The C.I.A - Emma Tricca - Villages - The Primitives

The C.I.A - Bubble.

The C.I.A.’s Surgery Channel is ripe with straightforward conviction. The trio made up of Denée & Ty Segall and Emmett Kelly have constructed a world where everything is piercing and pinpointed. Every word brings confrontation – The C.I.A. make you question what could be happening here…or what they’re after.

Ahead of its yesterdays release, they revealed a new video and single “Bubble” — a story of anxious desire. We will be consumed by what we must consume. Restraint backfires and drives a person to madness. Or maybe that’s just what they want you to think. It feels as though Denée (vocals, lyrics) is whispering directly in your ear, amplified by the suspense of tick-tocking drum machine beats. Ty (bass, percussion, back up vocals) and Emmett (bass, synth, back up vocals) paint a jarring and dissonant landscape behind Denée’s story.  Words are rhythm at The C.I.A.

The C.I.A. is communicating from an electrified, pulsating, metallic playpen that wants you to strut. Surgery Channel shows punks a new way to move while remaining loyal to the traditions of catharsis and social commentary.

Ty and Emmett’s basses could easily be swapped for bone drills and you might not be able to tell the difference. Emmett’s modular synth envisions an environment reminiscent of the instrument itself, a mess of wires and pulsing red lights. Ty’s subtle use of electronic and analog percussion fluctuates between the sound of a metal tray hitting the floor, and the swish of an ultrasound scan. At times, it projects the feeling of being probed and investigated. You could assume this reality has been lived by those at The C.I.A., though most listeners could only fear it. So... just how little of this portrayal is solely a work of imagination? 

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Emma Tricca - King Blixa.

Acclaimed singer-songwriter Emma Tricca has announced the release of her new album Aspirin Sun due out April 7th via Bella Union and is available to preorder here. To celebrate the occasion, Tricca has shared a colorful and captivating video for first single “King Blixa” directed by Francesco Cabras. Commenting on the track Tricca says: “Since childhood I have always been fascinated by folk stories. From Italo Calvino to Homer to British and French Troubadour ballads. The magical element of turning the impossible into the possible is what inspired this poem/song - like in the line, I would ask the sailors to break their solitude.”

“It felt like I was driving through tunnels,” Emma Tricca says of her fourth album – her first for Bella Union. A phosphorescent panorama of undulating color, shape and sound.

As with any transformation, it is this sense of movement that underpins Aspirin Sun and its bold new form, ebbing and flowing, continually unfurling. The tunnels led the Italian-born, London-based singer-songwriter towards something expansive and far-reaching: an entirely new and experimental collection of songs. But they also drew her closer to her late father, and her memories of him driving them both in his small white Fiat, darting through the Alps and whizzing through darkened passageways, where shafts of light flickered ahead of them in the distance.

Light and shade; past and future; love and loss. “I was in uncharted territory trying to understand what was happening to me,” Tricca says. In the winter of 2018, only months after her mystical third album St. Peter was released, her father died, submerging her in a subaqueous world of grief. “I think that the loss really informed the tunes a lot,” she muses. And the tunes quickly emerged. Tricca decided to spend a few months in New York during the summer of 2019 – and started recording Aspirin Sun in her long-time collaborator Steve Shelley’s studio.

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Villages - Play The Fiddle All Night.

Canadian folk-rock quartet Villages have shared their new single “Play the Fiddle All Night,” the next offering from their upcoming album Dark Island, out February 17 via Sonic Records. Propelled by masterful rich instrumentation and timeless Celtic music influences, “Play the Fiddle All Night” arrived with a behind-the-scenes music video.

"The song was written after reflecting on the traditional poem ‘The Dark Island,’” says Villages, made up of members Matt Ellis, Travis Ellis, Jon Pearo and Archie Rankin. “Stirring up thoughts of mortality and what of our home on Cape Breton Island would be pined for when the time comes. The song presented itself very quickly and we finished it only a few days before we were scheduled to record. There was a striking similarity in themes carried in both the poem and our tracklist, so it ultimately gave namesake to the album. The song immediately felt vital to the record and given the spontaneity of it all, it was one of the more exciting experiences in songwriting that we’ve had.”

