Tallie Gabriel - The Arthur Brothers - Sun June - Kristen Beckwith

Tallie Gabriel's new E.P 'Little Death' is a really fine collection of truly beautiful songs with captivating vocals and a consistently refined musical backdrop. === It's been sometime since we last featured The Arthur Brothers however they return with the magnificent nine and a half minute Neo-psych song 'Sun Gun' . === Austin band Sun June share their latest track 'Singing' which is described as their Groundhog song, it's also melodic and hook filled. === Kristen Beckwith shares 'Magic Years' and it's a good example of what to anticipate on her forthcoming album 'A True Story' where the Salt Lake City based artist delivers some gorgeous singer songwriter material.
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Tallie Gabriel - Little Death (E.P).

Ethereal singer/songwriter and cellist Tallie Gabriel has unveiled her debut solo E.P. Little Death, a collection of tender hopeful and heartbroken stories written in the aftermath of and reflection on a breakup, featuring singles “Story,” “Hummingbird,” “Laundry,” and cover of “Who Knows Where the Time Goes.”

The 5 song EP explores Tallie Gabriel’s incredible poetry, musicianship, and vulnerability as it goes through the stages of allowing yourself to fall for someone, the disappointment of that relationship not quite working as you'd hoped, the loss of self that comes with betrayal, the confusing heartbreak of a one-time-fling that doesn't last, and finally, a giving over to the understanding that nothing is permanent and all things in life, especially love, ebb and flow like the tides.

“The name ‘Little Death’ comes from an idea my mother told me when I called her once, wildly heartbroken: a breakup the closest thing to the death of a loved one that humans experience. Someone is in your world, and then they're not, or at the very least, a new version of them is. The relationship you shared has died, so it's no wonder that we mourn lost loves so deeply,” says Gabriel. “It's also a cheeky play on the French phrase petit mort... I'll let you look up what that means."

“Little Death” was written by Tallie Gabriel, produced, mixed, and masted by Julian Giaimo and features Tallie Gabriel on cello, Halsey Harkins and Julian Giamo on keys, and Catherine Hardy and Halsey Harkins on background vocals.

Tallie Gabriel’s work is born out of moments of tender vulnerability. Her music is steeped in warmth and affectionate intimacy—exactly how she likes her heart best. Her poetic lyrics and thoughtful storytelling combined with her lilting voice have drawn comparisons to the likes of Regina Spektor, Ingrid Michaelson, and Sufjan Stevens. She draws inspiration from a variety of indie singer-songwriter and folk predecessors, as well as incorporating the influence of the trad Irish, Bal-musette, and classical motifs that attracted her to the cello and music composition when she was younger. Gabriel is 1/4 of the folk group Cardboard Rocketship.



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The Arthur Brothers - Sun Gun.

The Arthur Brothers; is a London based artistic alliance centered around brothers Matt and Danny Arthur and the producer/songwriter and multi-instrumentalist J. C. Wright.

With an eclectic batch of singles over the last two years, The Arthur Brothers have demonstrated that there are no boundaries in terms of what to expect from their musical creations. With accolades from radio and press globally, throw in two award winning animated videos, and it’s clear to see that The Arthur Brothers are showing a unique ingenuity and imaginative ambition that doesn’t come around often.

‘Sun Gun’, The Arthur Brothers latest single from their upcoming debut album Nine, is the final phase of a journey that began 9 orbits ago, when the talented brothers Arthur met producer J. C. Wright and they collectively embarked upon a mission, an expedition, an exploration, a compulsion even…. an undertaking that can only be described as...’art for art’s sake’. Recorded in a dilapidated old warehouse in North London - now known as the ClearLight SoundCave - with broken windows, cracked concrete, parquet flooring and a cavernous sounding art-deco stairwell which features heavily in the tonality and ambience of the album. A DIY approach that ultimately flourished into a majestic sonic proclamation.

‘Sun Gun’ is a song about the future. But also a song about the past… from the future’s perspective. A dys/utopian narrative. A rescue mission. An uplifting space romp. A portent of potentiality and a premonition of probability for the ever expanding, avaricious human race. ‘Sun Gun’ is a song of hope, a song of love… a light to lift the darkness.

