Tuesday, 4 October 2016

Globetrotting: Ipanema Cosmonauts - Lewis Fieldhouse - The Person & The People - Crocodiles - Tropical Nasty

Ipanema Cosmonauts - Kites.

Background promo - Ipanema Cosmonauts is the dream-pop, post-rock, nu-gaze, you-name-it duo formed by Alice and Serge in the cold, cold city of Saransk, Russia. Blending ambient guitar textures and pop laden progressions against effortless, serine and soaring vocal melodies, the band's thoughtfully crafted songs have a maturity and spaciousness that both hooks you in and lets you drift.

Influenced only in part by newer Russian bands, Ipanema Cosmonauts reach past cultural barriers to incorporate American jazz progressions, shoegaze lushness, pop melodies, and international collaborations with other US, European, and Japanese based artists.

Their debut release, Adrift starts with their most accessible and pop driven tracks, "Kites" and "Return", followed by their more well known tracks, "Black Helicopters" and "Washed", that originally propelled their success on music streaming services. Adrift will be released on all major digital music distributors on October 18th. Facebook here.


First of four tracks on the EP, 'Kites' demonstrates the more rockier side of the duo, they are capable of much softer and dreamy material. All is of a very high standard as they mix up the styles and consistently provide fine melodies and vocals.

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Lewis Fieldhouse - He Hath Made You Rich.

Background  - About ‘He Hath Made You Rich’ Caramelised R&B melodies and a Jeff Buckley approach to sparse, minimal, but wide open arrangements, ‘He Hath Made You Rich’ is Lewis bending the well-worn love song genre to his own experience and crafting something unmistakably fresh. His tender falsetto sounds like an alto sax as the arrangement expands into something that holds a candle to Tom Petty’s ‘Free Falling’.

About Lewis Fieldhouse. In 2013, Lewis Fieldhouse’s unswerving dedication to his craft led him through California’s Central Valley on a journey to absorb the musical heritage of his heroes. Like many things in life, it didn’t go to plan. Instead, he found himself exploring the topology of abject depression: feeling the weight of his mortality in the basement of a rundown Hollywood hostel, the sting of isolation in LA’s baking suburban sprawl. News of a personal tragedy at home and the burden of his own expectations had almost crushed the artist in him, but from the depths he began to write again. He created the persona of Theodor Washington for himself to deflect the debilitating anxiety and render the world around him through a more romantic lens. 


Each new song fed into his creativity, marking the stages of an artistic rebirth. Utterly apart from his peers in his rejection of the stale choreography of today’s media landscape, Fieldhouse presents to us his firebrand wit with a troubadour’s knack for both lyrical sincerity and absurdity. Offering snippets of life and coupling humour with calculating insight, his work evokes the sound of Eagles and Father John Misty. On his debut album Theodor Washington and the Central Valley, his ear for irresistible pop songwriting is undeniable. Three years and five thousand miles later, Lewis is making the music he has always wanted to make. Now he’s causing a positive stir amongst music blogs like The 405 and The Vinyl District, with It’s All Indie crowning him “one of the most exciting singer-songwriters in London at the moment”. Lewis’s expert take on Americana and the great american pop song comes from a place of humbled authenticity, and that alone makes Theodor Washington and the Central Valley something special. Website here.

See Lewis Fieldhouse live:
Thursday 24 November: RS Bar, Sheffield, 156 St Mary's Rd, Sheffield S2 4AX
Friday 2 December: The Ivy House, London SE15 3BE - Official Album Launch Party


'He Hath Made You Rich' builds from a slower melodic start into something quite powerful. The vocals add emotional intensity, as the song grows musically with the falsetto vocals driving it on.

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The Person & The People - Unemployment Blues.

Background - For nearly a decade, The Person & The People have been a staple in the Twin Cities music scene. After the band recorded their 2016 album Dark & Low, their long time drummer Adam Mallory moved across the country. At the same time, singer Nick Costa found himself jobless and unsure of his band’s future. 

He sat down to write an a new album and impulsively recorded the new album, Unemployment Blues. Recorded primarily in one take on a 4-Track cassette recorder in producer Dan Mariska’s basement, it is Costa’s most stripped down, honest, and soul-crushingly personal record to date.

The Person & The People will be releasing Unemployment Blues with two shows at The Warming House on October 28th and October 29th. It will be the second full length album by the band this year. Bandcamp pre order here.


