Calva Louise - Tug Of War.
London punksters Calva Louise share gripping new single Tug Of War, the third track taken from their debut album Rhinoceros out 1st February.
Laying down a firm marker within London’s raucous punk scene over the last 18 months, the rising trio have since earned support slots alongside the likes of Albert Hammond Jr, Spring King and Anteros and recently finished an extensive UK tour with label-mates The Blinders.
Bursting with ferocity in their trademark anthemic style, Tug Of War encapsulates everything that’s come to be expected of the band. Silky guitar work, biting vocals and infectious, chaotic riffage takes centre stage and only adds to their growing reputation heading into next year’s debut LP release.
Discussing the video, the band stated: “We feel like in any kind of relationship there are unwritten rules everybody should follow, and that becomes a constant tug of war, dealing with unnecessary pressure. If everybody could have a complimentary point of view, then that tug of war could be a fun game where there are no set rules”.
We have featured Calva Louise twice this year and the new song 'Tug Of War' makes it three. The trio once again provide us with an energised punk come garage rocker, where the vocals add some melodic refinement whilst the music just crunches on with exuberance. The video adds a little humour as this London band continues to impress.
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Team Picture - Clone You.
Leeds-based six-piece, Team Picture have just shared their new track, ’Clone You’. Co-produced with Chris Mulligan (Treeboy & Arc, WH Lung), the track, which was initially penned during the band’s infancy, arrives as part of a AA-side alongside ‘Bedroom Genius’ which is due for physical release as a limited edition cassette via Big Dumb Music (DSP launch for AA-side set for January 18, 2019).
Speaking about the release, guitarist JL says: “‘Clone You’ and ‘Bedroom Genius’ are two songs dating from a period when we were still experimenting with different sounds and lineups which would culminate in ‘RECITAL'. It's the sound of us trying to reconcile our fondness for floaty waves and chunky guitar habits: of a band in the infancy of trying to educate themselves away from popular alt-rock tropes.” The AA-side release acts as the first piece of music from the band since the 6 Music-supported mini-album, ‘Recital’ which arrived earlier this year, produced by Matt Peel (Autobahn, Eagulls, Menace Beach). News arrives ahead of the band’s headline at Leeds’ Hyde Park Book Club on December 7, 2018 (tomorrow).
“The focus of the lyrics wasn't dwelt upon much at the time, but in hindsight, they both feel like they're about loneliness. Something I only really realised when Rufus Newell (designer) sent through his ideas for the artwork.”
Since forming in late 2016, Team Picture have earned praise at Radio 1, 6 Music, Radio X and BBC Introducing, as well as opening for the likes of Rolling Blackouts Coastal Fever, Parquet Courts, The Orielles and Trudy & The Romance. Earlier in 2018, they released the mini-album, ‘Recital’, before embarking upon their debut headline tour, ticking off a stop at Leeds’ Brudenell Social Club and further festival dates at The Great Escape, Liverpool Sound City and Hit The North. The band are set to return to the studio in the early stages of 2019 with view to releasing more new music throughout the year.
It's our third Team Picture feature this year with new song 'Clone You'. Once again the band explore different musical territory with a creative and notable style, the vocals are outstanding the mood a little dark, the overall experience is hypnotic and gorgeous.
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Tullycraft - Passing Observations.
Tullycraft debut their first single/video "Passing Observations" off their upcoming 7th album "The Railway Prince Hotel" due out on vinyl & CD on February 8th on HHBTM Records. Tullycraft is known for writing indie pop anthems. Over the years they've penned a handful of songs that practically define the twee movement in America.
While the mainstream has largely ignored Tullycraft, their status in the indie pop underground is undeniable. Formed in 1995, they are considered to be one of the genuine pioneers of the American twee pop movement. Touring relentlessly during the last gasp of the truly independent indie-underground, they influenced countless young bands. They were once called “the Johnny Appleseed of Indie Pop - making their way across the country, leaving new bands, promoters, zines and record labels to sprout up in their wake." In recent years the band has stopped performing live, instead shifting their focus to their personal lives, while still writing and recording music together.
The Railway Prince Hotel is Tullycraft’s seventh album, their first since 2013’s Lost in Light Rotation. This new batch of songs sees Sean Tollefson and Jenny Mears continue to share most of the vocal duties, while long time musical stalwarts Chris Munford and Corianton Hale create most of the music. It would be selling Tullycraft short to say that The Railway Prince Hotel picks up where their last album left off. These new songs have a modestly different sound, somewhat due to the fact that long-time drummer (and original Tullycraft member) Jeff Fell, doesn’t make an appearance, but also because of the fresh approach the band took to recording this record. Equipped with lyrics, vocal melodies and rough bass lines (provided by Tollefson) the band composed many of the new songs from the ground up in the studio. This was an untried approach for Tullycraft. The result is an extraordinary album of 12 ultra-catchy, whip-smart gems that take aim at everything from failed relationships to the danceability of Billy Joel songs.