“Play the Fiddle All Night” follows the uplifting “Love Will Live On,” which arrived with a cinematic music video and was met with acclaim from outlets including Earmilk and Atwood Magazine, who said that the track “emphasizes the charm of simple living.” Over the holidays, the band treated fans to their jubilant holiday original “Merry Christmas (From the Dowie Dens)”.

Villages’ forthcoming album Dark Island finds them penning a euphoric and reverent love letter to their native Cape Breton Island in Nova Scotia. The album has already garnered support from the CBC who said, “With Dark Island, the band can easily claim its own folk niche,” and Music Connection Magazine who hailed it as "a masterpiece, delivering a combination of gently harmonized vocals and maritime-shanty melodies alongside lilting instrumentals ... a soothing ethereal experience.” Produced by JUNO-winning composer and producer Joshua Van Tassel (David Myles, Great Lake Swimmers, Fortunate Ones), Dark Island results in a type of Celtic music that respects its heritage while taking sonic chances. These musical risks can be credited to early influences like indie rockers Teenage Fanclub and Belle and Sebastian, as well as their previous incarnation as acclaimed indie-rock outfit Mardeen.

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The Primitives - Panic.

The legendary indiepop band The Primitives debuted the b-side "Panic" from their new 'Don't Know Where to Start' EP. As we enter the winter season, the weather is turning cooler and grayer, but UK’s The Primitives have something to warm your heart and get your feet moving. HHBTM is proud to present the band’s latest single and first new material in five years.

"Don’t Know Where To Start" is a three minute blast of pure pop perfection; with its organ-driven melody and vocalist Tracy Tracy’s superb singing, we’re equally reminded of the late Ronnie Spector and The Muffs’ Kim Shattuck. In other words, "Don’t Know Where To Start" ticks all the Primitives’ pop charm boxes for those who know. It’s followed by the moody punk edge of "Till I’m Alive," sung by Paul Court. Also included is a live recording of "Panic," taken from the band’s 2017 Part Time Punks session. The single closes with a fuzzy acoustic version of "Don’t Know Where To Start."

The Primitives won hearts and minds in 1988 with their debut album Lovely and its Top Ten UK hit single, "Crash." They would have more charting singles over the course of the next four years, releasing two further albums before disbanding in 1992.They reformed in 2009 and have since released two albums and a handful of singles.

HHBTM Records · The Primitives - Panic

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Villages - KodiakArcade - Paper Tapes

Villages recently shared a video for their beautiful song 'Poetry In Motion'. The bands indie folk music has a fresh and pristine feel to it along with some mature pop sensibilities, add in the melodic arrangement and fabulous vocals and this is one special song.  ===== KodiakArcade new single 'Silicon Hill' is a fabulous synth driven instrumental track, where the huge array of musical sounds intertwine and create a mesmerizing piece and at two and a half minutes duration leaves me wanting more. ===== Yesterday Paper Tapes released a video for the song 'You And I' which is taken from the E.P 'Homecoming' that was released in October. Fresh, catchy and with gently delivered vocals, the soundtrack is quite addictive and with the new visuals this is a fine recommendation to check out the E.P if like me you have not done so yet.

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Villages - Poetry In Motion.

Having had their praises internationally sung for their self-titled full-length debut album in 2019, the four members of Villages continue to keep the spirit of their home province, Nova Scotia, in their thoughts, whilst letting their minds escape to their fantasies.

Comprised of Matt Ellis, Travis Ellis, Jon Pearo and Archie Rankin; the quartet have managed to spark a genre-bending sound of indie-folk and experimental pop; standing tall with the likes of Father John Misty, Fleet Foxes and Band of Horses. Taken from their recently released EP ‘Upon the Horizon’, new single ‘Poetry in Motion’ delivers a flavour of the bands next full-length album due in 2021.

Directed by Mel Stone, the new live visuals see’s the band gather together; delivering a hopeful message that things will get better. With the ongoing pandemic restrictions, it’s an outlook that we all need to hear from time to time, especially the live industry.

Mixed by American Indie rock legend Phil Ek, their recently released EP ‘Upon the Horizon’ was written aimed to transcend the sense of isolation and dread that we have all faced this year. Frontman Matt Ellis says, “Being locked up naturally conjured visions of escapism. Escaping to the wilderness has always been a way to find peace, but when even that was not an option it was yet another thing that had been taken for granted.

