Hannah Georgas makes her fourth appearance here this year with 'Easy' and it's another beautifully crafted song that allows her superb vocals to shine. === Westberg shared 'Simple' with us back in June and return with 'Nostalgia' where the duo are again impressive with this creatively arranged song. === Dusker share 'Quality Papers' ahead of E.P 2' set for release this coming Friday, the song itself is a magnificent mixture of alt rock with more than a little punk feeling.
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Hannah Georgas - Easy.
On September 4th Hannah Georgas who, over the years has been an active touring member of The National and Kathleen Edward's backing band, will release her new LP All That Emotion on Brassland and Arts & Crafts. Produced by Aaron Dessner, founding member of The National and producer of Taylor Swift's latest LP folklore, the album has already attracted an enthusiastic critical response with the mesmeric lead single "Dreams," the calmly enveloping "Just A Phase" and pre-announce singles "That Emotion" and "Same Mistakes," earning praise from many outlets.
Today, Georgas is sharing her final single from the LP, a slow-burning synth pop gem entitled "Easy." Introduced by pulsing arpeggiators and a subtle blend of electronic drums and organic percussion, the track builds towards a glittering crescendo, with Georgas' weaving in and out of harmonized vocal parts as she chronicles a search for closure at the end of a relationship.
“I was going through a break up around the time that I wrote this song and I felt like I kept searching for some sort of closure or definitive ending to the relationship," says Georgas. "I found myself feeling frustrated that I couldn’t communicate well with this person and whenever I tried to reach out I was left feeling more alone in the end. I was going through this hard time and it felt like they found it easy to let it go.”
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Westberg - Nostalgia.
“Westberg,” the Gen X duo of Ariel Westberg and Scott Bruzenak (aka Noisecastle III) announce the upcoming single, “Nostalgia” due out August 24. The single represents a dusty tale of isolation in the middle of Los Angeles, the backdrop for the midlife crisis that unfolds within the rest of their EP. The EP, Boomer Studies is due for release on September 18.
The duo approaches “Nostalgia” with the stain of cynicism. The lyric, “Nostalgia just ain’t what it use to be” threads a thematic discontent while the appearance of Townes Van Zandt’s well-to-do doppleganger is symbolic of the decay of nostalgia itself. They say, “We wrote this in his shadow, with nods to the bitter tone and dopamine-starved prose.”
Having met as classical music majors “in the weirdest school in the U.S.,” Evergreen State College, the two Angelenos had explored Avant-Garde, jazz, rock, electro-folk, chamber pop and trip-hop. But Boomer Studies was a chance to strip it down and reflect. Their 2006 self-titled album received accolades from Nic Harcourt and continues to receive support on KCRW.
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Dusker - Quality Papers.
An emotive, loud-quiet-loud cut from their four-track cassette, “Quality Papers” is Dusker’s magnum opus from their new work. Befitting their forerunners Cap’n Jazz and Rites of Spring, the longest piece of the record is by no means meandering into nowhere – it’s concise, powerful… emotional. Did we mention it’s emotive yet?
“EP 2” has already seen coverage at home and abroad – BBC Radio Nottingham featured first single “Leo” on their Introducing show, along with airplay from freeform radio show Aural Delights.
Japanese blog Warszawa and UK based music website Backseat Mafia have also featured the band, with Craig Young from Backseat Mafia going as far as to say the EP “… take(s) you right back to the late 90s (...) Exceptional punk vocals and drenched in delicious feedback."
“EP 2” is available for pre-order on cassette tape and digitally from MUZAI Records ahead of its official release August 28th 2020.
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Showing posts with label Westberg. Show all posts
Showing posts with label Westberg. Show all posts
Westberg - Sam Valdez - Maps & His Mothball Fleet
Westberg have released 'Simple' today and the duo are powerful and hard to ignore from the opening moments with the clarity of their sound, along with a good few hooks throughout the track. === Sam Valdez has been featured here a couple of times in the past and her new song 'Clean' reminded me immediately of just why, her music exudes natural passion and addictive vibes. === Maps & His Mothball Fleet have also released a new single today with the charming 'Coastal Living' and it's a song that has elements of yacht rock alongside some deeper more emotional and absorbing features.
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Westberg - Simple.
Westberg, the Gen X duo of Ariel Westberg and Scott Bruzenak (aka Noisecastle III), wanted to get back to simple. That didn’t mean their usual experimentation was off the table: they collected melodic fragments and blended some of their hallmark eclectic harmonic detours that still ended up in several songs on the resultant album, Boomer Studies, due out Sept 18.
