This is another Pink Floyd concert that is hardly an exclusive for Beehive Candy, however the quality of this specific remastered version, the songs performed and the unique nature of this bootleg make it a must feature as far as we are concerned.
Copying from the notes that have been circulated with this remastered version we quote - M-502 is the matrix number of the original 2-LP vinyl set that was made in Europe sometime in the 70's (performance Grosser Saal Musikhalle, Hamburg, West Germany February 25, 1971). Although there are many different versions of this show, all of them are sourced from a M-502 vinyl copy. Some sound better than others, none of them sound anything like this. (Take Linda Surfin' was a popular one). This 2-CDR set comes from a mint condition original LP, and has been beautifully remastered by the Digital Floyd Archives. Not only is this one of the best sounding recordings (especially of this era), this is one of the best vinyl remastering jobs I have ever heard. An original vinyl find is almost unthinkable.
Known Flaws:
If there's any surface noise on this, I can't hear it. May be a little at the start of disc 2, but this is a non-issue. The original recording does sound slightly "overdriven"; there is some mild distortion on the loudest parts of the first set. Cymbaline fades in around the second verse. There is also a bit of static in 'green is the color'; this is mic noise caused by the taper, and is in the original. Overall sound quality is a solid 9 out of 10, with the only penalty being for the above flaws. ooh... those cymbals!
The performance:
Wow. This seems to be the only concert with the brass/choir on Atom Heart Mother where the brass section didn't make any mistakes! Also, the 18+ minute version of A Saucerful of Secrets is probably the definitive version of this song. Did I mention that this is my favorite version of Careful With That Axe, Eugene? Roger's doesn't scream, he roars. Hold on to your hat.
Source: Audience (do not be put off - this is an incredible copy).
Sound Quality: Very good MP3 @256kbps.
Genre: Progressive rock, psychedelic rock, contemporary.
Set: Full set.
Set List:
1. Green Is the Color
2. Careful With That Axe Eugene
3. Cymbaline (missing first verse)
4. The Embryo
5. Set the Controls for the Heart of the Sun
6. A Saucerful of Secrets
7. Atom Heart Mother
Background:yourfeetstoobig (or yftb) is 22 year old Chicago resident Kevin Benishek. Currently working under the moniker yourfeetstoobig, Kevin Benishek is a artist/musician who has in the past dabbled in everything from hip-hop beats to lo-fi experimental projects.
"My methods are constantly changing and evolving" as Kevin puts it. What was once an electronic bedroom project (started in 2009) has quickly grown into live shows. Blending a multitude of different genres, everything from pop, shoegaze and freak-folk finds its way into the yourfeetstoobig soundwaves.
Since the release of his first self-released EP, Hunter/Gather (released January 19th), his lo-fi, pop tracks have been featured on SIC Records 100th release, loveSICdisco, with the likes of Memory Tapes, Memory House and Niva. Tracks have also been released through the digital singles label Beko-DSL.
yourfeetstoobig's tracks are upbeat, but engaging and beautiful to listen to anywhere. The dance pop-influenced tracks have been said to be a blend of Washed Out meets Neon Indian meets Memory Tapes. yourfeetstoobig is low-budget, low-fidelity pop, tailored for the nostalgic generation.
2011Candy Says: If electronica is your thing, this should really impress, if your not so sure then listen along for a while, as this is a really cool artist who uses melodies and rhythms that just hooked the Beehive. Listen:Pintail. Web:Bandcamp.
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Background: Join the fun of the first inaugural Snow Ball Festival in Vail Valley, CO March 4-6, 2011! With the stellar lineup and beautiful surroundings, there's really no good reason to miss out. A few more fun facts of the fest below:
-- First group to sign on was Edward Sharpe and the Magnetic Zeroes, who are coming a couple days early to ski and hang out in the mountains. The second group was local Denver band Gauntlet Hair. The last group to sign on was The Flaming Lips.
-- It will be the first ever Colorado plays for Twin Shadow, Miami Horror, Lord Huron, and Parisian producer Onra.
-- The festival is selling a festival pass/ski lift combo (as well as music only passes). The fest will take place outdoors. While the organizers admit it won't exactly be tropical temperatures outside, they believe the (very likely) snowflakes, surrounding mountains, and wintry vibes will make for a nice change from standard music festival experiences, offering something unique and distinguished for those who enjoy all seasons.
