Showing posts with label The Little Kicks. Show all posts
Showing posts with label The Little Kicks. Show all posts

Friday, 19 August 2022

Moonpools - The Little Kicks - Fastheaven - Los Blancos

Photo - Dominik Asche
Moonpools - Damaged Goods (E.P).

Moonpools, the charming quintet from Basel fronted by singer Marcie Nyffeler, will release their new EP 'Damaged Goods' on August 19th via Young and Aspiring. On their sophomore release, the band combines emotional dreampop with driving indie rock reminiscent of international artists such as Cocteau Twins, Snail Mail or Soccer Mommy.

Moonpools were formed in 2016 by Marcie Nyffeler (vocals/ guitar), Jasper Nyffeler (drums), and Francesco Vona (keyboard) and completed by Matthias Gusset (guitar) and David Blum (bass). The latter are known from various Basel-based projects such as Sheila She Loves You, Don't Kill The Beast, Brainchild and Mastergrief.

The band released their first EP 'Turbulent Times' in 2019, which was immediately met with positive reactions: For example, the single ‘Brainbug’ was chosen as SRF Virus CH-Song of the week. After a few concerts, including support shows for Oso Oso and Prince Daddy & The Hyena or a show at the Lauter Festival (ZH), the band started working on new music.

In contrast to ‘Turbulent Times’, which was a collection of songs with differing influences, the songs on their second EP ‘Damaged Goods’ are all cut from the same cloth. The sound is inspired by artists like Hatchie, Snail Mail, Ride and Soccer Mommy and moves between Indie Rock and Dream Pop with rousing guitars and anthemic synth parts.

The concise arrangements, however, only form the backdrop for the catchy and touching vocals that form the heart of the band. Marcie Nyffeler, whose lyrics are often a balancing act between melodrama and kitsch, sings about unrequited and unexpected love, loss of control and apathy. This honest and at times self-deprecating view, together with the tumultuous music, unfurls a charm that makes Moonpools' music so irresistible and brings a smile to your lips while you are still wiping a small tear from your eye.

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The Little Kicks - Right To Be Here.

Right to Be Here is the new single by The Little Kicks and is released today Friday 19 August 2022. Speaking about the single, front man Steven Milne said: “Lyrically the song is about taking pride in yourself and being less afraid to put yourself out there and it was inspired by a particular incident. 

In 2017 the band were nominated as finalists for an award (“Best Musical Group”) with the chosen winners to be announced and presented to as part of a ceremony in the centre of Scotland. We deduced we likely wouldn’t win but having been invited to attend -and with a new album to promote -we decided to go along. After some awkward entrance photographs, drinks for courage and a sit-down meal it was time for the awards to start and we were first up. As our nominated name was read, I remember thinking maybe we COULD win, wouldn’t it be nice to WIN something and if we did what on earth should we say. 

Then we lost to a funk band who had won the year before. No speech required. I was surprised at how disappointed I felt, not bitterly, more suddenly very self-aware and wondering “Are we imposters in the room, sitting dressed up for no reason?” and I wanted to disappear. Nevertheless, we made a hell of a night of it, brushed itoff and got through it. However, for weeks after the event I had a weird unfamiliar feeling of rejection and an anger kept coming back to me. This incident, coupled with another set-back or two around that time, had me thinking “Why should we be overlooked?” while also wondering “Why do I care?”. 

I decided I wouldn’t let that feeling take hold and jotted down how I felt in words. While lyrically the song hasn’t really changed much since its early inception, the demos of the song were initially much more electronic. Over time the song morphed into what it is now –it’s intended to have an almost modern soul/ warm retro sound. Citing things like Pastor T.L Burnett, Marvin Gaye, Durand Jones, Richard Swift and Michael Kiwanuka as production influences when we got to the studio, Paul really helped us achieve the feel we wanted. He knew exactly what we were trying to achieve and was great at listening to our suggestions while bringing his own expertise to the session and we are so proud to bring you the final results.

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Fastheaven - Big Satellite.

Fastheaven - the newly formed band from Fribourg - creates uniquely intimate atmospheres, warm and emotional harmonies and understands the craft of songwriting. 

Many of the band's songs feature the talented New Zealand-born singer Megan Carpenter.

The wonderful melodies of the track "Big Satellite", in which synth elements of the 80s flow, catapult us into other spheres and make us dream. 

The song is about change and at the same time about the difficulty of really finding one's way in a new environment.

