Abbey Baker - Tell Me How.
Background - Emerging Sydney songstress, Abbey Baker, is set to confidently stun audiences with her endearing indie-pop records. Poised by a passion and skill for songwriting, Abbey’s artistry is propelled by honest and clever lyricism, and her ability to seamlessly transcend genres of soul, indie-pop, funk and jazz. Abbey’s sound is a gorgeous cocktail of heartfelt vocals and delicate piano driven melodies, perfectly complemented by angelic layers of harmonies, soft pop rhythms, and subtle synth productions.
Recently, the singer-songwriter stepped out onto the music scene with her infectious debut track Tell Me How. “The song is about my experience of being in that early stage of a relationship, where I am all in and the other person isn’t. I explore the feelings of frustration and insecurity that I felt, a situation in which many others may have experienced”, Abbey reveals. The track was recorded at Main Street Studios in Wollongong produced by Xavier Lardner. To coincide with the release of her debut single, Abbey shared the official music video, creatively produced by media artist, Jasmine Lee Ryan.
Tell Me How is an epic first release from the young talent, which sets grand anticipation for Abbey’s upcoming debut EP. Abbey is currently back in the studio writing and recording new material for her forthcoming record, but audiences in the meantime can catch the emerging artist performing live at intimate gigs across Sydney.
Abbey Baker grew up on the beautiful South Coast of NSW before moving to Sydney at age 18 to pursue a career in music. The trained pianist and singer, built upon her skill sets and musical knowledge by attending the Australian Institute of Music, recently graduating from the arts college with a Bachelor of Music (Contemporary Performance).
Now at 22 years of age, Abbey is ready to share her music. The singer-songwriter draws musical inspiration from the likes of Joni Mitchell, Meg Mac, Sarah Blasko, Missy Higgins and Kimbra, producing music that is both raw and poetic, just as it is infectious and charming. FACEBOOK.
Abbey Baker's vocals are melodic and alluring on 'Tell Me How' an indie pop song where the musical arrangement has a few genre twists that give a soulful feel as the piece develops.
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Archie and The Bunkers - The Traveler.
Background - Norton Records is proud to announce the label debut of infamous Cleveland rockers Archie & the Bunkers with the agitated pairing of original songs "The Traveler" and "Looking". A&tB are brothers Cullen and Emmett O'Connor. Cullen plays "hi-fi organ" and Emmett plays drums. Both sing and compose. These teenage siblings have exploded locally and have taken Europe by storm with their wild live festival and club dates. They have recorded for Third Man (USA) and Dirty Water Records (UK) and have now come home to Norton Records with their most captivating sides to date. All of their influences have resulted in these riveting original comps.
Noted filmmaker Reuben Kincaid shot the band video for "The Traveler" out in the wilds and wastelands of Cleveland, showcasing the key vistas of the city. A few of you know the story of how we were struck cold in our tracks at hearing The Traveler being ground out of an antique wooden pump organ at 3 in the morning at Franklin Castle in Cleveland this past October 13th-- by 16 year old Cullen O'Connor-- those who don't, suffice it to say that it jarred us out of the blue and into the black.
I'm not spreading hype (although I'd love to) in saying this record was meant to be-- and meant to be on Norton. In 1963 Cashbox terms it's a "twin spin destined for chart stardom". In 2018 Norton lingo, it's a "stormy weeper with a will to dominate" b/w a "belligerent teen raver". Music educator Steve Rosen stated that this A&tB release is "teen music at its tormented best"... .we're excited as heck to have a 45 RPM record out there to test everybody's mettle, 'cause this is like Screamin Jay meets the Zombies in a death match. WEBSITE, FACEBOOK.
Archie & the Bunkers first appeared on our radar around a year ago, then promptly disappeared. 'The Traveler' is a very welcome second sitting from this feisty duo, and by this bands standards is almost a ballad, where once again modern meets the past, on this occasion without so much raw rock & roll.
