Curbside Drive - Sidelined.
Background - Starting off as a not so secret band within a band, three dudes assembled and bonded over their love of punk rock. Keeping the cliché alive, Jack, Danyon and Zac jammed to poorly recorded drum tracks on Youtube in a small study turned studio room, nicknamed "the toaster shack oven". Never being able to start simultaneously with the internet, Youtube was easily replaced with the arrival of Jedd who completed Curbside Drive.
The Perth based band have been leaving their mark on the local scene through their ‘90s punk inspired riffs accompanied by their happy sad lyrics. Being described as pop punk, punk rock and even grunge at times, Curbside Drive are channeling their inner awkwardness and insecurities through their upcoming debut EP, 'Outside Your Window'. Recorded and produced by John Prosser of Vision Studios in their hometown of Perth and mastering done by James Newhouse of Reel2reel Studios, the EP leaves listeners with powerful driven chords, highlighting short catchy riffs whilst sneaky bass riffs linger beneath it all.
“Sidelined is about being average and not being sure what to do with your life but being okay with it. It follows the realisation that you don’t meet other people’s expectations of yourself and being fine with not being in the spotlight.”
The EP gives listeners the chance to share a collection of relatable experiences the band has gone through growing up, from making bad decisions and dealing with the outcomes. Tracks such as ‘Out of Luck’ and ‘Indecisive’ have captured their ‘90s punk influences through short catchy riffs, happy sad lyrics and been described sounding “like so many of my favourite punk bands, and you do it well.”
Looking to tour the local scene in WA, with hopes of making it over to the Eastern states in 2017, Curbside Drive are making themselves heard, bringing back late '90s and early '00s punk rock, one song at a time. ‘Sidelined’ will be in Digital Stores on 3rd March 2017. Facebook here.
There is a feisty modern punk feel to 'Sidelined'. It's good to hear a natural rock feel rather than any pretentious punk anger, the band have enough drive and the vocals add a touch of melody to make this play me again material.
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The Treehouse Children - Please (EP).
Background - The Treehouse Children's new EP, Please, includes their latest single ‘Woo’. This most recent offering from the Newcastle outfit will have you whistling its undeniably catchy melody and cranking this bouncing, pop-rock rollick.
The band writes: “‘Woo’ came together rather quickly in the studio (The Grove). Edge (drums) and Bes (Bass) smashed through their parts in 2 takes. Allowing us to spend time pulling tones and experimenting with sounds. Nigro (producer) was super keen on making this one explode with riff and backing vocals, we think we achieved this.
Most of our tracks begin with Oz and a guitar and a lyric idea, but this one quickly became collaborative. As soon as the verse was written Oz rang Edge whilst he was on the train excited to show someone. Edge beat-boxed his idea for the beat and they went into their storage unit with Bes the following day and laid down a demo. We injected hooks and catchy BVs, it was a fun writing process.”
In just 12 months they’ve played stages such as; Oxford Art Factory Gallery, Bar On The Hill, Cambridge Hotel NYE Street Party, The Small Ballroom (just to name a few) and often sharing the stage with a number of well known acts including Ball Park Music, The Delta Riggs, Saskwatch, Allday, KLP, Davey Lane, Glass Towers, The Owls, Thundamentals and Steve Smyth.
The band closed out 2016 with the release of their latest single ‘Please’, which received airplay on triple j, and turned the heads of fans and industry professionals alike.
Their latest national tour, saw the band play some of their most successful headline shows to date. Some say it’s their tight live show and polished sound, others say it’s their boyish good looks and cat-like reflexes, whatever it may be, The Treehouse Children have shown that they are a band to watch amongst Australia’s independent music scene. Live dates on our tour page, website here, Facebook here.
'Please' is a fabulous EP where The Treehouse Children treat us to a vibrant collection of songs, often upbeat, occasionally a little more refrained and always catchy and exciting.
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Hurricane Fall - How We Get Down.
Background - There’s a hot wind blowing: the kind of gale that lays a field of cane down flat against the earth, whips the roadside paperbarks into a frenzy, and buffets the windows of a solitary Landcruiser sailing down a moonlit red dirt track. It’s the kind of wind that heralds the arrival of a ferocious summer storm, and at the eye of the storm is Hurricane Fall.
