Showing posts with label Veronica Bianqui. Show all posts
Showing posts with label Veronica Bianqui. Show all posts

Lucy Wise - Veronica Bianqui - Woodes - Frøkedal

Lucy Wise - Solid Ground.

Background - Singer-songwriter Lucy Wise has released a taste of her third album Winter Sun. The songs on the forthcoming album show a strong artistic development since her last release back in 2015, and the lead single 'Solid Ground' is no exception. The track draws the listener in with its infectious groove and Appalachian Folk-inspired melody, and offers a warm, rich folk-rock band sound. It features some of Melbourne’s finest musicians: Justin Olsson (drums), Isaac Gunnoo (double bass) and Justin Bernasconi (electric guitar). 'Solid Ground' puts the listener in the shoes of someone finding their feet again after a breakup, saying that “it’s time to walk to your own rhythm, to find your way to solid ground”.

The music video for this release was produced by Lucy Wise in collaboration with Melbourne filmmaker, Rowan Gruner, and is a captivating and wistful reflection on finding resilience in everyday life. The video moves between an East Brunswick hilltop at sunrise, Lucy singing the song in a kitchen, and the unravelling of a long piece of string. As well as exploring the theme of finding one’s inner strength, it playfully celebrates the many beautiful nooks and crannies that Melbourne is made up of.

Produced and recorded by Nick Huggins, Lucy’s third studio album Winter Sun explores themes of love, joy and sadness, friendships and the relationships people form with their environment. It comprises songs inspired by Lucy’s travels and her reflections on her home city, Melbourne and features solo performances as well as full band arrangements, including guest appearances from Rowena Wise (backing vocals), John Flanagan (backing vocals) and Mischa Herman (accordion).

Lucy Wise has delighted audiences across Australia and internationally with her masterful storytelling, intricate ukulele and guitar playing and soulful voice. Drawing inspiration from her background in Appalachian and Celtic folk music, as well as legendary songwriters such as Joni Mitchell and Bob Dylan, Lucy’s songs sketch universally recognisable stories that are grounded in the realities of everyday experience. WEBSITE, FACEBOOK.


'Solid Ground' mixes folk genres together, with a growing hint of folk rock along the way. Everything about this song is good, the vocals are perfect for folk, I would even draw some comparisons with Sandy Denny, they are that natural. The music gently builds adding to the atmosphere, Lucy Wise is firmly on our one to watch list.


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Veronica Bianqui - Sunday Cups.

Background - Vocalist, songwriter, and multi-instrumentalist Veronica Bianqui integrates the raw energy of garage rock with the passion of classic soul and R&B, and the pop sensibilities of 60s girl groups while maintaining an intense yet playful edge. Perhaps it’s her background in musical theatre, jazz, classical, and even Indian classical music, or her mother’s propensity for blasting The Beatles and Joe Cocker around the house, but Bianqui’s tastes and influences cross a wide spectrum of sounds. In her live show, Bianqui and her band consisting of up to 10 members—reminiscent sometimes of a revue– combine classic showmanship with a heartfelt directness that keeps the music intimate.

Before breaking out with her solo material, Bianqui made a name for herself in the LA circuit, performing in bands that toured across the U.S. and Europe. As a current member of 1960’s inspired folk/surf/psych rock outfit The Blank Tapes, she balances the two bands, often collaborating with bandmate and co-producer Matt Adams, including on her debut album that is yet to be released.

Bianqui’s past gigs include the main stage at Echo Park Rising 2017, headlining slots at The Hi Hat and The Bootleg, a popular residency at Hollywood’s Harvard & Stone, shared bills with Mikal Cronin, The Coathangers, Dead Sara, Cosmonauts, Capital Cities, and more. She has self-booked multiple UK & European tours, and was hand-picked by bookers to play iconic Los Angeles venue The Echo’s 15 year anniversary party in December 2016. In light of this history behind her, it is easy to see why people are coming out in droves to see the young songstress live.

Her debut album–recorded with Mark Rains (Black Rebel Motorcycle Club, Shooter Jennings, Alice Bag, Death Valley Girls)– is nearing completion, and awaits release in 2018. WEBSITE, FACEBOOK.