Throughout the album the music has an exciting urgency which is likely attributed to both the band’s spontaneous recording process and the enthusiasm each member brought to the new material. Are the wonderfully snarky, self-referential indie pop lyrics still here? Of course they are, this is Tullycraft after all. A deep dive into the lyrics uncovers an embarrassment of obscure indie references to be discovered. It’s hard to imagine a band or artist genuinely hitting their stride on their seventh outing, but much like Achtung Baby (U2’s 7th album) or Blonde on Blonde (Bob Dylan’s 7th album) somehow Tullycraft has hit the sweet spot between deliberate and daring. The result is a truly great batch of songs. With standout tracks like “Passing Observations,” “Has Your Boyfriend Lost His Flavor on the Bedpost Overnight?” and the much too short “Lost Our Friends to Heavy Metal” – the question needs to be asked: Could The Railway Prince Hotel be Tullycraft’s true masterpiece? Honestly, it very well could be.
The second of twelve tracks on Tullycraft's seventh album due next February is 'Passing Observations' accompanied by a clever cartoon video. It's a good representation of what to expect from 'The Railway Prince Hotel,' where the band seemingly tear their way through the album with some highly original indie pop songs, that consistently have the bands unique and adorable sound.
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Showing posts with label Team Picture. Show all posts
Showing posts with label Team Picture. Show all posts
Sunday, 9 December 2018
Friday, 6 July 2018
Team Picture - Edan Archer - Odetta Hartman - Natalie Holmes
Team Picture - EVE.
Background - The six-piece Leeds-based Team Picture have just shared the video for their ltd. edition 7" single 'EVE' - released on Come Play With Me. 'EVE' is a re-working of a track by fellow Leeds trio, Laminate Pet Animal. Recorded and released initially under the band’s alias, ‘Group Photograph’ for West Yorkshire-based label, Come Play With Me, the new video arrives hot off the back of their recent 6 Music-supported mini-album, ‘Recital’, and just ahead of a headline at Camden Assembly Hall on July 27, 2018 for Come Play With Me/War Child.
“We chose to mangle 'Eve' after sharing one side of a 7" with Laminate Pet Animal's original, excellent, version of the song,” says Team Picture frontman, Josh. “We didn't bother trying to recreate the original because we knew we had nowhere near enough bloopy and bleepy machinery, so we came at it as a re-imagining of the source material.”
Speaking about the video for ‘EVE’, visual artist and director of the clip, Theresa Steinmetz says: “The video references the important topic of mental illness using the routines of three women as the narrative. I worked with light, contrast and tempo in the footage to emphasise mood changes and frustrations. I wanted to bring up, and contribute to the conversation of depression, as it is a topic that’s often forgotten.”
On June 1, 2018, Team Picture released their acclaimed Matt Peel-produced (Menace Beach, Eagulls) debut mini-album, 'Recital' - the band supported the release with a debut headline tour, ticking off a date at Leeds' Brudenell Social Club, and further dates at The Great Escape, Liverpool Sound City, and Hit The North. Since forming in 2016, the group have earned praise at Radio 1, Radio X, and 6 Music, alongside ticking off support slots with the likes of Parquet Courts, Psychic Ills, The Orielles, Wire, and Ulrika Spacek. We’ll have more new music and live dates from Team Picture to come later in 2018. WEBSITE.
Following on from the song '(I Want Your) Life Hack' which we shared last month and described as "a creative song where power and eccentricity come together" we now have 'EVE' a piece that differs considerably. There is something of a core band sound that is present, however the tone is a little more sombre, but again intriguing and hypnotically attractive.
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Edan Archer - Bad Imitation Of Something Good.
Background - Florida-bred Nashville-based alt-country songcrafter Edan Archer has unleashed a brand new tune--a carefree Tom Petty-esque ode to being liberated from others' ideas and assumptions about ourselves. The song shines a bright rock n' roll spotlight on the absurdity of people trying to change each other. "Basically, this car ain't changing directions," explains Archer. "So, you can either stand back or get in."
“The sentiment behind this song is that 'to hell with it' feeling when you just accept yourself as you are. I came up with the phrase 'bad imitation of something good' to describe when others don’t really see you; they see a bad version of what they think you should be. Specifically, this song is about love and relationships, and priorities: does he see me as the feminine force of nature that I am, or does he see me as someone who can’t put the toothpaste cap on right?”