'Unemployment Blues' is the first of ten well constructed songs on the new album. There is a very personal and genuine feel running throughout the album, with acoustic guitar and Nick Costa's pleasing vocals taking centre stage. It may be stripped back, however rather than feeling raw, the warmth is pretty much there in every song.

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Crocodiles - Not Even In Your Dreams.

Background - The second single "Not Even In Your Dreams" from Crocodiles upcoming album 'Dreamless'. "Not Even..." is the finale on 'Dreamless' which is do out 10/21 on Zoo Music.
 
Comprised of best friends Brandon Welchez and Charles Rowell, Crocodiles have earned their place as one of the United States’ most engaging, hardworking and consistent rock and roll bands of the past few years. Dreamless is the pair’s sixth LP, and is, at once, their most exploratory and focused release.

Whereas Crocodiles’ first two albums made their home amongst a stew of fuzzed-out psychedelia, and the following three albums explored Welchez and Rowell’s penchant for placing pop sensibilities against whirring guitars and barbed production, Dreamless sees the duo endeavoring on an artistic departure that positions their guitars in the backseat in favor of a more spacious, synthesizer and piano-driven sound.

The pair recorded the 10-track Dreamless in Mexico City over the course of 6 weeks. Having become something of a spiritual (and in the case of Welchez, literal) home to the duo, choosing D.F. as the location for recording allowed them to again hook-up with friend and occasional bandmate Martin Thulin (also a member of post-punks Exploded View). Between them, the trio shared instrument duties, with Welchez and Rowell handling the lion’s share of guitar and bass, Thulin and Welchez the live drum work, and Thulin focusing largely on keys. Facebook here.


The tenth and final track on the forthcoming album 'Not Even In Your Dreams' has a bright indie pop feel, with the piano adding to the tempo and overall upbeat musical vibe within the song.

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Tropical Nasty - Slipped Away.

Background from Amanda Alderman who made sure we heard of Tropical Nasty! - Ever see the classic, Looney-Tunes short where a snoozing cartoon was elevated into the air by an enticing, visible vapour, so powerful and alluring it often formed actual hands and sailed the sleeping soul like a magic carpet, toward the source of the deliciousness?

That’s what I experienced when Tropical Nasty’s audible effusion grazed my ears along with the Venice Beach breeze one, recent Sunday afternoon.  I was headed the other way on the boardwalk when their enchanting emanation stopped me in my tracks.  Encapsulated by their sound, I drifted right to them, just like in our treasured, vintage animation. 

Drenched with this Superband’s psychedelic funky rhythms and celestial strings, my pace quickened, my chest swelled and I swear I grew an inch taller as I neared them. When I reached the nucleus of this Pacific oasis, I joined an ungovernable myriad of beach goers who celebrated this rustic bunch of brilliant Enchanters.

This trifecta had launched an outdoor discotheque and inspired these spectators, donned in worn flip-flops and sun-kissed skin, to hop around like they were high and silly on Willy Wonka’s soda fizz. 

Who are these guys?!” I proclaimed aloud, and caught faces around me break into smiles because they were thinking the same thing.  Onlookers with mesmerised permagrins surrounded this shirtless trinity who rocked as if to win the vote of the universe’s god assembly on whether to eliminate or keep Earth. Their infectious, eclectic sound- all their very-own, original, spontaneous tunes relative to Jimi Hendrix, early, funky Red Hot Chili Peppers, Jack White, Led Zeppelin, The Meters and Bob Marley- touched everyone in proximity, overpowering them to dance and yawp. 

Meet the Wizards of Tropical Nasty:  Wondrous Drummer and lead vocalist, Myke Anthony, Bass Dynamo, Collin Bunch and Guitar- Master, Dave Tepper. 

They look like what would happen if Gwen Stefani and the original Tarzan got together and made kids.  I was surprised to discover they were from South Jersey when I had the privilege of purchasing their CD.  I was certain they were from a faraway continent, or Jupiter, and only spoke the language of music.  But they are, in fact, American buddies from Pennsville, New Jersey and they’ve been gracing L.A. with their mystic sound for a little over a year. See Tropical Nasty close-up while you still can, busking on the Venice Beach boardwalk and on the Santa Monica Pier, and follow them on Facebook here.


'Slipped Away' has some classic blues rock vibes mixed with powerful vocals and harmonies. The band add an extra funky dimension and create a very catchy and honest sound. Locals to Venice Beach would do well to keep an eye (and ears) out for these guys, the music really is full of hooks and feeling.