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Earth Girl Helen Brown - Language Of Love.
Background - Empty Cellar Records and the Earth Girl Helen Brown Center for Planetary Intelligence Band (E.G.H.B.C.P.F.I.B.) are pleased to announce the fourth and final installment of the first E.G.H.B.C.P.F.I.B. seasonal series. Venus follows Mercury, Mars and Saturn The season is Winter, the planet is VENUS, the topic is Love. Featuring Heidi Alexander, Tahlia Harbour, Graeme Gibson, James Finch Jr., Jamin Barton, Rusty Miller, Kelley Stoltz, Doug Hilsinger, Ryan Browne, Brigid Dawson, Grace Cooper, Anna Hillburg, Meryl Press, Alicia Vanden Heuvel, Lida Vanden Heuvel, Kearin Harlow and Wilder Harlow. VENUS aspires toward a softer more lustrous operation with hearts and minds in the fold of that ever human emotion.
Available from Empty Cellar Records on limited edition 100% post-consumer recycled cassette tape, all proceeds benefit organizations committed to the expansion of love and empathy as an antidote the absurd and vacuous practice of hate.
In step with the executive format the band is on a four-year trajectory of narrative abstraction, economic entanglement, art, information, administration, music, and hopefully a little policy making. 2018 will focus on administration and narrative expansion with the band forming as a CA 501(c)(3) non-profit organization and initiating their MONEY MONEY commerce and lifestyle blog. Expect four follow-up 7”s from In the Red Records and a vinyl compilation, Four Satellites Vol. I, in the Spring. In 2019 they will return to visit another four solar satellites, then onward and outward. WEBSITE.
Over the past year we have featured a song from Mercury, Mars and Saturn, so it's with considerable pleasure that we now arrive in orbit around Venus. 'Language Of Love' continues the impressive collection of music in this series, this time there are hints of soul and blues, and a groove that is hypnotic in the most pleasing of ways.
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Trevor Hall - The Fruitful Darkness part. 3.
Background - Raised on an island in South Carolina, singer/songwriter Trevor Hall realized at a young age that music was more than just a passion - it was, rather, his life’s art. At sixteen, he recorded his first album, soon after which he left South Carolina for Idyllwild Arts Academy in California where he studied classical guitar and was introduced to the practices of yoga and meditation, which would greatly influence his life and his music.
Hall’s music, a blend of roots and folk music, is imbued with a deep love of Eastern Mysticism. This powerful symbiosis fostered a deep connectivity with his growing fan base and Trevor quickly matured into a leader of the burgeoning conscious musical community. Along with numerous pilgrimages to India, he has also completed a series of sold-out tours and collaborations with artists such as Steel Pulse, Ziggy Marley, Jimmy Cliff, Matisyahu, Michael Franti, Xavier Rudd and Nahko & Medicine for the People.
His previous full-length album releases, Chapter of the Forest (2014) and KALA (2015), debuted at #3 and #2 on the iTunes singer/songwriter chart respectively and were supported by extensive tours around the US and Australia. Beyond his intention to spread love and healing through music, Hall also collects donations to support children’s education in India and has continuously donated to charities and relief funds.
The Fruitful Darkness is Trevor’s first independent release supported by his fans known as The Villagers has become the #1 Music campaign of its kind in 2017. “There have been many hurdles and triumphs along the way” Hall reflects, after a decade plus recording for established labels such as Geffen and Vanguard. “This album conveys the deep vulnerability of journeying through the unknown, as opposed to playing it safe.” Besides the change in infrastructure, the album itself explores completely new sonic terrain and is being released unconventionally, in three song installments on specific lunar dates, with the intention to buck the trend of fly-by-night releases and hold the conversation for a whole year. WEBSITE, FACEBOOK.
Five songs to feast upon with the new EP 'The Fruitful Darkness part.3' all of which are there to enjoy just below. The music is a blend of natural roots music with excursions in differing directions held together by Trevor Hall's beguiling vocals and musical themes that are always of a very high standard.