The songs were written on an old guitar with four dead strings that had been neglected for years. There was something fitting about it, given the current condition of the world. This guitar was once a prized possession and over the years just sat collecting dust. Yet, the moment I picked it up the memories it had amassed over the years flooded my mind. It was the comfort and inspiration that was needed—the feeling of a new instrument yet to be discovered, and of new beginnings and endless possibilities.” 

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KodiakArcade - Silicon Hill.

As a project, Graeme Cornies’ Kodiak Arcade is a hi-fi homage to the lo-fi  sounds of the past. It’s a set of sonic landscapes, where the humanity of the organic performances are intertwined with sounds that can only be created by modern tech.

Graeme spent a lot of time thinking about his own relationship to technology while making Kodiak Arcade’s debut album, Arcade. From the time he spent consumed in the fictional worlds of Sierra games as a kid, and how those stories affected his real-world self.

Focus track, “Silicon Hill,” began with a dream. Two friends sat on a hill at sunset, looking into the distance at a newer sort of Art Deco city skyline. Everything around the city was a desert, though there was no sand in sight. The whole desert was made of a sort of semi-soft silicon with faint lines underneath – like patterns of a motherboard under the desert’s milky surface.

This song title is also a nod to the time Graeme spent in Silicon Valley, at events like the GDC, where he spent many nights year after year talking with passionate artists and programmers in the game industry, getting high on talk of the future, admired artists and the meeting places between art and technology.

KodiakArcade · Silicon Hill - Single

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Paper Tapes - You And I.

GPSs flicker, spirits emancipate themselves from any final destination… PAPER TAPES’ first EP 'Homecoming' was released in October on Geographie.

Native of Lyon (FR), living in Paris and a member of the band Brace ! Brace ! (Howlin’ Banana), Cyril Angleys delivers, under the pseudo PAPER TAPES, an adventurous and immediate pop.

Influenced by the 70s film score, the outsiders that became heroes like Stereolab and Air, the psyched pop from Todd Rundgren or the R’n’B from the first The Neptunes’ albums, he assumes boldly but with finesse his carelessness of time and genres.

It is while composing with Brace! Brace! That he feels the need, this desire to start a solo project. Drum machines, synthesizers… he starts writing and experimenting from home, in his flat during the 2018 summer.

With 'Homecoming', co-produced by Barth Bouveret (Brace ! Brace!, Good Morning TV, Marble Arch) PAPER TAPES offers us a first magnetic and luminous EP. Five little hits nestled between some modern soft rock and emancipated pop, to listen to while traveling or at home… even though we know travels always start home.

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Bleach Day - Forever Honey - Villages - Agnes Obel

Bleach Day just released 'bbs in the grass' a song that has a mixture of psychedelic vocal overtones and a creative choice of instrumentation. === Forever Honey share 'Christian' where the gorgeous melodic vocals and harmonies are accompanied by some slick guitar driven pop/rock. === The video for 'Cremation' by Villages enhances the songs story, however it's the mixing of traditional folk storytelling and more modern musical sounds that really does impress and please. === Agnes Obel hardly needs any introduction or support from Beehive Candy however ten years on and she is still testing musical boundaries and with the splendid song 'Camera's Rolling' ensuring that the new album 'Myopia' will get even more attention.
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Bleach Day - bbs in the grass.

Bleach Day released their second single “bbs in the grass” from their forthcoming album as if always, releasing March 6th via Birdwatcher Records.

The band elaborated on the track’s meaning: “‘bbs in the grass’ is the end of a cycle that comprises the full album as if always. A series of musical movements erupting into existence, the track is propelled by a multitrack orchestra of driving percussion, thick bass, hailing piano notes, and twinkling Wurlitzer.

“bbs in the grass” is reflective yet forward looking. “It is the truth learned at the end of a long introspection. It is celebratory, but accepting of the fact that you’ll soon be back in this very same spot - ending the cycle, so it can begin again.”

Their lead single “in limbo” caught the attention of Various Small Flames and Austin Town Hall, among several others, and was featured on this Cottagecore Spotify playlist, which i-D Magazine shared on their story covering the niche cultural aesthetic.

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Forever Honey - Christian.

