Showing posts with label Trunky Juno. Show all posts
Showing posts with label Trunky Juno. Show all posts

Ålesund - Trunky Juno - Reb Fountain - Ebony Buckle

Ålesund - Rhythm.

Following up on the 2020 release of their second EP ‘All Hail To Your Queen’, Bristol-based atmospheric Alt-Pop quartet Ålesund return with upcoming EP ‘A Thread In The Dark’, due for release July 9th.

After the untimely curtailing of their European Tour in Spring 2020 due to the COVID-19 outbreak, Ålesund traveled back to the UK feeling uncertain. Although things were going so well with a new offering and an extensive touring and festival schedule to get stuck into, the timing of the unplanned hiatus was less than ideal. Rather than take it to heart, the group’s vocalist and songwriter Alba Torriset retreated to her hometown of Hastings to try and reconnect with music in a positive way.

 “With all the negativity in the world, I wanted to create something uplifting and optimistic,” she says, and so the four track EP ‘A Thread In The Dark’ was created. Alba and guitarist Lloyd Starr started to put together demos with a euphoric and festival-tinged edge. They then engaged with long term collaborator and producer Jake Bright to help build the record.

This is the first time that a batch of songs have been created in this way for the band. Due to the inability to all be in the same room, Alba tried her hand at Logic and demoed her ideas to send to the others. She went back to basics creating rhythm and texture by layering up clapping and even using wooden spoons to get the percussive sounds she was after. She also layered up lots of backing vocals to flesh out her ideas. These all became features within the record and the rest of the band liked how the lockdown restrictions had actually pushed the sound forward in ways it perhaps wouldn’t have if they had all been able to jam the ideas in the same room.

Throughout the EP Alba’s intoxicating vocals take on totally different auras that interchange based on the musical landscapes they’re placed against; soaring atmospheric synth-laden soundscapes, shimmering guitars and tantalizing grooves.

Lyrically, the songs were inspired by being so still and so quiet in lockdown and being able to hear and see things that would have previously passed you by. “The usual hustle and bustle of life can drown things out, but with everything and everyone stopping, it brought a magnificent clarity. Hearing the birds sing, watching the trees blossom, following the cycles of the full moon. Thinking more about what is real, what is important, human instincts, human interactions, the natural world and how we all work together within it”, states Alba.


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Trunky Juno - Hawaiian Pizza.

Trunky Juno is back with latest buoyant single Hawaiian Pizza.  Showcasing his trademark melodic hooks, kaleidoscopic sonic palette and wistful lyrics, the track is the perfect pizza-themed accompaniment to the start of summer, and a high point off the also-released Good Dog EP.

In Hawaiian Pizza, Trunky celebrates the friendships we make in spite of (and often because of) our differences, using the context of a controversial pizza topping to point towards a more fundamental and universal message. Through the lyrics “I’ve got Hawaiian pizza in the oven coming soon, the fridge is full of cold ones, enough for two”, Trunky highlights the joy found in sharing the simpler things in life with others and in so doing sounds like the type of friend we all need.

As he explains, “Hawaiian Pizza is a song about tuning out people who shit all over everything you like. I like Hawaiian pizza, you like Hawaiian pizza so let's be friends and eat Hawaiian pizza together."



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Reb Fountain - Beastie.

This week Reb Fountain announced her new album IRIS is out October 1st, plus she dropped what we think might be one of best videos (called Beastie) video. As well as the regular vinyl and CD formats, we have a limited edition transparent turquoise vinyl available. Also, a reminder that Reb won the 2021 Taite Music Prize, was shortlisted for the Silver Scroll Award for her song ‘Don’t You Know Who I Am’, and the album Reb Fountain was nominated for five New Zealand Music Awards.

In May 2020, Reb Fountain released her self-titled album via New Zealand label Flying Nun Records to much critical acclaim. Reb Fountain won the 2021 Taite Music Prize, was shortlisted for the Silver Scroll Award for her song ‘Don’t You Know Who I Am’, and the album Reb Fountain was nominated for five New Zealand Music Awards; Album of the Year, Best Alternative, Best Solo Artist, Best Album Artwork and Best Engineer.