We featured Veronica Bianqui back in November and 'Sunday Cups' is a much welcomed second song to share. This time we have restrained albeit quite hypnotic beat, with the melodic vocals well up in the mix, in fact this was a borderline acapella piece until a gorgeous musical arrangement developed towards the end.

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Woodes - Origami.

Background - Melbourne based artist Woodes returns in 2018 with yet another stellar single 'Origami', following on from her standout 2017 which made her one of the most exciting names in Australian indie music. Woodes drew inspiration from her experiences in Japan when creating 'Origami'. The bubbly, euphoric track is taken from Woodes awaited second EP titled 'Golden Hour' which is set for release on the 23rd of February.

Woodes co-wrote the track with local songwriter Thief and Jussi Ilmari while on a songwriting camp in Bali with additional production by Elkkle. Simon Lam from Kllo and Nearly Oratorio worked across the mixing and Grammy nominated Andrei Eremin mastered the new single. 

Woodes commented on the writing process, "Origami started quite conceptually. We began with Origami as a title and then started drawing a big mind map of words relating to the methods and structure of creating something beautiful out of paper. Quite often when I write I have everything playing out in my head like a film. In my head I see two swans or cranes with their heads bending into one another. It was important that this song lived in a world that fused the harder sounding elements in the production with a soft bed of orchestral sounds.

I’ve been to Japan a couple times now, and learned Japanese throughout my schooling. I was 6 years old when I first visited & was so captivated by the mountains and the beautiful shrines and temples. My Japanese teacher in primary school had an honour system in her class where if you did good work and collected enough red stamps you were rewarded with a small gift she had purchased on her trips there, which were treasured by me.

I took the track back to my studio in Melbourne and began to orchestrate it. I knew I wanted the clarinet and strings to be featured quite heavily. The final session ended up being my largest amount of layers to date – 137 tracks. It took a long time to work out how to blend that many layers into something both rich in sound yet simple on the ear." WEBSITE, FACEBOOK.


If a music blog could have a house band/artist then Woodes would be a serious contender, as this is her sixth appearance on Beehive Candy. 'Origami' is another creative song, the soundtrack is intricate and rich with ideas, Woodes vocals are like a butterfly fluttering above with melodic gorgeousness. Looking forward to more, if they are this good and we can share them, expect just that.

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Frøkedal - Believe.

Background - Oslo, Norway based Frøkedal today releases a new single — ‘Believe’, in advance of her much-anticipated second album, due Autumn 2018.

Eloquently manoeuvring her way around chugging guitars and swirling strings, Anne Lise Frøkedal appears to be highlighting the importance of believing blindly in oneself, almost a pep-talk: "And you’re all trying to take care of me / Is it kindness? Is it tyranny? / All my dreams are still alive / I’ve got my mind set right this time / baby believe”. Far from the acoustic sensibilities of previous singles, ‘Believe’ signals an arguably more “mature” sound for Frøkedal–combining full band with folk-leaning string sections. A more confident approach - perfectly reflected in her captivating lyrics.

Speaking a little more on the new release, Frøkedal explained: "'Believe' is Tom Cruise driving at full speed along the winding roads of Western Norway, in an open convertible even though there is light rain in the air. The song is juggling confidence and charisma in its message about keeping faith through the vanishing echoes of fiddle-ridden rock ’n roll.”

Despite track-by-track production, Frøkedal’s lyrical output has taken a much more thematic approach with recent releases, ‘Believe’ included: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.

‘Believe’ joins Frøkedal’s already-impressive body of work, following collaborative stints with Robyn Hitchcock and successful Norwegian outfits Harrys Gym and I Was A King. WEBSITE, FACEBOOK.


Frøkedal is another artist who has consistently impressed Beehive Candy. New song 'Believe' continues that positive trend, it's a refined and smooth indie rocker where the distinct vocals add melody, emotion and a multitude of hooks, in a word, captivating.

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Veronica Bianqui - Rosie Carney - Koda - ONR - Chances

Veronica Bianqui - Victim.