Tamworth-born-and-raised and now based in Newcastle, Hurricane Fall is comprised of Jesse Vee (lead vocals & guitar), Pepper Deroy (lead vocals & bass), Jimmy Hick (lead guitarist) and Lachlan ‘Dusty’ Coffey (skins & percussion). Hurricane Fall confirmed their arrival onto the music scene last year with the release of their debut self titled EP, which peaked at No.2 on the Itunes Country Music Chart – the bands success was immediate!
Driving home their rock edge country sound, Hurricane Fall now release their new single ‘How We Get Down’, which was recorded at Spinlight Studio’s in Newcastle, and produced by the band. This is the lead single from their second studio EP also titled ‘How We Get Down’ (out now), which debuted at No.4 on the Itunes Country Chart.
Regulars on the touring circuit, the band have performed at many festivals including Gympie Music Muster, Tamworth Country Music Festival, The Mountain Cattleman Festival and Hats off To Country, live tour dates on our tour page. Website here, Facebook here.
There is a rather intriguing introduction to 'How We Get Down' on the video, before a the music kicks in. The films storyline continues, however the quality of the music takes over, with a fine country rocker, from a clearly talented band.
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The Byzantines - You Pull It (EP).
Background - Hailing from the great South Australian state that brought you two giant balls, Farmer’s Union iced coffee and Cooper’s Pale Ale come brit pop band The Byzantines. The new EP, You Pull It, was released via Marshmallow Pavement Records on last Friday. Following the release of their debut EP and a successful European/UK tour in 2014, the boys head out on an east coast Australian tour during February and March in support of the new EP. The tour kicks off at The Karova Club in Ballarat on Friday Feb 24 with label-mates The Montreals, and Melbourne Garage- Rock darlings BATZ. They’ll make their way up the coast on a 9-date tour, hitting Melbourne, Canberra, Sydney, Brisbane and other cities along the way.
There’s nothing pale about these Adelaide lads and best mates; vocalist Michael Pietrafesa, guitarist David Zammit, Jose Moucho on bass and Johnny Zervas on drums. Considered ‘Australia’s answer to Kasabian’ The Byzantines have incorporated a varied mesh of sounds and layers, all the while feeling organic and staying true to the British sound that bands like The Stone Roses and Primal Scream made famous.
After polishing off The Delta Riggs’ rider and copping abuse for it from them manager whilst supporting them at their Rolling Stone Magazine Live Lodge event, guitarist and talented engineer and producer Alex Markwell was impressed and a friendship was born. Markwell offered to help produce and engineer the EP so in 2015 the boys decided to hit the recording studio.
Recorded between competing national tours and other commitments, The Byzantines also enlisted the help of friends Dan Crannitch (Love and Other Crimes) to assist with pre-production and Luke Godson (Luke Million/The Swiss) to help capture the more electronic aspects of the band’s sound. Live tour dates on our tour page, Facebook here.
Our third feature for The Byzantines in the space of three months, as we arrive with the new EP 'You Pull It'. This is a marvellous collection of songs from a band who are clearly comfortable and capable of exploring different ideas and genres and do so with style and feeling.
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Showing posts with label The Byzantines. Show all posts
Showing posts with label The Byzantines. Show all posts
Genre Wander: The Byzantines - BLu ACiD - King Salami and the Cumberland Three - Locks - HEZEN
The Byzantines - Top Boy.
Background - Hailing from the great South Australian state that brought you two giant balls, Farmer’s Union iced coffee and Cooper’s Pale Ale come brit pop band The Byzantines.
The band share their newest single, ‘Top Boy’ from their forthcoming EP, You Pull It, set to release via Marshmallow Pavement Records on February 17th, 2017. Following the release of their debut EP and a successful European/UK tour in 2014, the boys head out on an east coast Australian tour during February and March in support of the new EP. The tour kicks off at The Karova Club in Ballarat on Friday Feb 24 with label-mates The Montreals, and Melbourne Garage- Rock darlings BATZ. They’ll make their way up the coast on a 9-date tour, hitting Melbourne, Canberra, Sydney, Brisbane and other cities along the way.
There’s nothing pale about these Adelaide lads and best mates; vocalist Michael Pietrafesa, guitarist David Zammit, Jose Moucho on bass and Johnny Zervas on drums. Considered ‘Australia’s answer to Kasabian’ The Byzantines have incorporated a varied mesh of sounds and layers, all the while feeling organic and staying true to the British sound that bands like The Stone Roses and Primal Scream made famous.
