Vera Ellen - The Ragged Roses - The Ninth Wave - Arctic Plateau

Vera Ellen - Joy.

Vera Ellen has proven she is unstoppable! She has today released yet another video, this time for album closer and tear-jerker 'Joy'.

“I wrote ‘Joy’ for my nephews and nieces, who forgave me over and over for leaving them to pursue music, and who love me unconditionally. Children are magic.”

The video was filmed by Al Kalyk at the artist's 'It's Your Birthday' listening party in Los Angeles. It was filmed on an iPhone in a single shot and features Vera's backyard and a handful of kind friends. In the footage taken by Vera's mum in the 90’s seen at the end of the video, you can see Vera's sister holding her as a baby and her grandparents and family singing a polish lullaby.

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The Ragged Roses - Falling Out Of Love.

Now, take 2 gallons of Wanda Jackson,2 Gallons of Etta James, a spoonful Howlin' Wolf, a shot of Dick Dale, Add some Cramps and a pint of Nick Curran, mix that all up, shake it, stir it, and light it on fire. The result you get : The Ragged Roses

The Ragged Roses combine the rock & roll spirit of the 1950's with the attitude of modern roots gunslingers. It's a new band, female fronted by Katrien, the embodiment of wild performing art, combining stunning vocals with stunning looks, being backboned by - you can call them although their relative young age and wild raging hearts - veterans of the Belgian roots scene. 

Watch out for that slapping, walking, gypsy swinging upright bass and lightning blot guitars, surfing on a wave of groovy drums.

The Ragged Roses are now releasing their Debut album "Do Me Right", containing all self-written original songs and one cover of the great Del Shannon.

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The Ninth Wave - What Makes You a Man.

Glasgow's The Ninth Wave today announce their second album Heavy Like A Headache will be released on 11th March 2022 via Distiller Records. Alongside the album announcement, the band are releasing their new single "What Makes You A Man" with a stirring black and white accompanying video; the final installment of a trilogy of videos directed by Rianne White.

The new single and album announcement arrives off the back of a sold-out UK tour and a Scottish Album Of The Year nomination for their Faris Badwan (The Horrors)-produced EP ‘Happy Days!’. Heavy Like A Headache is the band's second full length album following their 2019 debut Infancy which garnered widespread critical acclaim and nominations for the AIM Award Album Of The Year and Scottish Album of the Year.

Produced by the band themselves and mixed by Max Heyes (Massive Attack, Doves, Primal Scream), Heavy Like A Headache explores feelings of grief, anxiety, anger and loneliness, and represents the 4-piece's most triumphant and diverse body of work to date.

New single "What Makes You A Man" tackles issues of consent, airing Millie Kidd’s deeply personal lyrics ["I will feel the shame that you don't feel / And I won't feel the same now this is real"] with a heavy, lurching instrumental that seethes with defiance.

Speaking on the release, Millie said: "What Makes You A Man is as claustrophobic as it is cathartic. It’s a journey of self deprecation, and how one event can be such a throwaway meaningless action for one half but be life changing for the other. I don’t want to blame myself for the degrading actions of others anymore - I want to stand up to this shame I hold with me, and recognize that it is not mine, I’m just the one carrying it.

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Arctic Plateau - Saturn Girl.

Emerging from an eight-year hiatus, songwriter Gianluca Divirgilio brings his darkest and most introspective thoughts to light with Arctic Plateau’s Songs of Shame. Thought by some to have seen its final days, Arctic Plateau instead became a vehicle for Divirgilio to battle his demons; to chronicle struggle, self-doubt, pain, disillusion, and guilt, and ultimately to allow his scars to take form as Songs of Shame. In doing so he has returned with an album of intimate and powerful performances that serve as the first steps toward a healing that has been decades in the making.

A series of impressions drawn from Divirgilio’s own experiences in the time since the band’s last release The Enemy Inside, this record is a compendium of lost love, missed opportunity, crestfallen remorse, and lasting trauma, self-inflicted and otherwise. It is a deeply personal record that often points its finger at the mirror and winces as it’s reflected back. But in its complex self-exploration it also gains life as a living document affording the artist an opportunity to turn the page, and by accord provides its audience safe space to look to the darkness within, feel the emotion freely, and eventually discover a path through.