Background - Garage-pop artist, Veronica Bianqui is releasing a new music video for her single, "Victim". “I wrote this song when I started discovering how being emotionally co-dependent has negatively affected my life by creating a pattern of self-victimization. Now, to me, it represents the hope for addicts to escape from their cycle of addiction. I hope it serves as inspiration for addicts and their loved ones around the world that you can put your foot down and change—that you don’t have to be a victim, like my sister—and so many millions of others—unfortunately have been.”

Veronica Bianqui integrates the raw energy of garage rock with the passion of classic soul and R&B, and the pop sensibilities of 60s girl groups while maintaining an intense yet playful edge. Perhaps it’s her background in musical theatre, jazz, classical, and even Indian classical music, or her mother’s propensity for blasting The Beatles and Joe Cocker around the house, but Bianqui’s tastes and influences cross a wide spectrum of sounds. In her live show, Bianqui and her band consisting of up to 10 members—reminiscent sometimes of a revue– combine classic showmanship with a heartfelt directness that keeps the music intimate.

Before breaking out with her solo material, Bianqui made a name for herself in the LA circuit, performing in bands that toured across the U.S. and Europe. As a current member of 1960’s inspired folk/surf/psych rock outfit The Blank Tapes, she balances the two bands, often collaborating with bandmate and co-producer Matt Adams, including on her debut album that is yet to be released.

Her debut album–recorded with Mark Rains (Black Rebel Motorcycle Club, Shooter Jennings, Alice Bag, Death Valley Girls)– is nearing completion, and awaits release in 2018. WEBSITE, FACEBOOK.

Sixties tinged garage pop with just a little rock & roll swagger 'Victim' is a gorgeous song, with a positive message, and a whole load of hooks. It's looking good for the debut album.


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Rosie Carney - Winter.

Background - Anyone coming to ‘Winter’ not acquainted with Rosie Carney’s mature-beyond-her-years songwriting would be forgiven for thinking she was some long lost contemporary of Joni Mitchell with decades worth of experiences to relate about life, love and adversity, and not a brilliant newcomer who’s barely left her teens behind.

Produced with her frequent collaborator Orri McBrearty in her hometown of Donegal, ’Winter’ follows on from her highly acclaimed singles ‘Your Moon’ and ‘Awake Me’, singles which, between them, have racked up over six million streams online and received acclaim from NPR, The Line of Best Fit, The Independent, Crack in the Road and Perez Hilton.

With her dulcet tones, organic textures and subtle, nuanced, and dreamlike ambient production ‘Winter’ is Carney at her very best. In her own words she says:

"Winter is a confessional song written about knowing when something is over. It's inspired by the brutally honest truth experienced when realising something is coming to an end regardless of whether or not that's what you want. It captures the true cold essence of winter which can be felt when letting go. It was, of course, written in the winter. The instrumentation and production were very much inspired by the cold and bare landscapes around me. Everything is raw and minimal.”

The song is just another part of her exciting year so far, having played shows supporting Benjamin Francis Leftwich, Saint Sister and Haux, co-headlining dates with Henry Jamison in the UK and Ireland, alongside festival slots at Latitude, Seven Layers, and the Bon Iver, National, and Cillian Murphy curated Sounds From A Safe Harbour. FACEBOOK.


This is the fourth time we have featured Rosie Carney and her music continues to impress me in a big way. 'Winter' is gentle, intimate and just so natural. Conjuring up images of cold, short days in my imagination, her song writing and musical compositions are pristine.

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Koda - Curse.

Background - Koda shares his latest video for new single "Curse". The track is from his forthcoming album 'I Hope This Makes Us Better', which is due out spring 2018.

The grandson of a famous Haitian singer, alternative artist/producer Jordan Sudak (aka Koda) spent the first half of his life as an army brat, being yanked from city to city across the globe. Living in three countries by the age of 15, Jordan watched as his free-spirited parents turned to a radical form of born-again Protestantism, banning contemporary art and burning his Harry Potter books in the process.

After finally settling in Columbia, South Carolina, Jordan's family values took a bizarre turn as his father's close call with a heart attack triggered an 180 degree flip on religion for the entire household. His parents eventually opened for an experimental rock band called The Radar Cinema. His mom claimed Jordan to be a family cousin, and he then became the band's frontman.

