Showing posts with label Thandii. Show all posts
Showing posts with label Thandii. Show all posts

Sunday, 16 June 2019

Thandii - Team Me - Julia Rakel - Grace Gillespie

Less than a month since we featured 'Honey' by Thandii they return with 'Tides' where the driving bass line and assortment of sounds blends beautifully with the gorgeous soaring vocals.

Team Me also return for a second time, back in April we shared 'The Future In Your Eyes' and now we have 'Does Anyone Know How To Get To The Heart Of This' a splendid enough song title and equally splendid indie piece the bands knack for creating rousing catchy tunes continues.

We featured Julia Rakel a couple of times back in March and now we have 'Summer Hit' another creative and melodic song where her fabulous vocals and wonderful musical arrangement work wonders.

Finally and pretty much a month to the day since we first featured her, Grace Gillespie has shared the new song 'My Love Surreal', a hook filled pop piece that is just a little off kilter making the track even more engaging.
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Thandii - Tides.

Margate based duo Thandii have released new single ‘Tides’. This will be the final single from upcoming EP ‘Serious Town’, slated for July 5th.

Having gained support for their signature blend of sultry female vocals and upbeat pulsating bass lines on previous singles ‘Company’ and ‘Honey’ Jess and Graham now return with ‘Tides’ where they explore the themes of guilt and how people deal with it. A growing cluster of rhythmic sounds and shuffles, and an ever-present increasing bass line invoke the feeling of being relentlessly chased by guilt. A tribute to Greta Thunberg, the song has a constant nod to her work in raising awareness toward climate change, and uses it as a metaphor for regret. “There’s another heatwave on….” and “I can’t ignore you,” Jess sings with her soaring vocals.

‘Serious Town’, out July 5th on the band's own label Bad Hacker, sees a departure in tonality as well as the way it was recorded from Thandii’s previous works. “For the EP we chose to spend some time in a proper studio, rather than recording at home as we have done before. One of our favourites is a place called ‘Echo Zoo’ down in Eastbourne - it’s an analogue recording haven more akin to the Southern States than the southern coast of the UK.” The duo wrote and produced the EP themselves and took inspiration from the darker side of the psyche. “Imagine if the voice in your head sang at a dystopian disco.” Featuring previous singles ‘Company’ and ‘Honey’ the EP also features 4 new tracks, including upcoming single ‘Tides’.

‘Suits’ is a delicate and floating melody over the stab of reverb bathed synths that laments the aftermath of a fight. It culminates in a distorted guitar solo that perfectly conjures the moment raw passion meets vulnerable emotion.

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Team Me - Does Anyone Know How To Get To The Heart Of This.

After their euphoric return earlier this year, Team Me present the memorable ‘Does Anyone Know How to Get to the Heart of This’, out now via Propeller Recordings (Highasakite, Dagny, Sløtface, Moddi), the third instalment of their upcoming EP.

Leading man, Marius Drogås Hagen of Team Me tells of the track, “‘DAKHTGTTHOT’ teleports us back into the post-apocalyptic world. A future where our cyborg heroes are fighting a losing battle. A battle for love, lost in a sea of flames”, continuing the harrowing and poignant narrative from it’s predecessor ‘The Future In Your Eyes’.

Capturing the anguish and romantic longing in the sonic soundscape, paired with Marius’ soft vocals, Team Me have taken a gentle and thoughtful approach on ‘Does Anyone Know How to Get to the Heart of This’. The single demonstrates the band’s capacity to create versatile sounds, showcasing their artistry while cementing Team Me’s reputation for manufacturing cinematic indie bangers in all forms.

When speaking of the band’s new chapter, Marius tells “as for the music, I really want to be more focused on documenting this time, rather than releasing an album and touring for three years on a campaign. I want the project to just be a way to let things out of my system.”

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Julia Rakel - Summer Hit.