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Monday, 3 October 2016

Monday Mix: The Raveonettes - The New Respects - Kosi

The Raveonettes - This Is Where It Ends.

Background promo - The Raveonettes have released the new track "This Is Where It Ends" .

"This Is Where It Ends" is the ninth track release from the band's official Rave-Sound-Of-The-Month playlist where the duo will continue to upload a freshly recorded track on the last Friday of every month until December.  The 'anti-album' will feature a collection of new tracks that aren't bound by the constraints of the format.  Join the Rave-Sound-Of-The-Month and subscribe to the playlist here.

The Raveonettes also continue their new Pledge Music Campaign where fans can pledge for the CD and vinyl of the forthcoming new album. Sign up for the Pledge Music Campaign here. Bands website here.


'This Is Where It Ends' the latest song from The Raveonettes 'anti album' is melodic and quite atmospheric. Whispered vocals and a sometimes sparse musical background gently lead into a sweeping soundtrack. Love it!

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The New Respects - Trouble.

Background - Nashville's The New Respects has released its new single, “Trouble,” making the track available to purchase and stream at all outlets. “Trouble don’t you find no home by me” is the recurring message throughout this anthem, proclaiming that while there is trouble around every corner, we can choose how we respond to it. Fans of the group have responded in a much more personal way than The New Respects ever imagined, sharing anecdotes of how “Trouble” inspires them. 

It was a chance meeting in Nashville that brought The New Respects together with producer/drummer Jeremy Lutito (of indie-rock group Leagues). Lutito took an immediate liking to The New Respects' soul/rock sound, and produced this single along with the group’s upcoming project.

The New Respects is a family affair, made up of three siblings, twins Alexis (bass) and Zandy Fitzgerald (guitar), along with their brother Darius (drums) and cousin Jasmine Mullen (vocals/guitar). Since forming five years ago, The New Respects' sound has evolved from acoustic instrumentation to the vintage soul/rock feel heard throughout the new single, “Trouble.” The group is heavily influenced by the gospel music they were surrounded by growing up in Nashville, and that extends to artists including Aretha Franklin, Alabama Shakes, and John Mayer. Facebook here.


Powerful vocals and soulful rocking music spells 'Trouble'. This really is a a great song, one that has hooks that dig deep.

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Kosi - Morning After Blues.

Background - Kosi (née Akosua Gyebi) is a New York City based singer/songwriter with nappy hair and jazz roots. Although she always brings just a little drama to her compositions and interpretations, she's more than just a drama queen. She's got piercing eyes and a voice that's larger than her body. But, small as she is, she won't fit in a box. She switches styles more quickly than you can follow, from jazz, to rock, then folk, but never more than a few steps away from the blues.

She cites Abbey Lincoln and Nina Simone as her main influences, and has been compared to Tracy Chapman, India Arie, Ma Rainey, and Bessie Smith. However, despite her comparisons and influences, everything about Kosi, from her nappy hair to her sometimes bare feet, from her occasionally jarring lyrics to her now-she's-sweet-now-she's-screaming dramatic interpretations, radiates authenticity. "I am not creating anything," she says, "nor am I deconstructing anything. I am neither an iconoclast nor a follower. I am simply myself, and that is enough." She's more than enough. You definitely want to hear this girl sing... if you can handle it. Kosi is currently the lead vocalist of straight-ahead jazz group Sweet Blue Fire and indie rock group The Goddess Lakshmi.

I Know Who I Am, Kosi's fourth and latest album, is a concept album telling the story of guilt, absolution, love, and self-actualization through original jazz and negro spirituals. Along with Kosi's first two albums, Pictures of Us and One More Cup of Coffee, each of which is comprised of eight of Kosi's original songs and two jazz standards, and her third album, Ghosts Appearing through the Sound, which is a tribute to Abbey Lincoln. Website here.


'Morning After Blues' is a beautiful piano lead blues song, that provides one aspect of the music Kosi delivers. Be it blues, jazz or any other style she chooses to adopt, the consistency of engaging vocals, natural music and genuine commitment is always there.

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Sunday, 2 October 2016

Genre Wander: Del Caesar - Arc Iris - Lara Filip - The Alpacas - Alton Ellis & The Flames

Del Caesar - Like They Always Say.