A 9mins30 sweeping epic journey – ‘Sun Gun’ is a timeless neo-psych, shimmering, summer’s day intergalactic cruise, surfing on waves of vocal harmonies and cascading guitars. From ‘Sun Machine’ to ‘Sun King’, sun salutations to sun salvation. A fitting last song for the creative enterprise that is The Arthur Brothers Nine, ‘Sun Gun’ acts as a statement of intent. A song to launch The Arthur Brothers into space and back again. ‘Destination we've arrived’.

The accompanying ‘Sun Gun’ video, playfully edited by Greg Vegas, offers a captivating version of the song’s journey by incorporating archival film footage of 1974 USSR films Teenagers in the Universe and Moscow-Cassiopeia by Maxim Gorky studios, interspersed with textures by UK visual artist Anastasia Beltyukova aka Tribambuka.

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Sun June - Singing.

Austin band Sun June have released a new single & video today for "Singing" and announced they've signed to Run For Cover Records.

Laura Colwell says: " 'Singing' is our groundhog day song. It's about being stuck in an old argument with your partner, wishing you both saw the world the same way. The video expands on that idea by cycling through various mundane ruts we can get caught in.

We also explore around our Austin neighborhood, where they're tearing stuff down and building stuff up."

Sun June's new album is due early 2021 via Run For Cover and Keeled Scales.

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Kristen Beckwith - Magic Years.

Kristen is a singer-songwriter based out of Salt Lake City, Utah. Inspired by artists of all genres, music became Kristen’s passion at a young age.

In 2018 she made the choice to pursue music full time and by early 2019 released her first single, “Free”. Driven by authentic lyrics and melodies, Kristen’s music is emotional and thought-provoking. She is an advocate in the topic of mental health.

After two and a half years working day in and day out, Kristen is beyond thrilled to be releasing her debut album, “A True Story” October 2nd, 2020. In an interview with KSL Kristen said, “I want to touch hearts and move people the way music moves me”.

Kristen Beckwith · Magic Years

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Sarah P - The Ninth Chapter - The Arthur Brothers - Trouble in the Wind

We featured the 'Maenads' E.P by Sarah P. back in January however the video for the excellent title track is well worth a share. Australian six piece band The Ninth Chapter mix the genres and styles up with a funk meets folk kinda song. We featured The Arthur Brothers a couple of times last year and now we have an award winning video from them for what is a really good song entitled 'Violet Hum'. Trouble In The Wind share a gorgeous rocker with plenty of passion and feeling to round things off today.

Sarah P. - Maenads.

Maenads is a disco-inspired song about those nights that are empty of feelings. The video's visuals are a fast-forward to Sarah's life in Berlin - rather secluded, away from distractions. "This isolation-by-choice gave me time to process life events that had shaped me."

The song's video features Sarah and Sabina Smith-Moreland cast as a bird that symbolizes mental illness. The video shows the importance of coming to terms with own struggles while not letting them overtake one's life. "I’ve been struggling with depression and anxiety for a long time, but I'm convinced that it's possible to control one’s mental health, rather than living a life controlled by mental illness," Sarah shares.

"Mental illness never truly goes away, but learning more about it can help understand what’s going on inside your body and mind and therefore, control it better."

Sarah P. on the filming of the video: "For the last part of the Maenads trilogy, I decided to film in Berlin - where it all started for me. This video is perhaps my least “ethereal” work-to-date - with “ethereal” being a word that’s often used to describe my work. Berlin isn’t ethereal - it’s boxy and well structured in its chaos. Berlin’s light is very different compared to the light in Athens; in Berlin, the light is moody and arrogant - especially during the winter, where it makes rare appearances. Maenads was filmed at Theaterhaus Berlin - a space that felt homely and brought me closer to my drama school years. I had the pleasure to work with photographer and visual artist Colette Pomerleau and dancer Sabina Smith-Moreland. For the coloring of the video, I worked once again with David Hofmann who previously colored the other two parts of the Maenads trilogy. Although the concept and set are meant to symbolize my life in Berlin, my “Greek Maenads” (Clio “Lil Cli” Arvaniti, Dora Pantazopoulou, Rania Ainiti, Marianna Pagrakioti) make a special appearance on Maenads TV. The additional visuals were filmed & edited by George Geranios, on a rooftop in Athens - the concrete jungle. Lastly, Apostolia Gogara is responsible for the fantastic hair and makeup of the additional visuals."