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Los Blancos - Chwaraewr Gorau (Yr Ail Dim) / Kareem Abdul-Jabbar.

You know it’s going to be an unforgettable, endless summer when the unmistakable sound of Los Blancos fills the hot mid-evening air, kicking it’s way out of the speakers with equal amount of attitude and boundless charm. The band are back with a Double A side Single ‘Chwaraewr Gorau (Yr Ail Dîm) / Kareem Abdul Jabbar’.

These songs are tantalising glimpse of where the next album will find Los Blancos. “I wrote a rough version of Kareem Abdul Jabbar during the first lockdown, after a phase of watching loads of basketball. Kareem Abdul-Jabbar is the all time leading points scorer in the NBA but is also a successful actor, author and social justice advocate. The song is a tribute to him. I'm always blown away with how humble he is, especially when you consider his accomplishments. There’s references to his unstoppable “skyhook” and his cameo in the film Airplane.

"I had been listening a lot to Jefferson Airplane, Hendrix and Neil Young, and had just re-watched 'Once Upon a Time in Hollywood' and was trying to create a kind of 1970’s California vibe (I’m not sure if that comes through, but i liked the result nonetheless)” Dewi Jones, Vocals, Bass

“Chwaraewr Gorau (Yr Ail Dim) was written before lockdown and takes influence from artists such as Stephen Malkmus and Twin Peaks. Both have been a favourite for the band since we began. It started out as a rough Demo and it was built on during recording sessions over lockdown. The song is a portrayal of someone who's a slacker/nearly man, who can't quite catch a break. I also wanted to include some football references in the song, It includes a reference to Nick Cusack, a former Swansea City player, who was a bit of a bruiser when the Swans were in the lower divisions.” - Gwyn Rosser, Vocals, Guitar

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Wednesday, 29 November 2017

Sarah Schonert - Steve Buscemi's Dreamy Eyes - The Little Kicks - Half Forward Line

Sarah Schonert - Astound Me.

Background - The full-length release entitled "Penguin Party" from Illinois-based indie singer/songwriter Sarah Schonert will be released on 8th December. 

Her experimental approach should appeal to fans of innovators like Kate Bush and Imogen Heap. Sarah writes and records out of her home studio.

Sarah combines classical-sounding piano with ambient washes, vocoded synths, electronic elements, and layered vocals, and she is not afraid to experiment with vintage instruments as well as new technology to create her sound.

"For "Penguin Party," I chose to stick to the keyboards and loopers to focus on creative a more energetic album that people would want to move to. It also gave me a chance to experiment with some new ideas, such as using vocoder to make a drum track drive a bassline, looping live, and extravagant piano ornaments." WEBSITE, FACEBOOK.


I have only heard a couple of tracks from the forthcoming album including the featured song 'Astound Me'. I have to say, I am more than just a little keen on hearing the rest. Sarah's vocals bear some resemblance to one of the above mentioned artists, particularly in her phrasing and delivery. That said this one song is a delicious mixture of musical ideas that are carefully crafted together with plenty of individual uniqueness.

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Steve Buscemi's Dreamy Eyes - Four Waters (EP).

Background - Swedish indie/dream pop quartet Steve Buscemi’s Dreamy Eyes have just released their phenomenal debut EP 'Four Waters'. A delectable four track release including acclaimed single 'Swim Deep' - the band are also today announcing their debut London show - headlining The Sebright Arms on February 3rd next year.

Four Waters’ — the band’s debut EP is a hugely striking and diverse 4-track release, one that’s set to propel the band to even greater heights. "Four Waters is about not being enough” the band explain. "The frustration of not being able to do more, or doing something you thought would be the right thing but turned out not to be. Questioning your purpose and meaning and trying to be secure with who you are. It’s about helping each other out when one of you can’t manage and about finding your own ways of dealing with things. Following your intuition and doing what you feel is the right thing to do."

When we think of the songs on the EP we imagine ourselves standing by a dark lake somewhere deep in a forest in Sweden. We see the four songs as different types of water. Still, stormy, deep and obscure. Four different songs with the same wavy sound and feeling. It’s all about water and feeling blue.”

Prior to forming via Twitter, all 4 members of Steve Buscemi’s Dream Eyes had been operating in different small Stockholm bands. It was in the summer of 2015 that Tilde Hansen (bass, vocals) tweeted out a request for fellow musicians to start a new band. A couple of months later, Steve Buscemi’s Dreamy Eyes were formed. FACEBOOK.