Background promo - Del Caesar, are a phenomenal new garage/psych trio based in Brooklyn. The band is gearing up to release their second EP, aptly titled EP 2, on November 11th through their imprint Reheated Spaghetti, and in conjunction with the announcement, they’re sharing the raucous lead single “Like They Always Say”

Del Caesar is comprised of frontman/songwriter/guitarist Aaron Lloyd Barr, who doubles as a visual artist by day, and Eric Arikian (Let’s Be Loveless) on bass and Ben Reynolds (Slang King) on drums. Recorded straight to tape, EP 2’s sound embodies riff-driven, upbeat garage rock, snarling in a way that betrays some swagger, but never hostility. Their lyrics that point to the everyday: relationships, ambitions, stuff we all experience, combined with a stripped-down mono recording sound that leaves us with songs that could have been recorded last month or in 1965.

That’s not to say Del Caesar is nostalgic… far from it. There’s no kitschy throwback dress-up, in terms of appearance or sounds. While some of the band’s songs sound like they could’ve come from The Standells or The Sonics, it’s not because the band is trying to reproduce those acts; it’s because they’re tapping into the same universal vein of youth and volume. Facebook here.


 Live Dates:
10/08 - Brooklyn, NY - Brooklyn Rock N Roll Marathon (w/ Here We Go Magic)
11/18 - Brooklyn, NY - Sunnyvale (w/ Heliotropes, No Honeymoon and Von Mons)


'Like They Always Say' has all the vital garage/pysch ingredients, bags of energy, no nonsense rock and just a hint of attitude. There's also the potency and power that rock trio's can deliver when the music is kept stripped back, case in point being this song.

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Arc Iris - Paint With the Sun.

Background - Arc Iris release new "Paint With The Sun" Video. Last month, Arc Iris released their second studio album Moon Saloon on Bella Union. The album follows their critically acclaimed self-titled debut that was released in 2014. Produced by the group and mixed by electronic producer David Wrench of FKA Twigs and Caribou fame, Moon Saloon showcases beat-heavy melodies and textural, groove-riding rhythms.

The band is currently in the midst of a massive US and European tour that includes dates with Superhuman Happiness and John Grant. Arc Iris is comprised of lead singer and lyricist Jocie Adams, keyboardist Zach Tenorio-Miller and drummer Ray Belli. Adams previously spent eight years as a key member of The Low Anthem, effortlessly zipping from hammer dulcimer to clarinet to bass to vocals, sometimes barely pausing to take a breath. iTunes here.


Second time on Beehive Candy this year and on this occasion with the brand new video for 'Paint With the Sun'. Back in June I stated "Production is superb and the musicianship is quite stunning, and add to this the exquisite vocals". 'Paint With the Sun' confirms the band are highly creative and deliver beautiful songs that are full of imagination.

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Lara Filip - The Other Side.

Background - Chicago singer-songwriter Lara Filip stepped out from behind the short-lived moniker “Birdie Wing” to release her debut album Stop Time. Stop Time, which was produced by Grammy-nominee Liam Davis, references 70’s Laurel Canyon folk rock and polished piano pop as it explores not only Filip’s personal triumph over breast cancer but universal themes like emotional/geographical distance, the preciousness of life and the power of love.

Lara Filip is a singer/songwriter, based in the Chicagoland area. With her deep connections in the Chicago music and theatre scenes, she draws the best musicians in town to collaborate on her earthy, evocative sound.

Lara attended The Chicago Academy for the Arts for vocal performance, where she met writing partner and keyboard player, Shannon Greene Robb. Shannon went off to study music at Berklee College of Music and DePaul; while Lara began working professionally in musical theatre productions. Filip went on several tours throughout the US and Canada, finally settling back home in Chicago. Website here.


'The Other Side' is one of ten really fine songs on Lara Filip's latest album 'Stop Time'. The featured song showcases the folk side of her music. Lara is equally comfortable performing quality pop (piano pop as mentioned above), her vocals are refined and the album tracks are varied and highly likable.

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The Alpacas - Artifacts.

Background - The new single off of The Alpacas debut LP is Artifacts. The Barrie Ontario group's forthcoming was produced, engineered, and mixed by Kevin Dietz (The Cranberries, Alexisonfire, Placebo, Nelly Furtado). It was recorded at Metalworks in Toronto and Slipone Digital in Newmarket, Ontario, Canada. Out Oct 14, 2016 on Willow Music.

