Bordeen - Ocean Tide.
Background from Bordeen - We're an Indie Pop band from just north of Toronto. As siblings, we are quite different, but as musicians, we come together forming something original.
This song is about accepting the things in life that are out of your control and being ok with that. There’s a certain melancholy about it, but through surrender, there’s a greater hope. Once you get past certain realities and experiences you can reach a deeper sense of joy.
We’ve decided to call our upcoming album, “Stiver” after the street where we grew up. As a collection of songs it’s a representation of more than just one concentrated writing session. The songs were written over a period of time where we had the chance to come together in a place that had fostered creativity and musical expression for a long period of our lives.
Ocean Tide the video depicts a sense of longing, a hopeful tone, a yearning, a journey of discovery, moving from a place of overwhelm into a moment of solidarity. Facebook here.
A gentle soundtrack that builds enough to give the song a fuller sound, sits behind beautiful vocals that duet and harmonise wonderfully. 'Ocean Tide' is a melodic indie pop song that oozes charm.
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Minus the Bear - What About the Boat?
Background - Minus the Bear are eagerly anticipating the release their new album this coming Friday, March 3rd. Voids marks the Seattle band’s first new full-length in five years and is also their return to their original label home, the venerable Suicide Squeeze Records. Fans interested in getting one last preview of the new songs found on the album before its release later this week can stream the song 'What About The Boat'.
For the past 15 years Minus the Bear have made music on their own terms while carving out their own unique musical world, selling over 500k records in the process and playing to countless sold out crowds along the way. This isn’t to say they’re impervious to outside influence. They’ve borrowed components from a wide swath of genres—the brainy clangor of New York’s proto-punk scene, the cerebral buzz of IDM, the poptimist evaluation of hip-hop and R&B, and the grandiose visions of prog rock—but always managed to defy classification.
Minus The Bear is Jake Snider (vocals, guitar), Dave Knudson (guitar), Cory Murchy (bass guitar), and Alex Rose (synthesizers, vocals).
Suicide Squeeze Records is proud to release Voids to the world on March 3rd, 2017 on CD, LP and cassette. The first pressing of the album is available on 1,000 copies of Electric Blue (Minus The Bear exclusive) vinyl, 5,000 copies of splatter colored vinyl and 5,000 copies of 180 gram black vinyl. The LP jacket features PMS inks, a die-cut cover with a printed inner sleeve and contains a download code. The cassette version is limited to 500 copies and also includes a download code. Website here.
There is a loose and laid back alt rock feel that introduces 'What About the Boat?' The band add some layers of sound whilst the vocals are just right for the song and the style.
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The Darling Buds - Complicated.
Background - The return of The Darling Buds! Odd Box are absolutely delighted to be releasing a brand new EP by The Darling Buds, their first for 25 years! The Evergreen EP will be out on 21st April.
After a few years of occasional gigging just for fun, The Darling Buds are delighted to be releasing a new 4 track ep 'Evergreen' on Odd Box Records. This will be the first new material released by the Buds for over 25 years (back in the day they did 3 session for the much missed DJ John Peel) and these new recordings continue the musical evolution seen by the band from their indie pop debut Pop Said to their last release Erotica.
The EP is being released on 10" vinyl (100 green, 400 black), cassette (100) and digital download. You can pre-order the EP now on our bandcamp. These are already flying off the virtual bandcamp shelves, Bandcamp here.
'Complicated' is one of four songs on the The Darling Buds new EP. Indie pop with a good helping of rock'n'roll gives the featured track, some energy and passionate edge.
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The History of Colour TV - As Gray As Park Can Be.
Background - Berlin-based trio The History of Colour TV presents ‘As Gray As Park Can Be’, the second single from their forthcoming third LP 'Something Like Eternity', which is slated for release on March 17 via France’s Crane Records.
The back story to this album is inspired by the band’s desire to work with notable producer Peter Deimel (The Wedding Present, Shellac, The Ex), for which they travelled to France in the spring of 2016 to record with him at the legendary Black Box Recording Studio. Days of making music in the French countryside, close to the Loire Valley, saw them depart from their previous sound, instead bringing a raw, minimalist aesthetic to the new release.
This new track follows the first single 'Wreck' from this album. Stylistically, these are both dynamic and open live recordings with minimal overdubs and, in this respect, they represent a snapshot of the album as a whole. Based on narrative themes, these songs blend melodic sensibilities with ragged guitar textures. The first track builds nicely on melancholic arpeggio patterns. Website here, Facebook here.
