, a re-issue on the much-loved labels Moshi Moshi Recordings (Bar/None in US), and millions of Spotify plays later, it is with some anticipation that news of album number two begins to surface. Currently only two things remain certain: Spring 2017 will see the release of Weird Little Birthday’s successor, and today they share the first taste of what the album will sound like in the form of new single Falling Down.

Following news that their YALA club night headline show for The Maccabees’ Felix White sold out within two hours, the band also announce today their biggest London headline show to date: 28th April, The Dome, Tufnell Park. Tickets for the show will go on sale at 9am on Wednesday 23rd November, and be available from Rock Feedback.

Singer and guitarist Jon EE Allan shares a little about where the band are coming from with Falling Down, and it’s epic two-minute introduction. “One of many anti-overthinking songs. I think we thought it would be funny to trick people into thinking we’d turned into Interpol or something for about 15 seconds at the beginning of the record. I remember we were talking at the beginning of the recording sessions about Wizzard and Roxy Music and us maybe taking a leaf out of the whole glam rock thing, but getting it a bit wrong. Like children dressing up in their parents’ clothes or something - completely silly but very serious about it. I don’t think we ended up pushing that line of thought for the whole of this song, or even for THAT much of the album, but maybe a bit of it made it into the outro synths.” Facebook here.

'Falling Down' is the second song feature for Happyness on Beehive Candy, and once again I am impressed. I love the two minute layered intro that just builds into what is, a really fine, lazy feeling, alt rock number.

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Country Lips - Grizzly Bear Billboard.

Background - Country Lips are pleased to share the video for 'Grizzly Bear Billboard', taken from their forthcoming album 'Till The Daylight Comes' out January 6th.

The band say: "'Grizzly Bear Billboard' is the kind of song that, without sadness or regret, remembers the Summer for the beauty that only comes from things that must, at some time, come to an end. In the video -- filmed at the Cowlitz County Fair in southwestern Washington -- director Coco Foto captures our trusty E350 touring shuttle and the genuine friendship and joy that has kept Country Lips together for the last seven years. Set among carnival rides, fun houses, midway lights, and the Thunder Mountain Pro Rodeo, we do what we do best and manage to stay out of trouble long enough to make a few lasting Summer memories."

Merging Backwoods-style blues with honky-tonk, boot-stomping rhythms, the 8-piece powerhouse known as Country Lips deliver a sound more associated with the wild, raucous West than the grit and grunge of America’s Emerald city. The spirit of unadulterated, whiskey-fuelled country rings true however, via a rollicking sonic presence and ramshackle charm – and they take their chances siding with musical outlaws like George Jones, Johnny Paycheck, and the Louvin Brothers over the homogenous sparkle of more chart-friendly players.

New album Till The Daylight Comes, recorded in Seattle and produced by Randall Dunn (Master Musicians Of Bukkake, Sunn O))), Cave Singers) is an ode to alcohol-ravaged, small-town romance, bringing to mind the destruction and debauchery that bopped and swirled around country-heavyweights like Johnny Cash and Merle Haggard. When playing live, it’s worth noting too, they have an absolute blast with the friendly warning that "in one set you’re likely to see five different lead singers, swapping soloists, all manner of hoots and harmonies, and (at least) one spilled beer." Facebook here.

With 'Grizzly Bear Billboard' Country Lips put a few genres in a blender and come up with a wonderful mix of country, blues and Americana vibes. Catchy, dance or stomp along music, with a timeless feel.

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Teen Daze - Cycle.

Background - Themes For Dying Earth is the fifth LP from British Columbia-based artist Teen Daze (Jamison Isaak), and the first to be released through his new label, FLORA. Themes For Dying Earth is due February 10, 2017.

