Showing posts with label Wilma Nea. Show all posts
Showing posts with label Wilma Nea. Show all posts

Wilma Nea - Palm Friends - Deer Scout - Sky Barkers

Wilma Nea - The Beginning.

With her dynamic expression, shaped by influences from Fiona Apple, Ane Brun and Kate Bush, Wilma Nea debuted with the EP "Issues" in 2020.The debut was warmly received by a united group of critics such as The Line Of Best Fit, GAFFA, Aftonbladet and Dagens Nyheter. As Wilma today releases her debut album "This Too Shall Pass" due, it's with an equal force.

”My music is singer/songwriter pop that has been called both indie-quirky and bedroom pop. I see inspiration as a luxury, and one that does not always come naturally when wanted. For me, inspiration is so much about energy. Going for a run, showering, hanging out, being somewhere else."

On the album "This Too Shall Pass", where Wilma also makes her debut as a producer, we hear an artist exploring stories of daring to communicate her needs, daring to let go and start breathing again. It’s an honest, raw and naked portrait of relationships, the importance of self-respect and growing as a person.

"I want the music to bring energy, to be able to act as a soundtrack to a walk that makes you feel better when you come home than you did when you went out. Writing the album was a stepping stone for me, and I've learned a lot about myself."


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Palm Friends - Domino.

Minneapolis-based quartet, Palm Friends are today sharing their new single, "Domino" which arrives as the latest installment of the forthcoming EP, The Delivery which is out March 24 via Forged Artifacts. The Minneapolis-based quartet found acclaim last month with its first single from the new EP, "Hidden Perks" which went on to achieve support at FLOOD, The Alternative, Mindies, Here Comes The Flood and more. The new EP, mixed and mastered by Ben Etter (Deerhunter, Cate Le Bon) follows the band's 2019 debut EP, Nice Weather.

Palm Friends first came together as a means of healing. After his brother passed away, guitarist and singer Jesse Pedersen moved from New York back home to Minnesota to be with his family. As part of the grieving process, he called up some of his high school friends and asked if they wanted to start a band. With Jon Lindquist on drums, Will Bunton on bass and Jesse on guitar and vocals, the band quickly recorded their debut EP. The result was an ebullient indie rock six-song burst, the sound of a band in its early stages having a blast together. Soon after, Shawnna Stennes joined, and the final Palm Friends lineup was solidified.

The band wrote most of The Delivery together over quarantine before recording in three ten-hour sessions at The Terrarium in Minnesota. The result is a truly collaborative effort, on a songwriting level but then also on a deeper, emotional level. As a songwriting duo, Jesse and Shawnna play off of each other’s strengths, from Jesse’s indie rock songcraft to Shawnna’s warm yet melancholic lyrics but as a full group, this is really a collaboration centered around healing and friendship.

The new single and EP-closer, “Domino” is a tempo-shifting ballad about staying open-minded in a world where everyone feels a social-media-driven pressure to be right all the time. The song begins with a slow-strummed guitar and Shawnna’s soft vocals shifting over the top. The tempo speeds up as the chorus kicks in as Shawnna sings: “I love to be wrong/I swear/It gets me everywhere.” It’s affirming, playful and questioning all at once, a song that pushes for a more understanding and compassionate approach to life. Speaking about the new single, Shawnna says: "This song is about the fantastic power you wield when you’re open to being wrong. Simple as that!"

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Photo - Felix Walworth
Deer Scout - Peace With The Damage.

Last month, Dena Miller announced her debut LP as Deer Scout. Entitled Woodpecker (due out April 8th), the album is both her first full length and her first release on Carpark Records (The Beths, Cloud Nothings, Emily Reo), and was announced with the debut single "Cowboy" which made an immediate impression, earning praise from outlets like NPR, Stereogum, NYLON, BrooklynVegan and FADER, who highlighted the track's "gentle and warm" aesthetic. Today, Miller is sharing the second single from Woodpecker, a track called "Peace With The Damage" that was written by Miller's father, a folk musician.