After polishing off The Delta Riggs’ rider and copping abuse for it from them manager whilst supporting them at their Rolling Stone Magazine Live Lodge event, guitarist and talented engineer and producer Alex Markwell was impressed and a friendship was born. Markwell offered to help produce and engineer the EP so in 2015 the boys decided to hit the recording studio.
Recorded between competing national tours and other commitments, The Byzantines also enlisted the help of friends Dan Crannitch (Love and Other Crimes) to assist with pre-production and Luke Godson (Luke Million/The Swiss) to help capture the more electronic aspects of the band’s sound. Facebook here. Live dates on our tour page.
Featured in December and back again we have The Byzantines and their new song 'Top Boy'. It's a potent rocker that works well with the video storyline, and the gentle switch of tempo for the chorus is clever and adds a good few more hooks.
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BLu ACiD - HCN.
Background - A compilation of BLu ACiD tracks that were released as singles in 2015 and 2016, has been released.
BLu ACiD; two Dutch musicians/producers that joined forces in this production unit. Both of them have more then 25 years of live stage experience and they combine that with 2016 recording and production techniques. Preserving the power and originality of american roots music but at the same time not excluding influences from any other musical styles nor any technology that is available today.
Like moonshine, the music was slow brewed in seclusion during all-night-and-day marathons attended only by the two members and the ghosts of the past, who were eager to have their voices echo into the modern world.
In February 2014 they released their first tracks on Black and Tan Records and April 2014 their first album production: a new Boo Boo Davis release (What Kind Of Sh-t Is This?) After this succesfull project they did several other projects and these tracks will be released individually on BLu ACiD Records, a subsidary label of Black and Tan. Facebook here.
'HCN comprises of six genre meddling tracks, each formerly released as singles. Put together this is a very strong collection of Americana rooted material, that imaginatively travels into other musical territory adding some extra spice. Creative and pleasing it also makes a good introduction to their material.
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King Salami and the Cumberland Three - Goin' Back To Wurstville.
Background - King Salami & The Cumberland Three: London's Premiere International Party Band Release Third LP. As stars of the BBC Television series, “The UK’s Best Part-Time Band”, King Salami & the Cumberland Three are London’s greatest rhythm’n’blues-punk band – one that truly represents London, being a mongrel mix of Caribbean, France, Japan, Wales and the Johnny-come-lately sax man from Mexico. (plus Canadian Spencer Evoy from MFC Chicken playing sax on many of this album’s songs).
Their repertoire, while hugely influenced by many of the great though obscure tunes of the ’50s and ’60s, are made to sound fresh and new to modern ears. You won’t be able to help but move your feet when the Cumberland Three are blasting out of your speakers. The King howls like Screaming Jay Hawkins with Bo Diddley chasing his coat-tail whilst Andre Williams tries to offer up some of his bacon fat, and the Trashmen do the Surfin’ Bird behind him, shakin’ and twistin’ and groovin’ non-stop. The Cumberland Three rock up a storm with their own branded mix of vintage rockabilly, desperate rock’n’roll and stomping soul, with fire, energy, gusto and, above all, fun!
The band has played pretty much everywhere in Europe (with more trips to the continent coming very soon) where they fill venues in every town, plus Australia, Israel, Turkey, the USA, even in China (from big cities to rural villages, from Beijing to Shanghai and all points between), and of course Japan (where they performed at the World Sumo Wrestling Championship in front of Empror Akihito, who was unable to stop himself from tapping his toes along to the band’s up-tempo tunes). Indeed, the band’s super fun new video for the title track of this album was filmed during a recent tour of Japan in which local people, young and old, readily jumped in front of the camera to join in with the shenanigans. Bandcamp here. Live dates on our tour page.
King Salami and the Cumberland Three are feisty, thunderous and fabulous. 'Goin' Back To Wurstville' is just a little taste of the bands no nonsense, timeless music. Think good time, add some craziness, a slice of lemon and come join the party!
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Locks - The Gin Song.
Background - Locks have now released the EP Rattle Them Bones on CD and are releasing it on Vinyl on 24th of February, to co-inside with this we have another single, The Gin Song. This is a bit more Pogues-esq, however they tell us "we're still sticking very much to our Waits/Cave skeleton-bluesy roots though".