The compositions on Songs of Shame mirror the duality of its themes, utilizing the disarmingly upbeat aesthetics of post-punk to balance the often-grim themes contained within the lyrics. They draw from the stark self-reproach of proto-goth, the bare honesty of singer-songwriter music, and the enigmatic sparkle of post-punk to create a strikingly memorable sonic landscape for the listener. Focusing these laments through the lens of something far brighter and more buoyant sows the seeds of healing in a manner that would be far less affecting were they represented in a parallel, dirge-like manner.

While the themes center around the many ghosts that haunt us, it is the music that makes them corporeal and affords the opportunity to create tangible separation, and that is ultimately an act of joy that befits the spirited expression witnessed in the songwriting itself. Songs of Shame is an album that channels sadness and exhibits a tortured soul lay bare, but there is a formidable maturity in its honesty and triumph in its catharsis, giving it the dual quality of lifting the listener up while acknowledging the daunting weight of carrying sorrows through the years.

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The Ninth Wave - The Catenary Wires - Adna - Yes

The Ninth Wave - Piece and Pound Coins.

Glasgow's The Ninth Wave release new single "Piece and Pound Coins", a new taster of their next full length body of work, due 2022.

A compelling piece, "Piece and Pound Coins" was produced by the band themselves and mixed by Max Heyes (Massive Attack, Doves, Lucia & The Best Boys, Primal Scream). Amidst a distinctly chilling atmosphere, rolling piano lines weave their way through chugging percussion with the track standing as a stark examination of grief and loss.

Speaking on the release of "Piece and Pound Coins", singer Haydn Park-Patterson said: "I wrote this song about a friend who passed away a number of years ago. I’ve never really felt like I wanted to/could write about him for a number of reasons, but I guess the main one was because that for a long time, I wouldn’t have known what to write. Writing about death is a world away from writing about heartache/love/friendships because there’s nobody to listen to the song and wonder “is that about me?”. It’s a strange feeling, to write a song about someone that you know can’t ever hear it. 

The song also touches on the thought of wondering what he’d be up to now, 5 years on in his life, and how weird a thought it is that we’ve all continued on with our lives but his had a start and end point, and that’s it. No more memories to be made. The song also lets out a bit of confused anger that I felt not long after he passed, as I watched how a few people reacted to his death and the way in which they talked about it. That’s the meaning behind the line 'death makes some people sad and some people ugly / and some people took your name for their own sake'. I like to think that he’d like the song, as he was one of the most supportive and positive-minded people I’ve ever had the pleasure of knowing."

The track is released alongside a stunning video directed by Rianne White. She commented: "I feel completely in awe of this song and Haydn’s ability to frame such an immense feeling. Embraced by the catharsis of nature, the heights of grief and identity are expressed through a journey of Haydn’s internal growth accompanied by a symbolically poignant lone wolf. I like to think of Hayden and the wolf as one, both finding their way back to their truest states of being with wild untamed hearts of companionship and eternal loyalty. "

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The Catenary Wires - Always On My Mind.

Taken from their acclaimed album Birling Gap, The Catenary Wires’ new single is accompanied by a brand-new video. The Catenary Wires combine Amelia Fletcher and Rob Pursey (both ex-Heavenly, Talulah Gosh) with Fay Hallam (Makin’ Time) Andy Lewis (The Paul Weller Group, Pimlico) and Ian Button (Death in Vegas, Papernut Cambridge).

'Always On My Mind' is a track for late summer.   It’s a love song full of warmth and emotion.  An old photograph taken on a late summer holiday transports us back to a perfect moment when a relationship first started.  But there’s bittersweet regret in there too.   In the photograph, the sun’s rays were still warm, but they were getting longer; the colder Autumn evenings weren’t far away.  Did the relationship survive the winter?  And now, is it that person in the photo the one we are still in love with, or are they long gone – leaving us with just a memory embedded in a faded old picture?