The first single off the album, coincidentally titled “Simple” is a generous reflection on aging gracefully, by a musical collaboration still a long way from being done creating surprises for their listeners. “Simple” is released today June 29.
Focused on pure, classic American songwriting, Westberg and RIAA-certified multi-platinum pop/electronic producer Bruzenak decidedly went “negative but nice this time around.” The former latchkey kids know how to raid their mental closets for musical shoebox memories. The conspicuous result on this album is the song, “Simple,” which features the multi ranging Westberg’s intentionally “bone dry” vocals strolling through a canopy of big guitar exclamation points that will be familiar to Tom Petty fans.
Though Westberg often surprises by taking on characters and tones in her songs as the music shifts gears, here she summons the easy strains emanating through the suburbs from a car radio in the 90’s to channel innocence and plain love of our time. Recognizing the duo’s inclination to complicate and layer, Westberg chose a quieter, lyrical intimacy to relate: In my younger days / I had a lot of things to say / And I’d do it all the hard way / Didn’t care if it was complicated/ Didn’t care if I was compensated.
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Sam Valdez - Clean.
Sam Valdez shares, "Clean is a love song in a way but it’s more about being drawn to self destruction. It’s about finding comfort in uncertainty and appreciating the darker qualities in someone as well as the good."
Sam Valdez’s immersive indie-rock sensibility reflects her childhood growing up at the edge of the Nevada desert, and her formative musical experiences as a child violinist. The mystery, beauty, and haunting quality of desert life has shaped the LA-based artist’s sense of dreamy textures, and her flair for abstract but emotive lyrics. Classical music’s majesty has informed her imaginative arrangements, and cinematic sense of dynamics.
Sam has melded in an intriguing blend of shoe-gaze, Americana, indie-rock, and pop into a signature aesthetic. Select career highlights thus far include garnering rave reviews in Clash Music, Consequence of Sound, and Earmilk; earning heavy rotation from KCRW for multiple singles; and opening tours for Stella Donnelly, Cayucas, and Giant Rooks.
“I’ve always tried to write from the most genuine place that I can, but, lately, and with this record, I’ve been working on sharing more sides of my views and emotions,” Sam details.
A feeling of 1960s nostalgic balladry courses through many of thesongs on Sam’s debut. She says:” Melancholic, comforting and thought provoking is what I look forin music and what I feel and hope comes across in mine.” The album’s first single, “Toothache,” is a reverb-dipped slow burner glowering with sensual vocals and a twist on a breakup narrative. Here, the feeling is a longing to reconnect with one’s sense of self post romantic rupture.
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Maps & His Mothball Fleet - Coastal Living.
Maps & His Mothball Fleet announces the release of the yacht rock single “Coastal Living” on June 29. The sun-drenched boy-girl harmonies flirt at summer romance within a melodic haze. “Coastal Living” is the first single off the upcoming album, GULF, due out on August 21 on Azteca Records.
Matt Wanamaker, the heart behind Maps & His Mothball Fleet wrote and recorded the vocals, percussion, and some acoustic guitar for a number of songs on a combination of his phone and handheld tape dictation while working overseas in Afghanistan in 2013. When he went back to sea again in 2018 he wrote over 50 more songs. “Coastal Living” is a warm sea salt kissed single born from those demos. Hayley Richardson joins Wanamaker in a bright call-and-response harmony telling the story of a beach hermit surprised with a love note from a lost love, urging him to take a risk and pursue her. Wanamaker paints a picture from a musical pallet shaded in sunset hues.
As the world tiptoes into a post-pandemic way of life, feelings of anxiety and hesitation are amplified by distance from family and friends. Wanamaker experienced all of these emotions in international isolation. While feelings of isolation might not be unfamiliar for those in the military, the feeling of trying to reconnect afterward is. He explains, “The album describes the feeling of physical separation I had while away and the distance that I was trying to deal with upon coming home.” The album is called GULF not only because it was written along the Gulf of Mexico and the Persian Gulf, but to describe that tangible separation and the ravine of emotional distance that come along with it.
The songs on GULF remain centered on a particular lo-fi aesthetic, prompted by the time and place for which it was recorded as much as by when it was embellished. These homespun nuances become an honest first-person account hidden by the melodies and stories that Wanamaker managed to produce all alone at night…once again adrift at sea.
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Westberg - Simple.
Westberg, the Gen X duo of Ariel Westberg and Scott Bruzenak (aka Noisecastle III), wanted to get back to simple. That didn’t mean their usual experimentation was off the table: they collected melodic fragments and blended some of their hallmark eclectic harmonic detours that still ended up in several songs on the resultant album, Boomer Studies, due out Sept 18.