The band's thoughts on the track: “Some of the lyrics in 'Artifacts' are about drifting apart. An occurrence that everyone experiences at one point or another in life. It's sad how natural it can seem, that things can simply fade away. However, the song also expresses a truth that it is never too late to reconnect. Time isn't a legitimate obstacle, you always have the option to reach out. It's nice to include some optimism in our music.”. Website here.


Back in August we featured the bands song 'Wax' and said at the time "the band pack power chords alongside a belting rhythm and just hook you in". 'Artifacts' demonstrates that they can consistently do the same again, with plenty of spark and energy, it's rock with passion, and music that cuts straight to the chase.

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Alton Ellis & The Flames - Rock Steady.

Background - 2016 marks the 50th anniversary for Jamaica's celebrated musical genre rock steady. Rock steady, which was a successor of ska and precursor to reggae, used elements of rhythm and blues (R&B), jazz, ska as well as African and Latin American drumming. With its irresistible slow tempo beat and more bass-heavy, stripped-down sound, it was a distinct contrast from the more upbeat, big band ska era. Although it lasted only a couple of years (1966-68), rock steady is one of Jamaican music's most influential genres and produced immortal rhythms that are still sampled and used today.

17 North Parade, VP Records' vintage imprint, commemorates the genre this year with First Class Rock Steady. The 12" double vinyl edition is available from Fri. (Sept 30) and follows its 40-track CD and digital companion box set  (released on July 1) as well as the 7" limited edition vinyl piece exclusive for Record Store Day 2016.

This new collection of First Class Rock Steady is completely remastered on black vinyl. The 24-track set expands on the 16-track 7" RSD vinyl exclusive and cherry picks the CD and digital version's most pivotal songs from some of the genre's defining artists like  Lee "Scratch" Perry, The Techniques, Desmond Dekker and Johnny Nash. It's detailed cover reflects the excitement of the era when postal mail was the only mode for sharing this burgeoning Jamaican export for worldwide consumption. Playing off of Jamaica's long history of tourism, the packaging also features images of picturesque postcards and stamps of Cricket (a Jamaican pastime), the Doctor Bird (national symbol) and Montreal's Expo '67 (World's Fair). In addition, the set includes extensive liner notes written by Harry Wise and filled with commentary from the genre's key players, including living legend Bunny "Striker" Lee, Trinidad and Tobago's late-great Lynn Taitt and the 2014 fallen icon, Hopeton Lewis.  


Just one of the songs on this wonderful collection of vintage music and also the name of the genre, 'Rock Steady' by Alton Ellis remains a personal favourite, and is now surrounded by so many other wonderful songs, from when I was very, very young (honest!).

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Saturday, 1 October 2016

Six Of The Best: Joan As Police Woman & Benjamin Lazar Davis - The Cut Losses - James Parry - Harlea - Laurel - SIANspheric

Joan As Police Woman & Benjamin Lazar Davis - Magic Lamp.

Background promo - Brooklyn based Joan As Police Woman and Benjamin Lazar Davis will release Let It Be You on Oct 21 via Reveal Records/BFD/RED Distribution. The band will celebrate the album's release at The Good Room in Greenpoint on 10/26. Also on the bill is another of Ben's projects, Cuddle Magic.

Initially announced under the moniker ‘2001’ the duo released a pair of partner videos directed by Benjamin Gregory featuring Fred Armisen (SNL, Portlandia); one for the song “Overloaded” with Ben on lead vocals and “Broke Me In Two” featuring Joan on lead.

A deeply soulful artist, Joan As Police Woman (Joan Wasser) has famously worked with Antony (Anohni), Rufus Wainwright, Lou Reed and David Sylvian. Benjamin is a talented multi-instrumentalist who currently performs with his band Cuddle Magic, Okkervil River, and Bridget Kearney (Lake Street Dive). Joan and Ben met each other after separate trips to Africa; Ethiopia for Joan as part of Damon Albarn’s Africa Express,  and West Africa for Lazar to study traditional music. They initially bonded over Central African Republic Pygmy musical patterns and wrote this album together loosely inspired by this music. The band recently performed at the BRIC Celebrate Brooklyn Festival.

The band will be touring Europe in November and December. Performing with a full band, Joan As Police Woman and Benjamin Lazar Davis will showcase songs from the new album and re-imagine recordings from the four previous Joan As Police Woman albums (Real Life, To Survive, The Deep Field, The Classic). Click Here for a full list of dates. Joan As Police Woman website here, Benjamin Lazar Davis here.


