Showing posts with label The ORB. Show all posts
Showing posts with label The ORB. Show all posts

Saturday, 15 October 2016

Genre Wander: The Orb - Blondfire - Escapists - Muuy Biien

The Orb - First, Consider The Lillys.

Background promo - The duo known for their genre-bending curiosity and surprising sonic detours, that explore experimental soundscapes as well as club-friendly beats, legendary and celebrated ambient kingpins, The Orb, premiere their 16th album, "COW / Chill Out, World!" this week via The Vinyl Factory, and on Kompakt from Friday, October 14.

In support of the LP release, The Orb kick off the first leg of their North American tour on October 19, which sees them bringing their critically aclaimed live shows to both the east and west coasts. A performance The Times gives a four star review saying, "Less a 'gig', more of a happening with a sense of vast sonic irreverence."

The duo comprised of accomplished soundsmiths Alex Paterson and Thomas Fehlmann are also celebrating the 25th Anniversary of their seiminal debut album 'Adventures Beyond The Ultraworld." US audiences are in for a rare treat as they'll perform their greatest hits and select songs from the forthcoming "Chill Out, World!'

Featuring only the occasional presence of buoyant, gently rhythmic pulses and loops, Alex Paterson describes COW as “Our most ambient album yet”. Sounds bubble, flutter and float through various atmospheres and moods, from bucolic and picturesque, childlike wonderment, the texture of bygone memories, to the universe’s infinite depth. Facebook here.

The Orb North American Tour Dates (More Dates TBA):
Dates     State     Venue    

10/19     ALLSTON, MA     BRIGHTON MUSIC HALL    
10/20     NEW YORK, NY     WEBSTER HALL    
10/21     CARRBORO, NC     CAT'S CRADLE    
10/22     ATLANTA, GA     VARIETY PLAYHOUSE    
10/23     ASHEVILLE, NC     MOUNTAIN THEATRE    
10/26     SEATTLE, WA     NEUMOS    
10/27     PORTLAND, OR     STAR THEATER    
10/28     DENVER, CO     CERVANTES' OTHER SIDE
   

Our second featured track from the brand new album (and what an album it is!). 'First, Consider The Lillys' is a lush ambient piece of gorgeous musical textures. Orb fans are in for a massive treat, everyone else should check it out, and maybe join the party..

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Blondfire - Heathens.

Background - blondfire is pure emotion. blondfire is confidence. Truth. Fantasy. It’s a sense of coming into one’s own, a freedom to explore, to break free from the constraints of the day-to-day world.

blondfire is Erica Driscoll. Her ethereal yet confident vocals and ineffable style brought the band great acclaim and a worldwide fan base with the 2014 breakout album “Young Heart” (featuring the alternative hit “Where the Kids Are”).  blondfire’s more recent music bursts forth with a potent sense of purpose, more guitars, and more bite, both sonically and lyrically.  The single “Pleasure” was “inspired by the crazy Manchester drug scene aftermath and how seeking that ultimate euphoria and pleasure can come with a dark side,” Erica says. “It was fun while it lasted.” 

The lyrics – “Set fire to the house, burning through the pleasure with you. Get up, get up, get out of your head. Get up, get up, get up, feel alive” – reflect that hedonistic duality.  Plus, it’s just relentlessly catchy. “Pleasure” – produced and co-written by Wally Gagel (Best Coast, Zella Day, Family of the Year, Escondido). Expect more brand new material anytime now. Facebook here.


It was good to hear from Erica who simply asked, I’d love for you to check out my dark, dreamy cover of the Twenty One Pilot's song 'Heathens'. So I did, and if anything her description understates what a fine song this is, add, atmospheric and gorgeous to dark and dreamy.

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Escapists - Silence.