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Paul Littlewood - Today.
Background - British artist Paul Littlewood has announced his forthcoming double A-side single, comprised of tracks 'Today' and 'Television' and set for release via Anklebreka Records. Hailing from Swinton, South Yorkshire and currently based in Sheffield, Littlewood is a prolific songwriter and music producer.
'Today' soothes the listener with an endearing yet hazy musical familiarity with its swirls and blurred sonic edges, hanging in the air with raw emotion, cocooning the listener. The more upbeat 'Television' ramps up the energy with a very real statement on the situation with modern-day TV. Both tracks present perfect pop viewed through a technicolor prism.
"'Today' was inspired by the discovery of a collection of tape cassettes, when I purchased a second-hand tape recorder for making home demos. Each cassette is an audio letter by a young couple in New York to send home to their parents in the UK in the early 1970’s. I managed to discover one of the couple's names using information disclosed on the tapes (they speak of a move to California and the company he'd be working with). The couple also discloses that they are expecting their first child, and I’ve always felt that it would be fantastic to reunite the tapes with the family. The lines of ‘Today’ are adaptions of the tapes' dialogue, and the single cover is an image of audio from the tape," explains Paul Littlewood.
"After discovering the tapes, suddenly the practice of making records made sense to me. The dialogue was so honest and unfiltered due to the nature of their purpose. From then on I resolved to make music this way.” WEBSITE.
'Today' is one of those songs that feels very personal, whilst letting the listener immerse themselves in and imagining that it's their own. The gorgeous hooks do the rest and repeat play becomes compulsive.
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Showing posts with label Trevor Hall. Show all posts
Showing posts with label Trevor Hall. Show all posts
White Room - Ysgol Sul - Death Of Guitar Pop - Trevor Hall - Wild Meadows - ALASKALASKA
White Room - The Blue / Tomorrow Always Knew.
Background - Brighton indie rockers White Room have announced their debut headline UK tour featuring new double EP Eight in its entirety (released on 1st December).
Recent signees to the legendary Liverpool label, White Room’s nod to 60s psychedelic rock alongside more contemporary influences (Pond, Temples, Cage The Elephant) is evident throughout their new record Eight, a collection of songs that interlock conceptually, comprising similar themes such as forward thinking, hope, positivity and escape.
Inspired by the current social and political climate of the world and the uncertainty we all live with, the synergy between the lyrics and themes signified by 8 – the number of infinity – hints at the real depth within Eight, touching on aspects of joy, strength, balance and power in unity.
Discussing the release, the quintet stated: “In Eight we are offering a way to lose yourself; find an escape, and to embrace the intrinsic ability music has to take you away from the harsh realities of life”. Website here, Facebook here, live dates on Beehive Candy's tour news page.
We have two tracks, 'The Blue' and 'Tomorrow Always Knew' and both vie for attention. The sixties psychedelic influences shine through, the second song has more than a little of The Beatles flavour to it. That said the creativity of White Room deserves full recognition, as does the fresh production, and melodic delivery.
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Ysgol Sul - Elsewhere.
Background - West Wales three piece Ysgol Sul will be self-releasing their first collection of English language songs –“Eventide”- on 30/09/17.
Brought together by a mutual love of the 90s underground, Iolo Jones (singer, guitarist), Llew Davies (drummer), Cian Owen (bass guitar), formed Ysgol Sul in 2014. Having released several singles and an EP called “Huno”, the band has managed to earn a cult following within the Welsh language scene.
“Eventide” is a stark departure from the slacker and languor of their debut EP, and introduces a touch of darkness to the bands dreamy sound. The EP opens with “Silhouette” – a song with a sense of yearning yet one of the band’s jangliest songs to date.
“Promise Me” sees a return to the trio’s early surfy sound, drenched in reverb. “Elsewhere” is an unholy union of haunting distant sounds and a fierce unrelenting beat. Introverted lyrics coupled with sweet harmonies are brought to the EP by “Dwell”. Krautrock locomotive, “Solitude”, closes the collection. Facebook here.