Award-winning songwriter, Reb Fountain, is a consummate recording artist and performer; spell-bounding audiences with her music and artistry alike. Throughout 2020, Reb and her all-star band (Dave Khan, Karin Canzek and Earl Robertson) astounded audiences around the country on her sold out album release tour, joined Crowded House on their 13 date ‘To The Island Tour’, performed at Splore, and honoured the great Nick Cave at the sold out Auckland Town Hall shows ‘The Boy Next Door’.

Reb was born in San Francisco and immigrated with her family from North America to Lyttelton — the quiet port town out of Christchurch that’s been fundamental to New Zealand’s alt-folk scene, raising artists like Marlon Williams, Aldous Harding, and Delaney Davidson.

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Ebony Buckle - Wild Women.

Ebony Buckle is a London-based singer/songwriter, originally from her tropical seaside home of Townsville, Australia. Writing and performing with her husband, musician Nick Burns, who also produces her music, Buckle uses captivating stories to hold a mirror up to herself and the world. Reflected in these songs is our humanity - our wants and needs, our struggles to fit in or break out. Throughout all of this is the hope that we can connect, that we can see the magnificent beauty of our universe and that we can grow and learn and evolve without fear.

From a poem to a song, the whimsical “Wild Woman” makes a minimal, haunting entrance giving off a timeless, magical aura. The choir of layered vocals emit an angelic echo, while moments of opera displayed in a fluid, godly arrangement, mirror a dance as her powerful wild woman takes center stage. The instrumentation carries a tense and powerful drum beat, folk-glowing guitar and a selection of affecting strings that cradle the soundscape.

After being struck by a quote in the book “Women who run with the Wolves” by Clarissa Pinkola Estes, Buckle wrote the song as a plea to her inner “Wild Woman”. She shares, “The one who has taught me to tend to my inner power, to keep me on the path that is truest to myself, to trust my own intuition and to take up space in the world.” Often struggling with confidence, Buckle cherishes what makes her feel most like herself and wishes to never let that part go. Focusing on staying true to herself and releasing music that is reflective of her authentic creativity, “Wild Woman” symbolises the next part of her creative venture as a musician and keeping her autonomy over what she creates.

“Wild Women” is the sixth track from her upcoming album Disco Lasers. The album is a collection of audio-visual stories celebrating the wonders of our universe and how we as human beings make sense of our existence through folklore legends, science and our imagination. Buckle reveals, “The album as a whole is very atmospheric, almost cinematic. Each song is arranged to tell that specific story. For this one we wanted to make it more of a folk song that might be sung around a fire. Or dance to under a full moon. It’s a much more grounded side of me...I’m not always up in the air with aliens and space whales!”

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Trunky Juno - Meggie Lennon - The Weeping Willows

Trunky Juno - Serial Killer Vibes.

Trunky Juno warmly greets us with new single ‘Serial Killer Vibes’, a lovely slice of upbeat acoustic technicolour-pop crafted in his basement studio in the North East of England. The song expands on his already eclectic repertoire by dressing up an anxiety fuelled lyric with Trunky’s trademark charming melodic hooks and balmy tones.

Lyrically ‘Serial Killer Vibes’ is the musical equivalent of meeting a fist bump with a handshake, then calling someone the wrong name before accidentally insulting their mother whilst verbally digging a hole that seems to get deeper and deeper with every word. And even though this incident happened four years ago, its 3AM and you haven’t slept because you’re still thinking about it, asking yourself “why did I say that”. Distil all of that down into a song and you get ‘Serial Killer Vibes’.

Talking about the song, Trunky says: “'Serial Killer Vibes’ is a track that haunted me for a long time because I knew there was a good song in there, but I just couldn’t figure out how to present it in a way that allowed anyone else to see it too. It’s not really a song about serial killers at all, it’s about perspective, living inside your own head and trying your hardest not to be weird when you just are. It's an ode to painfully awkward exchanges, which is going to become very relatable once we all start trying to interact with each other again.”

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Meggie Lennon - Night Shift.

Montreal-based singer-songwriter, Meggie Lennon is today sharing her new single, "Night Shift" which arrives as a radiant psych-rock intro to her debut album, Sounds From Your Lips – out July 9 via Mothland – which she's announcing in tandem. Lennon, who previously lead the award-nominated Quebec-based band, Abrdeen, is also sharing the Marielle Normandin Pageau-directed video for the new track – watch here.