After playing with a variety of different bands including rockabilly, traditional Irish, indie and nu-folk, the three misfits found themselves in a rehearsal room together writing parts for murder ballads involving burying bodies, mythological creatures and dark family secrets. Slowly tracking the footsteps of whatever creature has wandered before them, whilst singing songs about whatever's hiding just under the surface or lingering from the corner of their eye, they are together creeping through London's weird and wonderful musical underbelly. Locks hypnotically types out the lyrics on a vintage typewriter and this focuses you back to the sinister meaning of the story of the song.
Locks are: L. Geary-Griffin - all lyrics, guitars, vocals, Mike Byrne - Double Bass, Marian McClenaghan - Fiddle. Facebook here, Bandcamp here.
From the EP we have 'The Gin Song'. We featured Locks last year and on the strength of just one song were pretty optimistic of the good things to follow. The Gin Song demonstrates they can vary their style, the 'Rattle Them Bones' EP confirms our optimism was well founded. Locks readily admit their influences, however rather than being a tribute band for these, they use those influences to create their own sound and material, and I think it fair to say, they do this extremely well.
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HEZEN – Oil Fire (Stigma EP).
Background - “Music is how I make sense of my experiences. My songs are intimate and cathartic – I hope they can be for others too.”
HEZEN is the creation of London-based French producer and songwriter Sarah Hezen. Her indelible material comprises electronic beats layered with orchestral instruments, tackling themes that explore the body, femininity and the uncanny. Inspired by fairytales and sci-fi, her electro-fantasia soundscape is tender and brutal, organic and synthesised. Her debut EP, Stigma, was released on 27 January, and is a collection of songs about violence and resistance, and wholly conveys the spine-tingling atmospherics that are the motif of electronica’s new sensation. HEZEN will stir something in your heart, and under your skin.
Evoking the sublime unease of Massive Attack and the poignant vocal execution of Sia or Thom Yorke, ‘Oil Fire’ is a downtempo electro masterwork, a redolent digitalist ballad underscored by cool trip-hop grooves. HEZEN sings of resilience, of rolling with the punches, as she produces a beautiful take on the maxim what doesn’t kill you makes you stronger.
Created by HEZEN with her iPhone, a macro lens, and with post-production on After Effects, the striking video captures the singer alone in her room, dressed in clay. The results are raw, vulnerable and claustrophobic, making the body seem reptilian at times, or blistered by flame at others, but also suggesting a tough, protective armour, thus apposite for the theme of this bold and unforgettable track. Facebook here.
Taken from the 'Stigma EP' we have the video for 'Oil Fire'. We also can share the whole EP, a rich collection of material, that demonstrates HEZEN can match her dreamy and somewhat ethereal vocals, to well crafted and creative music.
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Background - Hailing from the great South Australian state that brought you two giant balls, Farmer’s Union iced coffee and Cooper’s Pale Ale come brit pop band The Byzantines.
The band share their newest single, ‘Top Boy’ from their forthcoming EP, You Pull It, set to release via Marshmallow Pavement Records on February 17th, 2017. Following the release of their debut EP and a successful European/UK tour in 2014, the boys head out on an east coast Australian tour during February and March in support of the new EP. The tour kicks off at The Karova Club in Ballarat on Friday Feb 24 with label-mates The Montreals, and Melbourne Garage- Rock darlings BATZ. They’ll make their way up the coast on a 9-date tour, hitting Melbourne, Canberra, Sydney, Brisbane and other cities along the way.
There’s nothing pale about these Adelaide lads and best mates; vocalist Michael Pietrafesa, guitarist David Zammit, Jose Moucho on bass and Johnny Zervas on drums. Considered ‘Australia’s answer to Kasabian’ The Byzantines have incorporated a varied mesh of sounds and layers, all the while feeling organic and staying true to the British sound that bands like The Stone Roses and Primal Scream made famous.
After polishing off The Delta Riggs’ rider and copping abuse for it from them manager whilst supporting them at their Rolling Stone Magazine Live Lodge event, guitarist and talented engineer and producer Alex Markwell was impressed and a friendship was born. Markwell offered to help produce and engineer the EP so in 2015 the boys decided to hit the recording studio.
Recorded between competing national tours and other commitments, The Byzantines also enlisted the help of friends Dan Crannitch (Love and Other Crimes) to assist with pre-production and Luke Godson (Luke Million/The Swiss) to help capture the more electronic aspects of the band’s sound. Facebook here. Live dates on our tour page.