Umeå-via-Malmö Swedish musician and producer Julia Rakel is the latest addition to Stockholm indie label Rama Lama Records' (Melby, Steve Buscemi's Dreamy Eyes, Chez Ali etc.) roster. Debut EP indie fEELz was just released in march and Julia is already back with a new single called Summer hit, out now on all platforms

Julia works at the well-known Malmö studio Tambourine and her credits include sound design and music for the award-winning short film Plankton. With her expertise as a producer she's refined her stripped-down sketches to a daydreaming beautiful soundscape that develops with every listen. This, put together with Julia's individual vocals and often ironic lyrics, create a intimate and memorable sound. A sound that has been described as “a laid-back, dreamy, DIY aesthetic provided with some wonderfully candid and vulnerable music”.

Julia Rakel's own words about the single: "Man, I’ve had such a shitty 2019 so far. So frickin’ long and dark. But then April comes along and is really warm and sunny, and I thought. YES. It’s finally going my way. So I took a longer route to work, smelled a flower, all that jazz. The day after I wrote and recorded this little jam! The lyrics are super depressive, but the song is happy! My favorite combination."

Debut EP indie fEElz is six track creation that according to Julia is a try to deal with the very different kinds of relationships we have with each other and ourselves through "a lot of irony, drum machines and way too many choirs parts". The tracks treat universal topics such as forced acquaintances, love, desperate attempts to be understood, how we feel about our egos and sad celebrations of friendships.

“Summer hit” is out now on all platforms via Stockholm independent label Rama Lama Records. Julia Rakel made her live debut in October last year and have since supported Molly Nilsson amongst others, more live dates to be expected.

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Grace Gillespie - My Love Surreal.

Grace Gillespie follows the infectious 'I'm Your Man' with the off-kilter pop track ‘My Love Surreal’, from her debut EP ‘Pretending’.

It’s South London based Grace’s exploration into solo psych-pop material after touring as part of Pixx’s live line up, supporting names such as Nilüfer Yanya, Cosmo Pyke and Trudy and The Romance.

Diverging from her previous romantic ballad, ‘My Love Surreal’ reveals the playful element of Grace’s sound, with discordant synth patterns that feel like the “cool blue light refracted” she’s singing about. Layered upon an almost-sinister plucky guitar riff and doused in her ethereal, vintage sound, the track is the epitome Grace’s individual pop vision.

Summarising the push-pull feeling of the charm of the track with the unexpectedness of dissonant chords, she describes the track as a “summer dysphoria”. With references to “blue light” and “day-glo”, “everything is vivid, patterned and bright - and yet entirely out of reach.”

Grace wrote the track in the peak of the hot concrete London summer, feeling frustrated, as “the circular synth patterns reflect little repetitive, negative patterns of thought, born out of a sense of isolation, being stuck indoors, being stuck creatively.” Anyone who lives in a big city will understand the confusing feeling of loneliness matched with endless potential.

In the end, the track comes full circle to remind Grace that her “love is real”: “It’s easy to be critical and get stuck in these relentless little cycles of negativity - I suppose the song was me trying to win myself over.”

It's yet another demonstration of Grace Gillespie’s ability to craft captivating pop songs whilst keeping listeners on their toes, a reminder to “get out of your head - it’s beautiful out there!”

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Monday, 27 May 2019

HunBjørn - Zoe Konez - Thandii - Party Hardly - Secrecies - Cream with a K

HunBjørn has released a video for 'All The Red' a gorgeous synth pop song where her distinct and dreamy vocals are matched equally by the beautiful musical backdrop.

South London's Zoe Konez writes and performs personal and thoughtful music as is demonstrated by 'We Got Lost' a song that showcases her talent and concern for others in a very fine way.

'Honey' from Thandii doesn't take long to stand out as a beautiful song, the vocals are gentle and melodic and the simple musical arrangement allows them to glide above as the perfect focal point for this piece.

Indie rockers Party Hardly were featured here a couple of times last year, now they make a welcome return with ' The Hopskotch Man' where once again their innovative and likable music is very hard to resist.