The first single off the album, coincidentally titled “Simple” is a generous reflection on aging gracefully, by a musical collaboration still a long way from being done creating surprises for their listeners. “Simple” is released today June 29.
Focused on pure, classic American songwriting, Westberg and RIAA-certified multi-platinum pop/electronic producer Bruzenak decidedly went “negative but nice this time around.” The former latchkey kids know how to raid their mental closets for musical shoebox memories. The conspicuous result on this album is the song, “Simple,” which features the multi ranging Westberg’s intentionally “bone dry” vocals strolling through a canopy of big guitar exclamation points that will be familiar to Tom Petty fans.
Though Westberg often surprises by taking on characters and tones in her songs as the music shifts gears, here she summons the easy strains emanating through the suburbs from a car radio in the 90’s to channel innocence and plain love of our time. Recognizing the duo’s inclination to complicate and layer, Westberg chose a quieter, lyrical intimacy to relate: In my younger days / I had a lot of things to say / And I’d do it all the hard way / Didn’t care if it was complicated/ Didn’t care if I was compensated.
------------------------------------------------------------------------------------------
Sam Valdez - Clean.
Sam Valdez shares, "Clean is a love song in a way but it’s more about being drawn to self destruction. It’s about finding comfort in uncertainty and appreciating the darker qualities in someone as well as the good."
Sam Valdez’s immersive indie-rock sensibility reflects her childhood growing up at the edge of the Nevada desert, and her formative musical experiences as a child violinist. The mystery, beauty, and haunting quality of desert life has shaped the LA-based artist’s sense of dreamy textures, and her flair for abstract but emotive lyrics. Classical music’s majesty has informed her imaginative arrangements, and cinematic sense of dynamics.
Sam has melded in an intriguing blend of shoe-gaze, Americana, indie-rock, and pop into a signature aesthetic. Select career highlights thus far include garnering rave reviews in Clash Music, Consequence of Sound, and Earmilk; earning heavy rotation from KCRW for multiple singles; and opening tours for Stella Donnelly, Cayucas, and Giant Rooks.
“I’ve always tried to write from the most genuine place that I can, but, lately, and with this record, I’ve been working on sharing more sides of my views and emotions,” Sam details.
A feeling of 1960s nostalgic balladry courses through many of thesongs on Sam’s debut. She says:” Melancholic, comforting and thought provoking is what I look forin music and what I feel and hope comes across in mine.” The album’s first single, “Toothache,” is a reverb-dipped slow burner glowering with sensual vocals and a twist on a breakup narrative. Here, the feeling is a longing to reconnect with one’s sense of self post romantic rupture.
------------------------------------------------------------------------------------------
Maps & His Mothball Fleet - Coastal Living.
Maps & His Mothball Fleet announces the release of the yacht rock single “Coastal Living” on June 29. The sun-drenched boy-girl harmonies flirt at summer romance within a melodic haze. “Coastal Living” is the first single off the upcoming album, GULF, due out on August 21 on Azteca Records.
Matt Wanamaker, the heart behind Maps & His Mothball Fleet wrote and recorded the vocals, percussion, and some acoustic guitar for a number of songs on a combination of his phone and handheld tape dictation while working overseas in Afghanistan in 2013. When he went back to sea again in 2018 he wrote over 50 more songs. “Coastal Living” is a warm sea salt kissed single born from those demos. Hayley Richardson joins Wanamaker in a bright call-and-response harmony telling the story of a beach hermit surprised with a love note from a lost love, urging him to take a risk and pursue her. Wanamaker paints a picture from a musical pallet shaded in sunset hues.
As the world tiptoes into a post-pandemic way of life, feelings of anxiety and hesitation are amplified by distance from family and friends. Wanamaker experienced all of these emotions in international isolation. While feelings of isolation might not be unfamiliar for those in the military, the feeling of trying to reconnect afterward is. He explains, “The album describes the feeling of physical separation I had while away and the distance that I was trying to deal with upon coming home.” The album is called GULF not only because it was written along the Gulf of Mexico and the Persian Gulf, but to describe that tangible separation and the ravine of emotional distance that come along with it.
The songs on GULF remain centered on a particular lo-fi aesthetic, prompted by the time and place for which it was recorded as much as by when it was embellished. These homespun nuances become an honest first-person account hidden by the melodies and stories that Wanamaker managed to produce all alone at night…once again adrift at sea.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...