Background - About 'Silence’ Lyrically it’s about the familiar pockets of silence that build in modern relationships when someone stares unflinchingly into a phone screen. By employing a wall of sound and some noise rock dynamics, the group shatter the very thing they write about and assert themselves and their desire to connect with people with stunning audacity. ‘Silence’ sees the group move away from the jagged dance rock sound of before and into something closer to adult contemporary music. With a unique ear for texture Escapists employ tinkling piano lines and searing synths before concluding with a mesmerising psych wig-out.

About Escapists When Escapists’ vocalist Simon Glancy moved to London to concentrate on his songwriting, he asked the only musical friend he knew to help record his ideas. Enter Oli Court, future Escapists guitarist. Oli drafted in his friend, composer Max Perryment, to play bass and the trio spent a week of intensive sessions finalising Glancy’s ideas before deciding their musical camaraderie was worth pursuing. Oli’s former schoolmate Andy Walsh was enlisted to round off the lineup on drums and before long they were recording indie rock inspired by Simon and Oli’s university listening habits: Arcade Fire, The National and Broken Social Scene.

Escapists’ debut single was picked up and broadcast by XFM’s John Kennedy and within the year they toured with Imagine Dragons and made their festival debut at Reading and Leeds. Their debut album ‘Only Bodies’ was written in the first half of 2013 and released in 2014 to general appraisal from the blogosphere. Towards the end of last year they followed it up with the standalone single ‘Faraday Cage’, packaged with a striking update of the Talking Heads classic ‘This Must Be The Place’ – it was a fitting homage to a band who, like Escapists, were bent on pushing the parameters of new wave. After releasing the all-killer five track EP ‘Eat You Alive’ last year, Escapists shed their jagged post punk skins, went back to the drawing board and re-emerged with their new AA single ‘Silence/Animals’. Ostensibly it’s Escapists at their most pop: the melodies are immediate and the structures are exhilarating. The truth is, like the bands that brought them together, they’re now making pop music for the thinking person. This year sees Escapists arrive at their most thought-provoking work yet: ‘Silence/Animals’ is the sound of bigger things still to come. Website here.


'Silence' is an expansive and extremely well produced song. The power is there, however it's so well layered that everything has it's place in the mix, without dominating or crowding out the rest, its melodic, rocky and bristling with hooks.

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Muuy Biien - Bitter Blessings.

Background - Muuy Biien is a band from Athens Georgia. Originally an ambient project of singer Joshua Evans, the inclusion of a full band has allowed the project to evolve into an intense and raucous live act. In four years, they have released 2 albums and 3 EPs containing punk, post-punk, darkwave, ambient and krautrock influences. On October 28th 2016, the band will release their first true studio album (and third album overall) on Autumn Tone. The new full length, recorded by David Barbe at Chase Park Transduction, finds the band continuing to experiment with new sounds and territories. Muuy Biien are poised to spend most of 2016 and 2017 on the road supporting the record.

Tour Dates:
10/13 – New York, NY – Rough Trade (Aquarium Drunkard Party)
10/19 – Augusta, GA – Soul Bar
10/20 – Asheville, NC – House Show
11/02 – Athens, GA – Georgia Theatre (album release show)
11/03 – Atlanta, GA – Drunken Unicorn (album release show)
11/30 – Jackson, MS – Martin’s
12/01 – Houston, TX – The Nightingale Room
12/02 – San Antonio, TX – The Mix
12/03 – Austin, TX – The Sidewinder
12/04 – Fort Worth, TX – Lola’s
12/06 – Tucson, AZ – The Flycatcher
12/07 – San Diego, CA – Soda Bar
12/08 – Los Angeles, CA – Satellite
12/09 – San Francisco, CA – Hemlock Tavern
12/11 – Portland, OR – Bunk Bar
12/12 – Seattle, WA – The Vera Project
12/13 – Boise, ID – Neurolux
12/15 – Denver, CO – Lost Lake Lounge
12/17 – St. Louis, MO – Firebird


Forth track out of twelve on the new album and 'Bitter Blessings' gives a flavour of whats in store, on this uncompromising collection. Sometimes the experimentation is at the fore, the edgy rock'n'roll is never far off, and overall the bands individual identity keeps the whole thing together.