Featured in December and back again we have The Byzantines and their new song 'Top Boy'. It's a potent rocker that works well with the video storyline, and the gentle switch of tempo for the chorus is clever and adds a good few more hooks.
-------------------------------------------------------------------------------------------------------------
BLu ACiD - HCN.
Background - A compilation of BLu ACiD tracks that were released as singles in 2015 and 2016, has been released.
BLu ACiD; two Dutch musicians/producers that joined forces in this production unit. Both of them have more then 25 years of live stage experience and they combine that with 2016 recording and production techniques. Preserving the power and originality of american roots music but at the same time not excluding influences from any other musical styles nor any technology that is available today.
Like moonshine, the music was slow brewed in seclusion during all-night-and-day marathons attended only by the two members and the ghosts of the past, who were eager to have their voices echo into the modern world.
In February 2014 they released their first tracks on Black and Tan Records and April 2014 their first album production: a new Boo Boo Davis release (What Kind Of Sh-t Is This?) After this succesfull project they did several other projects and these tracks will be released individually on BLu ACiD Records, a subsidary label of Black and Tan. Facebook here.
'HCN comprises of six genre meddling tracks, each formerly released as singles. Put together this is a very strong collection of Americana rooted material, that imaginatively travels into other musical territory adding some extra spice. Creative and pleasing it also makes a good introduction to their material.
-------------------------------------------------------------------------------------------------------------
King Salami and the Cumberland Three - Goin' Back To Wurstville.
Background - King Salami & The Cumberland Three: London's Premiere International Party Band Release Third LP. As stars of the BBC Television series, “The UK’s Best Part-Time Band”, King Salami & the Cumberland Three are London’s greatest rhythm’n’blues-punk band – one that truly represents London, being a mongrel mix of Caribbean, France, Japan, Wales and the Johnny-come-lately sax man from Mexico. (plus Canadian Spencer Evoy from MFC Chicken playing sax on many of this album’s songs).
Their repertoire, while hugely influenced by many of the great though obscure tunes of the ’50s and ’60s, are made to sound fresh and new to modern ears. You won’t be able to help but move your feet when the Cumberland Three are blasting out of your speakers. The King howls like Screaming Jay Hawkins with Bo Diddley chasing his coat-tail whilst Andre Williams tries to offer up some of his bacon fat, and the Trashmen do the Surfin’ Bird behind him, shakin’ and twistin’ and groovin’ non-stop. The Cumberland Three rock up a storm with their own branded mix of vintage rockabilly, desperate rock’n’roll and stomping soul, with fire, energy, gusto and, above all, fun!
The band has played pretty much everywhere in Europe (with more trips to the continent coming very soon) where they fill venues in every town, plus Australia, Israel, Turkey, the USA, even in China (from big cities to rural villages, from Beijing to Shanghai and all points between), and of course Japan (where they performed at the World Sumo Wrestling Championship in front of Empror Akihito, who was unable to stop himself from tapping his toes along to the band’s up-tempo tunes). Indeed, the band’s super fun new video for the title track of this album was filmed during a recent tour of Japan in which local people, young and old, readily jumped in front of the camera to join in with the shenanigans. Bandcamp here. Live dates on our tour page.
King Salami and the Cumberland Three are feisty, thunderous and fabulous. 'Goin' Back To Wurstville' is just a little taste of the bands no nonsense, timeless music. Think good time, add some craziness, a slice of lemon and come join the party!
-------------------------------------------------------------------------------------------------------------
Locks - The Gin Song.
Background - Locks have now released the EP Rattle Them Bones on CD and are releasing it on Vinyl on 24th of February, to co-inside with this we have another single, The Gin Song. This is a bit more Pogues-esq, however they tell us "we're still sticking very much to our Waits/Cave skeleton-bluesy roots though".
After playing with a variety of different bands including rockabilly, traditional Irish, indie and nu-folk, the three misfits found themselves in a rehearsal room together writing parts for murder ballads involving burying bodies, mythological creatures and dark family secrets. Slowly tracking the footsteps of whatever creature has wandered before them, whilst singing songs about whatever's hiding just under the surface or lingering from the corner of their eye, they are together creeping through London's weird and wonderful musical underbelly. Locks hypnotically types out the lyrics on a vintage typewriter and this focuses you back to the sinister meaning of the story of the song.