After last year’s foray into vibrant indie-pop, Themes finds Teen Daze returning to more ambient, electronic production with new insight: “I learned so much from the experience making Morning World, it would be a step backwards if I didn’t apply it.”  This comes through in songs like “Lost”, “Rising” and the first single, “Cycle”, which fuse the synthesized sound of early Teen Daze records with the live energy of his more recent works. Themes is also distinct in its collaborative nature. Jamison has worked with other artists in the past, but never to this degree and expanse: “Making the last record alongside other people helped me realize that inviting additional minds to the creative process brings out the best in me.“  Themes For Dying Earth also features collaborations with Sean Carey, Dustin Wong, Sound Of Ceres, Nadia Hulett, and Jon Anderson.

Conceptually and thematically, this album is one of Jamison’s most personal, navigating topics both intimate and broad: “Much of my work is inspired by nature, and it’s scary to think that future generations may not have that same relationship. The album starts with Cycle, a song about my personal experience dealing with anxiety and depression, and it slowly zooms out to cover some of the external forces, like climate change, that are affecting those experiences.  After touring last fall, I came home so cynical and worn out, I decided take all the nervous energy I had about the world, and filter it through more optimistic, positive sounds.“  Website here, Facebook here.

'Cycle' is a beautifully ambient and dreamy song, where melody and smooth vocals seemingly intertwine. If this is typical of the forthcoming album, then we are in for a good one.

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Juliana LaChance - Thunder Dragon.

Background from Juliana - I'm a full time visual artist and I've constructed my own world for this project. Including the album art, music videos, and merchandise in addition to the music itself. I've created a new album called 'Thunder Dragon' and I wanted to share with you the title track and first single today.

Dragon' is a metaphor for my creative spirit animal. It's where I get all my inspiration and creative force from that hits me like thunder. It is a song honoring and paying tribute to the gods of creativity that flow through me. The song contains the essence of the album the creative driving force that inspires every aspect of my life. The album of 15 songs features the bandura - a folk harp that lends bass, and harmony to the warm dreamy melodies...used in a modern way.

The 'Thunder Dragon' video (my 40th video), was created on an island in the sun in Ontario. I directed it myself, It captures the essence of summer, and the feelings of the era of folk music that is still alive. Website here, Bandcamp here, & Facebook here.

The video for 'Thunder Dragon' is both a visual delight, and a terrific match for the song. The crisp sound and technical production gives away the fact this is a new song, however the artistic side really could be from way back, with a dreamy folk infused song. As a note of caution, don't nibble unidentified wild mushrooms...

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Triple Treasure: Satellite Mode - Taylor Noelle - Oparu

Satellite Mode - Warm Fire Lightning.

Background - Continuing their momentum of clock-work single releases throughout 2016, "Warm Fire Lightening" is Satellite Mode’s most gritty, rock influenced track to date. The song’s production is based around a loosely tuned Rickenbacker guitar riff, coupled with psychedelic synth loops and naked, one take, vocal melodies.

With a soundscape inspired by the NYC noise pollution relentlessly carrying on outside producer Alex Marko’s home studio, the track’s lyrics recount the all familiar tale of the ambiguous dating scene in a busy city where games are played and truth, love and serendipity all come into play.

The track was written and recorded in Alex’s closet sized NYC apartment and mixed in Berlin by the talented Damian Press. Founded in New York City, Satellite Mode is composed of artists Jess Carvo (Vocals) and Alex Marko (Production / Instrumentation).  The duo has become most known for their blend of haunting vocals with electronic textures and pop-inspired melodies.

The duo began the project as ghostwriters for various recording artists, but months into their new project, life changed drastically with a sudden tragedy in Jess’ family. The band’s work began to reflect these life-altering developments, as did their songwriting dynamic, intensity and purpose.  During this season of immense change, their collaboration was now personal and their songs were no longer targeted to other artists, but released under their current moniker. 

Throughout their short history, Satellite Mode’s songs have been featured in top music publications and have charted on Spotify’s Viral charts (including U.S. top 10) and have over 1.5 million listens across global streaming platforms. Facebook here.

Live Date: 12/02 - Mercury Lounge - NYC.