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The Ninth Chapter - My Own Time.

The Ninth Chapter possess a powerful ability to groove. Layering elements of funk, blues and folk, the Australian six-piece revel in exciting songwriting that takes listeners on a diverse musical journey. With over a decade of touring and three EPs to their name, the band successfully launched their first full-length over the weekend with two massive shows -  to keep the good vibes flowing, The Ninth Chapter will be taking their hot show through NSW and Qld over the coming months.

As an amazing live outfit The Ninth Chapter are renown for pairing its heavy groove with thumping horns, but on record the group sculpt a vast landscape of sounds, moods and tempos - a definitive representation of where The Ninth Chapter's musical evolution has taken them. Led by Jaz Munro’s bluesy vocals and slinky guitar, the ablum is a showcase of The Ninth Chapter's dynamic sound: the driving rhythm section of bassist Daniel Bowland and drummer Zac Page, the expansive percussion of Glen McClymont, and the richly layered horn section of Dillon Carlsson and Tom Hilliar.

Following on from the aptly titled taster What's Going To Happen Next, new single My Own Time is the band in total cruise control - one arm out the window and enjoying the ride. Smooth and summery, it is a song that celebrates travelling at your own pace – an ethos very much at the band's core. With its members scattered across Australia's beautiful north east coast, The Ninth Chapter perfectly encapsulate the laid-back lifestyle of Australian beach culture.

With the band proudly committing to a non-digital recording process with Geoff Wright at Lucky Boy Analogue studios in Byron Bay, The Ninth Chapter presents the group in all their glory – from the broad spectrum of genres they span, to their irrepressible live energy. It is a true reflection of their journey thus far. But beyond all else, The Ninth Chapter is a band about mateship... the kind of brotherhood that feeds creativity – both collectively and for the individuals within it. This more than anything provides the chemistry that makes the band's debut album so true to their hearts.

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The Arthur Brothers - Violet Hum.

The Arthur Brothers; an artistic alliance centered around the biological brothers Matt and Danny Arthur and the producer/songwriter and multi-instrumentalist J. C. Wright. After the releases of ‘Ninth’ and ‘Flawless’, tracks that demonstrated the darker, brooding side of the band, The Arthur Brothers released ‘Violet Hum’ on March 1st via ClearLight Records/Declared Goods.

A rollicking musical collage that seductively takes you on a journey through mad unexpected scene changes.  Beginning with a 1930’s wireless parlour sound which transitions quickly through 70s nonchalant pop, sun drenched Beach Boys-esque a cappella vocal bridges, Welsh colliers choir breaks, a calypso beach party scene, and even a ‘The Who - Sellout’ style radio ad break.

It features a horn section that included trombone and trumpet from Tim Hart and Pablo Mendelssohn (member of The Specials horn section and the Book of Mormons House Band) and a string section led by violinist Sarah Anderson (Chrome Hoof, Deep Throat Choir).

The eccentric, eclectic nature of this musical collage of a song is brilliantly manifested in the award winning animated music video by Tribambuka (Anastasia Beltyukova) who used a mixture of different techniques and styles to take the viewer on a crazy journey with the brothers through strange and whimsical worlds on the back of a grumpy fish to messy abstract subconscious states of mind, where chaos and cosmos collide.

The video has been recognized at a number of international film festivals including, Best Music Video, Feel The Reel International Film Festival 2018, Glasgow, UK and International Animated Film Festival ReAnima 2018, Bergen, Norway, along with numerous other events.


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Trouble in the Wind - Fall Guy.

Presenting the new music video 'Fall Guy' from San Diego Trouble in the Wind. This video marks the lead single off of their album 'Hammer On'.

Trouble in the Wind has been labeled as folk, Americana, alternative, country, surf rock …etc but the Southern California quartet likes to brand themselves as “rock and roll”.

The band’s stripped-down organic sound is a multi-instrumental collective fronted by songwriter Robby Gira, whose staggering powerful voice creates the center of attention of their songs.