Archer's swampy sensibilities come through loud and clear, her voice is sultry as sweet tea and crackles like the ever-present heat lightning of her Everglades upbringing. All moonshine and honey, Archer combines rock and country with her roots in Appalachian folk as she gets gritty with guitar magic and casts spells with intimate ballads and finger picking, alternate tunings, and rich effects. There is more music on the way, so keep Edan Archer on your radar. WEBSITE.
'Bad Imitation Of Something Good' is a feisty and lively Americana song that mixes country and rock and roll together, whilst retaining the separate character of both genres. It's also sing along and catchy stuff.
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Odetta Hartman - Widow's Peak.
Background - NYC artist Odetta Hartman releases her new album 'Old Rockhounds Never Die' through Memphis Industries on 10th August.
Following the release of first two singles 'Misery' and 'Sweet Teeth', Odetta has now unveiled new track 'Widow's Peak'. 'Widow’s Peak' begins as a dusty banjo dirge but soon opens up into a sublime wall of sound comprised of strings, drum machines and deep bass. A sonically diverse palette of sounds that only Odetta Hartman can conjure up. Odetta says about the track: “Sometimes lightning strikes and an entire song reveals itself in an instant. Sometimes I feel like a vessel, channeling stories from beyond, and this spooky tale certainly sounds like it came from another world. With the intention of playing a fiddle solo, I sound-checked the violin in multiple rooms. Thanks to a happy accident, we played back all of the test takes together and fell in love with the wall of sound. At the end, we featured a prayer call & street sounds from our walk through Fez. Of all the songs on the record, I am most proud of this composition.”
'Old Rockhounds Never Die' is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.
Drawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company ('Cowboy Song'), to experiencing the intense natural beauty of Icelandic waterfalls ('Dettifoss'), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.
Raised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colourful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB's. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax. Lomax is writ large on 'Old Rockhounds...' at least in spirit anyway. Odetta plays all the instruments on this and her debut '222'. TWITTER.
Our second feature in less than a month for Odetta Hartman and 'Widow's Peak' is a softer and much slower affair. The delicious and well described "cowboy soul" gently oozes through again adding distinction and hooks throughout.
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Natalie Holmes - Hideout (Live Piano Session).
Background - Top 10 iTunes singer-songwriter Natalie Holmes has just unveiled a stunning live piano session video of her new single ‘Hideout’. Bristol-based singer/songwriter Natalie Holmes writes lilting, haunting and yet somehow invigorating pop, with honey toned vocals and an incredible depth to every song. An independent artist building her fan base entirely from scratch, she kick-started her musical career by uploading songs and now has over a million hits on YouTube, thousands of subscribers and a loyal following on social media. Although just into her twenties, Natalie has clocked up four successful EP’s: The Simplest Things, Child, Over & Out and her most recent release, Calm Places, all of which featured in the iTunes and Top 10 Singer/Songwriter Charts.
In 2016, Natalie was asked to accompany trance legends ‘Above & Beyond’ as the new female vocalist on their Acoustic II world tour, performing to sold out audiences at the Hollywood Bowl, Royal Albert Hall and Sydney Opera House to name a few. Since Over & Out, Natalie has been writing and making plans for her next solo release, taking time to hone her sound before making her comeback. On top of the A&B tour, the last 12 months have seen her travelling all over Europe, showcasing her existing material to a new audience and trialing new songs.
Described as one of the most consistently astounding new songwriters the music world has seen in ages, Natalie admits that her latest EP, Calm Places, marks a real milestone in her life, where she realised the importance of sitting back and taking care of yourself, making time for all the things and people you love. Listeners have said that she’s coming back with a new edge of maturity on every release, transforming her music into something truly new and unexpected. WEBSITE.
I have added the studio version of 'Hideout' alongside the live piano session, both are superb, it' no wonder the attention Natalie Holmes has received. If her material is new to you, enjoy exploring her previous EP's, and join the large crowd of folk looking forward to more.
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Background - The six-piece Leeds-based Team Picture have just shared the video for their ltd. edition 7" single 'EVE' - released on Come Play With Me. 'EVE' is a re-working of a track by fellow Leeds trio, Laminate Pet Animal. Recorded and released initially under the band’s alias, ‘Group Photograph’ for West Yorkshire-based label, Come Play With Me, the new video arrives hot off the back of their recent 6 Music-supported mini-album, ‘Recital’, and just ahead of a headline at Camden Assembly Hall on July 27, 2018 for Come Play With Me/War Child.
“We chose to mangle 'Eve' after sharing one side of a 7" with Laminate Pet Animal's original, excellent, version of the song,” says Team Picture frontman, Josh. “We didn't bother trying to recreate the original because we knew we had nowhere near enough bloopy and bleepy machinery, so we came at it as a re-imagining of the source material.”