We featured the track 'Swim Deep' earlier this month and now we get to share the full EP 'Four Waters'. This is an impressive collection of indie/dream pop, with the band delving into differing directions and styles. One consistent aspect is the melodic hooks, they are everywhere!


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The Little Kicks - Bang the Drum Slowly.

Background - Aberdeen’s The Little Kicks return with their immensely uplifting new single, Bang The Drum Slowly, out 1st December 2017 via Loosen Up Records.

Bang The Drum Slowly is a mightily infectious slice of off-kilter indie pop. It races through with scuzzy hooks, glitchy beats and sweeping harmonies, resulting in a delightfully quirky sound akin to the likes of Hot Hot Heat or OK Go. It's the fourth single to be taken from their latest album, Shake Off Your Troubles. Describing the album, lead singer Steven Milne explains “the themes of the record would be a feeling of happiness, gratitude and to be thankful with what you have and not take things for granted. Furthermore, not to let others get you down or let anyone put you in your place.”

Since forming five years ago, The Little Kicks have received critical acclaim from the likes of NME, Q, Clash and The Skinny to name but a few. They have also received support from BBC 6 Music, BBC Radio 1, Radio Scotland and XFM as well as Shake Off Your Troubles being nominated for the Scottish Album of the Year Award. Now, having shared stages with acclaimed bands such as The Maccabees, Maximo Park and White Lies, The Little Kicks hope to continue charming listeners further with the unique, vibrant sounds of Bang The Drum Slowly. WEBSITE, FACEBOOK.

You can catch The Little Kicks live at the following dates:

December 8th 2017 - Mad Hatters, Inverness
December 14th 2017 - Clarks, Dundee
December 23rd 2017 - The Tunnels, Aberdeen
January 12th 2017 - King Tut's Wah Wah Hut, Glasgow.


'Bang The Drum Slowly' is an infectious indie pop/rock song that is both vibrant and extremely catchy. Upbeat in nature the bands delivery is high quality and confident, whilst they write and perform material this good, that is hardly surprising.

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Half Forward Line - For Centuries.

Background - Half Forward Line debut first single "Hey, Can I Try on Your Glasses" from their debut album The Back of Mass.

Half Forward Line is the new band from Brian Kelly (So Cow), Niall Murphy (Oh Boland) and drummer/recordist Ciaran o Maoláin. The trio have crafted a short sharp dose of power pop, recorded over two days in the lounge of a derelict rural Irish pub. "The Back Of Mass" takes in tales of wedded bliss, social anxiety and the perils of letting someone try on your glasses. Infused with the pioneering jangling spirit of the Flying Nun roster, along with garage rock sonics and Kelly's inimitable brand of buzzsaw pop and slice-of-life lyrics, Half Forward Line have delivered a half-hour album hallmarked by hook-laden songs.

The back of mass is the rear of the church, near the doors, home of the last people to come in and the first people to leave. There's the whispered running commentary on the ceremony. There is the shifting of weight from foot to foot, counting down the minutes. People who would probably rather not be there, but would rather the insurance when their final day comes. 

Half Forward Line will be releasing their album on cassette on Rusted Rail of Galway, with the CD version on Jigsaw Records of Seattle. FACEBOOK.

'For Centuries' cuts to the chase in an energised musical manner, with the vocals adding some melody above a feisty guitar driven musical soundtrack. Power pop with a pleasing and healthy element of natural rock & roll.

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Wednesday, 1 February 2017

Midweek Muse: The Little Kicks - John Andrews & The Yawns - Beau + Luci - Línger

The Little Kicks - Don't Get Mad, Get Even.

Background - The Little Kicks first emerged around five years ago, a young Aberdeen band with the wind in their sails. A crisp, upbeat debut album followed, laced with off-kilter indie pop worthy of comparison to early Franz Ferdinand, The Long Blondes, or even Sparks. Then, the band took some time off to reassess, re-jig their personnel, and are now ready to stake their return...

With recent single You & Someone Like Me under their belts – complete with intricate motion capture video – The Little Kicks now officially announce that their long-awaited follow-up album Shake Off Your Troubles will be released on March 3rd through the band’s own Loosen Up Records. The third single to be taken from the album, Don't Get Mad Get Even, is out now. Website here, Facebook here. Mp3 here.