Between rehearsals, Jordan would get together with the band's keyboardist to listen to doom metal and sludge records while "circuit-bending," the art of making new instruments through soldering circuit boards from toys like Furbies and Speak 'N' Spells. From there, Jordan made the deep dive into ambient and experimental music, teaching himself QBASE, a popular production software for electronic artists. WEBSITE, FACEBOOK.


'Curse' has an multi-layered musical sound where synths and rhythms seem to explore and interchange elements with each other. Add in the smooth vocals and this is an intriguing and pleasing song.


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ONR - 5 Years Time.

Background - Scottish artist ONR. started making waves after leaking demos through indie label Leftwing, before swiftly signing to Capitol Records in the US.

His debut single 'Jericho' was released this summer, and has received early support from Spotify, and US stations KCRW, KCSN and Live 105. 


Early reviews have lauded the ‘supreme confidence’ of ONR.’s sound, drawing comparisons to Echo & The Bunnymen, 1975, Depeche Mode, Arcade Fire and David Bowie.

ONR. is currently recording with producers Mark Crew (Bastille, Rag & Bone Man), Doc McKinney (The Weeknd) and legendary mixer Spike Stent. A run of UK dates this December (including three sold-out Scottish shows) leads in to US dates confirmed for next year - including SXSW. WEBSITE, FACEBOOK.


We featured ONR & the song 'Jericho' less than a month ago and it is a real pleasure to be able to share the brand new song '5 Years Time'. Once again the vocals are distinct and melodic. The music starts out with some delicate synthy sounds before building into a powerful and very catchy piece.

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Chances - Rishikesh.

Background - It was in late 2016, that Montreal-based musicians Chloé Lacasse and Geneviève Toupin, both singer songwriters and pianists, along with drummer Vincent Carré, decided to come together to sketch out a few songs, just to see where uninhibited brainstorming might lead. With two well received singles already released in 2017, 'Rishikesh' is their most experimental and vibrant effort yet.

A world music/electronic music mashup that becomes otherworldly in its atmospheric builds. Catapulting rhythms, syncopated vocals, and bubbling synths envelope around a loop of singers recorded on the banks of the Ganges. Exquisite in the execution, lyrically 'Rishikesh' is all about choice and intention, and musically it's about exploration.

Here are the band's thoughts on the new track: We love this song and feel it has a certain power to it. It's about choice and intention...the intention to trust your instinct, and to align action with thought. The song's driving rhythm continually pushes forward, the vocals play off each other in a sort of call and response, the synths spark up a colourful chaos. WEBSITE, FACEBOOK.


The song is tagged experimental pop and 'Rishikesh' is all of that. Vocals swirl and intertwine above a vibrant electronic soundtrack. Imaginative and impressive it's also one of those songs that quickly demands another listen.

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Blitzen Trapper - Flora Cash - Velvet Volume - Veronica Bianqui - To Kill A King

Having just returned from a week away, yesterday I opened the Beehive Candy inbox, where hundreds (& I mean hundreds) of messages expectantly awaited our attention. As editor (well it sounds good) I had hoped to get a couple of updates out last week, but heroically failed to set up any Internet connection in West Cornwall, or take along the various passwords required for others to assist. So a week in a remote wonderful timber chalet in the middle of a beautiful woodland setting, far from any mobile connection, was just right for me, not so for Beehive Candy. That said it really is worth getting totally off the grid and as much as I love music, I would do it again tomorrow if I could. Anyhow let the catch up commence....

Blitzen Trapper - Rebel.

Background - Earlier this year, the Portland, OR-based Blitzen Trapper accomplished a unique feat for a rock band who has been releasing albums and touring for the better part of two decades: a staged musical titled Wild & Reckless that ran for 28 performances at Portland Center Stage. The band is announcing a new album of the same title that was born from the stage production and as a companion to their 2008 breakthrough album Furr.

"'Rebel' is a song about a guy who for the love of a girl follows in his father's footsteps only to find it to be a scam," explains principal and frontman Eric Earley. "After several tries at the American dream he ends up selling cocaine to blue bloods in the Hollywood hills. Something of a lost Raymond Carver story with shambling near-country soundtrack."

