Yeomans - Chloé - Los Colognes - Alan Getto

Yeomans - Just As You Want.

Background - Yeomans new single "Just As You Want" is out April 30 via NYK. This is a video for anyone who’s ever been sober at a party. It can be a strange and isolating experience to watch everyone getting gradually more intoxicated and their judgement getting cloudier without experiencing the same effects. Sometimes you have to get creative to make it fun for yourself too." - Kieran Heilbron (Yeomans).

Garage rock bands always tend to weigh heavily on the retro vibe and Toronto’s Yeomans are no exception, naming themselves after the hardworking farmers of colonial America. However, their music isn’t quite that ancient. Glimmers of 60s fuzz pedals, melodic surf, psych grooves and reverb soaked vocals haunt the Yeomans’ sound.

The band formed in 2013, during the height of the Rob Ford crack scandal. Guitarist Kieran Heilbron met then Yeomans’ drummer Jocelyn while selling “Rob Ford Smokes Crack” t-shirts to raise money for the Gawker "Crackstarter" campaign. Realizing they were both into psych and both looking for a new project they started jamming and Yeomans was born, joined by Calgarian Ian Kilburn on vocals & guitar.

Signing with NYK Records in 2016, Yeomans released “My Fish Got Drunk”, a shimmering surf instrumental, as their first single with the label in November 2016. Facebook here, Bandcamp here.

We featured the bands first single back in November last year and I had no hesitation in sharing the new single 'Just As You Want'. The sparkling surf vibes are there again, along with some psych rock overtones and a melodic hook that courses it's way through this dazzling song.


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Chloé - The Dawn.

Background - Sounding the promise of long days ahead and late nights to follow with its opening salvos, Chloé’s The Dawn heralds the return of the Paris-based DJ and producer, and a new dawn in her ever-evolving career.

Indeed, The Dawn is her inaugural release on her own label Lumière Noire, which she recently set up as a separate entity and of course for her infamous Rex Club night, which has since 2014 become a bit of a club house for Parisian electronic music fans. Operating Lumière Noire as a fully-fledged label will enable Chloé to release a new full-length album (of which The Dawn is the lead single) sometime in the next few months.

Over the ten-plus minutes of The Dawn, a spoken-word track languishes over melodic washes in a dramatic progression that evokes a novel, or noir-ish cinema – a method that the producer has taken a shine to since Take Care. This cultivation of the strange and the beautiful has become her calling card, putting her in a league with likeminded producers, who take the basic tenets of techno and inject them with their own singular poetic visions. A visual-arts analogue could be found in Noémie Goudal’s photographs which grace the EP’s cover as they will Chloé’s upcoming releases.

This stirring aesthetic gives The Dawn a slightly cerebral dimension, which is taken to new depths by Dixon’s stubbornly technoid remix. The Berlin-based whiz kid, who has over the last few years risen to the top of the international electronic music scene, inverts Chloé’s light-drenched, full-bodied production into a tense, captivating chiaroscuro. Website here, Facebook here, live dates on Beehive Candy's tour page.

'The Dawn' is ten minutes of electro bliss. The songs rhythmic flow slowly evolves through sonic alterations, whilst the spoken word lyrics act as a central piece and add to the atmosphere. Wonderful!

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Los Colognes - Sneakin' Breadcrumbs.

Background - Nashville quintet Los Colognes will release their third album The Wave on May 12th via Big Deal Media / Thirty Tigers. One of the highest and rarest aspirations in popular music is to reach for the transcendental, to access the spirit. On The Wave, Los Colognes succeeds at this – in breaking through the confines of everyday pop song lyricism to tell a holistic story. It’s not a concept piece, but it’s a brooding and joyful song cycle filled with philosophical rumination, effortless hooks, inspiring musicianship, and expansive arrangements. It’s an album perfectly suited of the current zeitgeist of unease and hope.

Unlike the live approach used to record the group’s previous records, The Wave was built from the ground up with attention to each part. There is a certain economy of space in the songs that feels deliberate, while never ceasing to be warm and inclusive. Guitar and keyboard lines drift off each other in between lyrical exchanges while Mortenson propels the beat, sometimes meditative, sometimes driving. 

The journey to finish recording The Wave was its own quest for Rutherford and Mortenson, a more deliberate process of creation and craft that shows a band becoming fully aware of its voice and its vision. Los Colognes have given us a singular collection of quietly anthemic tunes held together by philosophical reflection and damn fine rock and roll chops. The Wave is coming. Website here, Facebook here, live dates on Beehive Candy's tour page.

We featured the first track shared from the new album back in January and were pretty excited about the forthcoming release then.  'Sneakin' Breadcrumbs' pretty much confirms the optimism was well founded and only a few days now, to wait for the rest.