'Warm Fire Lightning' combines addictive vocals and some highly defined alt rock sounds. The play again hooks dig deep with this one.

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Taylor Noelle - I Fall.

Background - Taylor Noelle is a 20-year-old pop singer/songwriter born and raised in Los Angeles. She moved to Nashville a few years ago for her senior year of high school. She immediately loved the city so much that she decided to stay in the area for college, and began school at Belmont University to study music business. Taylor counts a range of artists among her inspirations, including Fleetwood Mac, Tori Kelly, HAIM, Alabama Shakes, Sara Bareilles, and Adele -- all influencing Taylor's unique brand of pop music rooted in emotional honesty, with ear-catching hooks and soulful delivery.

Shortly after joining Nashville's vibrant music community, Taylor started connecting with local artists and began honing her craft. In her time in Nashville, she has had the opportunity to play at esteemed local venues such as The Listening Room, 3rd & Lindsley, The Country, Café Coco and at the legendary Bluebird Cafe. Taylor decided to follow her own path and worked on original material, eager to release something that would feel authentic to her and her listeners.

Produced by Andrew Conner, her debut EP Out of My System is set to release on November 25th. She explains, "The EP's title reflects how it even came about -- I had all these songs that meant a whole lot to me that I just needed to get 'out of my system' and into the world. My vision is that there are people out there who can hear these songs about my pain and my joy and connect them to their own lives. I use songwriting to process my feelings, and I hope that my songs can help other people to do the same."

She will celebrate the launch of her debut EP on December 4th at The End in Nashville. Next spring, Taylor will then take off for London to explore new horizons and hopefully conquer new hearts with her distinctive sound. Facebook here.

'I Fall' is one of four songs on the new EP. It's a little more laid back than the other songs, however it's equally melodic and refined. Taylor delivers quality pop songs with Nashville influences and has a natural and pleasing voice for the style.

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Oparu - Remember Me.

Background - Oparu is the musical endeavor of Los Angeles based songwriter, singer and actress Dianna St. Hilaire. Oparu’s music can be described as future electro with a dark ethereal undertone. Combined with dream-like operatic vocals, Oparu’s work creates a unique depiction of modern pop culture.

Originally from Albuquerque, New Mexico, St. Hilaire started to write and perform music at a very young age in choir and musicals. Self taught, her first instrument was the piano and she worked tirelessly at the craft of reading and writing music. When St. Hilaire was in her late teens she began performing with punk bands and for producers as a back up/ studio vocalist in New Mexico, where she took on her first musical alias, the highly successful group Versailles. Partnering with the infamous Kim Fowley (The Runaways, Kiss, Joan Jett, Alice Cooper), she has toured the US extensively, been featured on the official Grammy ballots, as well as charting on Billboard. Versailles’s music was also on rotation with popular stations across the U.S. including KROQ and NPR tastemaker KCRW.

St. Hilaire reinvented herself in late 2015 with the new project Oparu, deriving from the Japanese name of the birthstone opal. Oparu’s roots stem from experimental electronic, 80s synth pop, and alternative rock.  “The music represents pure animalistic human emotion”, St. Hilaire confesses, “It epitomises what it is like to be human by transcending the human experience with self discovery and acceptance of who we are on an emotional level.”  Influences can be found throughout the record including the likes of Mt. Eden, Lindsey Stirling, director David Lynch, American Horror Story, and Zola Jesus.

Oparu’s debut single ‘Remember Me’ is a stunning fusion of haunting pop, paired with operatic vocals and dark experimental electro. The theme of her music is raw emotion, "everything leads back to this in life. It is our human nature. People can’t handle coming face to face with their emotions and insecurities and therefor have a polarising experience with my music.” she reveals. The next chapter in Oparu’s musical journey, is the highly anticipated debut single ‘Remember Me’ set for a November 2016 release. Facebook here.

There's something a little anthem like about 'Remember Me'. Add to that the mixture of Dianna's pure vocals and a superbly produced soundtrack and in my opinion you have one really special song.

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