-- The festival is three days, with music from 2pm - 10pm, so that visitors can still have time to enjoy the Vail Valley before and after each day of music. Snow Ball will bring 10,000 people to Nottingham Park in Avon, CO, which is at the base of the Beaver Creek Ski mountain and sits next to what will be a frozen-over Nottingham Lake.
-- Fort Collins, Colorado psychedelic indie group Candy Claws has offered up their track "Snowdrift Wish" for those attending and wishing to attend the first inaugural Snow Ball Music Festival in Vail Valley Colorado. Enjoy this winter gem from the Two Syllable Records rarities compilation.
2011Candy Says: Talking about Candy Claws specifically I love this featured song that has an oriental feel to it and an element that makes them a perfect fit for a festival headlined by The Flaming Lips. It all comes naturally together. Listen: Candy Claws -Snow Drift Wish. Web: Snowball Festival.
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Background:Two Tears is Kerry Davis of the legendary Red Aunts (Epitaph and Sympathy for the Record Industry). She also played with Mick Collins in The Screws (In The Red Records). This is Kerry's latest single and follows her early 2010 single on Windian Records. This single features 3 of Kerry's raddest garage rockers. Three songs that were written and recorded in 3 different continents (The specific cities they were written in were Paris, Dubai and New York City). Art was designed by Kerry herself, and is hand numbered. Limited to 500 copies. First 100 on Pink/White mixed vinyl. Single will be available on Itunes, Amazon, Emusic and other MP3 retailers when the release date comes. Two Tears has toured Europe with The Donnas, Jon Spencer, Mark Sultan, Dan Sartain, and many more. They have also played CMJ Music festival in NYC the last 2 years. She's had 2 LPs out before, one on Bratmobile/Lookout Record's Molly Neuman's label Simple Social Graces.
For Fans Of: Pussy Galore, Sleater-Kinney, Breeders, Bassholes, etc - Two Tears will be spending 6 weeks in Europe touring with Dan Sartain in support of the new release during April and May.
Denver Post said - "Another case was Kerry Davis of Two Tears, who completely stole the show. As she set up, it looked at first like she’d fit nicely into the standard one-man fare. And then she opened her mouth and unleashed a fiery attitude that exploded from every pore, compounded by each brutal thrust of her knee-high, boot-clad right foot on a bass drum pedal. Davis was anything but “just traditional,” and seemed anything but satisfied. Her style wrapped the power of all of X inside of a cocoon made with the pelts of Jon Spencer (more from Pussy Galore days) and Jack White. “Senso Unico” (“one way” in Italian) may have defined the whole festival in its few short minutes: one way to go, one way to do it and only one person worthy of the task".
2011Candy Says: There's a hint of the B52's in the featured song, however there is enough personal attitude and a very different guitar feel that makes this one fine song. More Please! Listen:Heisse Hexe. Web: MySpace.
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Background: Dad Rocks! is Icelandic/Danish Snævar Njáll Albertsson, singer in Danish band Mimas. Dad Rocks!, however, is quite different: The guitar here is acoustic and is accompanied by piano, trumpet, accordion, hand claps and more. As Dad Rocks!, Snævar is inspired by acts such as Bill Callahan, Owen, Why?, Akron/Family and Do Make Say Think. This has led to a sound that is a unique mix of psych folk and lo-fi country with elements of hip hop and use of dubs. However, Snævar Njáll Albertsson’s primary sources of inspiration are the relations closest to him. Most of all his little daughter who also inspired by name Dad Rocks!, which is of course also a pun on the ’dad rock’ genre. This use of pathos and irony is something that is explored throughout his work. Lyrically, this is also a central aspect. The subjects are both big and small. Sometimes delivered almost cynically with words that are close to naïvism. Underneath this, the irony lurks at every corner, and even the debut EP title ‘Digital Age’ explores the space between pathos and irony.
Dad Rocks! released ’Digital Age’ in Denmark in april in Denmark through danish label ’Kanel Records’. English label ´Big Scary Monsters Records’ later fell in love with the music of Dad Rocks! and released the EP in the UK on August 16th. The EP was very well-received by the music-media, and even NME featured the video for the single ’Nothing Keeps Up’ on the their website.
Dad Rocks! is in the midst of recording his debut-album to be released this Spring.
