Genesis - A Trick Of The Outtakes 1975

This set of Genesis outtakes have been given some very real care and attention by the 'Progressive Rock Remasters Project', and rather than duplicate effort I have taken the release notes to provide the background details.

On a personal note I have always felt that the era after Peter Gabriel left the band was as creative and inspiring with the albums from 'A trick Of The Tail' through to 'Duke' remaining firm favorites of mine, although if I was pushed for my all time favorites I guess 'Foxtrot' and 'Selling England By The Pound' would be two of the 'top three' along with the album these outtakes are associated with.

From the release notes: The Sheffield brothers built Trident studios at No. 17 St. Anne’s Ct. Soho in 1967. This studio was the recording site for many rock albums of the 1960’s and 70’s
including David Bowie’s Ziggy Stardust and many tracks from the Beatle’s White Album.
The Genesis sessions captured on this CD were recorded there in October of 1975 and
then remastered to enhance the listening experience.

The CD begins with Beloved Summer which was the working title for the B-side
release called It’s Yourself. It is one of the few songs on the CD that includes vocals.
This is followed by an instrumental version of the song Ripples. Mike Rutherford can be
heard counting the tempo at the beginning. A second version of the song follows.
Robbery, Assault and Battery is next and is also in the instrumental mode. Just before
the next song, Los Endos, Phil Collin’s can be heard counting the tempo. This song is
separated into two tracks detailing different segments of the song. Mad Man Moon is
then presented with piano, drums and some bass. It is, again, an instrumental version
and suffers from poor recording but is still quite impressive. Trick of the Tail
is then offered with vocals in a version very similar to the official release.

Two versions of Entangled follow, again devoid of vocals. The accentuation of the
guitars is particularly impressive during the first take while the second take is
more involved and includes alternatives to the studio mix. Dance on a Volcano is
the next track followed by Squonk. Both are presented without vocals and provide
an interesting opportunity to really study the instrumentation of these songs.

Source: Studio tapes.

Sound Quality: Good stereo mp3@128kbps.

Genre: Progressive Rock.

Recording: Outtakes.

Track List:

1. Beloved Summer (It's Yourself) 5:40
2. Ripples (part 1) 4:40
3. Ripples (part 2) 4:11
4. Robbery, Assault & Battery 6:25
5. Los Endos 3:06
6. Los Endos 2:47
7. Mad Man Moon 4:14
8. A Trick Of The Tail 4:35
9. Entangled (inst. 1) 4:36
10. Entangled (inst. 2) 6:33
11. Dance On A Volcano 6:05
12. Squonk 6:54

Recorded at Trident Studios, England October, 1975.

Tony Banks - Keyboards, 12 String Guitar
Phil Collins - Vocals, Drums, Percussion
Steve Hackett - Electric Guitar
Mike Rutherford - Bass, 12 String Guitar

Links: Official site HERE.

Comments:

Remastering Notes: Most of the recording suffers from a great deal of Hiss. This was removed from
each track separately.

Bass levels were found to be excessively high on many tracks leading to a muddy sound quality. Bass was cut and both treble and mid range frequency ranges were then raised to bring out the detail within the recording.

Many of the peaks within the songs were clipped and required software restoration. The whole recording was then normalized to a consistent volume level.

Download link in comment below.

Ian Dury & The Blockheads - Hammersmith Odeon, 1979.

Much has been said and written about Ian Dury and come to that, about his band The Blockheads. Indeed Ian Dury and The Blockheads live in concert were one cohesive unit that took the recorded material and rather than just replicate the songs seemed to breathe additional life and dimensions into everything.

Ian Dury had a stage presence that was affected in part by his disability caused by polio as a youngster, but more because of his humour, artistic capabilities, and connection with the audience. The Blockheads added with skilled musicianship that seemed to be effortlessly delivered and yet so powerful and uplifting. OK it is obvious I was a fan of Mr Dury and have great respect for the Blockheads, not only because of what I have mentioned so far, but as an aside in an earlier form as The Loving Awareness Band, the Blockheads had very strong links with Radio Caroline.

This is probably one of the most circulated bootlegs of the band and a fine reminder of just how good they were in concert. This then is Ian Dury and The Blockheads live at the Hammersmith Odeon, London back on the 8th August 1989.