'Don't Get Mad, Get Even' is the second track we have feature by The Little Kicks. This is another fresh and refined song, where the melody is driven by the vocals and harmonies, above a quality indie pop soundtrack.

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John Andrews & The Yawns - Drivers.

Background - John Andrews & The Yawns announce upcoming album, share first track and video, and announce tour dates. Throughout his years of traveling, John Andrews has documented his life with his home recordings. His first record, Bit By The Fang, found him living in the amish country of Lancaster, PA. His latest record, Bad Posture finds him waving farewell to Pennsylvania & greeting the wooded hills of Barrington, NH. Sitting on top of one of these hills, coined Mt. Misery, is the colonial era farmhouse John now calls his home. This is where Bad Posture was born.

The songs were written slowly & quietly throughout the winter, usually late at night next to the wood stove for warmth. It was recorded in his barn with the doors ajar, welcoming the springtime. The humble recording gear invites the outside noises in. You can hear the crickets chirping with the occasional truck driving by. The songs themselves lend their hand like slow backwoods Beatles demos covered in a thin blanket of tape hiss. John’s voice lulls us in an earthy calmness as he sits hunched like a scarecrow over the piano.

Andrews’ band, The Yawns, has been crystallized with staples from the New England freak scene; Rachel Neveu & Lukas Goudreault (MMOSS/Soft Eyes) & Joey Schneider. All of who have been playing up in the free country for many years themselves and all of who call the same farmhouse home. Bad Posture is due March 10, on Woodsist Records. Tour dates on our tour page. Website here, Facebook here.


There is a restful vibe running through 'Drivers' that is occasionally given a little surge of energy. The environment in which the song was written and recorded in has rubbed off, giving the track a natural feel, with a good measure of charm and warmth thrown in.

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Beau + Luci - Fire Dancer.

Background - This song is the title track from their upcoming EP Fire Dancer, due out March 3, 2017. Hailing from the swamplands of Southern Georgia, raised on a heady blend of rock-and-roll and blues and classic country, Beau + Luci mine their rich musical heritage to dream up an extraordinarily timeless sound. On their upcoming debut the duo join forces to infuse their earthy yet lushly textured folk-rock with naturally immaculate harmonies that never fail to captivate.

Along with drawing from real-life experience, Beau + Luci weave in elements of visionary storytelling throughout the EP. Inspired by a central character from Cornelia Funke’s Inkheart trilogy—a fire-eater named Dustfinger—the intensely charged “Fire Dancer” explores what Luci refers to as “the idea of taking something that could be used for destruction and instead using it to give hope.”

Produced by Dan Hannon (Manchester Orchestra, Aaron Shust), Beau + Luci’s debut EP finds the duo collaborating with a host of esteemed musicians, including guitarist Scott Sharrard and keyboardist Peter Levin (both members of the Gregg Allman Band) as well as keyboardist Rami Jaffee (best known for his work with Foo Fighters and the Wallflowers). Throughout the EP, Beau + Luci show a sharp sense of songcraft honed through their near-lifelong studying of legends like Joni Mitchell and Johnny Cash. At the same time, the two channel pure passion into each track, instilling the EP with a powerful energy. Facebook here. Mp3 here.


If the vocals don't get you on their own, then when the music starts on 'Fire Dancer', I have a feeling that lovers of Americana and a good few other genres, will be very impressed. As a reference then, perhaps they might be compared to a young and highly energised Kate and Anna McGarrigle, whatever, more please!

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Línger - Avoid.

Background - In late September 2016, Línger released her debut single ‘Flyon’ and has already proven she is a powerful force to be admired. The single, and EP tuple were recorded in her home in Sydney, Australia, produced by fellow Sydney artist, Xavier Dunn.

Her latest offering from the forthcoming EP is ‘Avoid’, a lush electronic-pop journey characterised by Línger’s signature vocal harmonies. They provide the foundations for an pulsing and dramatic electronic track, all supporting Línger’s beautiful melodic whimsies.

Línger is a collaboration between experience and emotion that has come to fruition through years of feeling, longing and by simply being. Her words, originating in part through the creation of poetry, seek to make sense of the world which at times mystifies us all. Her EP tuple is inspired by the five elements of air, fire, water, earth and space. Attuned to divinity, each of Línger’s songs is able to insightfully capture moments in time that reflect what it means to be human.

Flying on to the Australian music scene in late September 2016, Línger has already proven she is a powerful force to be admired. Línger has been featured on Acid Stag’s Australian artist to watch list, and received glowing reviews throughout the blogosphere.