Locks are: L. Geary-Griffin - all lyrics, guitars, vocals, Mike Byrne - Double Bass, Marian McClenaghan - Fiddle. Facebook here, Bandcamp here.
From the EP we have 'The Gin Song'. We featured Locks last year and on the strength of just one song were pretty optimistic of the good things to follow. The Gin Song demonstrates they can vary their style, the 'Rattle Them Bones' EP confirms our optimism was well founded. Locks readily admit their influences, however rather than being a tribute band for these, they use those influences to create their own sound and material, and I think it fair to say, they do this extremely well.
-------------------------------------------------------------------------------------------------------------
HEZEN – Oil Fire (Stigma EP).
Background - “Music is how I make sense of my experiences. My songs are intimate and cathartic – I hope they can be for others too.”
HEZEN is the creation of London-based French producer and songwriter Sarah Hezen. Her indelible material comprises electronic beats layered with orchestral instruments, tackling themes that explore the body, femininity and the uncanny. Inspired by fairytales and sci-fi, her electro-fantasia soundscape is tender and brutal, organic and synthesised. Her debut EP, Stigma, was released on 27 January, and is a collection of songs about violence and resistance, and wholly conveys the spine-tingling atmospherics that are the motif of electronica’s new sensation. HEZEN will stir something in your heart, and under your skin.
Evoking the sublime unease of Massive Attack and the poignant vocal execution of Sia or Thom Yorke, ‘Oil Fire’ is a downtempo electro masterwork, a redolent digitalist ballad underscored by cool trip-hop grooves. HEZEN sings of resilience, of rolling with the punches, as she produces a beautiful take on the maxim what doesn’t kill you makes you stronger.
Created by HEZEN with her iPhone, a macro lens, and with post-production on After Effects, the striking video captures the singer alone in her room, dressed in clay. The results are raw, vulnerable and claustrophobic, making the body seem reptilian at times, or blistered by flame at others, but also suggesting a tough, protective armour, thus apposite for the theme of this bold and unforgettable track. Facebook here.
Taken from the 'Stigma EP' we have the video for 'Oil Fire'. We also can share the whole EP, a rich collection of material, that demonstrates HEZEN can match her dreamy and somewhat ethereal vocals, to well crafted and creative music.
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Weekend Wonders: Nevāda Nevada - Rayne - Gregory Clark - The Byzantines
Nevāda Nevada - 900 Days.
Background - Nobody ever really quits music. Not if they ever really loved it. One can try, but it always creeps back, until one day the air is once again being caused to vibrate in the most necessary to actualize being. It is how it should be.
Several years ago, Kathryn Musilek, frontman for Nevada Nevada, was a fixture in the vibrant and close-knit Iowa City, Iowa music scene, playing in numerous bands and just being generally omnipresent therein. In some way, this was the natural result of a life long love and study of music, having learned several instruments. A significant other used Kathryn as an entry point into this world, and once on the inside, spread their lovin' all over, with the knowledge of everyone in town--everyone, that is, but Kathryn.
This betrayal hurt so bad, it required that Iowa City be left behind in favor of Brooklyn and the creation of music be left behind in favor publicizing the same. It was a sort of "I need to be a new me" sort of deal. As we all know, though, a creator of things as gifted as Kathryn cannot suppress the urge to make things for long. And so there was born Nevada Nevada.
Nevada Nevada is a rock 'n' roll band from Brooklyn with more than a hint of its midwestern roots. It is part Wilco, part Guns 'n' Roses. There is americana and folk, but there is even more rock 'n' roll. Facebook here.
Distinct and melodic vocals drive '900 Days' forward, accompanied by a powerful musical soundtrack that develops into something quite expansive and somehow manages to grows even further as the song unfolds.
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Rayne - Chemicals.
Gregory Clark - The Home Song.
(From the Various Artist Compilation 'This Is Not A Game', released 9/12/16).
Background - Platform Records and Platform Songs (Publishing) will celebrate it's tenth anniversary in 2017.
To mark our first decade, rather than just 'looking back', Platform is releasing a 15-track various artists compilation, including bands, singers and songs very recently signed to our business. The album contains just under an hour of indie-pop and indie-rock music. Platform Records here.