The Welsh music scene has given us some fine new music this year and Ysgol Sul continue the momentum with 'Elsewhere' a dreamy and expansive rocker. There is plenty to say for singing in the "language of your heart" the switch to English however has not dampened the natural passion & hopefully makes the band more immediately assessable to a larger audience.
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Death Of Guitar Pop - Suburban Ska Club Feat. Neville Staple.
Background - Essex-based Death Of Guitar Pop have announced details of their debut album ’69 Candy Street’ (out November 10th), a new single ‘Suburban Ska Club’ (which features Neville Staple of The Specials), and their debut live show as a 9-piece ska band (taking place at Oslo, Hackney on Friday 1st December).
Death Of Guitar Pop have been sparking huge interest from over recent months, with The Orginal Rudeboy Neville Staple (The Specials) collaborating on their new single, the Bad Manners horn section (aka The Mafia) throwing their hat into the ring to play on the album (and will play as part of the Death Of Guitar Pop live band playing at Oslo on December 1st), and with the likes of Pauline Black (The Selecter) and Dave Wakeling (The Beat) give the lads big props on social media.
“Suburban Ska Club” is lyrically inspired by the characters that frequent the bands free Ska night “Ska Club Essex", a “no thrills - just tunes” monthly affair at the spit and sawdust boozer The Traitors Gate, deep in the heart of Grays Essex. Facebook here.
OK so I am a sucker for anything Ska and Death Of Guitar Pop's collaboration with Neville Staple on the new song 'Suburban Ska Club' is an absolute delight. The dancing on the video has some classic Two-Tone era moves, what more can I ask for?
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Trevor Hall - What I Know.
Background - Raised on an island in South Carolina, singer/songwriter Trevor Hall realized at a young age that music was more than just a passion - it was, rather, his life’s art. At sixteen, he recorded his first album, soon after which he left South Carolina for Idyllwild Arts Academy in California where he studied classical guitar and was introduced to the practices of yoga and meditation, which would greatly influence his life and his music.
Hall’s music, a blend of roots and folk music, is imbued with a deep love of Eastern Mysticism. This powerful symbiosis fostered a deep connectivity with his growing fan base and Trevor quickly matured into a leader of the burgeoning conscious musical community. Along with numerous pilgrimages to India, he has also completed a series of sold-out tours and collaborations with artists such as Steel Pulse, Ziggy Marley, Jimmy Cliff, Matisyahu, Michael Franti, Xavier Rudd and Nahko & Medicine for the People.
His previous full-length album releases, Chapter of the Forest (2014) and KALA (2015), debuted at #3 and #2 on the iTunes singer/songwriter chart respectively and were supported by extensive tours around the US and Australia. Beyond his intention to spread love and healing through music, Hall also collects donations to support children’s education in India and has continuously donated to charities and relief funds.
The Fruitful Darkness is Trevor’s first independent release — supported by his fans know as The Villagers — has become the #1 Music campaign of its kind in 2017. “There have been many hurdles and triumphs along the way” Hall reflects, after a decade plus recording for established labels such as Geffen and Vanguard. “This album conveys the deep vulnerability of journeying through the unknown, as opposed to playing it safe.” Besides the change in infrastructure, the album itself explores completely new sonic terrain and is being released unconventionally, in three song installments on specific lunar dates, with the intention to buck the trend of fly-by-night releases and hold the conversation for a whole year. Website here, Facebook here.
When Trevor Hall's vocals kicked in, I just wanted to hear more. 'What I Know' is a fabulously constructed song, the music moves from being understated to a richer, fuller sound, but never loses it's clarity. The harmonies manage to add even more passion and feeling.
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Wild Meadows - Feel The Noise.