Speaking about the video for ‘EVE’, visual artist and director of the clip, Theresa Steinmetz says: “The video references the important topic of mental illness using the routines of three women as the narrative. I worked with light, contrast and tempo in the footage to emphasise mood changes and frustrations. I wanted to bring up, and contribute to the conversation of depression, as it is a topic that’s often forgotten.”
On June 1, 2018, Team Picture released their acclaimed Matt Peel-produced (Menace Beach, Eagulls) debut mini-album, 'Recital' - the band supported the release with a debut headline tour, ticking off a date at Leeds' Brudenell Social Club, and further dates at The Great Escape, Liverpool Sound City, and Hit The North. Since forming in 2016, the group have earned praise at Radio 1, Radio X, and 6 Music, alongside ticking off support slots with the likes of Parquet Courts, Psychic Ills, The Orielles, Wire, and Ulrika Spacek. We’ll have more new music and live dates from Team Picture to come later in 2018. WEBSITE.
Following on from the song '(I Want Your) Life Hack' which we shared last month and described as "a creative song where power and eccentricity come together" we now have 'EVE' a piece that differs considerably. There is something of a core band sound that is present, however the tone is a little more sombre, but again intriguing and hypnotically attractive.
------------------------------------------------------------------------------------------------------------------------
Edan Archer - Bad Imitation Of Something Good.
Background - Florida-bred Nashville-based alt-country songcrafter Edan Archer has unleashed a brand new tune--a carefree Tom Petty-esque ode to being liberated from others' ideas and assumptions about ourselves. The song shines a bright rock n' roll spotlight on the absurdity of people trying to change each other. "Basically, this car ain't changing directions," explains Archer. "So, you can either stand back or get in."
“The sentiment behind this song is that 'to hell with it' feeling when you just accept yourself as you are. I came up with the phrase 'bad imitation of something good' to describe when others don’t really see you; they see a bad version of what they think you should be. Specifically, this song is about love and relationships, and priorities: does he see me as the feminine force of nature that I am, or does he see me as someone who can’t put the toothpaste cap on right?”
Archer's swampy sensibilities come through loud and clear, her voice is sultry as sweet tea and crackles like the ever-present heat lightning of her Everglades upbringing. All moonshine and honey, Archer combines rock and country with her roots in Appalachian folk as she gets gritty with guitar magic and casts spells with intimate ballads and finger picking, alternate tunings, and rich effects. There is more music on the way, so keep Edan Archer on your radar. WEBSITE.
'Bad Imitation Of Something Good' is a feisty and lively Americana song that mixes country and rock and roll together, whilst retaining the separate character of both genres. It's also sing along and catchy stuff.
--------------------------------------------------------------------------------------------------------------------------
Odetta Hartman - Widow's Peak.
Background - NYC artist Odetta Hartman releases her new album 'Old Rockhounds Never Die' through Memphis Industries on 10th August.
Following the release of first two singles 'Misery' and 'Sweet Teeth', Odetta has now unveiled new track 'Widow's Peak'. 'Widow’s Peak' begins as a dusty banjo dirge but soon opens up into a sublime wall of sound comprised of strings, drum machines and deep bass. A sonically diverse palette of sounds that only Odetta Hartman can conjure up. Odetta says about the track: “Sometimes lightning strikes and an entire song reveals itself in an instant. Sometimes I feel like a vessel, channeling stories from beyond, and this spooky tale certainly sounds like it came from another world. With the intention of playing a fiddle solo, I sound-checked the violin in multiple rooms. Thanks to a happy accident, we played back all of the test takes together and fell in love with the wall of sound. At the end, we featured a prayer call & street sounds from our walk through Fez. Of all the songs on the record, I am most proud of this composition.”
'Old Rockhounds Never Die' is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.
Drawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company ('Cowboy Song'), to experiencing the intense natural beauty of Icelandic waterfalls ('Dettifoss'), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.
Raised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colourful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB's. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax. Lomax is writ large on 'Old Rockhounds...' at least in spirit anyway. Odetta plays all the instruments on this and her debut '222'. TWITTER.
Our second feature in less than a month for Odetta Hartman and 'Widow's Peak' is a softer and much slower affair. The delicious and well described "cowboy soul" gently oozes through again adding distinction and hooks throughout.
--------------------------------------------------------------------------------------------------------------------------
Natalie Holmes - Hideout (Live Piano Session).