Source: FM Broadcast

Sound Quality: Very good stereo mp3@160kbps.

Genre: Rock and roll, punk rock, new wave.

Set: Broadcast element of concert.

Set List:

01 Clever Trevor
02 Inbetweenies
03 Don't Ask Me
04 Reasons To Be Cheerful, Part 3
05 Sink My Boats
06 Waiting For Your Taxi
07 This Is What We Find
08 Mischief
09 What A Waste!
10 Hit Me With Your Rhythm Stick
11 Sweet Gene Vincent

Links: Official site HERE.

Comments:

From Ian Dury's official web biography regarding the time around this concert: In October 1977, Ian Dury signed up for the Stiff Live Stiffs Tour, alongside Elvis Costello And The Attractions, Nick Lowe, Wreckless Eric and Larry Wallis. Dury's new combo, now augmented by guitarist John Turnbull and pianist Mickey Gallagher, was christened Ian Dury And The Blockheads and the group became the surprise hit of the tour.

To capitalise on this, Stiff Records launched a concerted Ian Dury marketing campaign, resulting in the Top Ten hit WHAT A WASTE. NEW BOOTS AND PANTIES continued to sell in greater quantities and in November of that year, Dury released the memorable HIT ME WITH YOUR RHYTHM STICK, a UK Number One. Dury was now a bona fide pop star and, with The Blockheads, toured to great acclaim, conquering a number of European territories.

Whilst NEW BOOTS AND PANTIES headed towards its remarkable 90 week chart run, the group commenced work on the follow up, to be entitled DO IT YOURSELF. Another Top Ten single, REASONS TO BE CHEERFUL, kept Dury in the public eye during this arduous period of recording. The album was eventually released in June 1979 in a Barney Bubbles-designed sleeve of which there were over a dozen variations, all based on samples from the Crown wallpaper catalogue.

Reloaded August 2015 see comments.

2010FM - January Magazine One

In no particular order or priority 2010FM Magazine just grabs what we like and are happy to give a quick plug to, or a whole hearted recommendation along with gushing praise, see if you can spot the difference or better still just check out the artists we feature.

Last Man Standing finally have a release date in the USA for their debut album 'False Starts and Broken Promises' and it is January 12th 2010.

Here in the UK they have received a lot of interest and some excellent reviews in the major music press. Don't just take our word for it, take a look at the review in UNCUT Magazine by Gavin Martin.

Max Vanderwolf’s band have a colorful ingenuity of Bowie’s 70’s floor shows and the wild spirit of Tom Waits- which means the are essentially rock theater, but with attitude. Stylistically they cram a lot- sometimes too much- in, but the policy usually works. This collection of bedraggled songs duly incorporates the cabaret angst of ‘70s Lou Reed, dust bowl Mariachi, and Steely Dan cynicism. Their vision of wild-hearted losers, misfits and a world in collapse somehow holds everything together. (three stars ***).

Listen:
'Queen Kong'



Website: MySpace.
MP3 Purchase: False Starts & Broken Promises

Fredrik are from Malmo Sweden and as regulars here may have noticed in the past I have a bit of a bias towards bands from Sweden basically because it is a land of musical plenty and has been for some time and some really good diversity in styles, Fredrik being another case in point.

Their most recent press release states The Swedish forest-dwelling folk visionaries' second release is here. Following their critically acclaimed debut Na Na Ni from 2008, Trilogi is a more consistently inward-looking affair and takes on themes like social realities and subconscious geography. The melodies are more serpentine and the textures decidedly darker. However, Fredrik's warm, sensitive lead voice and operatic choir work still lends the material the same comforting elegance as on the debut. Trilogi is a compilation of highly limited 3" EPs released in their home country in hand-made origami packaging. The EP's bore the titles "Holm", "Ava" and "Ner", all fictional names roughly signifying "Frozen Forest Island", "Water Through Sound" and "The Inside Underground". Together they represent a trilogy of contemporized viewpoints of the Lovecraftian dream passage - orientation at great cost and understanding at the risk of sanity.

Check them out and listen to some of their songs over on MySpace HERE. There is even more including video over on the official site is HERE. Pre-order or purchase mp3's etc via Kora Records & itunes HERE.

We have featured Emanuel & The Fear before here on Beehive Candy however they did the following apparently...