Secrecies give synth music some depth and edge with 'Life We Live' an addictive song drenched in emotion and feeling.

Finally today we have Cream with a K and the passionate and simmering pop meets rock song ' It Gets Me Down' where the subtle hooks gradually work there way in deep.
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HunBjørn - All The Red.

All The Red is a song about finding yourself again. It’s about pealing off layers, slowly build by what you think other people expect from you, and about a reaching for the essence and core of what really matters for you. “All The Red” is a metaphor for anger, envy, stubbornness - all the negativity that we sometimes find ourselves in, when we forget to listen to our own voices.

“Originally I wrote the song to my boyfriend, who battles controlling his temper in stressful situations. But it ended up having a more universal message for myself as well, about the importance of listening to yourself, of not letting the outside world influence how and why you do what you do - of trusting your own process”, explains Ulla Pihl, who’s behind HunBjørn.

“If we are able to give time and room for new acknowledgements to flourish, I’m sure that the negativity and all the metaphorical red will be softened and replaced by a surplus of energy and understanding for others. Then is much easier to be open and more empathetic, to the ones near to you, but also globally speaking”.

HunBjørn moves in an electronic dream pop universe. Her sharp productions mixes the soft and vulnerable with a more raw and direct approach. Catchy synth lines and dreamy vocals. She has a strong talent for using new technologies in her branding and marketing of her music and rapidly grew an engaged fan base with her messenger bot called the “She Bear Bot” and an interactive behind-the-scenes experience that fans could join, with personal V-logs, hidden Easter eggs and exclusive live videos.


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Zoe Konez - We Got Lost.

Zoe Konez has never been one to divide her music and personal life, and why would she start now? The South London songwriter spends much of her life connecting with people on hospital wards, making music with people in challenging circumstances. She’s also relentlessly developing her craft as a performer, having completed numerous tours across Europe in recent years.

A musician in the most complete sense, Zoe self-produces her releases. Constructing her songs from start to finish, she works from home, the studio and on the move, taking inspiration from all that’s around her.

Back for 2019 with a collection of brand new tracks to be released over the coming months, Zoe leads with indie-pop gem ‘We Got Lost’. It’s a track draped in dreamy, psychedelic guitar licks and soft, endearing vocals. On the new track Zoe states:

“I wrote the track in the first couple of days of January, in the quiet, reflective time before things started back for the year. I had changed the strings on my electric guitar and the opening chords were the first I played when I finished, and words fell out. I started recording it in my home  studio as I was still writing it. Lyrically the track explores social media and how isolated and pressured we all felt around that, as well as the division and confusion around Brexit"

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Thandii - Honey.

Margate based duo​ Thandii ​have today released new single ​‘Honey’​, as well announcing brand new EP ​‘Serious Town’​, will be released on July 5th.

Having gained support for their blend of sultry female vocals and upbeat pulsating bass lines on previous single ​‘Company’​, Jess and Graham now return with ‘Honey’​, a hint at a darker, and more muted tone from the duo on this melancholic-pop cry for help. This follows a sold out headline show at The Waiting Room in London.

A wistful vocal drifts over a morose and faltering synth; the beat trudges away like an emotional teen; all while Axelrod-esque synths and strings strike in the backdrop. An ode to the melodramatic, ‘​Honey’​ comes from the perspective of someone who believes they always make the wrong decisions in life. ‘​Honey, won’t you save me from myself?’ i​s the resigned outcry of someone who has nearly given up hoping they can​ change.

‘Serious Town’​, out July 5th on the band's own label Bad Hacker, sees a departure in tonality as well as the way it was recorded from Thandii’s previous works. ​“For the EP we chose to spend some time in a proper studio, rather than recording at home as we have done before. One of our favourites is a place called ‘Echo Zoo’ down in Eastbourne - it’s an analogue recording haven more akin to the Southern States than the southern coast of the UK.” T​ he duo wrote and produced the EP themselves and took inspiration from the darker side of the psyche. “Imagine if the voice in your head sang at a dystopian disco.”