The band is completed by musicians Kyle Merritt, Trevor Mulvey, Larry Doran providing lush instrumentation including accordion, upright bass, brushes, banjo and electric guitars. Trouble's songs are emotional at the core and blend a range of styles from ballads to surf folk to soulful rock.


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The Arthur Brothers - Grascals - Kidsmoke - Henry Jamison

The Arthur Brothers - Flawless.

The Arthur Brothers began life as a recording project and quickly grew into an artistic alliance centered around the biological brothers Matt and Danny Arthur and the producer/songwriter and multi-instrumentalist J. C. Wright. Their music is inspired by a mutual obsession for inventive song-craft and a cross-generational love of classic albums with dramatic, bold and intriguing productions.

Driven by a devotion to the recording process and a passionate desire to make a record full of mystery, melody, diversity and depth - the Arthurs and Wright, along with a coterie of talented contributors have been on a long and challenging creative expedition. 

The Arthur Brothers’ second release is a song of icy emotion and heartfelt soul searching about the complexities of broken love and human fallibility. The regretful and remorseful narrative plays out with Matt Arthur's tortured, distorted vocal set into a mountainous and cinematic backdrop of dark majesty that conjures up images of Himalayan vistas and arctic landscapes.

Cavernous drums, moody pianos, visceral guitars, and the ominous drones of accordions, harmoniums and drunken trombones all punctuated by the haunting backing vocals of J. C. Wright and Danny Arthur. ‘Flawless’ is out now on ClearLight Records / Declared Goods. TWITTER.

There is something quite expansive and dramatic about 'Flawless'. The second single (we shared their first in September), The Arthur Brothers create an imaginative atmosphere with stirring harmonies, mysterious vocals and a powerful soundtrack, two songs in and they are firmly on our radar. 

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Grascals - Heartbreak Hall of Fame.

The award-winning Grascals bring a new single from their forthcoming album with the song “Heartbreak Hall Of Fame.” Smooth but driving with a classic sound, “Heartbreak Hall of Fame” merges vintage Country with modern Bluegrass in just the right way, a combination the Grascals do so well. Written by Larry Joe Cox, Ray Edwards and Dicky Minor, it tells the story of unrequited love and a man whose suffering is endured through this bitter lament. “Somewhere in the record books, There will be your name. And a list of all the hearts you broke while you played your cheatin’ game”

Lead vocals are performed by the band’s young, talked-about singer John Bryan with sterling Grascals harmonies by the recognized voice of Terry Eldredge and the resonant baritone of Terry Smith. “Heartbreak Hall of Fame” is the most recent single from this band’s upcoming release that follows the success of their 2017 release, Before Breakfast.

Great musicians will always find a way to make good music, but for great musicians to make great music, they must form a bond – one that, more often than not, goes beyond the purely musical to the personal. For The Grascals, that bond has been forged at the intersection of personal friendships, shared professional resumes and an appreciation for the innovative mingling of bluegrass and country music that has been a hallmark of the Nashville scene for more than forty years. WEBSITE.

We don't feature that much traditional country music on Beehive Candy however 'Heartbreak Hall of Fame' has something special about it and works for me. I suppose the modern Bluegrass element is what does the trick for me, that and the superb musicianship that is impossible to ignore, and the characterful vocals.


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Kidsmoke -  Rising Sun.

Welsh dream-pop outfit Kidsmoke share their urgent new single Rising Sun, the first from their upcoming album expected next year. The track is a pulsating psychedelic journey, spatially and sonically.

Produced by Bill Ryder-Jones and Russ Hayes, Rising Sun reveals a raw, driven and far-flung sound with an unwavering energy, with incorporating influences from My Bloody Valentine’s Suesfine. With lyrics of fortitude and resilience combined with dreamy vocals and harmonies, the band throwback to their indie heritage.

Both the music and lyrics showcase the strength of Kidsmoke’s sound: ‘The first two lines I wrote for Rising Sun were ‘I don’t want to follow’ and ‘I feel your love” describes frontman Lance Williams, ‘I wanted the song to be centred around those lyrics, so I started thinking about how they could be linked somehow. The song ended up being about pushing against what other people expect of you, even if that pressure is coming from the people you are closest to.’