'As Gray As Park Can Be' is one of eleven tracks on the bands third album 'Something Like Eternity'. This is the second song we have featured and gives some idea of what to expect. Mixing ambient moments with some fine melodies, alongside some potent rock and walls of sound, your taken in all directions whilst enjoying a consistent ride. Check out the other song we shared and if you half like them both, you will love the whole album.
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Showing posts with label The History Of Colour TV. Show all posts
Showing posts with label The History Of Colour TV. Show all posts
Midweek Muse: The History Of Colour TV - AyOwA - In Light Of - Childcare
The History Of Colour TV - Wreck.
Background - Berlin-based trio The History of Colour TV is back with new music, presenting 'Wreck', the first single from their forthcoming third album 'Something Like Eternity'. For this, the band travelled to France in the spring of 2016 to record with Peter Deimel (The Wedding Present, Shellac, The Ex) at the legendary Black Box Recording Studio. The result represents a departure from their hallmark sound by bringing a raw, minimalist aesthetic to the new release.
Stylistically, 'Wreck' is a dynamic and open live recording with minimal overdubs and, in this respect, represents a snapshot of the overall album. With an elongated structure and narrative theme, the song itself blends melodic sensibilities with ragged guitar textures. Building on melancholic arpeggio patterns, 'Wreck' unfolds in intensifying sequences, crescendoing in a raging wall-of-sound that engulfs the song in a billowing cloud of guitars.
The History Of Colour TV was founded in Berlin in 2010 by British artist Jaike Stambach, initially conceived as a solo multimedia project involving noisy hypnotic output through audio, video and soundtrack offerings. Over the course of two albums and multiple EPs, released through Bruit Blanc and Saint Marie Records, the band has been unabashedly diverse in their approach, exploring harsh noise, sound collages and reverb-saturated dreampop, to the stripped-down rock of their more recent offerings. They also toured extensively while establishing their notable presence within the Berlin music scene. The current lineup also includes Markus Mocydlarz and Janek Sprachta. 'Wreck' will be released digitally on November 25. Their album 'Something Like Eternity' will be released in early 2017 via French label Cranes Records and the band's own imprint Weird Books. Website here.
'Wreck' has a raw live feel, not surprising as it was pretty much recorded that way. The play between guitar and vocals works well, and the rhythm adds energy and direction.
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AyOwA - Newcross.
Background - The Danish duo AyOwA came out the gates running with wicked hit ‘Sommer’ earlier in 2016 which attracted frequent play across Europe on BBC Radio 1 (Huw Stephens), Radio X, Amazing Radio and Apple’s Beats 1 with heavyrotation on Danish P6Beat. Huffington Post (US), Noisey, Vice and other international sites have taken the band which mark the rare case where Danish language music crosses borders abroad.
Friends Nicolai Kornerup and Hannah Schneider turned their companionship for musical alchemy when they started creating electronic music together as a band AyOwA. The two spent a summer in Valby to experiment with modular synths and old tape machines, and began to make their dark and evocative electronic pop songs.
"On the first floor there is no home. It has not been long." Take a little Underworld, mix it with a little Aphex Twin and sprinkle a bit Cocteau Twins on top and you land somewhere near AyOwA's second single ‘Newcross’. Still sung in Danish, AyOwA travelled through the past of familiar streets in London’s New Cross while looking at the dark windows and abandoned apartments and wondering where everyone went. Facebook here.
It's been a while since I've been around 'Newcross', a part of London I used to drive through regularly. So it's interesting to hear a song sung in Danish about said place. However this is a superb track with intricate sound mixing with dreamier vocals, the promo description above kind of nails it.
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In Light Of - Bless Your Heart.
Background from Jason & Sandy (In Light Of) - The two of us live in different cities without any mutual connections. We met when Sandy responded to a job posting of mine and quickly bonded over a shared appetite for the kind of boundless sonic exploration found in post-rock (and the like). It's been a long-distance relationship ever since.
We're truly the perfect pairing. Sandy's known as the idea starter or "vibe setter". He sent me a rough idea that he captured on his iPhone. I took it, developed and finished the track in my studio, and kept many of the original lo-fi recordings in the final mix. This is a song writing formula that works perfectly for both of us.
Sandy and I have never written a song together. That is together in the same room, or even the same city. Yet, all five songs on this debut EP, Little Treasures, were pieced together from ideas shared from one device to another, many kilometers away. And now for the first time, through the magic of technological advancement, it's in your hands to listen and consume. Facebook here.
'Bless Your Heart' is a soothing and flowing piece,that builds beautifully in all it's ambient glory. It's good to feature instrumental music when we can, with this song its a real pleasure.
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Childcare - Film Club.