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Party Hardly - The Hopskotch Man.

Leeds indie upstarts Party Hardly share fuzzed-up, melodic offering The Hopskotch Man, the first track taken from upcoming EP Modern Strife Is Snobbish dropping later this summer.

Constantly reshaping their sound as they mature and take influence from the urban cityscape and dirty undertones of Leeds and its thriving DIY scene, the quartet’s brand of off-kilter post-punk has swiftly won praise throughout the online community and looks set to continue with the arrival of their forthcoming EP.

Written after guitarist Matt Pownall suffered an injury resulting in reconstructive surgery which left him bedbound for some months, The Hopskotch Man was a culmination of the subsequent depression that tormented his mind:

“The Hopskotch Man is my anxiousness sitting on my shoulder. I would often have very vivid dreams during my recovery and a sinister man would always come and ask me to play a game of hopscotch, knowing full well that I couldn’t walk. The only way I got rid of this recurring nightmare was to look at him dead in the eyes and beat him at his own game. I’ve slept like a baby ever since".

Having already supported rising indie acts including The Magic Gang and Trudy and the Romance and gained BBC 6 Music airplay (Steve Lamacq), the four-piece are primed to continue their ascent with a slew of live dates to follow later this summer.

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Secrecies - Life We Live.

Awash in towering, reverb-drenched production, "Life We Live" is a prime example of the connected interplay between Shawn Magill and Joey Noga across their debut LP, Secrecies, which arrives on June 7th, 2019 via Idol Records.

By complete happenstance, Shawn Magill and Joey Noga met at a Cashmere Cat concert at Dallas venue Deep Ellum in 2017. They instantly connected over their obsession with sexy, synth heavy electro pop and formed Secrecies shortly after.

Together, their multi-layered chilling harmonies unite over playful pulses, evoking the heartaches and joys of passing youth.

They have performed with Alice Merton, Handsome Ghost, Armors, Swimming With Bears, Wilsen, Geneva Jacuzzi, Bad Bad Hats, Night Drive, Nite Jewel and more. Their debut album, SECRECIES, will be released on June 7th, 2019 via Idol Records.

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Cream with a K - It Gets Me Down.

Tokyo via London grunge-pop chanteuse Cream with a K (a.k.a. Lee Tatlock) returns with her latest indie earworm 'It Gets Me Down'. The scorching new track comes with the news that her highly anticipated debut album is on its way and set for release September 27th.

"All my music is Autobiographical, but I wrote 'It Gets Me Down' in LA shortly after I left Japan. I had been living for about 6 years in an extremely strict and controlled environment in Tokyo, and it was a steep learning curve coming to LA by myself", explains Tatlock. "Not only was I suddenly an unknown nobody in a sea of unknown nobodies but I just wasn’t used to speaking up for myself or even taking control of my own world. I think this song was a big step in the direction of 'finding my legs' as Cream with a K."

A musician, visual artist and former model, Cream with a K is most well known for her former involvement as the singer in the Japanese Pop band Neko Punch (Universal Music Japan). Having cut her teeth in the entertainment industry in Tokyo, she decided it was time to reconnect with the West through Cream with a K in early 2016, her first fully English project since her start in music. Pulling her influences from her hometown of London, her adopted hometown of Tokyo and pairing them alongside fuzzy grunge tones and etherial pop vocals makes her first solo effort a surefire head turner.

Working alongside many noteworthy Japanese producers such as Takeshi Kobayashi, Hydain and Shingo Yasumoto and bilingual in Japanese and English, she also turned her hand to song and lyric writing for other Japanese and Korean artists. In Tokyo, seen as a cultural figure who links the UK and Tokyo Music scenes, she was the TV host of the Japanese Rock music TV Show NHK’s “Nippon Rocks” series.

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Soot Sprite - Winter Gardens - LAWN CHAIR

Photo - Sofia Irini Soot Sprite - Days After Days. There is a beautifully distinct feel to Soot Sprite's music, that includes simmering...