The waves made by Kidsmoke’s shimmering brand of indie-pop do not stop in their native North Wales. With a sync-feature on Charlie Brooker’s Netflix series Black Mirror, they burst into 2018 with single Sister Sadness (named one of Steve Lamacq’s ‘6Music Recommends’ tracks of the year), were featured as The Sunday Times’ ‘Breaking Act’, supported Gaz Coombes and were invited by Robert Smith to play his Meltdown Festival in support of The Joy Formidable.

The band have spent the summer in the studio with long-time producer Russ Hayes, and recording with Bill Ryder-Jones, for their forthcoming debut album expected next year. TWITTER.

'Rising Sun' is our second song feature for Kidsmoke following on from 'Sister Sadness' which graced our pages back in February this year. This is more of a refreshing indie rocker musically, however the dream pop sensibilities are present through the melodic and engaging vocals and harmonies.

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Henry Jamison - Boys.

Henry Jamison’s songcraft has been praised as being “written like the Great American Novel. He crafts his lyrics with metaphor, juxtaposition, and a certain poeticism resonant of vagabond folk heroes or members of the literary canon” (Billboard), and Henry will prove that to be true ten-fold on his upcoming album ‘Gloria Duplex’ (out Feb. 8, 2019 on Akira Records).

The new album, which was produced by Thomas Bartlett (Sufjan Stevens, The National), and features strings by Rob Moose (Bon Iver, Arcade Fire, Phoebe Bridgers) and mixing by Patrick Dillet (Rhye, David Byrne), creates a lush and enveloping environment for the Burlington, VT musical bard to hold a magnifying glass to the topic of masculinity in 2018.

Henry Jamison has just released “Boys” the second single from ‘Gloria Duplex’ which finds him exploring the ways in which boys are indoctrinated into one-dimensional men. “The crux of this song is contained in the line ‘we used to feel our rage just like the sea, now we get it on an installment plan” he explains.

“I'm talking about myself and I'm talking about the repression that many men unknowingly experience today, that is both a cause and a result of an insatiable drive to prove ourselves. What could our vital forces yield if we weren't taught to stem them off into needless power games almost from our first breath? I don't know, but I'm willing to guess that it wouldn't be the insane "race to the bottom" in which we're now engaged.”

Elsewhere on the album, Jamison can be found sitting in a boardwalk bar drinking whiskey while pondering emotional repression, reflecting on the socio-economic divide of our culture while watching a group of chummy, Ivy League students ride a train out of NYC, and detailing overt expressions of masculinity lived out through a game of Grand Theft Auto. FACEBOOK. 

It has been a while since we last featured Henry Jamison an artist who has consistently impressed Beehive Candy. The new single 'Boys' is gentle and gorgeous, with absorbing lyrics delivered with natural feeling, and the musical backdrop is soft and yet sublime.

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Vulgarians - The Buoys - The Arthur Brothers

Vulgarians - Dead People Are Easier To Love.

Background - Hull’s Vulgarians are now sharing the Radio 1-supported new single, ‘Dead People Are Easier To Love’. Produced by Alex Greaves (Avalanche Party, The Orielles, Bo Ningen) at The Nave, Leeds, this is the first new music from the band since their 2017 EP, ‘Almost-Instinct, Almost True’. A bullish indicator of what's to come from Vulgarians through 2019, the band will support 'Dead People Are Easier To Love' with a string of dates through autumn 2018, including a stop at The Macbeth, London on September 27 - all tour dates below.

‘Dead People Are Easier To Love’ marks an assertive step forward for the group’s sound, turning to 80s synthesisers and the likes of Cold Cave and John Maus for inspiration. Penned just 72 hours before the band were set to record with Greaves, the new single captures a sonic and lyrical urgency that is hard to counterfeit. Speaking about the single, frontman RW Preen says: “After wandering home from wherever I had been, I noticed a blank billboard, which rather amusingly someone had tagged. I guess we live in a time where culture is so celebrity-driven and popularity accounts for happiness, it’s easy to romanticise that a blank billboard appeals to you. There’s truth and guilt in that we don’t appreciate something or someone until they’re no longer present.”