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Friday, 12 August 2016

Fridays Alternative Take: The Orb - The Grand Undoing - Tim Muddiman & The Strange - Cubicolor

The Orb - 5th Dimensions.

Background promo - On October 14th Kompakt present The Orb’s 16th album, COW / Chill Out, World!, which marks a creative renewal for the duo. It also features contributions from Youth and Roger Eno, and is encased in minimal ‘ambient cover art’ courtesy of The Designers Republic.

Despite apparently clear connotations to their history, influences and peers (like Alex Paterson’s uncredited role in the KLF’s ‘Chill Out’ album, or the cover cows of Pink Floyds ‘Atom Heart Mother’), the album’s title is actually an instruction, or at least a friendly suggestion. Whilst Alex calls it “a protest album in reverse”, Thomas Fehlmann further explains, “We didn’t intend to rehash old chill out vibes. On the contrary. It’s the 21st century and it seems like a good idea for people to sit back and chill the f out, before continuing to act destructively. To chill out is to act consciously, guided from a calm centre.”

Featuring only the occasional presence of buoyant, gently rhythmic pulses and loops, Alex Paterson describes COW as “Our most ambient album yet”. Sounds bubble, flutter and float through various atmospheres and moods, from bucolic and picturesque, childlike wonderment, the texture of bygone memories, to the universe’s infinite depth.

COW’s creation came together in different circumstances with a different working method to their last album. As 'Moonbuilding 2703 AD' was originally commissioned by the English National Opera, the duo immersed themselves in that new world and maintained a close, continuous dialogue with the opera’s orchestrator and technicians. The production fell through due to budget cuts and the recordings were then adapted for album format, hence its 6 year gestation period.


COW on the other hand, took just 6 months to make. One of main reasons for its speedy completion was Alex’s recording of sounds whilst touring the world, straight to Ableton, using his iPhone. Field recordings were easily captured, whilst the countless hours of ‘downtime’ travelling, or at sound-checks became valuable moments for spontaneous creative laptop productivity.

'5th Dimensions' will be one of ten tracks on the bands sixteenth album, and boy is it a good one. If the album is as ambient and pleasing as this piece of music, I will be one very happy person. If  people can't chill out to this, then they really should pause, for thought!

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The Grand Undoing - Most Of All We Just Go Around.

Background - Seth Goodman, who records as The Grand Undoing, has two extreme passions in life: drinking sparkling wine and creating psychedelic post-rock Americana confronting alienation and mortality. This strange mix, the bubbly and brooding, has become the stock-in-trade of TGU’s growing catalogue.

An only child, Goodman leaned hard on his record player while coming of age just outside Boston. The area’s free-form college radio and vibrant club scene also had a profound effect. The final piece fell into place later in life when Goodman developed a deep affinity for classic country and roots music. All these influences would swirl and collide with his deeply entrenched outsider's sensibility to form The Grand Undoing’s distinctive sound.

First came 2011’s Appeasing the Sick, then 2014’s White Space Flavors and Parties on TV. Both made bold musical statements that landed in the vicinity of “David Bowie on acid backed by the Swans” (Indie News At Noon.) With his latest release, Sparks Rain Down from the Lights of Love (out on Secret Candy Rock Records), Goodman manages to push his musical boundaries even further. He romps from style to style but never abandons his love of the almighty hook and cohesion – albeit the cohesion of constant upheaval.

When reflecting on the heady topics presented in the new material, Goodman explains that the end result is meant to uplift and inspire. He hopes The Grand Undoing’s music will provide a cinematic escape, make great driving music, or be the perfect accompaniment to a bottle of sparkling wine.


One of ten genre hopping songs 'Most Of All We Just Go Around' is a fine song, however it can only scratch the surface of the music from The Grand Undoing. The one constant is the quality, otherwise this is a little like a restless child who cannot sit still, always off trying something else out. In this at least we are left with great songs and don't have to do much parenting.