With artists of this calibre 'Magic Lamp' ought to be one fine song, and for me it's all of that. Stripped back to the vital musical ingredients the duo bring the vocals to the fore, and allow the steady rhythm, to sit nicely behind the melodic singing.

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The Cut Losses - My Valentine.

Background - Emerging shoegaze artist The Cut Losses put out a dreamy new single My Valentine. Self taught from the drum kit in Rock Band, Patrick McWilliams was a high school student playing drums for local bands, soon transitioning into the multi-instrumentalist virtuoso creator of the solo project The Cut Losses. Outcasted in his fine arts high school for having weird music tastes, the young Patrick McWilliams soon emerged as a unique voice, dominating numerous battle of the bands competitions, radio contests, and establishing a name for himself as a musician before the age of 17. 

He possessed only two albums growing up: a Beatles “Greatest Hits” album, and The Beach Boys “Endless Summer,” establishing his musical foundation which emphasises the power of melody and harmony as a song’s driving force. As he exposed himself to more music, he consistently found himself making connections to these two foundational albums, particularly in bands with psychedelic references such as Tame Impala and MGMT. He additionally enjoys experimenting with electronic music. As a result, his music is described as a hybrid of 70s Psychedelic, 80s Electronic, and Motown Revival.

More than sonic influences however, The Cut Losses most remembers the feeling of isolation in their youth, and through their music hope to provide a voice for unity and acceptance. Drenched in the love for 80s music, The Cut Losses wants their music to get people to dance again, instilling fast paced tempo behind the dreamy textures and evocative lyrics touching on themes of isolation, fear of insanity, and acceptance. The two together, they hope, will inspire people to embrace all the weirdness the world has to offer.

From being pulled on stage to sing with Surfer Blood, to signing with Cedar Street Records, The Cut Losses’s musical journey has been filled with exciting, unexpected moments. Gaining hype and traction from blogs, and their opening spot for LA surf-punks Together PANGEA in both 2014 and 2015, The Cut Losses are now developing their debut album with internationally acclaimed producer Felix Fung this year. Facebook here.


I was give a choice of two songs to feature and went with 'My Valentine' as I really like the arrangement and production. With sweet chorus harmonies and the vocals immersed in a swirl of sounds, it's sometimes psychedelic feel is quite appealing.

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James Parry - Young Emotions.

Background - James Parry lives in Hobart, Tasmania and writes independent pop songs. After playing in bands throughout high school, he released his first solo EP, Eastern Shores, in 2008, followed by his first album, Almost At The Ivory, in 2011. James is now excited to announce his latest album In The Lights. Sweet and juicy guitar riffs, de: drums and uplifting organ support James’ straight-shooting vocals, which tell a nostalgic tale of heady young love with a dark twist. Young Emotions is the opening track from In The Lights, and ripples from its story reach the furthest corners of the concept album.

James has supported artists including Alex Lloyd, The Gin Club, Leah Flanagan, Jackson Dyer and Ryan Downey, and a review of Almost At The Ivory declared that James’, “signature voice and passionate harmonies have led him to become a solid gold chip in the Tasmanian wedge of Australian independent artists.”  


Inspired by what an ace drum line could do for a recording such as Fleetwood Mac’s Dreams, he used his search for the right recorded drum sound to pick a studio and settled on Toyland in Northcote, better known for heavy rock recording. The final mixing was finished at Head Gap Studio in Preston, where the likes of fellow Tassie-tinged successes Courtney Barnett, Ivy St and Augie March have also been seen. The recorded tracks were carefully mixed to find the light but definite pop sound for which James was aiming. “Young Emotions” will be in Digital Stores on the 30th of September James Parry’s Album In The Lights will be released 14th of October 2016. Website here.


Musically 'Young Emotions' is bright and breezy, with James Parry's vocals bringing in some heart and soul. As introductions go this is really positive stuff, story telling lyrics and an excellent musical arrangement, indicate the album could well be a splendid one.

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Harlea - Miss Me.

Background - Birmingham born, North London raised Harlea is set to raise hell with her first offering. ‘Miss Me’ introduces a sound that pushes against conformity – music with relatable themes, played with real instruments, to pop arrangements.