Background - Top 10 iTunes singer-songwriter Natalie Holmes has just unveiled a stunning live piano session video of her new single ‘Hideout’. Bristol-based singer/songwriter Natalie Holmes writes lilting, haunting and yet somehow invigorating pop, with honey toned vocals and an incredible depth to every song. An independent artist building her fan base entirely from scratch, she kick-started her musical career by uploading songs and now has over a million hits on YouTube, thousands of subscribers and a loyal following on social media. Although just into her twenties, Natalie has clocked up four successful EP’s: The Simplest Things, Child, Over & Out and her most recent release, Calm Places, all of which featured in the iTunes and Top 10 Singer/Songwriter Charts.
In 2016, Natalie was asked to accompany trance legends ‘Above & Beyond’ as the new female vocalist on their Acoustic II world tour, performing to sold out audiences at the Hollywood Bowl, Royal Albert Hall and Sydney Opera House to name a few. Since Over & Out, Natalie has been writing and making plans for her next solo release, taking time to hone her sound before making her comeback. On top of the A&B tour, the last 12 months have seen her travelling all over Europe, showcasing her existing material to a new audience and trialing new songs.
Described as one of the most consistently astounding new songwriters the music world has seen in ages, Natalie admits that her latest EP, Calm Places, marks a real milestone in her life, where she realised the importance of sitting back and taking care of yourself, making time for all the things and people you love. Listeners have said that she’s coming back with a new edge of maturity on every release, transforming her music into something truly new and unexpected. WEBSITE.
I have added the studio version of 'Hideout' alongside the live piano session, both are superb, it' no wonder the attention Natalie Holmes has received. If her material is new to you, enjoy exploring her previous EP's, and join the large crowd of folk looking forward to more.
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Saturday, 10 March 2018
Team Picture - Long Branch - Leon III - Frankiie
Team Picture - (I Want Your) Life Hack.
Background - Leeds-based six-piece, Team Picture have just shared their new single ‘(I Want Your) Life Hack’ released through Big Dumb Music Ltd. In line with sharing the new single the band have announced details of their Matt Peel-produced (previously Autobahn, Pulled Apart By Horses, Eagulls) 7-track mini-album ‘Recital’ (via Big Dumb Music), due for release on June 1, 2018. The band will support the release with a full UK tour throughout May and June, taking in festival dates at The Great Escape and Liverpool Sound City, before headlining The Shacklewell Arms, London on May 31, 2018 and The Brudenell Social Club, Leeds on June 1, 2018 - their largest headline show to date - full dates and ticket links below.
Split into two contrasting halves of three songs with a segue track running through the middle, ‘Recital’ is in part attuned to the band’s sagacious take on pop whilst also touching on their temperament for caustic guitar. Released earlier this year, ’(I Have a) Little Secret’ set the tempo for the first half of proceedings whereas new single, ‘(I Want Your) Life Hack’, finds the band delving into their fondness for post-punk sounds. Speaking about the new single, guitarist Josh says: “This is a Talking Heads song from an alternate dimension, performed by a bizarro-world version of the band, who have half the talent, twice the fuzz pedals, and are fronted by David Byrne's fictional idiot brother Malcolm.”
Since forming in 2016, Team Picture have earned praise at Radio 1, BBC Introducing and secured multiple spins at 6Music with support from Huw Stephens, Tom Robinson and Steve Lamacq, as well as ticking off support slots with the likes of Parquet Courts, Psychic Ills, The Orielles and Ulrika Spacek. In addition, the band have performed at the likes of Bluedot Festival (along with Warpaint and the Pixies), the Wire-curated Drill Festival and Manchester’s Neighbourhood Festival, as well as selling out their own curated ‘Du The Katman’ night at Leeds’ Hyde Park Book Club. A full UK headline tour including festival dates will take place throughout May and June, including stops at Liverpool Sound City, Brighton’s Great Escape and a headline show at London’s The Shacklewell Arms. WEBSITE, FACEBOOK.
UK Tour Dates:
5 May | Sound City, Liverpool
6 May | Hit The North, Newcastle
6 May | Sounds From the Other City, Salford
17-19 May | The Great Escape, Brighton
31 May | The Shacklewell Arms, London
1 June | The Brudenell Social Club, Leeds
2 June | Long Division, Wakefield
4 June | Hug & Pint, Glasgow
5 June | Polar Bear, Hull (Club Show)
6 June | Jimmy’s, Manchester.
A booming drum beat followed by a determined rhythm opens '(I Want Your) Life Hack' a creative song where power and eccentricity come together, in something that might be described as post punk or not as the case might be, whatever this piece is, it's wonderful!
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Long Branch - Lilacs.
Background - Toronto/Honey Harbour band Long Branch releases their debut full-length album, Found the Setting Sun, May 25, 2018 on boutique label DWR, home to Michelle McAdorey's Polaris Prize long-listed album, Into Her Future.