Album Tracks are:
1. Late Hala - 'Good Thing'
2. Warm Winters - 'Prehistoric Skies'
3. Rayne - 'Chemicals'
4. Ross Trigwell - 'Safe Forever'
5. Bobo & The Demeraras - 'She'
6. Gregory Clark - 'The Home Song'
7. Jon Vautier - 'Leave The City Dead'
8. George Diaz - 'Can't Say'
9. Emporium - 'Magical Things'
10. The Ultra - 'Universe in Two'
11. Indiana Foxx - 'Spectre'
12. The Buddha Pests - 'Tanker'
13. James Blames - 'The Bad Old Days Are Back'
14. Voodoo Rays - 'Wider Sea'
15. Liquorice River - 'Back To The Beginning'
Rayne's 'Chemicals' and Gregory Clark's 'The Home Song' are just a small taste of the quality and variety to be found on the new compilation album from Platform Records. If you have a liking for indie pop and rock, then this really is a fine collection of artists and songs, that are well worth getting to know.
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The Byzantines - Jamaica.
Background - Hailing from the great South Australian state that brought you two giant balls, Farmer’s Union iced coffee and Cooper’s Pale Ale come brit pop band The Byzantines. The boys are excited to announce their new EP, set to release via Marshmallow Pavement Records on February 17th, 2017. The band are also announcing an east coast Australian tour during February and March in support of the new EP. The tour kicks off at The Karova Club in Ballarat on Friday Feb 24 with label-mates The Montreals, and Melbourne Garage-Rock darlings BATZ. They’ll make their way up the coast on a 9-date tour, hitting Melbourne, Canberra, Sydney, Brisbane and other cities along the way.
There’s nothing pale about these Adelaide lads and best mates; vocalist Michael Pietrafesa, guitarist David Zammit, Jose Moucho on bass and Johnny Zervas on drums. The Byzantines have incorporated a varied mesh of sounds and layers, all the while feeling organic and staying true to the British sound that bands like The Stone Roses and Primal Scream made famous.
Using the opportunity to promote their debut EP and supported by the Brit music icons such as Fred Perry Subculture and Liam Gallagher’s clothing label Pretty Green, The Byzantines embarked on a European/ UK trip in 2014. Coming off the success of that international tour, the guys were invited by Rolling Stone Magazine to play a sold out Workers Club show in Melbourne for their Live Lodge event supporting The Delta Riggs. After copping some abuse from their tour manager for drinking The Delta Riggs rider, The Delta Riggs guitarist and talented engineer and producer Alex Markwell was laughing his head off and a friendship was born. Markwell offered to help produce and engineer the EP so in 2015 the boys decided to hit the recording studio.
Recorded between competing national tours and other commitments, the boys also enlisted the help of friends Dan Crannitch (Love and Other Crimes) to assist with pre-production and Luke Godson (Luke Million/The Swiss) to help capture the more electronic aspects of the band’s sound. The initial session birthed ‘Jamaica', ‘a swaggering hot mess’ (Rolling Stone Magazine), which set the benchmark for the rest of the EP. The first listens from the new recordings are ‘Jamaica’ and ‘She Moves’, available on triple j unearthed, both singles lauded from critics and fans alike. Facebook here.
The video for 'Jamaica' is part story and part music. Musically the band make the most of Jamaica's reggae vibes, and put their own rock'n'roll stamp on the song. Based on this track alone The Byzantines could well destined for greater attention next year.
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Background - Nobody ever really quits music. Not if they ever really loved it. One can try, but it always creeps back, until one day the air is once again being caused to vibrate in the most necessary to actualize being. It is how it should be.
Several years ago, Kathryn Musilek, frontman for Nevada Nevada, was a fixture in the vibrant and close-knit Iowa City, Iowa music scene, playing in numerous bands and just being generally omnipresent therein. In some way, this was the natural result of a life long love and study of music, having learned several instruments. A significant other used Kathryn as an entry point into this world, and once on the inside, spread their lovin' all over, with the knowledge of everyone in town--everyone, that is, but Kathryn.
This betrayal hurt so bad, it required that Iowa City be left behind in favor of Brooklyn and the creation of music be left behind in favor publicizing the same. It was a sort of "I need to be a new me" sort of deal. As we all know, though, a creator of things as gifted as Kathryn cannot suppress the urge to make things for long. And so there was born Nevada Nevada.