The debut album arrives produced by Samuel Gemme (Corridor, Anemone, The Brooks) and features the guitar-playing of Elephant Stones’ Gabriel Lambert as well as additional contributions from her longtime friend and collaborator, Jules Henry (Super Plage). Seamlessly fusing the worlds of late 60s and early 70s psychedelia as she subtly harnesses the energy of artists like The Byrds and Tyrannosaurus Rex (later T-Rex), with early 2010-era acts such as Melody’s Echo Chamber, MGMT, and Beach House, the album, described by Lennon as "make-out dream-pop," oozes this glowing sense of optimism.

Tracks on Sounds From Your Lips flow with a breezy, laidback energy, marrying warm percussion with finessed bass lines to summon these tar-thick, sultry grooves. This lead single and album-opening track, "Night Shift", comes part-inspired by late nights coming home from bars in Montréal; sonically it works as a fitting intro for the record, demonstrating an equal balance of dreamy synth verses and a devastatingly beautiful crescendo towards the end.

Speaking about the single, Lennon says: "The first part of the song came to me while cycling home back from L'Esco after a wild night. I was on a Bixi and the streets were completely empty. I was riding fast through the night and it felt both meditative and exhilarating – this feeling is reflected in the dreamy verses and then heavier guitar crescendo at the end. When we got in the studio, I laid the lead track on the Wurli and it all came naturally. The second part, "take a glimpse outside," came while doodling on the synth. We were in the studio without windows but we both went outside and the sun blinded us, the lyrics were inspired by this."

First introduced to Quebec audiences as the leader of indie-pop/rock outfit Abrdeen, with which she released the Endless Dreams and Dreamlike Mornings EP (nominated at GAMIQ) in 2017, Lennon promoted her music throughout the province, sharing the stage with the likes of Good Morning, Elephant Stone, The Dears, Julie Doiron, Sugar Candy Mountain and Laura Sauvage. Alongside shows with up and coming names in music, Lennon performed at the likes of POP Montreal, M for Montreal and FME, as well as lending her soft voice for collaborations with Debbie Tebbs, Lucill and Super Plage.

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The Weeping Willows - Long Black Veil.

The Weeping Willows have long revelled in the darker musical traditions of the American South, populating their songs with figures desolate, desperate and doomed. It’s a penchant given its clearest outing yet with the pair’s glorious “Southern Gothic” EP.

Brand new original instrumental “Southern Gothic” is a brooding study in backwoods fiddle and dreadnought guitar, while sweetly sad lilt “Hangman (The Gallows Tree)” (featuring Bluesman Nick Charles) channels one of the tune’s most popular renderings by Peter, Paul and Mary. Gertrude ‘Ma’ Rainey’s immortal “C.C. Rider” – popularised by artists from Elvis to Old Crow Medicine Show – is an impassioned demonstration of The Weeping Willows’ vocal range and palpable harmonic sympathy. A signature tune for Lefty Frizzell, the mournful “Long Black Veil” showcases Laura’s exquisite falsetto, before “One Kind Favour (See That My Grave Is Kept Clean)” (written by Blind Lemon Jefferson) finds Andy wresting richly resonant tones from his guitar.Walt Aldridge’s “Ain't No Ash Will Burn” is a stirring country-folk plaint, while rounding out the EP’s dark proceedings is The Weeping Willows’ own “Black Crow” - an ominous tale of doom recorded with celebrated producer Ryan Freeland (Bonnie Raitt) at Stampede Origin Studio, Los Angeles.

The bulk of “Southern Gothic” was tracked, engineered and mixed by the inimitable Roger Bergodaz (Raised By Eagles), and features David Piltch (Willie Nelson, Don Henley) on upright bass, Luke Moller (Hayes Carll, Kasey Chambers) on fiddle and mandolin and James Church (Montgomery Church) on Dobro. Ranking among Australia’s foremost songwriters, The Weeping Willows took out the 2021 Golden Guitar for Instrumental of the Year. They’ve netted eight CMAA Golden Guitar nominations and have supported Americana greats from Iris Dement (USA) to Lukas Nelson & Promise of the Real (USA).

Equal parts ornate and austere, “Southern Gothic” finds The Weeping Willows delving ever deeper into the Gothic grandeur of critically acclaimed second album Before Darkness Comes A-Callin' (2016) and serves as yet another unmissable glimpse into the duo’s highly anticipated third studio album, due out next year. “Southern Gothic” is our across digital platforms Friday 4th June 2021.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...