2011Candy Says: OK so the vocals are clearly regional, you know early on that this is from somewhere in the cold part of the north of Europe, but the instruments could be from anywhere in an old mining village in the UK. Reminds me a little bit of Roy Harper, but that can only be a massive complement. Listen:Aroused By Hair. Web: Soundcloud.
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Background: We recieved the following recently from Collin, the singer for the band Home Video which we featured recently for their latest album. He tells us - I have a brand new side solo project that has time sensitive subject matter that I thought you might interested in.
The band is called NiveHive, and the album is a Wikileaks Concept Album titled "Collateral Sounds".
Musically, it is inspired by dark, minimal electronic bands like Kraftwerk and Pan Sonic. Politically it is inspired by independent left media like Democracy Now and Glenn Greenwald... not to mention Wikileaks, Bradley Manning, and Anonymous. Each track on the forthcoming album will highlight and comment on a different aspect of the Wikileaks drama that is unfolding. Some of the tracks have straightforward vocals samples, while some attempt to present information in a more obscure way. It is politically smart, while also musically engaging.
The track, "The Stuffed Men Bristle", that I have a link to below, is instrumental music for the most part - with some vocal samples provided by some of our beloved US government leaders. ( The title is a reference to T.S. Eliot's poem, "The Hollow Men".)
2011Candy Says: Collin, you are a very talented guy ! With a few pieces that have an electronica feel to them in this edition of 2011Candy, this for me is up with them all and the use of vocal samples demonstrates first hand that what Pink Floyd developed still has a long way to go. Listen:The Stuffed Men Bristle. Web: MySpace.
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Background: With a Canadian Radio Music Award nomination for their song, “Change of Seasons,” and brand spankin’ new single, “Lazy Susan,” that’s climbing the top of the charts, Sweet Thing will be wrapping up their highly buzzed Canadian tour with a stop off in the U.S. The band will be showcasing their rockin’ indie pop styling on March 14th at Pianos in NYC and all throughout SXSW in Austin, TX.
Hailing from Toronto, Sweet Thing was formed three years ago by Owen Carrier, the lead singer, and Alex Winter, the lead guitarist. From there, they gathered the talents Nick Rose, Tyler Kyte, and Morgan Waters, ultimately creating the five-piece band, Sweet Thing. With the dueling guitar harmonies of Alex Winter and Nick Rose, Morgan Waters laying down the bass line, and Tyler Kyte driving the beat, Owen Carrier’s voice carries angelically across the stage.
With this tight-knit group, Sweet Thing has become known for their catchy and cleverly written songs, amazing live performances, entertaining personalities, and their high-profile fans (including Emma Stone and George Stroumboulopoulus). Since the release of their self-titled debut album and with their song, “Change of Seasons,” being featured in the film, Easy A, Sweet Thing has established strong excitement for their tour in Canada as well as stateside. The band has already lined up a series of high profile gigs in NYC and Austin for SXSW. The New York show is schedule for March 14th at Pianos and later that week, Sweet Thing, will be making their way down to Texas for SXSW to play shows starting March 18th.
2011Candy Says: It's a good indie pop song. It does everything a good indie pop song should do and then it also decides to rock - that's not allowed! Listen:Change Of Seasons. Web:MySpace.
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Background: From those lovely people at Paper Garden Lovely Hearts Club we received the following - One cold winter day in NYC, we here at The Lovely Hearts Club decided we needed an anthem to get us through the February blues and excite us for the Spring. There were many stipulations however. It had to be uplifting, familiar, easy to love, perhaps some horns, female harmonies, clever to a point of genius and strong on the team vibe. Where could we possible find a song like that? Then it happened... destiny appeared in the form of an email from Team Genius, delivering unto us this track, 'Making Myths' from their upcoming LP slated for release later this Summer embodying everything a dwelling New York indie music company could ask for.
Team Genius will be releasing a series of 4 albums (3 EPs and an LP) starting in April. Catch these clever Brooklyn kids at our SXSW showcase on Friday, March 18th at Uncorked (900 East 7th St) or one of their other SXSW or NYC shows.
2011Candy Says: I know very little about Team Genius. I hear a touch of Big Audio Dynamite circa E=MC2 and then I hear more harmonies and the one thing I realise is this is a cool track, enough said! Listen:Making Myths. Web:Official.