Nevada Nevada is a rock 'n' roll band from Brooklyn with more than a hint of its midwestern roots. It is part Wilco, part Guns 'n' Roses. There is americana and folk, but there is even more rock 'n' roll. Facebook here.
Distinct and melodic vocals drive '900 Days' forward, accompanied by a powerful musical soundtrack that develops into something quite expansive and somehow manages to grows even further as the song unfolds.
-------------------------------------------------------------------------------------------------------------
Rayne - Chemicals.
Gregory Clark - The Home Song.
(From the Various Artist Compilation 'This Is Not A Game', released 9/12/16).
Background - Platform Records and Platform Songs (Publishing) will celebrate it's tenth anniversary in 2017.
To mark our first decade, rather than just 'looking back', Platform is releasing a 15-track various artists compilation, including bands, singers and songs very recently signed to our business. The album contains just under an hour of indie-pop and indie-rock music. Platform Records here.
Album Tracks are:
1. Late Hala - 'Good Thing'
2. Warm Winters - 'Prehistoric Skies'
3. Rayne - 'Chemicals'
4. Ross Trigwell - 'Safe Forever'
5. Bobo & The Demeraras - 'She'
6. Gregory Clark - 'The Home Song'
7. Jon Vautier - 'Leave The City Dead'
8. George Diaz - 'Can't Say'
9. Emporium - 'Magical Things'
10. The Ultra - 'Universe in Two'
11. Indiana Foxx - 'Spectre'
12. The Buddha Pests - 'Tanker'
13. James Blames - 'The Bad Old Days Are Back'
14. Voodoo Rays - 'Wider Sea'
15. Liquorice River - 'Back To The Beginning'
Rayne's 'Chemicals' and Gregory Clark's 'The Home Song' are just a small taste of the quality and variety to be found on the new compilation album from Platform Records. If you have a liking for indie pop and rock, then this really is a fine collection of artists and songs, that are well worth getting to know.
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The Byzantines - Jamaica.
Background - Hailing from the great South Australian state that brought you two giant balls, Farmer’s Union iced coffee and Cooper’s Pale Ale come brit pop band The Byzantines. The boys are excited to announce their new EP, set to release via Marshmallow Pavement Records on February 17th, 2017. The band are also announcing an east coast Australian tour during February and March in support of the new EP. The tour kicks off at The Karova Club in Ballarat on Friday Feb 24 with label-mates The Montreals, and Melbourne Garage-Rock darlings BATZ. They’ll make their way up the coast on a 9-date tour, hitting Melbourne, Canberra, Sydney, Brisbane and other cities along the way.
There’s nothing pale about these Adelaide lads and best mates; vocalist Michael Pietrafesa, guitarist David Zammit, Jose Moucho on bass and Johnny Zervas on drums. The Byzantines have incorporated a varied mesh of sounds and layers, all the while feeling organic and staying true to the British sound that bands like The Stone Roses and Primal Scream made famous.
Using the opportunity to promote their debut EP and supported by the Brit music icons such as Fred Perry Subculture and Liam Gallagher’s clothing label Pretty Green, The Byzantines embarked on a European/ UK trip in 2014. Coming off the success of that international tour, the guys were invited by Rolling Stone Magazine to play a sold out Workers Club show in Melbourne for their Live Lodge event supporting The Delta Riggs. After copping some abuse from their tour manager for drinking The Delta Riggs rider, The Delta Riggs guitarist and talented engineer and producer Alex Markwell was laughing his head off and a friendship was born. Markwell offered to help produce and engineer the EP so in 2015 the boys decided to hit the recording studio.
Recorded between competing national tours and other commitments, the boys also enlisted the help of friends Dan Crannitch (Love and Other Crimes) to assist with pre-production and Luke Godson (Luke Million/The Swiss) to help capture the more electronic aspects of the band’s sound. The initial session birthed ‘Jamaica', ‘a swaggering hot mess’ (Rolling Stone Magazine), which set the benchmark for the rest of the EP. The first listens from the new recordings are ‘Jamaica’ and ‘She Moves’, available on triple j unearthed, both singles lauded from critics and fans alike. Facebook here.
The video for 'Jamaica' is part story and part music. Musically the band make the most of Jamaica's reggae vibes, and put their own rock'n'roll stamp on the song. Based on this track alone The Byzantines could well destined for greater attention next year.
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