The album Wild & Reckless was born from the stage production that the band spent the better part of a year producing. The half musical, half rock-opera dealt with heroin abuse, desperation, true love and western power structures. The story evoked a bygone era of Portland with this sci-fi love story, featuring a rock-and-roll score that paired unreleased songs with favorites from the band’s catalog.

Following the success of the production, the band took 7 original songs from the production and developed the theme further into the 12 songs that comprise the new album Wild & Reckless.

Frontman Eric Earley also sees the record as a companion and extention of their 2008 album Furr. "Wild and Reckless” is something like a cross-eyed stepchild to Furr, in that it chronicles the darker dystopian stories of rural and suburban west coast death-drive via a riffing psychedelic landscape. Ten years after Furr with all its talk of murder and the end of the western world, it seems there's more to tell."

Blitzen Trapper is Eric Earley (songwriter/singer), Erik Menteer (guitar, keyboard), Brian Adrian Koch (drums, vocals), Michael Van Pelt (bass) and Marty Marquis (keyboard, vocals). Wild & Reckless was produced by Eric Earley and Michael Van Pelt and was recorded by Gregg Williams at The Trench, in Portland, Oregon.  It was mixed by James Brown (Foo Fighters, Kings Of Leon, Blitzen Trapper's All Across This Land) at The Union. Website here, Facebook here.

'Rebel' is a fine alt rocker with more than a hint of Americana about it. Getting on for two decades of recording & touring, Blitzen Trapper can clearly still pen and produce some catchy and high quality music.


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Flora Cash - Roses On Your Dress + You Are Healing.

Background - Flora Cash is a Swedish/American couple who formed through a collaboration on Soundcloud. Shpresa Lleshaj and Cole Randall’s shared passion for music fosters their creativity, inspiring them to musically explore the complexity of relationships in their music.

In short, Shpresa Lleshaj and Cole Randall’s shared passion for music fosters their creativity, inspiring them to musically explore the complexity of relationships in their album. The darker side of love is a theme demonstrated in the tone of the “Roses On Your Dress” music video and the lyrical desperation to understand your lover. Listeners will recognize the cinematic qualities of a melancholic Lana Del Rey ballad, accompanied by Cole’s brooding male vocals.  

The music video takes place at a fabulous mansion, where the lovers inhabit two worlds: the modern middle class living outside, and the wealthy aristocracy living inside. The couple only interacts inside the mansion, showing affection until the relationship takes a turn for the worst. The wealthy couple fights as the middle class couple calmly watches them. In the end, the relationship falls apart because money cannot sustain happiness.  But that’s okay, because nothing lasts forever (and it’s fine). They have each other and that’s all that really matters.

“Roses On Your Dress is a track about individuality, struggling to make a distinctive mark upon the world and the ways in which that struggle affects each of us. It also touches on the challenges of being marginalized; an “outsider” …and the brutality with which different societies, including our own, work to shame and strip us of the uniqueness which contributes to our own inimitable vantage points.” - Flora Cash The album is out everywhere now via the Swedish label Icons Creating Evil Art. Website here.

Two songs to share 'Roses On Your Dress' and 'You Are Healing' and both are powerful and imaginative tracks. Flora Cash deliver an expansive, lush sound where emotions simmer and the music adds to the beautiful feeling they create.

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Velvet Volume - Look Look Look!

Background - With their youthful candor, it didn’t take the three rock sisters long to play themselves into the hearts of rock fans everywhere. Even though the latest single Look Look Look! relates to growing up, there is nothing slowing the three Danes down.

The onrushing sisters sing about loafing about and the bad habits. That comes with not yet having figured out how to structure your life. “This track was written at a point in our lives, where we all had to get used to time with restlessness and insecurity” says Noa Lachmi.

In the almost Sofia Coppolan music video directed by Daniel Aude, viewers are invited into the dream world of a young woman holding onto unaccountable playfulness, while also exploring her own true self. The restlessness is so thick you could cut through it with a knife, while sisterhood and self-absorption is embraced wearing shiny whigs. The single Look Look Look! is a taste of the upcoming debut album, which will be released on October 6th. Facebook here.