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Background: Combining the unassuming guitar pop of the 50’s and 60’s with some of the fuzzier, kookier rock of the 90’s and pre-apocalypse, Australian independent band The Honey Pies create music which is at once nostalgic and revelatory: Pre-post-rock, if you will. For two years now they have been gigging and touring ravenously, supporting the likes of Tim Rogers, Parades, The Jezabels, John Steel Singers, Leader Cheetah, Belles Will Ring and Oh Mercy. Their debut album Think of England (released January 12, 2011), recorded by local-wiz Tom Barnes (Leader Cheetah, Empire of the Sun, Colonel Kernel, The Transatlantics), captures the versatility of their alluring live set, from harmony-laden ditties to shambolic punk anthems.
2011Candy Says: Retro cant be that easy especially when you are stuck these days with recording equipment that can so easily show every flaw. So I am guessing my point is that The Honey Pies are pretty clever at sounding from somewhere in the sixties and carrying the vibes of the second decade of this worrying century. Listen:Get It Right. Web:Official.
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Background: From egg-shaped plush chairs or towering cabinets carved like totem poles, hi-fi sound once poured over the conversation pits and cocktail hours of yesteryear. The warm tone and stop-and-listen vibe continue with exotica innovators Waitiki 7’s latest venture, Waitiki in Hi-Fi (Pass Out Records; April 12, 2011). The vinyl-only release of new material finally gives listeners—die-hard exotica connoisseurs, record collectors, or the merely tiki-curious—a chance to sit back and savor the group’s fresh look at a mid century music in clear, rich analog.
Timed to honor the 100th anniversary of Martin Denny’s birth, the record pays homage to the exotica pioneer with whom several band members had the privilege to work with before his death. Thanks to Denny and many other highly skilled musicians, exotica’s tropical soundscapes, Latin dance grooves, and potent jazz chops became mainstays on turntables around the world.
Often misunderstood as kitsch, exotica was born in Hawaii’s vibrant postwar music scene and went mainstream when musicians like Martin Denny performed on national television shows like American Bandstand, Andy Williams, and Steve Allen. (Denny’s ’59 hit single “Quiet Village” reached #4 on Billboard’s charts, with his Exotica album eventually reaching number 1).
The scene Denny helped spark found new life in the 1990s when groups like Combustible Edison took a serious new look at a funky old art form. Part of the lounge revival, which included renewed interest in neglected cocktail recipes, vintage technology, and mid century pop design, the band spearheaded a movement that continues to flourish, thanks to a new generation of dedicated ensembles like Waitiki.
2011Candy Says: I know little about this style of music beyond saying it is captivating and so.. atmospheric. Those who fear 'world music' can come in from out of the cold and enjoy this. Listen:Similau (remix by Tabu). Web:Official.
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Background: Singer/songwriter Holly Long has two hands, and she’s using them. She’s no princess, and she’s no queen. She’s just a straight up modern day musical artisan with a genuine love for the work and an impressive track record. Having crafted 4 albums over the past decade in her pop/funk/soul hybrid style with a string of top-shelf producers, Long communicates her passion and worldview with an evocative sound in league with Annie Lennox, Sarah McLachlan, and Carly Simon. It’s not just about the music, though. Much like for her chanteuse heroines, music is about connection and community. It’s where she finds herself, and how she makes her contribution to the world.
Still bearing the better parts of her Chicago-born savvy, she recalls how music first moved her. “I remember how a song could give voice to my moods and change how I felt when I was a kid. It could express the deep stuff that I didn’t know how to get out on my own, and it really transported me. It moved me, took me from one emotional place to another.” From piano lessons at age 7 to plays and musicals in high school, and right on through a move to Los Angeles to study Theater at UCLA and pursue a career as an actor and comedian, music transported her and connected her mind and soul. It was during this time that she began reaching for the piano and scribbled sheets of lyrics as a way of being creatively productive while waiting for the gatekeepers of the acting world to grant her admission. The final push towards music, though, came when she was literally brought to death’s door by endocarditis, an often-fatal heart infection. After waking from a week-long coma she began the process of learning to move and live again from scratch, and felt a movement in her away from acting and directly into music. What could have become a bitter and barren creative period was refashioned as the doorway to her future as a vital, tough, and compassionate singer/songwriter.
2011Candy Says: Nice funky music with heart and soul. A wonderful musical arrangement with harmony vocals to match. So check it out please! Listen: Pretty Picture Frame. Web: Official.