Once upon a time, in a small studio in DUMBO, an eccentric, big haired, musical genius and his Juilliard trained trumpet player had a conversation about how cool the band Deerhoof is. It went something like this:

“Hey man, now that we've finished climbing the Brooklyn Bridge, can I do an arrangement for us to cover The Perfect Me?” said the trumpet player.

“Well shiver me timbers and call me a dried up sponge monster, why the heck not!!?” replied the big haired music man with electric ecstasy.

And so the idea was born, and the trumpet player he did lay down the arrangement and the band they did practice and practice and some time later, it was finished; Emanuel and the Fear had recorded a cover of ‘The Perfect Me’.

The End. OK whatever - however the cover is rather good and they have kindly given it for us (and others) to share !

Listen:
'the perfect me'



MP3: The Perfect Me
Purchase: Self Titled EP
Website: MySpace.

Finally some advance warning about Minneapolis band Red Pens who have been creating quite s stir locally and also one helluva noise to boot ! I have just been listening to some of their music on MySpace and this band are now on the personal radar.

Their debut album REASONS is set for a February 16th, 2010 release via Minneapolis-based Grain Belt Records. With a sound that has been described as forceful and larger-than-life, it’s hard to believe that Minneapolis band Red Pens is made up of just two members—a self-taught guitarist with unconventional techniques and powerful lead vocals, and a female drummer who has mastered both percussion and painting. In addition to being dubbed “Best New Band” by hometown paper City Pages and “Minnesota’s Best Band 2009” by The Boston Phoenix, Red Pens recently received a spot on The Onion’s Twin Cities’ “Best of the Decade” list for being “one of the most buzzed-about new local bands of the year.”

More on this band another time so keep an eye on 2010FM Features. We have a lot more new music and recommendations in the pipeline and will hopefully produce a January 'part two' soon.

Pat Benatar - Seattle 1979

Lets start 2010 with some real rock energy from just over thirty years ago courtesy of Pat Benatar.

Pat's big break into music had happened a year before this concert when she headlined New York City’s famous Tramps nightclub from March 29th to April 1st, 1978, where her performance impressed representatives from several record companies.

She was signed to Chrysalis Records by founder Terry Ellis the following week."There was a long period of three years, when I spent my time taking demo tapes around and being rejected by one record company after another. Then just two days after the debut concert with the band, we were signed to a record contract..." Recorded in June and July 1979, Pat Benatar debuted the week of August 27th 1979 with the release of 'I Need A Lover' from the album 'In the Heat of the Night'.

This concert just over a year later captures Pat Benatar on classic form at the Paramount Theatre, Seattle, Washington, USA back on November 22nd, 1979.

Source: FM Broadcast

Sound Quality: Very good stereo mp3@256kbps.

Genre: Rock.

Set: Full Broadcast Set.

Set List:

1. Intro
2. If You Think You Know How To Love Me
3. So Sincere
4. I Need A Lover
5. My Clone Sleeps Alone
6. In The Heat Of The Night
7. We Live For Love
8. No You Don't
9. Just Like Me
10. Heartbreaker
11. Band Introductions
12. You Better Run
13. Come On, Let's Go

Band Line Up:

Pat Benatar - Vocals
Neil Geraldo - Guitars, Vocals, Keyboards
Scott St. Clair Sheets - Guitars, Vocals, Synthesizer
Roger Capps - Bass, Vocals
Myron Grombacher - Drums

Links: Official site HERE.

Comments:

Pat Benatar's debut album 'In the Heat of the Night' was released in October 1979, and reached Number 12. It established Pat Benatar as a new force in rock. Producer Mike Chapman, who had worked with Blondie and The Knack, broke his vow not to take on any new artists when he heard Pat Benatar's demo tape.

Mike Chapman personally produced three tracks on the album, while his long-time engineer and now independent producer, Peter Coleman (who also supervised Nick Gilder) oversaw the rest. In addition, Mike Chapman and his partner, Nicky Chinn, wrote three original songs for the LP, in addition to a rearranged version of a song they wrote for Sweet, "No You Don't".

The album also featured two songs written by Roger Capps and Pat Benatar, as well as "I Need a Lover" written by John Mellencamp, "Don't Let It Show" written by Alan Parsons and Eric Woolfson. The album would be Pat Benatar's first RIAA certified platinum album.

Download link in comment below or click on the picture.