Background - 'Film Club', the formidable new single from arch capital-city rockers Childcare, will be released on Lost in the Manor Records on 18 November. Childcare are supporting Bastille on their nationwide arena tour ahead of the release. Channelling post-punk, slacker rock, G-funk and bhangra, ‘Film Club’ – inspired by Childcare singer/songwriter Ed Cares’ trips to cinematic gatherings in order to impress a fellow attendee – evolves from unruly beginnings into a lick-laden dual-person narrative rich in celluloid reference. Set this to a jagged guitar refrain and riotous global beat, and you have a track brimming with killer hooks, cultural nous and compelling wit. One for the canon of intelligent British pop, ‘Film Club’ is a key exemplar of Ed’s smart, skilful songcraft, as well as his band’s singular sensual verve and ear for the cream of new wave.
It's 2014 and Ed Cares sits contemplating the formation of an oxbow lake. Despite being one of west London's most in-demand male nannies, Ed isn't entirely content with his lot. But, overheard humming a song he had written years before, Ed is persuaded by Katie, aged six, to form a band. Josh, eight, boldly proclaims: "You're probably my second favourite artist after Katy Perry." And so, after sourcing some neighbourhood musicians capable of living up to Josh’s heady billing — specifically Emma Topolski (bass), Rich Legate (guitar) and Glyn Daniels (drums) — Ed now had an able band to perform with under the only logical moniker in the circumstances: Childcare.
Enthused with the energy of punk, drenched in the off-kilter pop sensibilities of Missy Elliot, the infectiousness of The Police and a by-numbers approach to songcraft akin to Happiness In Magazines-era Graham Coxon, Childcare played some of their first shows at the Reading and Leeds festivals, and soon released their debut single 'Omega Grey'. The song gained radio play from Annie Mac, Huw Stephens and Steve Lamacq, was named Track of the Day at Radio X, playlisted at Amazing Radio and garnered extensive blog coverage from the likes of Clash, Indie Shuffle and more. Also paying close attention were Lost In The Manor Records, who, after witnessing Childcare at one of their vivid and visceral live shows, wasted no time in proffering a contract. Facebook here.
Tues 8 November: Birmingham NIA
Sat 12 November: Glasgow SSE Hydro
Sun 13 November: Newcastle Metro Radio Arena
Official ‘Film Club’ launch show - Mon 28 November: The Waiting Room, London N16.
'Film Club' is rapidly clocking up the listens, and it's hardly surprising with this feisty and potent song. If the rhythm doesn't get you the upbeat vocals and guitars could well hook your ears!
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Background - Berlin-based trio The History of Colour TV is back with new music, presenting 'Wreck', the first single from their forthcoming third album 'Something Like Eternity'. For this, the band travelled to France in the spring of 2016 to record with Peter Deimel (The Wedding Present, Shellac, The Ex) at the legendary Black Box Recording Studio. The result represents a departure from their hallmark sound by bringing a raw, minimalist aesthetic to the new release.
Stylistically, 'Wreck' is a dynamic and open live recording with minimal overdubs and, in this respect, represents a snapshot of the overall album. With an elongated structure and narrative theme, the song itself blends melodic sensibilities with ragged guitar textures. Building on melancholic arpeggio patterns, 'Wreck' unfolds in intensifying sequences, crescendoing in a raging wall-of-sound that engulfs the song in a billowing cloud of guitars.
The History Of Colour TV was founded in Berlin in 2010 by British artist Jaike Stambach, initially conceived as a solo multimedia project involving noisy hypnotic output through audio, video and soundtrack offerings. Over the course of two albums and multiple EPs, released through Bruit Blanc and Saint Marie Records, the band has been unabashedly diverse in their approach, exploring harsh noise, sound collages and reverb-saturated dreampop, to the stripped-down rock of their more recent offerings. They also toured extensively while establishing their notable presence within the Berlin music scene. The current lineup also includes Markus Mocydlarz and Janek Sprachta. 'Wreck' will be released digitally on November 25. Their album 'Something Like Eternity' will be released in early 2017 via French label Cranes Records and the band's own imprint Weird Books. Website here.
'Wreck' has a raw live feel, not surprising as it was pretty much recorded that way. The play between guitar and vocals works well, and the rhythm adds energy and direction.
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AyOwA - Newcross.
Background - The Danish duo AyOwA came out the gates running with wicked hit ‘Sommer’ earlier in 2016 which attracted frequent play across Europe on BBC Radio 1 (Huw Stephens), Radio X, Amazing Radio and Apple’s Beats 1 with heavyrotation on Danish P6Beat. Huffington Post (US), Noisey, Vice and other international sites have taken the band which mark the rare case where Danish language music crosses borders abroad.