The track features her father, who Miller describes as "one of my favorite songwriters," playing guitar as part of a beautifully spare arrangement of layered vocal harmonies. It's a track that, in it's subject matter, origin and performance, encapsulates the warm-hearted intimacy that makes Deer Scout's debut so special.

"Peace With The Damage is a song by my father, Mark Miller, originally recorded by my parents’ band, Spuyten Duyvil," Miller explains. "My dad is one of my favorite songwriters and this is a song I always wanted to record even though it’s a little bit of an outlier on the album. It’s a retrospective song about the past and regret. We recorded it together as a duet with me singing both parts, 4 years apart, so it feels like a conversation between a past and present self. My dad played guitar and was generous enough to trust me with it.

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Sky Barkers - Beholden To None.

Sky Barkers is an indie trio based in coastal West Wales. It is comprised of Joanna MacGregor Messore, Dan Messore and Matt Brown. They make groove based, hook heavy, vocal laden music - lyrically connective and energy driven, rooted in song-writing but with a wonky edge.

‘Beholden to None’ is their first single as a trio and speaks to the new sound that is emerging. “This is a song that invites you into one of my regular day dreams – what would life be like if I was a wanderer, a rover, a free soul flitting from town to countryside, sleeping in nooks of the earth and following old paths? 

Of course, it’s is a romanticised version of what it would actually be like to live that way – its more about that deep, simple urge to just get up and walk off. To be answerable to no one, leave no forwarding address - to know that no governing body or co-orperate nonsense can find you. To be elusive, beholden to none but the night sky”.

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Massage - Blooms - Ziemba - Wilma Nea

Massage - I'm Going In A Field.

Just a few months after releasing their acclaimed second album Still Life, Los Angeles indie-pop band Massage returns with Lane Lines — a six-track EP out December 10 on Mt.St.Mtn. (Cindy, Flowertown, Blues Lawyer) that finds the quintet expanding on their Sarah-meets-Creation Records sound with new touches of soft psychedelia, Feelies-ish frenzy and Haçienda-era escapism.

The band didn’t plan to follow Still Lines so quickly. But after the pandemic further delayed that multi-year project, Alex Naidus (guitar, vocals, former Pains of Being Pure at Heart), Andrew Romano (guitar, vocals), Gabrielle Ferrer (keyboards, percussion, vocals), David Rager (bass) and Natalie de Almeida (drums) leapt at the chance to make music together again in real life and started gathering on random summer evenings in the tiny rehearsal-space studio of producer-composer Andrew Brassell (Susanna Hoffs) with no clear goal in mind.

Lane Lines is the surprise product of those informal sessions — a flash of pent-up creative energy that serves as both a companion piece to Still Life and an exploration of textures and influences that didn’t quite fit the full-length but have always been deeply embedded in the band’s DNA, with new echoes of 1980s artists that sought to refract the 1960s through their own skewed prisms: Flying Nun, the Paisley Underground, The Feelies covering The Beatles, “Second Summer of Love” New Order.

“The songs on Still Life and Lane Lines seem to straddle the line between indie and pop without exactly being ‘indie pop,’" Romano says. “To me they feel more like descendents of ‘college rock’ — a moment that lasted from about 1986 to 1991, right before the underground and the mainstream converged, when it seemed like any scrappy indie band might stumble across a hit.”


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Blooms - Focus.

Blooms first burst onto the scene in 2014 with her dark blend of electro-pop and debut EP, ‘If’. Since then the Irish born artist has won the acclaim of the likes of Wonderland Magazine, Noisey, Complex and Clash Magazine. Having honed her craft over the years, Blooms now returns with an ethereal new offering ‘Focus’. The dark indie-pop track incorporates hushed vocals and frosty synths which capture the emotion and longing behind the track’s meaning.