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Background: Up out of the post-industrial chaos and primordial creative energies of Oakland, California arrives a welcome aberration. Dylan Travis, Brian Kennedy, Tyler Corelitz, and Emery Barter make up Man/Miracle, one of those rare guitar groups that play their songs with raw emotional honesty and urgent ambition. Whether it is the upbeat, complex beauty of “Hot Sprawl” from their acclaimed 2010 debut The Shape of Things or the propulsive pop gem that is their new single, “Don’t Waste It,” Man/Miracle consistently deliver their unique sound with verve. After a major US tour in support of The Shape of Things, the four-piece has begun tracking an as-yet untitled new album, set to be released in the spring of 2011. “Don’t Waste It” bridges the sonic divide between the first record and the second—between the bright, joyous pop that earned praise on The Shape of Things and the darker atmospheric textures that permeate the upcoming LP. Fusing disparate and difficult sounds in a beautiful way is one of the band’s most admirable talents, and “Don’t Waste It” manages to wed the delayed guitar intricacies of British giants like The Chameleons and Slowdive with driving, meditative drums and a distorted freak out that recalls early-90’s indie rock. The B-side, “Oakland Island,” is a spontaneous piece of studio improvisation that reaps considerable rewards. A gorgeously warped piece of California surf rock, “Oakland Island” features spacious guitar interplay, crooned Scott Walker-worshiping vocals, and the production talents of Eli Crews (Deerhoof, Beulah). The single was released digitally March 1st via Third Culture Records.
2011Candy Says: Loads of words above, what can we add? Well we just needed to finish this edition with some atmosphere, guitars and Man/Miracle have done the trick and they know how to build up and up. Listen:Don't Waste It. Web: Official.
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Rather than just rewrite the liner notes that accompanied this I have just copied and pasted them in full, the story behind this is all there and reads as follows.
As early as in the late ’60s, Frank Zappa was already planning a big box called The History & Collected Improvisations of the Mothers of Invention. Among the discs in the collection (it has been reported as a 12-record set, then a 10-LP set and later a nine-disc set) is The Weasel Music.
Some tracks from this big box found their way to Weasels Ripped My Flesh in 1970. According to one review on the internet, “This is Zappa’s most avant garde work. If Ornette Coleman, Albert Ayler and Peter Brotzmann got together and made a rock album, it would sound like this.” The wikipedia notes: “Weasels Ripped My Flesh mostly captures the Mothers on stage, where they employ frenetic and chaotic improvisation characteristic of avant-garde free jazz.”
The Weasel Music Acetate would fit right at home on Weasels Ripped My Flesh. As fans know, Zappa’s song titles rarely offer glimpses into what the songs are about. Hence Chamber Music Piece 1 is not a soothing piece to while away a lazy afternoon. It’s actually a free-jazz piece with a “slow” build-up but it doesn’t really turn frenetic. On the other hand, Mozart Ballet would be considered a light classical piece, with tinkling piano, that seems to elicit screaming and laughter from the audience and the song ends with some heavy-duty feedback and guitar wailing. The track, Some Zany MOI Bullshit, might be what happens if Randy Newman had tried his hand at free-jazz.
For those who only read about The Weasel Music, here it is, thanks to TFEC who shared the tracks on the internet. The tracks are taken off the original acetate, went for auction at eBay. The winning bid was US $2,550.00.
According to TFEC:
"So I get a call from the widow of the great artist, Neon Park. She says, "I've been going through Marty's stuff (Neon's real name was Marty) and I have a lot of records of his. I was talking to [mutual friend] Betzy and she said you like records. Do you want them?" and, being the vinyl hound I am, I said, "You bet! I'll take 'em all sight unseen." She said, "Okay, I'll go pull the can back in from the street." She had had them all in a trash can waiting for the Sanitation Engineers to pick them up.
Now I know Neon worked for many years doing album art for Warner Brothers (best known for Zappa's WEASELS RIPPED MY FLESH and his string of covers for LITTLE FEAT) and was on their mailing list for new releases. Upon going through the LPs from the trash bin I found the usual assortment of product, some good, some not to my liking.
But then...