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Tim Muddiman & The Strange - Hand And Claws.

Background - Over the last 18 months Tim Muddiman has released, written and produced a vast amount of work. Tim and his band have regularly impressed publications in The UK, USA, Canada, Australia, France, Germany, Mexico, Ireland and Belgium as well as having worldwide radio play and also support from BBC Radio 1 and BBC Radio 6.

Paradise Runs Deeper is a deeply crafted album with songs of survival and healing. Big blues guitar riffs and sometimes dark modern grooves and modern production have brought this album to have its own unique sound and character.

Tim Muddiman and The Strange is best described as a combination of genres and is ultimately unique. It has its own sound that is not immediately categorised. It is fresh and song driving with heavy trem guitar hooks, crafted drum breaks and clever studio programming. Tim Muddiman is also a producer and musician for Gary Numan, Pop Will Eat Itself and various other projects. Influences can heard from Bjork to Fleetwood Mac to Nine Inch Nails and also 80's electro and blues. The band consists of other musicians from a professional touring back ground. If you like good music . You'll like this band.


From the forthcoming album release 'Paradise Runs Deeper' I have chosen the song 'Hand And Claws' that appeared on YouTube back in late April. It really is a challenge to try and describe the overall sound of the album, thirteen songs vie for your attention, each one having its own attributes. I guess the feeling I have is that of something quite deep, powerful and at times emotional, whilst never to dark. There are a few other music videos by Tim Muddiman (here), that give more incite into this creative and intriguing album due for release on September 9th.

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Cubicolor - Dead End Thrills.

Background - Cubicolor present their debut album - ‘Brainsugar’ - to be released on September 16th on Anjunadeep. Cubicolor have emerged as one of the most exciting acts to come through the European underground in recent times. Championed by Pete Tong as one of his artists to watch, praised by Mixmag, Spin, Clash, and DJ Mag, and supported by a host of heavyweight DJs, Cubicolor look set to break through with their anticipated debut LP.

Having launched in 2014 with two members, Dutch producers Ariaan Olieroock and Peter Kriek, Cubicolor now welcome British vocalist , and former Duologue front-man Tim Digby-Bell into the band as their third member, following much loved collaborations on ‘Falling’ and ‘Mirror Play’ over the past 12 months. In his time with Duologue, Tim produced, co-wrote and sang on two records acclaimed by the likes of The Guardian, NME, DIY Mag and The Line Of Best Fit.

On ‘Brainsugar’ we hear an evolution in Cubicolor’s sound across a host of diverse and infectious tracks, combining beautiful songwriting with brilliantly cohesive clarity, echoing their influences; Radiohead, Massive Attack and Moderat to name a few. Tim’s lyrical depth and haunting vocal style shine throughout the album, which features 8 vocal tracks and 4 instrumentals.


Throughout August and September 2016 Cubicolor bring their well-honed electronic sound to venues large and small across North America for a DJ tour, including a string of underground club shows and notable festival performances at Electric Zoo and Nocturnal Wonderland where they perform on Anjunadeep label stages alongside the likes of Âme, George Fitzgerald, Lane 8, HVOB, Henrik Schwarz and Yotto. Cubicolor are currently developing a full live show to be launched later this year.


I can see the freely admitted Radiohead influences in the song 'Dead End Thrills', that said this is a lush and beautiful song that oozes melodic vibes. Add me to the list of those keenly anticipating their debut album.

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Monday, 20 August 2007

The ORB - Glasgow 1997

Just another one of those posts, to remind you another decade of your life has slipped by unnoticed.

This is The ORB live at The Barrowlands, Glasgow, Scotland on the 20th March 1997.

There is some new material available this summer, and they are touring, your chance possibly to see the masters of ambient music!

This is a high quality recording (BBC FM stereo)

For more details of releases & tour details click HERE.

Also some remastered ORB options HERE.

REPLACEMENT LINK IN COMMENTS OR CLICK ON THE PICTURE (17TH SEPTEMBER 2009).

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