Línger will meet you in your world and her song will carry you upwards to a sky filled with ethereal beauty that is forever unfolding and everlasting. ‘Avoid’ will be in Digital Stores on the 3rd of February. The tuple EP by Linger will be released 17th of February 2017 (Mp3 here). Facebook here.


'Avoid' is a fine vocally driven electro pop song. Initially the vocals and vocal arrangements make this a beautiful enough song, however the synthy sounds emerge and the track gently develops in power and richness.

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Sunday, 4 December 2016

Quality And Quantity: Torgeir Waldemars - Highasakite - The Little Kicks - Fleurie

Torgeir Waldemars - Sylvia (Southern People).

Background - Torgeir Waldemar took the Norwegian people and music press by surprise with his eponymous debut album in 2014. Who had thought that the black-clad, long-haired and bearded man would deliver an album that captivated and moved us as much as it did. An acoustic masterpiece that sounded like it came straight from the rehearsal room of a young troubadour from Laurel Canyon in the seventies.

While his previous album cultivated a pure, acoustic sound, we get more rock music this time, and for Torgeir Waldemar nothing is more natural. With his background as a guitar hero in various rock bands, it was only a question of time before distorted tones would assert themselves in his solo career. No Offending Borders is a gloriously composite work with both dead honest acoustic laments and grandiose rock songs.

But the record is so much more than that, and for Torgeir this is a document that shows the seriousness we meet in our everyday lives. Both on the personal level, with relationships that falls apart and the loss of loved ones, but also on a national and global level, with refugee crises, suicide statistics and the weakest members of our society. You may have guessed it already, but this is a solemn record.

If you’re afraid that Torgeir Waldemar has turned away from what he presented on his debut album, you can relax. Here we get acoustic folk songs like Falling Rain (Link Wray), Island Bliss and Souls On A String, but the album also contains more intense rock songs like Summer In Toulouse, Sylvia (Southern People) and Among The Low.

Aesthetically, it’s also consistent from beginning to end - nothing at all is done by chance here. The historical lines that are drawn in the cover design, are also meant to point back to ourselves and to make us conscious of our past, so that we won’t make the same mistakes again.  Website here, and Facebook here.


I suppose technically 'Sylvia (Southern People)' is the B-Side to 'Summer In Toulouse' and that's a really fine song in it's own right, but I'm editor here and I get to choose my favourite! I just love this song, there's a little Neil Young and Crazy Horse about it, but so what, it's just so, so good...

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Highasakite - Golden Ticket and Samuri Swords (Acoustic Versions).

Background - Norway’s Highasakite’s release their superb ‘Acoustic Versions’ last Friday via Propeller Recordings - with the four track release showcasing their undeniable pop sensibilities, whilst specifically highlighting Ingrid Helene Håvik’s instantly recognisable, and immaculately presented vocal talents.

A stark, spellbinding release - the four tracks encompass a broad spectrum of sound palettes. Sweeping piano turns and a gloriously high reaching vocal performance stand out on EP opener ‘Samurai Swords’; elegantly swerving into the hushed beauty of the ‘Golden Ticket’ acoustic rendition - featuring Ingrid’s sumptuous zither work in its rousing chorus. Highasakite’s darker tendencies shine through on ‘Since Last Wednesday’ - with the EP culminating in a euphoric, otherworldly interpretation of ‘Leaving No Traces’ - once again presented with a backdrop of intricate piano work.


 Stripped of the multi-layered synths on sophomore album ‘Camp Echo’ - with a poignancy bereft of the dark and pummelling perplexities displayed on their usual output - Highasakite return to their more organic roots with the ‘Acoustic Versions’ EP. Featuring sprawling arrangements from accomplished pianist and band member Marte Eberson – Bachelor of Jazz, The Grieg Academy (2007-2011), Sund Folkehøgskole (2006-2007) and Foss Videregående Skole (2003-2006) – alongside the signature vocal of Ingrid Helene Håvik, a graduate of Trondheim Jazz Conservatory in her own right.


 

Recorded live from Propeller Studios in Oslo, all within a few hours, the EP calls on a selection of analogue equipment and pianos, including an Ed Seiler upright, tack piano, Bechstein Grand, pump-organ and zither. Highasakite have gone from strength-to-strength in 2016. Since its release in May, 'Camp Echo' has surpassed 13 million streams on Spotify alone and motioned a busy live schedule, including main stage headlines at Norway's five biggest festivals, alongside international routing via Glastonbury, Latitude, Hurricane and Roskilde. Website here and Facebook here.