The song and the video are celebrations of the fact that The Catenary Wires have evolved from a duo into a five-piece band, where everyone contributes to the rich instrumentation and the blissful vocal harmonies.  The video was filmed by all five members of the band, taking it in turns in the practice room – the first time they’d all been together since the start of lockdown.

 

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Adna - Darkness Born in Youth.

Following on from the release of her stunning 2017 full-length ‘Closure’, an album which was lauded across numerous outlets, Swedish-born but Berlin-based singer songwriter Adna has now unveiled the details behind her next LP ‘Black Water’ with the release of her latest single ‘Darkness Born In Youth’.

Much like her work to date, ‘Black Water’ sees her channel a rich and ambient direction, filled with warm and textured aesthetics. With her smooth and seductive voice layered over a heady mix of bright and enticing production, her latest collection looks set to become one of her most praised to date.

Adna’s latest offering follows on from the unfiltered emotion of ‘Don’t Know’, giving us a clear insight into the understated balladry that we can expect on this forthcoming full-length. Conjuring up more of the raw and poignant direction she is known for, ‘Darkness Born In Youth’ spotlights her soulful presence. Recorded in one-take, the track is accented by softly plucked guitar and her trademark soaring vocal.

Speaking about the new release, she says, “It’s hard not to sound pretentious about it, but this is really just a very honest improvisation that I recorded for my own memory in case I would forget about it. The title refers to the sensitivity I often find myself thinking of as a burden… I guess most people have had to end relationships, wishing it could have been with someone else instead.”

To date, Adna has made three beautifully woeful albums; 2014’s ‘Night’, 2015’s’ Run, Lucifer’ and the album ‘Closure’ in 2017. Supporting ‘Closure’, Adna played a packed Eurosonic showcase in 2017 and toured throughout Germany, UK, France and Scandinavia in the months since its release. Adna’s music has had more than 50 million streams on the large DSPs, and has had her melancholic, lo-fi work compared to the likes of Bon Iver and Daughter.

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Yes - Dare To Know.

Yes, who are Steve Howe, Alan White, Geoff Downes, Jon Davison and Billy Sherwood, recently announced they will release their new studio album The Quest on InsideOutMusic/Sony Music on 1st October 2021. 

The album was produced by Steve Howe. "Much of the music was written in late 2019 with the rest in 2020. We commissioned several orchestrations to augment and enhance the overall sound of these fresh new recordings, hoping that our emphasis on melody, coupled with some expansive instrumental solo breaks, keeps up the momentum for our listeners,” said Steve.

Steve Howe comments: “Dare To Know presents a guitar theme played within many different arrangements, with different chord structures and altered textures. The 'idea' mentioned in the first verse gets described later as an awakening to the subtle goings on within our bodies and mind, all geared to nature's scheme of things, all fluctuating and rearranging according to the principles of life, as we know it. The centrepiece leaves the orchestra alone to elaborate and develop the way the theme is heard, then augments the closing minutes of the song as it rests, with an acoustic guitar cadenza.”

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Departure Lounge - The Ninth Wave - The School Book Depository

Departure Lounge new song 'Mercury In Retrograde' is a melodic affair, the musicianship is glorious and vies for attention with the softly delivered vocals, the only challenge is trying to pin it into any specific genre. ===== Glaswegian band The Ninth Wave new track 'Everything Will Be Fine' is now out. The bands mixture of indie pop and rock is dynamic and powerful, the vocals and harmonies add emotion on what is a hook filled piece. ===== It's been a while since we last featured The School Book Depository they have been consistently impressive and the new song 'Sunny Disposition' sees their gorgeous style of Americana once again impact wonderfully.

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Departure Lounge - Mercury In Retrograde.

"Mercury In Retrograde refers to the phenomenon whereby the planet Mercury appears, for a period of time, to be travelling backwards in the sky in relation to Earth. This happens a few times a year and is, according to astrological lore, responsible for all kinds of chaos, confusion and frustration in our lives here on the blue planet.

So that’s where the song title comes from and the lyrics document a period in a relationship when the protagonist is perhaps feeling the effects of this supposedly illusory occurrence.