Long Branch recorded Found the Setting Sun at Noble Street Studios throughout 2016-17 in a series of sessions helmed by Executive Producer Gavin Brown. Co-produced by Long Branch and Shaddy Roman, the album gathers ten songs from the group's repertoire, and expands on the sound the band first introduced to audiences with their self-released 7" single, "Lucky Me/Just in Case" in 2015.
Dead leaves, bare trees, redemption, and resurrection are embodied in the fuzz-fueled guitars, violin, and vocal harmonies of Long Branch's sound. Formed in 2014, the band is stacked five-high with members from beloved Canadian combos, Adaptor 45, Chicken Milk, The Good Family, Shadowy Men on a Shadowy Planet, and Venus Cures All.
Long Branch's sound emerges from a solid guitar bedrock, with haunting violin voicings and the layered harmonies of the band's four formidable frontwomen supported by nuanced, driving rhythms. Introspective, moody, and evocative, Long Branch songs are narratives of overcoming hardship. Yet the songs are hopeful: A whisper of sadness appears one moment only to be blown away by grit and determination. FACEBOOK.
'Lilacs' is a charming rocker, where the guitars seemingly dual gently with each other as the vocals add passion and additional melody, all delivered with style, grace and just a little rock swagger.
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Leon III - Between the Saddle & the Ground.
Background - The principle members of Leon III (Leon The Third), Andy Stepanian and Mason Brent, span the space between Houston, TX and Richmond, VA, but their debut album reaches into a different kind of space, with psychedelic flourishes supported by alt-country and Americana tones their self-titled album, slated for release on Cornelius Chapel Records May 11th, looks to contemporaries like Khruangbin as much as it does to the Grateful Dead. With a rich cast of players including drummer Brian Kotzur (Bobby Bare, Silver Jews), pianist Tony Crow (B.J. Thomas, Andrew Bird), singer Jordan Caress (Laura Cantrell, Justin Townes Earle), guitarist Chris Scruggs (grandson of bluegrass legend Earl Scruggs), and pedal steel wizard Pete Finney (Justin Townes Earle, Kelly Willis), who joined with storied producer Mark Nevers (Bonnie "Prince" Billy, Lambchop, Silver Jews, Yo La Tengo) to help add texture and definition to these already sharply rendered songs. Leon III was the last album to be finished, top to bottom, in Nevers' Beech House Studios in Nashville before it was torn down.
Stepanian says that the first single "Between the Saddle and the Ground" "ties directly to a quote from some British history scholar from the 1500’s named William Camden; “Betwixt the stirrup and the ground, Mercy I ask'd; mercy I found”. I came across this line while reading annotated lyrics to the Grateful Dead song “China Doll”. It was cited as influencing the line “yesterday I begged you before I hit the ground” from that song. I was instantly intrigued with the concept implied in both lines - that it’s never too late for redemption and salvation and that it might even be found in the split second between the saddle and the ground presumably after being shot off of your horse. I built the song around that idea. Not the horses, but the redemption and salvation part. I even dropped a line from China Doll “tell me what you done it for?” into the chorus as an homage or small thank you to lyricist Robert Hunter who wrote a large portion of the Dead’s lyrics. There is a lot of Grateful Dead behind the curtain of the entire record."
Leon III's album takes you for a ride, checking out “From These Heights,” a tune that falls in and out of focus like trying to read your phone after a few too many cocktails, woozy with the sound of pedal steel and the thrum of a mandolin. Right next door, “Paper Eye” meanders into psychedelic territory with the pulse of a synthesizer rubbing suggestively up against the sweep of a string section and some dub-like production touches. In addition, Leon III gives their own lysergic spin on “Jesus,” one of the signature tracks on The Velvet Underground’s 1969 self-titled third album, and find fresh insight in the song’s spiritual pleadings.
Taken as a whole, Leon III’s debut is a multi-dimensional ride through ten thematically interconnected and musically rich tunes. The songs are filled with dark corners and shadows but still have their share of sing along, anthemic moments. If Stepanian and Brent wanted to break from their alt-country past, they have clearly done so without wholly abandoning the idiom. In the process, they have paved the way for a diverse and varied future for Leon III. WEBSITE, FACEBOOK.
There is something of a southern rock meets alt rock feeling coursing through 'Between the Saddle & the Ground' a song engulfed in richness and passion, and some of that timeless rock & roll organic beauty.
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Frankiie - Glory Me.
Background - Sometimes it takes time apart to regain an appreciation for what you have. At least, that’s what Frankiie experienced during the winter of 2016/17.
After three years, one EP, several tours, and a debunked reality TV show pilot, we began to question the direction in which we, as a group, were heading. Frankiie comments "Naturally, we began drifting towards individual interests. One of us started a fashion line while another released a solo EP. One became a school teacher, and the other moved to a small island community to work and surf. Despite these changes, it didn’t take long before our paths crossed once more – this time, with a renewed zest for our musical and adventure-seeking bonds".