Since the release of 2016’s ‘Life’s Successful Death’ and 2017’s ‘Almost-Instinct, Almost True’, the Hull quartet have gone on to win support from Huw Stephens and Steve Lamacq (performing on Lamacq’s Introducing stage at The Great Escape), as well as touring alongside the likes of fellow Hull band, LIFE (whom they supported throughout June 2018), TRAAMS, The Wytches and Weirds. In addition, they have appeared at 53 Degrees North (Slaves, The Horrors, Dream Wife) and Another Fest (Yassassin, Heavy Lungs), ticked off a headline slot at Humber Street Sesh and secured further spots with HMLTD, Lady Bird and Protomartyr. FACEBOOK.

We have to go back around eighteen months to our only other feature for Vulgarians who impressed us then with their "anxiety and oh so close to the edge, feast of punk panic". The new track 'Dead People Are Easier To Love' is a more cohesive affair with the band producing a tight and more melodic post punk sound. The vocals remain passion filled and a tad manic in a wonderfully addictive kind of way.

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The Buoys - Arm Wrestle.

Background - Equal parts sweet and savoury, Sydney femme 4-piece The Buoys are gearing up to release their sophomore EP, after their debut Soft Boy received airtime on FBi and Triple J Unearthed, backing up shows with Aussie outfits such as Big White, Pist Idiots, Julia Why?, Georgia June, Breizers, Cakewalk and Tupperware Party.

The Buoys have a lot to send to your ear holes by way of unrelenting fuzzy guitar tones and honest raw lyrics so keep your ears out. Arm Wrestle is their latest single and has already been featured on the likes of Triple J and Fbi Radio.

"Arm Wrestle came to be when I had to address the reality of a situation. I had to explore if my thoughts were rational, or if I was making things up in my head and self sabotaging. It details that inner voice argument of, ‘something really bad is going down’ vs ‘don’t be silly, it’s all in your head, you’re crazy’. It’s an exploration of what it’s like to gaslight yourself really, only to find out your gut was right and you weren’t paranoid after all.” - Zoe

Forged in the flames of a failed tinder date, Sydney femme 4-piece The Buoys came to be when singer Zoe was introduced to drummer Tess, the cousin of said date. Next came Anthea, shredder guitarist sourced from none other than Gumtree. Then comes bassist Ros to complete the family portrait (no sponno to mention here).

Six months later and The Buoys have recorded a sophomore EP Split Lip to follow up the previous line-up’s DIY EP Soft Boy. Inspired by a workplace feud and a tonne of bad dates, Split Lip explores themes of uncertainty, disappointment, curiosity and self love. Described by Zoe as her “diary dumping ground” The Buoys writing style is just an extension of everyday relatable experiences.

Influenced by anything fuzzy, loud and fast, The Buoys have been making noise across Sydney to celebrate the release of their latest single Arm Wrestle. With the release of Split Lip at the end of the year and the inevitable return to the studio, they have plenty to send your way. BANDCAMP.

Musically 'Arm Wrestle' is a solid indie rocker that powers along with swirls of guitar and rhythm. The vocals add some emotion and further strength to this very catchy rocker.

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The Arthur Brothers - Ninth.

Background - The Arthur Brothers began life as a recording project and quickly grew into an artistic alliance centered around the biological brothers Matt and Danny Arthur and the producer/songwriter and multi-instrumentalist J. C. Wright. 

Their music is inspired by a mutual obsession for inventive song-craft and a cross-generational love of classic albums with dramatic, bold and intriguing productions. Driven by a devotion to the recording process and a passionate desire to make a record full of mystery, melody, diversity and depth - the Arthurs and Wright, along with a coterie of talented contributors have been on a long and challenging creative expedition.  

Their first single release, ‘Ninth’, is the opening stage of the nine part musical adventure that will eventually be unveiled as The Arthur Brothers' debut album....Prepare to be transported through a wormhole en-route to a Westworld-style vacation, accompanied by a soundtrack of cold pianos, dark drones, tribal drums and mantra-esque vocal lines. Imagine distant echoes of Ennio Morricone, Peter Gabriel, Tears For Fears and The Velvet Underground holed-up in a prospector’s mineshaft in space, digging for gold..

'Ninth' was released at the end of August and passed me by first time around, so sometimes a follow up "pestering" by the promo agents works. A creative indie song, The Arthur Brothers have a very definitive sound, where the musical arrangement is imaginative and superbly executed, whilst the vocals add even more character and individuality to a very fine first single.

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