"It's about loving someone but not knowing if you're in love with them. It's about questioning why you can't focus on them or feel the love they have for you, about feeling guilty for not being grateful for what you have" - Blooms shares

The new release follows on from Blooms’ most recent offering ‘Text Me When You Get Home’, a haunting and poignant track that sought to raise awareness on the issue of women’s safety. The track highlighted the hard-hitting reality of all the actions that women and girls feel they must take themselves to try and stay safe in a culture of male harassment and violence against them.


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Photo - Ian Torres
Ziemba - Set In Ice.

El Paso-based artist, Ziemba – a moniker for songwriter, producer, vocalist and pianist, René Kladzyk – is today sharing a duo of singles, "Set in Ice" and a cover of the holiday favorite, "I'll Be Home For Christmas," the latter of which arrives with a technicolor video directed by Kladzyk. These two tracks follow on the heels of last month's release, "Fear" arriving as another installment of Kladzyk's forthcoming album, Unsubtle Magic which is due out next Friday, December 10 via Sister Polygon Records.

The holiday season is a horrible time to be grieving. Family gatherings and omnipresent nostalgia can amplify a loved one’s absence, becoming constant reminders of what is lost. René is acutely aware of that feeling. After Kladzyk’s father suffered a stroke in December 2019 and died on January 2, 2020, Christmas associations were radically and permanently transformed. Unsubtle Magic navigates the holiday season through the lens of grief; journeying “a year and a day” from the initial loss through the following Christmas, a grim anniversary.

"Set in Ice" and "I'll Be Home For Christmas" provide two crucial cornerstones to the record. The former is a reinterpretation of a song that her father wrote in December 1974 while he worked as a touring musician under the moniker Aurel Roy. 

When discussing "Set in Ice," René explains: "He [my father] wrote hundreds of songs during his 12-year music career, but when my mom got pregnant he quit music entirely and got a 9 to 5 job at an automobile manufacturing factory in rural Michigan. Growing up, he seldom talked about that chapter of his life -- as a kid I was always curious about it and would try to pry stories out of him. He mostly would just say he didn’t remember, or that it felt like another life. But when I started working as a touring musician he was so proud of me, something I think is a rarity for parents of broke musicians. He would comment on how difficult what I was doing was, and started to share more stories from that time in his life with me. Beyond being his kid, we formed a new bond around our shared trials as working musicians. He was a trusted (and sometimes brutal) advisor and a constant cheerleader. After he died, his songs and lyric notebooks became an important gateway for me to continue expanding my relationship with him. His version of "Set in Ice" was an unadorned piano ballad, but I reimagined it as a driving song, picturing him at the wheel on long solo road trips. It has an endless quality to it that I identify with: “get up every morning just to sing these songs.” Covering his songs feels like a form of magic, a way to bring him back for just a moment, or to catch a glimpse of a version of him I never knew in this life."

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Wilma Nea - Days Like This.

With her dynamic expression, shaped by influences from Fiona Apple, Ane Brun and Kate Bush, Wilma Nea debuted with the EP "Issues" in 2020 and quickly received a warm reception from a united group of critics, including The Line Of Best Fit, NBHAP, Aftonbladet and Dagens Nyheter. As Wilma gets ready to release her debut album "This Too Shall Pass" on March 4th, it's with an equal force. 

Now she releases the single "Days Like This" taken from the upcoming album with an accompanying music video in a moody 60's setting. In the video we see Wilma portraying entrapment and being stuck in old patterns.

"It was really fun to shoot all the scenes, especially the dancing. I love the world we built and I think all the scenes really speak. For example, at the end there's a little sequence where I control myself as a puppet with hand movements, which I think represents taking control in a cool way."

The video is directed, filmed and edited by Ebba G. Ågren, based on concepts from Wilma and Ebba. It was filmed in the summer of 2021 at Studio Stor in Malmö. The choreography is by Monica Malmén.

On the upcoming album "This Too Shall Pass", where Wilma also debuts as a producer, we hear an artist exploring stories about daring to communicate her needs, daring to let go and start breathing again. An honest, raw and naked portrait of relationships, the importance of self-respect and growing as a person.


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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...