Frankiie spent the past year writing new material and working alongside Jason Corbett (Actors) at Vancouver’s Jacknife Sound to finish up their debut full-length “Glory Me” and the forthcoming record’s first single/video. contemplates death, one’s self and the mysterious beauty of life.
Is our experience of death a true reflection of how we lived? Like many tracks on the album, it explores the questions of meaning and purpose – feelings that heavily shadowed our lives before we took time for self-discovery. FACEBOOK.
'Glory Me' is a glorious song (excuse the pun) with hints of sixties all girl group splendour and a modern lush musical arrangement. It sounds like taking time out has been a good move, especially if you can return with music of this calibre.
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Background - Leeds-based six-piece, Team Picture have just shared their new single ‘(I Want Your) Life Hack’ released through Big Dumb Music Ltd. In line with sharing the new single the band have announced details of their Matt Peel-produced (previously Autobahn, Pulled Apart By Horses, Eagulls) 7-track mini-album ‘Recital’ (via Big Dumb Music), due for release on June 1, 2018. The band will support the release with a full UK tour throughout May and June, taking in festival dates at The Great Escape and Liverpool Sound City, before headlining The Shacklewell Arms, London on May 31, 2018 and The Brudenell Social Club, Leeds on June 1, 2018 - their largest headline show to date - full dates and ticket links below.
Split into two contrasting halves of three songs with a segue track running through the middle, ‘Recital’ is in part attuned to the band’s sagacious take on pop whilst also touching on their temperament for caustic guitar. Released earlier this year, ’(I Have a) Little Secret’ set the tempo for the first half of proceedings whereas new single, ‘(I Want Your) Life Hack’, finds the band delving into their fondness for post-punk sounds. Speaking about the new single, guitarist Josh says: “This is a Talking Heads song from an alternate dimension, performed by a bizarro-world version of the band, who have half the talent, twice the fuzz pedals, and are fronted by David Byrne's fictional idiot brother Malcolm.”
Since forming in 2016, Team Picture have earned praise at Radio 1, BBC Introducing and secured multiple spins at 6Music with support from Huw Stephens, Tom Robinson and Steve Lamacq, as well as ticking off support slots with the likes of Parquet Courts, Psychic Ills, The Orielles and Ulrika Spacek. In addition, the band have performed at the likes of Bluedot Festival (along with Warpaint and the Pixies), the Wire-curated Drill Festival and Manchester’s Neighbourhood Festival, as well as selling out their own curated ‘Du The Katman’ night at Leeds’ Hyde Park Book Club. A full UK headline tour including festival dates will take place throughout May and June, including stops at Liverpool Sound City, Brighton’s Great Escape and a headline show at London’s The Shacklewell Arms. WEBSITE, FACEBOOK.
UK Tour Dates:
5 May | Sound City, Liverpool
6 May | Hit The North, Newcastle
6 May | Sounds From the Other City, Salford
17-19 May | The Great Escape, Brighton
31 May | The Shacklewell Arms, London
1 June | The Brudenell Social Club, Leeds
2 June | Long Division, Wakefield
4 June | Hug & Pint, Glasgow
5 June | Polar Bear, Hull (Club Show)
6 June | Jimmy’s, Manchester.
A booming drum beat followed by a determined rhythm opens '(I Want Your) Life Hack' a creative song where power and eccentricity come together, in something that might be described as post punk or not as the case might be, whatever this piece is, it's wonderful!
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Long Branch - Lilacs.
Background - Toronto/Honey Harbour band Long Branch releases their debut full-length album, Found the Setting Sun, May 25, 2018 on boutique label DWR, home to Michelle McAdorey's Polaris Prize long-listed album, Into Her Future.
Long Branch recorded Found the Setting Sun at Noble Street Studios throughout 2016-17 in a series of sessions helmed by Executive Producer Gavin Brown. Co-produced by Long Branch and Shaddy Roman, the album gathers ten songs from the group's repertoire, and expands on the sound the band first introduced to audiences with their self-released 7" single, "Lucky Me/Just in Case" in 2015.
Dead leaves, bare trees, redemption, and resurrection are embodied in the fuzz-fueled guitars, violin, and vocal harmonies of Long Branch's sound. Formed in 2014, the band is stacked five-high with members from beloved Canadian combos, Adaptor 45, Chicken Milk, The Good Family, Shadowy Men on a Shadowy Planet, and Venus Cures All.