Friends Nicolai Kornerup and Hannah Schneider turned their companionship for musical alchemy when they started creating electronic music together as a band AyOwA. The two spent a summer in Valby to experiment with modular synths and old tape machines, and began to make their dark and evocative electronic pop songs.
"On the first floor there is no home. It has not been long." Take a little Underworld, mix it with a little Aphex Twin and sprinkle a bit Cocteau Twins on top and you land somewhere near AyOwA's second single ‘Newcross’. Still sung in Danish, AyOwA travelled through the past of familiar streets in London’s New Cross while looking at the dark windows and abandoned apartments and wondering where everyone went. Facebook here.
It's been a while since I've been around 'Newcross', a part of London I used to drive through regularly. So it's interesting to hear a song sung in Danish about said place. However this is a superb track with intricate sound mixing with dreamier vocals, the promo description above kind of nails it.
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In Light Of - Bless Your Heart.
Background from Jason & Sandy (In Light Of) - The two of us live in different cities without any mutual connections. We met when Sandy responded to a job posting of mine and quickly bonded over a shared appetite for the kind of boundless sonic exploration found in post-rock (and the like). It's been a long-distance relationship ever since.
We're truly the perfect pairing. Sandy's known as the idea starter or "vibe setter". He sent me a rough idea that he captured on his iPhone. I took it, developed and finished the track in my studio, and kept many of the original lo-fi recordings in the final mix. This is a song writing formula that works perfectly for both of us.
Sandy and I have never written a song together. That is together in the same room, or even the same city. Yet, all five songs on this debut EP, Little Treasures, were pieced together from ideas shared from one device to another, many kilometers away. And now for the first time, through the magic of technological advancement, it's in your hands to listen and consume. Facebook here.
'Bless Your Heart' is a soothing and flowing piece,that builds beautifully in all it's ambient glory. It's good to feature instrumental music when we can, with this song its a real pleasure.
-------------------------------------------------------------------------------------------------------------
Childcare - Film Club.
Background - 'Film Club', the formidable new single from arch capital-city rockers Childcare, will be released on Lost in the Manor Records on 18 November. Childcare are supporting Bastille on their nationwide arena tour ahead of the release. Channelling post-punk, slacker rock, G-funk and bhangra, ‘Film Club’ – inspired by Childcare singer/songwriter Ed Cares’ trips to cinematic gatherings in order to impress a fellow attendee – evolves from unruly beginnings into a lick-laden dual-person narrative rich in celluloid reference. Set this to a jagged guitar refrain and riotous global beat, and you have a track brimming with killer hooks, cultural nous and compelling wit. One for the canon of intelligent British pop, ‘Film Club’ is a key exemplar of Ed’s smart, skilful songcraft, as well as his band’s singular sensual verve and ear for the cream of new wave.
It's 2014 and Ed Cares sits contemplating the formation of an oxbow lake. Despite being one of west London's most in-demand male nannies, Ed isn't entirely content with his lot. But, overheard humming a song he had written years before, Ed is persuaded by Katie, aged six, to form a band. Josh, eight, boldly proclaims: "You're probably my second favourite artist after Katy Perry." And so, after sourcing some neighbourhood musicians capable of living up to Josh’s heady billing — specifically Emma Topolski (bass), Rich Legate (guitar) and Glyn Daniels (drums) — Ed now had an able band to perform with under the only logical moniker in the circumstances: Childcare.
Enthused with the energy of punk, drenched in the off-kilter pop sensibilities of Missy Elliot, the infectiousness of The Police and a by-numbers approach to songcraft akin to Happiness In Magazines-era Graham Coxon, Childcare played some of their first shows at the Reading and Leeds festivals, and soon released their debut single 'Omega Grey'. The song gained radio play from Annie Mac, Huw Stephens and Steve Lamacq, was named Track of the Day at Radio X, playlisted at Amazing Radio and garnered extensive blog coverage from the likes of Clash, Indie Shuffle and more. Also paying close attention were Lost In The Manor Records, who, after witnessing Childcare at one of their vivid and visceral live shows, wasted no time in proffering a contract. Facebook here.
Tues 8 November: Birmingham NIA
Sat 12 November: Glasgow SSE Hydro
Sun 13 November: Newcastle Metro Radio Arena
Official ‘Film Club’ launch show - Mon 28 November: The Waiting Room, London N16.
'Film Club' is rapidly clocking up the listens, and it's hardly surprising with this feisty and potent song. If the rhythm doesn't get you the upbeat vocals and guitars could well hook your ears!
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...