The acoustic version of 'Golden Ticket' is accompanied by the above video which adds some real insight into the acoustic sessions. We featured the original version of 'Samuri Swords' earlier this year. I have to say all four new versions on the EP are a delight to listen to. Somehow they have managed to add depth and power, creating beautifully crafted music alongside the incredible vocals.

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The Little Kicks - Goodbye Enemies, Hello Friends.

Background - The Little Kicks have shared a video for their new single "Goodbye Enemies, Hello Friends" and announced a new album "Shake Off Your Troubles" due for release on March 3rd 2017 through Loosen Up Records.

The Little Kicks first emerged around five years ago, a young Aberdeen band with the wind in their sails. A crisp, upbeat debut album followed, laced with off-kilter indie pop worthy of comparison to early Franz Ferdinand, The Long Blondes, or even Sparks. Then, the band took some time off to reassess, re-jig their personnel, and are now ready to stake their return...

Through 2016’s political upheavals, and the loss of many a music icon, it’s been a year that many will be keen to see the back of, so it is perhaps with some foresight that The Little Kicks choose to name their 2017 album Shake Off Your Troubles. New single Goodbye Enemies, Hello Friends is in itself a nod to appreciating what you have in life, as singer Steven Milne elaborates;

“Lyrically this was the first song I wrote for the new album so it was the starting point and template for our new record in many ways. It's generally a song about being happy with your lot and appreciating what you have, and not letting anything get you down or get the better of you.  The overall sentiment is that things are going to be okay. This is echoed and in line with the title of our new record "Shake Off Your Troubles". There is a totally intentional Beatles vibe which you could say comes largely due to the name-check (and drum fill) in the last verse but I feel their influence was a natural reference point in the studio that suited the song.  The simplicity of having a heavy backbeat with melody moving on top and the drums not really changing is solid Ringo Starr. Of all the genres they covered they never really flirted with disco - so the brief sort of became “what if the Beatles went disco?” Website here and Facebook here.


If the melody, hooks and superb production don't get you with 'Goodbye Enemies, Hello Friends' then either your in the wrong place, or I had better start featuring North Korean nose flutes. This is for me, simply put, one charming indie pop song, and that's more than enough!

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Fleurie - Fire In My Bones.

Background - Nashville artist Fleurie has unveiled her music video for "Fire In My Bones," the fourth video released from her critically acclaimed EP, Arrows. "'Fire In My Bones' is a song about the inner battle for control that stems from unresolved or buried pain and shame," explains Fleurie. "This video tells the story of the little girl still alive in me, wanting acceptance for her failures, and the woman I am today fighting to reign victorious, to believe I am in control.”

Released back in September of 2015, Arrows proved to be a launching pad for the electronically-laced, cinematic, dreamy pop sound that has come to be synonymous with Fleurie. Nylon Magazine originally premiered "Fire In My Bones," citing her ability to meld a singer/songwriter approach with electronica. NPR Music highlighted the EP's second single, "Still Your Girl," saying, "...Fleurie uses heavy, jarring electronica to turn an airy pop song into something dark and downright luscious."

2016 saw the release of Fleurie's cinematic album, Love and War, which featured many songs that have received prominent placements in TV and film. "Soldier" was used in the international film trailer for Concussion starring Will Smith, "Hurts Like Hell" can be heard in MTV's Scream, and she's had multiple placements on CW's The Originals with "Breathe" and "Sirens." On top of that, she recently wrapped up a national U.S. tour alongside hip-hop artist NF.

In-between releasing Arrows, Love and War, writing for TV/film, and touring the U.S., Fleurie has begun writing and preparing for her next full-length release. Website here and Facebook here.


Third time feature this year for Fleurie on Beehive Candy, so I think it's safe to assume she ticks plenty of musical boxes for me. 'Fire In My Bones' demonstrates her creative and imaginative talent in copious amounts. The video is a fine uncluttered affair that adds some storyline to the song, however it's the music once again, that grabs and holds my attention.

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Bedolina - Melys - Avery Friedman - Hallelujah The Hills

Bedolina - We Are the Clock Ourselves Again. Out today March 28th, "We Are the Clock Ourselves Again" is an indie rock hymn about...