The track opens with a jaw-breaking riff that instantly sets it apart from a current trend of mood-based, playlist friendly pop songs. Harlea’s distinctly British vocal reveals razor sharp lyrics, which culminate in a siren call “What do you feel when you’re not with me, is your body cold, do you miss me?”.

Harlea explains, “The song is about the intense pleasure you get from a relationship, regardless of its consequences. Giving in to an obsession, it describes the reckless abandon with which you are drawn in. 'Miss Me' expresses an emotional addiction which is felt when you are separated - even a destructive relationship can pale next to the pain of not being together." With blues inspired riffs and female-lead, incessantly catchy pop melodies, ‘Miss Me’ serves as a fitting introduction to a major new artist. Facebook here.


'Miss Me' kicks off with some feisty riffs and an expansive rock sound. Harlea's vocals mix gritty rock'n'roll moments, alongside melodic an softer choruses. The song suggests we are in for some good and interesting material to come.

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Laurel - Hurricane.

Background - Southampton-raised, 22 year old London-based singer, songwriter and producer Laurel Arnell-Cullen is to release her Park EP, and has signed to iconic English independent label Counter Records (an imprint of Ninja Tune). Brand new track 'Hurricane', taken from the EP, made its radio debut recently courtesy of Huw Stephens on BBC Radio 1. The Park EP was written, performed, recorded, produced and mixed by Laurel in her East London bedroom based studio. The first taster; 'Hurricane' demonstrates a maturity of sound beyond her 22 years, her breathy vocals sitting atop exquisite melodies with heartfelt, intimate delivery.

It follows the release of singles 'Life Worth Living' and 'San Francisco', which Laurel released on her label Theia earlier in the year. The tracks saw her garner a wealth of support from BBC Radio 1, Beats1, Apple, Spotify, New York Times, The Guardian, and many more, reaching Top 3 on Hype Machine's Popular Chart and surpassing half a million plays in under a month - her Spotify listener figures are in excess of 300k every month.

With a debut album scheduled for early 2017, Park EP further enhances Laurel’s position as a phenomenal new talent, mixing raw organic production with striking yet touching songwriting and powerfully enchanting vocals, (Out 18th Nov on Counter Records). Website here. Laurel has played numerous live shows over the summer and has recently announced her very first UK headline tour, to take place this November. Dates as follows:

23rd Nov - Crofters Rights, Bristol
24th Nov - Green Door Store, Brighton
25th Nov - Eagle Inn, Manchester
26th Nov - The Attic @ The Garage, Glasgow
27th Nov - Think Tank Underground, Newcastle
29th Nov - Brudenell Games Room, Leeds
30th Nov - Servant Jazz Quarters, London.


With such a distinct and appealing voice and songs as good (and heartfelt)  as 'Hurricane', it's no surprise that Laurel is clocking up big numbers on the listening front. One to watch out for, if ever there was.

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SIANspheric - I Have It (Edit).

Background from the band - 'I Have It' is the first single off the upcoming SIANspheric album "Writing The Future in Letters Of Fire". Coincidence or not, "I Have It" translates to "Yo La Tengo" ... and the song does have the flavour of those indie heroes. The song features local friends Earth, Wind and Choir and their soaring vocals on the choruses, it's probably our most ambitious song to date.

On the topic of perhaps the longest gestating album title of all-time (we were selling "Writing the Future in Letters of Fire" t-shirts in 2010), that title is a reference from American Gods by Neil Gaiman... just as our previous album "The Sound of the Colour of the Sun" is from Shampoo Planet by Douglas Coupland. Literary references have played an important role in our lyrics and song titles as well... "Ending is Better than Mending" is from Brave New World by Aldous Huxley, "No Space" is via No Logo by Naomi Klein and "This All Happened" is from the book of the same name by Michael Winter.

And it's our pleasure to also announce that our debut album 'Somnium' from 1995 will be released on vinyl for the first time. A 20th anniversary surprise... after the 20th anniversary has passed... we're old. Website here.


If there is a hint of Yo La Tengo in the song 'I Have It', then I would consider it as fine seasoning that just brings out the flavour. Dreamy and absorbing, the vocals and music interact beautifully as does the choir. I am left anticipating the new album, that said as it's taken this long, I reckon I can handle a few more weeks.

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Annie Stokes - Blue Foundation - Sister Sadie - Daphne Blue Underworld

Annie Stokes - Ghostwriter (Album). After hustling in the Washington, DC music scene for a decade, Annie Stokes arrived at the end of 2023 ...