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Alan Getto - Into the Briars.

Background - Alternative folk rock singer-songwriter and guitarist, Alan Getto announces his debut album, Versus, due out August 2017. The LP was recorded over one long weekend at Studio 101A in Southern New Hampshire. The recordings were mixed by Simon Katz and mastered by Jonathan Wyner (David Bowie, Nirvana, Miles Davis) a Berklee professor and Chief Mastering Engineer at M-Works.

Inspired by paradoxical elements of life and examining his own transition into his current lifestyle, Getto finds a perfect balance between various dualities through his artistic expression. Having recently located to an unfinished farmhouse in Western Pennsylvania from Brooklyn, Versus presents Getto's personal confrontation with his own ambivalence. The album intentionally plays with cliché oppositions such as nature vs. the city, good vs. the bad and male vs. female. One can’t exist without the other, and for anything to exist, there must be a degree of conflict: "the versus." 

Getto's guitar-driven, simple melodies act as a backbone for the lyrical emphasis in his music. Having studied literature, theology, and philosophy in college, his lyrics pay homage to these intense, existential topics, but with a unique, irreverent spin. Tracks, "Soap In My Whiskey," and "It's Fine; You're Ugly," present Getto's blunt voice and narrative, with gorgeous melodies and organic, roots-y instrumentals. Getto is inspired by rock, blues and folk legends, such as Tom Waits and The Band, and newer folk artists including, Steve Gunn, Lady Lamb, The Tallest Man On Earth and Deer Tick. 

Once Getto had the concept, which was embodied by Leah Blanchette’s cover art, he enlisted friends to play on the album: three out of four members of the Boston “guerilla roots” band Damn Tall Buildings, along with cellist Kurt Villiard, drummer Tim Maxwell and pianist Jeff Davison.

Having previously released a live EP, All Different Times, Versus is the first full-length body of work to be released by Getto. While in Brooklyn, Getto performed around the city at various venues but has since moved out to the country, where he'll finish renovations on his farmhouse during the release of the record. Facebook here, Bandcamp here.

Alan Getto's vocals are personable and engaging as 'Into the Briars' beautifully demonstrates. The songs understated folk rock music allows the passion and power to develop through the singing, and boy it does.

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Alternative Take: Yeomans - Spencer Arbuckle - Yassassin - OhBoy!

Yeomans - My Fish Got Drunk.

Background - Garage rock bands always tend to weigh heavily on the retro vibe and Toronto’s Yeomans are no exception, naming themselves after the hardworking farmers of colonial America. However, their music isn’t quite that ancient. Glimmers of 60s fuzz pedals, melodic surf, psych grooves and reverb soaked vocals haunt the Yeomans’ sound.

The band formed in 2013, during the height of the Rob Ford crack scandal. Guitarist Kieran Heilbron met then Yeomans’ drummer Jocelyn while selling “Rob Ford Smokes Crack” t-shirts to raise money for the Gawker "Crackstarter" campaign. Realizing they were both into psych and both looking for a new project they started jamming and Yeomans was born, joined by Calgarian Ian Kilburn on vocals & guitar.

They do their heroes proud, throwing nods to The Chocolate Watchband, The 13th Floor Elevators and The Masters Apprentices.

Yeomans released their first EP in 2014, recorded in a ghostly church in a small town called Little Britain (not to be confused with the highly entertaining TV show). It has a powerful sound with remnants to an earlier time. Soulful lyrics and reverb-drenched grooves fill the listeners ears with tales of prophets, greek gods and revolutionaries.

“My Fish Got Drunk” is their follow up single, filled with sunshine soaked haze, and the band’s second splash at an instrumental surf ditty, accompanied by an equally playful music video directed by Kieran Heilbron and Dan Lee. Facebook here.

Tour Dates: December 15 - The Piston, Toronto (Record Release Show) w/ Planet Creature & The Lord Almightys.

If the video doesn't leave a little smile on your face, take a well needed holiday. 'My Fish Got Drunk' is a delightful instrumental, with sunny good time vibes embedded deep.

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Spencer Arbuckle - Shelf.

Background - 19 year-old Perth musician, Jack Arbuckle (aka Spencer Arbuckle), is excited to release his debut single ‘Shelf’ through The A&R Department on the 25th of November.