Background - Wild Meadows present ‘Feel the Noise’, the lead single from their forthcoming debut self-titled LP. A blend of pulsating noise-pop, psych-rock and shoegaze, the track is the first offering from Wild Meadows with this new lineup, with singer Jessica Lawrence, guitarist Dylan Bird and drummer Simon Gemmill joining original members James Ross (guitar/vocals) and Donovan Pill (bass).
Hailing from different corners of Australia and the world, the band’s current members came together in mid-2016 and immediately set about writing material for this new album – a follow-up to the band’s 2015 EP.
Recorded, mixed and produced by Paul ‘Woody’ Annison (Black Cab, Rocket Science) and mastered by William Bowden (The Church, Gotye), Wild Meadows’ self-titled LP is set for release in early 2018. Facebook here.
A powerful yet well defined wall of sound ensures the Shoegaze vibe is there right from the start on 'Feel The Noise'. The vocals add some delicacy and additional atmosphere, and as the song develops the track suggests the band are not stuck in any particular rock genre.
--------------------------------------------------------------------------------------------------------------------------
ALASKALASKA - Patience
Background - ALASKALASKA are a London based art-pop 6 piece. Since 2016 they have been busy cultivating a beautiful groove-laden sound, seamlessly blending jazz, disco, funk and R&B into something totally new and unique. Bandleader and vocalist, Lucinda John-Duarte’s ethereal and otherworldly voice twists brooding and introspective lyrics into hypnotic melodies, which play out alongside rich and intricate arrangements - synthetic beats and live drums, shimmering guitars, pulsing bass, with swirling synths and saxophones rounding it all off.
Their brilliant self-titled debut EP is the perfect introduction to their brand of unique off-kilter pop. The four songs - Bitter Winter, Familiar Ways, Patience, This - mark the arrival of a formidable group, reminiscent of Arthur Russell, Talk Talk, Dirty Projectors and Warpaint. They’ve built a cult following and reputation as extraordinary performers through a handful of shows in London and most recently on tour throughout the UK and Europe supporting Alvvays.
'Patience' is inspired by classic 90s film Sliding Doors, and naturally, a love of watermelons, it was filmed around the band’s South East London locale. The song was inspired by the more pop-leaning side of the Tsonga (or Shangaan) disco movement. Its climatic intertwining sax driven finale has become a highlight of their live performances and serves as another taste of their brilliant self-titled debut EP.
ALASKALASKA (EP) is out on 29th September via Marathon Artists’ imprint House Anxiety (the label that introduced the world to King Krule and Courtney Barnett). There is a release party at Bethnal Green Working Men’s Club on September 28th, their biggest headline show to date, with support from Sorry and Boniface. Limited ticket and 12” EP bundles are available exclusively from Dice now. Website here, Facebook here.
We featured ALASKALASKA back in May and the latest song 'Patience' is more than welcome. The band have a distinct and pleasing sound, where different musical styles and arrangements emerge within just one song.
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Background - Brighton indie rockers White Room have announced their debut headline UK tour featuring new double EP Eight in its entirety (released on 1st December).
Recent signees to the legendary Liverpool label, White Room’s nod to 60s psychedelic rock alongside more contemporary influences (Pond, Temples, Cage The Elephant) is evident throughout their new record Eight, a collection of songs that interlock conceptually, comprising similar themes such as forward thinking, hope, positivity and escape.
Inspired by the current social and political climate of the world and the uncertainty we all live with, the synergy between the lyrics and themes signified by 8 – the number of infinity – hints at the real depth within Eight, touching on aspects of joy, strength, balance and power in unity.
Discussing the release, the quintet stated: “In Eight we are offering a way to lose yourself; find an escape, and to embrace the intrinsic ability music has to take you away from the harsh realities of life”. Website here, Facebook here, live dates on Beehive Candy's tour news page.
We have two tracks, 'The Blue' and 'Tomorrow Always Knew' and both vie for attention. The sixties psychedelic influences shine through, the second song has more than a little of The Beatles flavour to it. That said the creativity of White Room deserves full recognition, as does the fresh production, and melodic delivery.