Some feisty no nonsense rock comes along in the shape of 'Look Look Look!' The three sisters might be wearing shiny Whigs in the video, however the energy & attitude suggests this is all part of the game, not a front to hide behind.


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Veronica Bianqui - Victim.

Background - Vocalist, songwriter, and multi-instrumentalist Veronica Bianqui integrates the raw energy of garage rock with the passion of classic soul and R&B, and the pop sensibilities of 60s girl groups while maintaining an intense yet playful edge. Perhaps it’s her background in musical theatre, jazz, classical, and even Indian classical music, or her mother’s propensity for blasting The Beatles and Joe Cocker around the house, but Bianqui’s tastes and influences cross a wide spectrum of sounds. In her live show, Bianqui and her band consisting of up to 10 members—reminiscent sometimes of a revue– combine classic showmanship with a heartfelt directness that keeps the music intimate.

Before breaking out with her solo material, Bianqui made a name for herself in the LA circuit, performing in bands that toured across the U.S. and Europe. As a current member of 1960’s inspired folk/surf/psych rock outfit The Blank Tapes, she balances the two bands, often collaborating with bandmate and co-producer Matt Adams, including on her debut album that is yet to be released.

Bianqui’s past gigs include the main stage at Echo Park Rising 2017, headlining slots at The Hi Hat and The Bootleg, a popular residency at Hollywood’s Harvard & Stone, shared bills with Mikal Cronin, The Coathangers, Dead Sara, Cosmonauts, Capital Cities, and more. She has self-booked multiple UK & European tours, and was hand-picked by bookers to play iconic Los Angeles venue The Echo’s 15 year anniversary party in December 2016. In light of this history behind her, it is easy to see why people are coming out in droves to see the young songstress live.

Her debut album–recorded with Mark Rains (Black Rebel Motorcycle Club, Shooter Jennings, Alice Bag, Death Valley Girls)– is nearing completion, and awaits release in 2018. Website here, Facebook here.

Veronica Bianqui appears to have found a way to merge decades and genres together, the song 'Victim' being a case in point. Hints of differing styles and era's are succinctly put together resulting in one very catchy, timeless song.

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To Kill A King - Spiritual Dark Age.

Background - To Kill A King have today released their new single ‘Spiritual Dark Age’ and announced a headline tour for January 2018. Described by singer Ralph Pelleymounter as "a bit of comfort for the long dark night of the soul," ‘Spiritual Dark Age’ is To Kill A King at their irrepressible best. Marrying memorable, thought-provoking lyrics with dynamic production and outrageously catchy hooks, ‘Spiritual Dark Age’ grabs from the off and never lets up. ‘Spiritual Dark Age’ and recent single ‘‘The Good Old Days’ will feature on the To Kill A King’s third album due early 2018.

The band’s twelve-date UK tour starts at Sheffield Plug on January 11th and will culminate at Islington Assembly Hall on January 27th. "We are so excited to get back on the road and play for you all, it’s been too long since we’ve seen a lot of these parts,” says Ralph. “Roll on 2018!" 

Earlier this year To Kill A King played three consecutive London headline dates (at The Borderline, Oslo, and Omeara), and this week they return to their DIY roots with a European ‘Living Room Tour.’

After releasing two acclaimed albums, 2013’s ‘Cannibals With Cutlery’ and 2015’s self-titled follow-up ‘To Kill A King’, and touring incessantly since 2010, To Kill a King took a well deserved break in 2016, Ralph using the time to write with Rag’n’ Bone Man and Zibra, while keyboardist Ben Jackson produced albums for Childcare and Little White Things. To Kill A King: Ralph Pelleymounter (vocals, guitar), James Ball (bass), Ben Jackson (keyboards), Grant McNeill (guitar), and Josh Taffel (drums), website here, Facebook here.

‘Spiritual Dark Age’ has lyrics that really are food for thought. They are delivered with a tight and punctuated delivery, as the band kick out a fast flowing feast of pleasing music.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...