Born to two prominent West Australian musicians, Jack was taken on many of the orchestral tours that his father, violinist Ashley Arbuckle, was involved with. Travelling around Europe as well as at home in Perth as a toddler sitting on his Mother's lap during ballets, operas etc. This upbringing was obviously vital in forming Spencer Arbuckle as a musician himself. This classical upbringing was contrasted alternative, rock, grunge and punk influences resulting from older brothers who were both 90’s kids and grew up listening to the likes of Nirvana, Pearl Jam, Alice In Chains, Motley Crue, Beastie Boys, Genesis and Eurythmics. With other major influence coming from his mother, who lived through the 70’s flower child period, and was always listening to Fleetwood Mac, B-52’s, B.B. King, U2, Simon & Garfunkel, Creedence Clearwater Revival, and David Bowie.

Throughout a rather up and down year for Spencer, 2016 saw him write some of his most unique material, including his upcoming single ‘Shelf’, catching the ears of many of his peers.

“I wrote this song during an extremely tough time early 2016 in which I was losing the most influential person in my life. ‘Shelf’ is an insight into how many different emotions people can experience towards themselves and others when going through tragedy. Love, hate, fear, shock and the insecurity of a possible future without someone that you never envisioned not being there. While at the same time holding onto that slither of hope,” says Jack on writing his debut single. Facebook here.

'Shelf' oozes richness musically with perfectly matched vocals. Gently paced the expansive sound provides a fine background for Spencer's splendid vocals, and with a subtle melody throughout, this is play again material if ever there was.

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Yassassin - Pretty Face.

Background - After coming out swinging with debut dweller ‘Social Politics’, Yassassin spit right through with down-to-the-bone anthem ‘Pretty Face’. The new single from the London via Stockholm/Tuscany/Cambridge/Malmö/Brisbane five-piece explodes with a raw and straight forward message to the conformist and superficial pressures of ‘fitting in’. The foundations of ‘Pretty Face’, built from its murmuring bass line beginnings to the chants of its chorus, allow us to take a step back from our, at times, completely distorted society and embrace ourselves within our own skin. The accompanying video directed by No Tape Inside/T.K (Buzzcocks, Demob Happy, Blaenavon), runs parallel alongside the kaleidoscopic unruliness of Yassassin. Amongst hypnotically choppy editing, Yassassin howl, shriek and scream everything we’re thinking but too scared to say.

“We’re expected to look, dress and act in a certain way which has been forced into us through society’”, Yassassin explain.“ ’Pretty Face’ talks about the kinds of sexual harassment that a lot of women face every day , there’s still a lot of macho culture lingering on, which is so archaic and frankly unacceptable . The track is inspired about different types of manipulation too - how people can be blindingly manipulative in life, going from abusing someone emotionally and physically behind closed doors to then acting like the nicest person in town in front of a wider group.”
 
“ …What we’re basically trying to say is that if you don't have anything nice to say or do, then just don’t bother because you’re not helping to make the world any better. I may look one way or another, but that's not the whole of me, no one has the right to be so quick to judge.” Facebook here.

Live Dates:
Thursday 1st December - Headline Show, The Lock Tavern
Saturday 31st December - Heavenly Records NYE: The Parrots + Yassassin, The Social.

Passionate, down to earth, primal rock'n'roll, comes our way in the form of  'Pretty Face'. With a message and plenty of attitude to support it, Yassassin deliver a sonic blast of punk/garage orientated sounds, and they do it with great effect!

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OhBoy! - Hey Princess.

Background - “Hey Princess,” is the new single from Northampton 5-piece OhBoy!. Says lead singer Jay Brook: “The song was inspired by the disillusionment I've sometimes felt in certain crowds. It's about the people who put a lot time and energy into cultivating a version of themselves that they project through their clothes, their image, their Instagram feeds, which turns out to be disappointingly false once you attempt to scratch the surface.” The track is out now via Canvasclub (US) and Alcopop (UK), with B-side “Dirt” set to premiere on December 1st.

Hailing from "a town that was once known the world over for being the home of British shoe manufacturing (the local football team is still know as The Cobblers),” OhBoy spent much of summer '16 on the road, playing Truck Festival Camden Rocks, The Great Escape, and the BBC Introducing stage at Glastonbury. Fans include Steve Lamacq, Huw Stephens and John Kennedy.

"Don't get me wrong, I'm no chef, but if OhBoy! were a dessert, the recipe would probably be something like this: 1 x carton of Teenage Fanclub; 2 x large spoonfuls of The Pixies; Just a squeeze of The Lemonheads; Whisk with a fuzz pedal until thick, then sandwich between Pavement and Yo La Tengo. Pop it in the fridge overnight, and serve with just a sprinkle of Britpop." Website here, Facebook here.

'Hey Princess' has a nice edgy rock sound throughout, where the band blast along, and vocals and guitars vie for position. Under all of that is a constant energy level that hooks and re hooks the listener in.

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