Forever Honey is the new NYC-based project of Liv Price (vocals, guitar), Aida Mekonnen (guitar, vocals), Steve Vannelli (drums), and Jack McLoughlin (bass.) Finding common ground over a love of jangly, guitar-driven pop of the late 80s and harmony-saturated rock of the 60s, the four draw lyrical inspiration from personal experiences and self-reflection. Forever Honey's debut EP Pre-Mortem High is slated for an April 24, 2020 release.

Pre-Mortem High is the band's personal coming of age story put to music - the sound of girls and boys telling their girls and boys when enough is enough; the moment when sweet nothings whispered in the wee hours become spotlighted by sunlight, revealing holes of truth and promise.

Written on the heels of the band's relocation to Brooklyn, this record covers the anxiety of getting older, the thrill and danger of frivolous summer nights, and the pursuit of honesty. Channeling the clever, no-nonsense spirit of 90's brit pop and the jangly guitars of 80's new wave, Pre-Mortem High is their attempt at capturing the intensity of personal relationships and life in a new city, all within the confines of four songs.

About "Christian" - "Christian:" The song was actually the last to be written for our upcoming EP and came together really quickly...sort of like it's always been there. We were looking for something upbeat, and this was the result right before we went in to record. Writing it also may have subconsciously brought up some things about ourselves and the nature of our relationships at the time.

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Villages - Cremation.

Not many bands can credit a Rankin Family singalong as the impetus for their start. For Villages, it was a catalyst. In the late aughts, traditional music was the furthest thing from the minds of Matt Ellis, Travis Ellis, Jon Pearo, and Archie Rankin. Having left their Cape Breton homes for the allure of the big city, the musicians formed Mardeen – a group steeped in Halifax’s history of melodic pop- rock and anchored in the vein of their musical heroes such as Sloan, The Super Friendz, and Thrush Hermit. Long heralded as one of Atlantic Canada’s hidden treasures, Mardeen amassed heaps of praise from critics and peers alike.

Steadfast, prolific, and revered, Mardeen found themselves looking back on their heritage after an unexpected trip down memory lane. “One late night, a singalong of Rankin Family tunes broke out,” says vocalist Matt Ellis. “I remember saying to the rest of the band that we need to write something that evokes the sound of home.”

Named after an essay penned by Cape Breton illustrator Kate Beaton, Villages was born. Beginning with a song called “Hymn After Hymn”, the group parlayed their newfound appreciation for Celtic and British folk into a four-song EP with the same name. Produced by East Coast icon Joel Plaskett, the output cemented the four-piece as an entirely new entity focused on melding the melodies and lyrical influences of their deep-rooted history with contemporary instrumentation, moods, and sounds.

This turning point culminates on the self-titled Villages full-length. Recorded at their home studio in rural Nova Scotia with producer Thomas Stajcer (Joel Plaskett, Erin Costelo), the record presents a unique take on life in the Maritimes. From the opening ethereal thump of a distant kick drum and chiming distorted chords on “Awakening of Spring,” to the reel- esque drive on “Maggie of the Cove” and “Sarah’s Whistling Tune,” to the country-tinged inflections on “At Your Door,” the eight-song LP tells the story of four young Nova Scotians coming back to their traditions on their own terms. Ringing like a rural anthem, Villages serves as a reminder that while it’s easy to leave.

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Agnes Obel - Camera's Rolling.

“For me Myopia is an album about trust and doubt. Can you trust yourself or not? Can you trust your own judgments? Can you trust that you will do the right thing? Can you trust your instincts and what you are feeling? Or are your feelings skewed?” –Agnes Obel

For almost a decade, Agnes Obel has been one of the most unique and genre-defying artists in contemporary music. Last Friday, Obel released Myopia, her highly-anticipated new album which is out now on Blue Note Records in the U.S. and Deutsche Grammophon in the rest of the world.

The official music video to accompany the album’s opening track “Camera’s Rolling” is now released. Created by long-term collaborator and partner Alex Brüel Flagstad, and featuring the pair’s dog Woody, the video accompanies the themes within the album and continuously follows on from the videos for the albums’ previous singles “Island Of Doom” & “Broken Sleep.”

Following the same principles as with her previous albums (Philharmonics, Aventine and Citizen Of Glass), which she completed as a one-woman project in her own Berlin home studio, Obel has been under self-imposed creative isolation with the removal of all outside influences and distraction in the writing, recording and mixing process. “The albums I’ve worked on have all required that I build a bubble of some kind in which everything becomes about the album.”

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