Mercury in Retrograde is the only complete song we already had when Departure Lounge reunited recently to make the Transmeridian album. It had been a live staple in our first operative period around the turn of the century, but slipped through the net when it came to recording. At the reunion gigs, several people said it had always been their favourite and it still sounded fresh.

Musically, Mercury In Retrograde is a bit of an oddball, with a slow-picked acoustic guitar reminiscent of ‘Here, There And Everywhere’ offset by a Roni Size-esque drum ‘n bass groove played with brushes and double bass, accompanied by a slightly wonky Casio CZ101 nursery rhyme synth line. I’m making it sound like a car crash, but somehow it works. The way these apparently disparate elements fit together makes for a good analogy of how our band works and its celebratory chorus has proved to be a stubborn earworm."

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The Ninth Wave - Everything Will Be Fine.

Glaswegian band The Ninth Wave just released their new single "Everything Will Be Fine", the first new music to be heard since the band's Faris Badwan (The Horrors)-produced EP ‘Happy Days!’ and their AIM Award and Scottish Album of the Year-nominated debut album Infancy.

"Everything Will Be Fine" is a portent mantra to shout from the rooftops amidst some of the most confusing and unsettling times our generation has faced. Brimming with prudent positivity, the track is a product of the last 6 months the band have spent together in Glasgow.

It's immediately apparent that The Ninth Wave are moving into exciting new territory with "Everything Will Be Fine". An invigorating dose of dark emotive pop; there's a new air of confidence in the music the band are making. Not only is that confidence evident in their songwriting and production (they're currently self-producing much of their new material) – but also in the conviction of their lyrics.

"It’s a song about twisted optimism, self-reassurance and hope," singer Haydn Park-Patterson explains. "The overall message of the song seems fitting for the world that we’ve found ourselves in now. Like many of our songs, it has existed in various different incarnations. I wrote the first version of it in the summer of last year and it was originally intended to be a song for someone else’s comfort and reassurance. It was shelved until earlier this year, when I stripped it down and kept only the name of the song. It then became the twisted optimistic song that it is now after it was brought in, stripped down and rebuilt by us in the studio. It’s the happiest sounding song we’ve recorded."

The new single arrives alongside an almost 10-minute long extended 'Driving Version' of the track, which the band says: "was intended to be listened to when you’re driving alone in your car, imagining yourself in that sad but sweet scene in a movie when you’re the heartbroken but hopeful character driving off into the sunset to find yourself".

The band's new material promises to be more upfront and honest than ever before. Celebrating honesty and real life, The Ninth Wave want their listeners to find comfort in their music. They want their fans to feel safe; to be confident in who they are, and to know they're not alone with their feelings and anxieties.

“It’s a cathartic thing for both us and the listeners; we want to help with normalising being emotional and finding comfort within your sadness", the band went on to say.

With limited resources, isolation and continuing the self production they first began toying with on their 'Happy Days!' EP, "Everything Will Be Fine" is the first taste of the band's second album - due for release in 2021.

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The School Book Depository - Sunny Disposition.

This is a beautiful gem of an Americana-song, both punkish rebellious and bittersweet melancholic in its expression. Helena Lindsten’s fantastic voice effortlessly turns from soft and fragile to explosive with brutally honest and heartfelt passion that brings both Phoebe Bridges and Courtney Love to mind.

But behind this cheerful and sunny title we find an ironical orgy of frustration, boredom, angst and shortcomings that intentionally balances between tragedy and comedy. The narrator stacks low points in li life on top of each other, from job related boredom, rejection, broken collarbone and dishonorable discharge from the military, to being deprived of the fundamental right to dwell in your misfortunes in an imaginary canyon in the company of alcoholic beverages.

”If there was one, I’d be in the canyon, searching for answers in the bottle, if just not so, seems I forgot my opener at home, once again forgot to make a list."

With the album ”No depression”, the band Uncle Tupelo gave name to a new genre called ”No depression-country”. With that in mind, it might be time to add a new genre to the list?

Luckily this song, seen in its entirety, depicts the human ability to see humor in tragedy and the comical irony of life.And that is a cheerful thought is’t it? - Fredrik Solfors

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