In an envelope addressed to Mr. Frank Zappa at his Laurel Canyon address, I found these studio acetate test recordings: a copy of Jean-Luc Ponty's Zappa tribute LP, KING KONG, and a curious disc labeled "The Weasel Music". Suspecting that this might indeed BE SOMETHING, I cautiously played it once. It seemed to be a live recording of the Mothers goofing around on stage doing what I guessed to be a mock-ballet. While light pseudo-classical piano arpeggios play (Ian Underwood?) you can hear the shuffling of feet and various antics while the crowd respond with laughter and amusement. I would imagine that it was mostly a visual presentation as opposed to an essential Zappa musical composition.
I kept this relic in good condition, still in its original envelope and cardboards. I lent it to my new friend and Zappaphile, Krel, when I moved to Little Rock. He has played it only twice, recording it both times."
Source: Soundboard.
Sound Quality: Good quality mp3@192kbps.
Genre: Rock, jazz fusion, classical, avant-garde.
Set: Acetate Disc (five tracks).
Track List:
1. Albert Hall Spoken Introduction (2:05)
2. Chamber Music Piece 1 (4:04)
3. Mozart Ballet (6:34)
4. Some Zany MOI Bullshit (2:41)
5. Chamber Music Piece 2 (0:40)
This is Supergrass live at Rock City, Nottingham, England back on the 18th January 1998. The band split up last year (2010) siting musical differences however during their eighteen years together a legacy of energised, excuberent performances both live and recorded will I am sure be remembered with great fondness by many.
In mid-1994, Supergrass issued their debut single "Caught by the Fuzz" on the small independent local (Oxford) label Backbeat Records. The song recounts lead singer and guitarist Gaz Coombes' experience of being arrested and cautioned by police in possession of cannabis. The limited release of vinyl copies sold out quickly, thanks in part to support from John Peel on his Radio One show. The Parlophone label signed the band and re-released the single in the autumn of the same year. It achieved the rare feat of both NME and Melody Maker "Single Of The Week" status in the same week.
"Mansize Rooster", released in February 1995, peaked at number 20 in the UK Single Charts and "Lenny" just made it into the top 10. "Lenny" was followed soon afterwards by the band's debut album, I Should Coco (May 1995), which entered the UK Album Charts at number one. It achieved a half-a-million sales in the UK and over a million worldwide. NME reviewer Steve Sutherland gave the album a nine out of ten rating, writing, "These freaks shall inherit the earth." The album's fourth single, the double A-side release "Alright"/"Time", stayed in British Top Three for a month, peaking at number two.
Supergrass followed I Should Coco with 18 months of heavy touring, appearing at festivals such as Scotland's T In The Park and the Glastonbury Festival. After Performing in Rio's Hollywood Rock Festival in April 1996, Supergrass met the infamous train robber Ronnie Biggs, and apparently said to him, "I was frightened for my life when I heard there was a supergrass in the area." A photograph of Ronnie Biggs and Gaz together was subsequently included in the music video for their single release of the same year, "Going Out". "Going Out" was a success peaking at number five in the UK charts and sold more than 100,000 units. Having taken a short break in 1996, Supergrass returned to Sawmills Studio to work on In It For The Money (released April 1997), produced by the band themselves with John Cornfield. The album was a critical and commercial success, it also has since gone platinum in the UK. But some were confused by the darker sound. The single, "Richard III" reached number two. Subsequent releases, "Sun Hits the Sky" and "Late In The Day" reached numbers 10 and 18 respectively.
Around this time Supergrass also appeared on the front cover of The Big Issue (a UK magazine sold by the homeless as part of a self help iniative), interviewed for the magazine at Heathrow Airport by infamous ex-drug smuggler Howard Marks.
Source: BBC Radio Broadcast.
Sound Quality: Very good stereo MP3 @320kbps.
Genre: Alternative rock, Britpop.
Set: Full set.
Set List:
1. I'd like to know.
2. Caught by the fuzz.
3. Cheapskate.
4. Mansize rooster.
5. Time.
6. Richard III.
7. You can see me.
8. Late in the day.
9. Alright.
10. Condition.
11. Odd.
12. Lose it.
13. Sun hits the sky.
14. Caught by the fuzz.
15. Strange ones.
16. Lenny.
Website: Official HERE, (links into official fansite).
This is another Pink Floyd concert that is hardly an exclusive for Beehive Candy, however the quality of this specific remastered version, the songs performed and the unique nature of this bootleg make it a must feature as far as we are concerned.