--------------------------------------------------------------------------------------------------------------------------
Ysgol Sul - Elsewhere.
Background - West Wales three piece Ysgol Sul will be self-releasing their first collection of English language songs –“Eventide”- on 30/09/17.
Brought together by a mutual love of the 90s underground, Iolo Jones (singer, guitarist), Llew Davies (drummer), Cian Owen (bass guitar), formed Ysgol Sul in 2014. Having released several singles and an EP called “Huno”, the band has managed to earn a cult following within the Welsh language scene.
“Eventide” is a stark departure from the slacker and languor of their debut EP, and introduces a touch of darkness to the bands dreamy sound. The EP opens with “Silhouette” – a song with a sense of yearning yet one of the band’s jangliest songs to date.
“Promise Me” sees a return to the trio’s early surfy sound, drenched in reverb. “Elsewhere” is an unholy union of haunting distant sounds and a fierce unrelenting beat. Introverted lyrics coupled with sweet harmonies are brought to the EP by “Dwell”. Krautrock locomotive, “Solitude”, closes the collection. Facebook here.
The Welsh music scene has given us some fine new music this year and Ysgol Sul continue the momentum with 'Elsewhere' a dreamy and expansive rocker. There is plenty to say for singing in the "language of your heart" the switch to English however has not dampened the natural passion & hopefully makes the band more immediately assessable to a larger audience.
--------------------------------------------------------------------------------------------------------------------------
Death Of Guitar Pop - Suburban Ska Club Feat. Neville Staple.
Background - Essex-based Death Of Guitar Pop have announced details of their debut album ’69 Candy Street’ (out November 10th), a new single ‘Suburban Ska Club’ (which features Neville Staple of The Specials), and their debut live show as a 9-piece ska band (taking place at Oslo, Hackney on Friday 1st December).
Death Of Guitar Pop have been sparking huge interest from over recent months, with The Orginal Rudeboy Neville Staple (The Specials) collaborating on their new single, the Bad Manners horn section (aka The Mafia) throwing their hat into the ring to play on the album (and will play as part of the Death Of Guitar Pop live band playing at Oslo on December 1st), and with the likes of Pauline Black (The Selecter) and Dave Wakeling (The Beat) give the lads big props on social media.
“Suburban Ska Club” is lyrically inspired by the characters that frequent the bands free Ska night “Ska Club Essex", a “no thrills - just tunes” monthly affair at the spit and sawdust boozer The Traitors Gate, deep in the heart of Grays Essex. Facebook here.
OK so I am a sucker for anything Ska and Death Of Guitar Pop's collaboration with Neville Staple on the new song 'Suburban Ska Club' is an absolute delight. The dancing on the video has some classic Two-Tone era moves, what more can I ask for?
--------------------------------------------------------------------------------------------------------------------------
Trevor Hall - What I Know.
Background - Raised on an island in South Carolina, singer/songwriter Trevor Hall realized at a young age that music was more than just a passion - it was, rather, his life’s art. At sixteen, he recorded his first album, soon after which he left South Carolina for Idyllwild Arts Academy in California where he studied classical guitar and was introduced to the practices of yoga and meditation, which would greatly influence his life and his music.
Hall’s music, a blend of roots and folk music, is imbued with a deep love of Eastern Mysticism. This powerful symbiosis fostered a deep connectivity with his growing fan base and Trevor quickly matured into a leader of the burgeoning conscious musical community. Along with numerous pilgrimages to India, he has also completed a series of sold-out tours and collaborations with artists such as Steel Pulse, Ziggy Marley, Jimmy Cliff, Matisyahu, Michael Franti, Xavier Rudd and Nahko & Medicine for the People.
His previous full-length album releases, Chapter of the Forest (2014) and KALA (2015), debuted at #3 and #2 on the iTunes singer/songwriter chart respectively and were supported by extensive tours around the US and Australia. Beyond his intention to spread love and healing through music, Hall also collects donations to support children’s education in India and has continuously donated to charities and relief funds.