Long Branch's sound emerges from a solid guitar bedrock, with haunting violin voicings and the layered harmonies of the band's four formidable frontwomen supported by nuanced, driving rhythms. Introspective, moody, and evocative, Long Branch songs are narratives of overcoming hardship. Yet the songs are hopeful: A whisper of sadness appears one moment only to be blown away by grit and determination. FACEBOOK.
'Lilacs' is a charming rocker, where the guitars seemingly dual gently with each other as the vocals add passion and additional melody, all delivered with style, grace and just a little rock swagger.
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Leon III - Between the Saddle & the Ground.
Background - The principle members of Leon III (Leon The Third), Andy Stepanian and Mason Brent, span the space between Houston, TX and Richmond, VA, but their debut album reaches into a different kind of space, with psychedelic flourishes supported by alt-country and Americana tones their self-titled album, slated for release on Cornelius Chapel Records May 11th, looks to contemporaries like Khruangbin as much as it does to the Grateful Dead. With a rich cast of players including drummer Brian Kotzur (Bobby Bare, Silver Jews), pianist Tony Crow (B.J. Thomas, Andrew Bird), singer Jordan Caress (Laura Cantrell, Justin Townes Earle), guitarist Chris Scruggs (grandson of bluegrass legend Earl Scruggs), and pedal steel wizard Pete Finney (Justin Townes Earle, Kelly Willis), who joined with storied producer Mark Nevers (Bonnie "Prince" Billy, Lambchop, Silver Jews, Yo La Tengo) to help add texture and definition to these already sharply rendered songs. Leon III was the last album to be finished, top to bottom, in Nevers' Beech House Studios in Nashville before it was torn down.
Stepanian says that the first single "Between the Saddle and the Ground" "ties directly to a quote from some British history scholar from the 1500’s named William Camden; “Betwixt the stirrup and the ground, Mercy I ask'd; mercy I found”. I came across this line while reading annotated lyrics to the Grateful Dead song “China Doll”. It was cited as influencing the line “yesterday I begged you before I hit the ground” from that song. I was instantly intrigued with the concept implied in both lines - that it’s never too late for redemption and salvation and that it might even be found in the split second between the saddle and the ground presumably after being shot off of your horse. I built the song around that idea. Not the horses, but the redemption and salvation part. I even dropped a line from China Doll “tell me what you done it for?” into the chorus as an homage or small thank you to lyricist Robert Hunter who wrote a large portion of the Dead’s lyrics. There is a lot of Grateful Dead behind the curtain of the entire record."
Leon III's album takes you for a ride, checking out “From These Heights,” a tune that falls in and out of focus like trying to read your phone after a few too many cocktails, woozy with the sound of pedal steel and the thrum of a mandolin. Right next door, “Paper Eye” meanders into psychedelic territory with the pulse of a synthesizer rubbing suggestively up against the sweep of a string section and some dub-like production touches. In addition, Leon III gives their own lysergic spin on “Jesus,” one of the signature tracks on The Velvet Underground’s 1969 self-titled third album, and find fresh insight in the song’s spiritual pleadings.
Taken as a whole, Leon III’s debut is a multi-dimensional ride through ten thematically interconnected and musically rich tunes. The songs are filled with dark corners and shadows but still have their share of sing along, anthemic moments. If Stepanian and Brent wanted to break from their alt-country past, they have clearly done so without wholly abandoning the idiom. In the process, they have paved the way for a diverse and varied future for Leon III. WEBSITE, FACEBOOK.
There is something of a southern rock meets alt rock feeling coursing through 'Between the Saddle & the Ground' a song engulfed in richness and passion, and some of that timeless rock & roll organic beauty.
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Frankiie - Glory Me.
Background - Sometimes it takes time apart to regain an appreciation for what you have. At least, that’s what Frankiie experienced during the winter of 2016/17.
After three years, one EP, several tours, and a debunked reality TV show pilot, we began to question the direction in which we, as a group, were heading. Frankiie comments "Naturally, we began drifting towards individual interests. One of us started a fashion line while another released a solo EP. One became a school teacher, and the other moved to a small island community to work and surf. Despite these changes, it didn’t take long before our paths crossed once more – this time, with a renewed zest for our musical and adventure-seeking bonds".
Frankiie spent the past year writing new material and working alongside Jason Corbett (Actors) at Vancouver’s Jacknife Sound to finish up their debut full-length “Glory Me” and the forthcoming record’s first single/video. contemplates death, one’s self and the mysterious beauty of life.
Is our experience of death a true reflection of how we lived? Like many tracks on the album, it explores the questions of meaning and purpose – feelings that heavily shadowed our lives before we took time for self-discovery. FACEBOOK.
'Glory Me' is a glorious song (excuse the pun) with hints of sixties all girl group splendour and a modern lush musical arrangement. It sounds like taking time out has been a good move, especially if you can return with music of this calibre.
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