The Fruitful Darkness is Trevor’s first independent release — supported by his fans know as The Villagers — has become the #1 Music campaign of its kind in 2017. “There have been many hurdles and triumphs along the way” Hall reflects, after a decade plus recording for established labels such as Geffen and Vanguard. “This album conveys the deep vulnerability of journeying through the unknown, as opposed to playing it safe.” Besides the change in infrastructure, the album itself explores completely new sonic terrain and is being released unconventionally, in three song installments on specific lunar dates, with the intention to buck the trend of fly-by-night releases and hold the conversation for a whole year. Website here, Facebook here.
When Trevor Hall's vocals kicked in, I just wanted to hear more. 'What I Know' is a fabulously constructed song, the music moves from being understated to a richer, fuller sound, but never loses it's clarity. The harmonies manage to add even more passion and feeling.
--------------------------------------------------------------------------------------------------------------------------
Wild Meadows - Feel The Noise.
Background - Wild Meadows present ‘Feel the Noise’, the lead single from their forthcoming debut self-titled LP. A blend of pulsating noise-pop, psych-rock and shoegaze, the track is the first offering from Wild Meadows with this new lineup, with singer Jessica Lawrence, guitarist Dylan Bird and drummer Simon Gemmill joining original members James Ross (guitar/vocals) and Donovan Pill (bass).
Hailing from different corners of Australia and the world, the band’s current members came together in mid-2016 and immediately set about writing material for this new album – a follow-up to the band’s 2015 EP.
Recorded, mixed and produced by Paul ‘Woody’ Annison (Black Cab, Rocket Science) and mastered by William Bowden (The Church, Gotye), Wild Meadows’ self-titled LP is set for release in early 2018. Facebook here.
A powerful yet well defined wall of sound ensures the Shoegaze vibe is there right from the start on 'Feel The Noise'. The vocals add some delicacy and additional atmosphere, and as the song develops the track suggests the band are not stuck in any particular rock genre.
--------------------------------------------------------------------------------------------------------------------------
ALASKALASKA - Patience
Background - ALASKALASKA are a London based art-pop 6 piece. Since 2016 they have been busy cultivating a beautiful groove-laden sound, seamlessly blending jazz, disco, funk and R&B into something totally new and unique. Bandleader and vocalist, Lucinda John-Duarte’s ethereal and otherworldly voice twists brooding and introspective lyrics into hypnotic melodies, which play out alongside rich and intricate arrangements - synthetic beats and live drums, shimmering guitars, pulsing bass, with swirling synths and saxophones rounding it all off.
Their brilliant self-titled debut EP is the perfect introduction to their brand of unique off-kilter pop. The four songs - Bitter Winter, Familiar Ways, Patience, This - mark the arrival of a formidable group, reminiscent of Arthur Russell, Talk Talk, Dirty Projectors and Warpaint. They’ve built a cult following and reputation as extraordinary performers through a handful of shows in London and most recently on tour throughout the UK and Europe supporting Alvvays.
'Patience' is inspired by classic 90s film Sliding Doors, and naturally, a love of watermelons, it was filmed around the band’s South East London locale. The song was inspired by the more pop-leaning side of the Tsonga (or Shangaan) disco movement. Its climatic intertwining sax driven finale has become a highlight of their live performances and serves as another taste of their brilliant self-titled debut EP.
ALASKALASKA (EP) is out on 29th September via Marathon Artists’ imprint House Anxiety (the label that introduced the world to King Krule and Courtney Barnett). There is a release party at Bethnal Green Working Men’s Club on September 28th, their biggest headline show to date, with support from Sorry and Boniface. Limited ticket and 12” EP bundles are available exclusively from Dice now. Website here, Facebook here.
We featured ALASKALASKA back in May and the latest song 'Patience' is more than welcome. The band have a distinct and pleasing sound, where different musical styles and arrangements emerge within just one song.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...