Showing posts with label Steve Buscemi's Dreamy Eyes. Show all posts
Showing posts with label Steve Buscemi's Dreamy Eyes. Show all posts

Steve Buscemi's Dreamy Eyes - Sobranie 8 18 - Lauran Hibberd - Sophie Morgan - Lev Snowe - Siobhán O'Brien

Steve Buscemi's Dreamy Eyes have released the new single 'Forever' a few weeks ahead of their 'Sweetie' album release. Comprising of twelve tracks the album is awash with great indie songs, we have already featured 'Moon' and 'Change Of Heart' and I have to say the rest are at the least on a par with these three tracks, it's an album to look out for! === Russian based duo Sobranie 8 18 have just released the dramatic and imaginative song 'Angels Fight', a genre defying and play again piece. === Since coming into our world in August 2017 Lauran Hibberd has become a firm favourite of Beehive Candy and the new single 'BANG BANG BANG' only confirms even more that the attention she has gained has been earned through delivering fabulous music. === It's been a while since we last featured Sophie Morgan however she has returned with the gentle, melodic and beautiful new song 'Marmalade' accompanied by a wonderfully matched video. === Lev Snowe has released an E.P. entitled 'Someday Soon' and although the Canadian artist music is broadly described as dream pop, he manages to add a layer or two of experimental and creative elements to some songs that add so much more to the material. === Ahead of her new album, fourth generation Irish musician Siobhán O'Brien has a new single 'The Kings Fool'. This song is no traditional Irish affair, in fact it's more Americana with some rock vibes, whatever the case it's crammed full of enticing hooks.   
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Steve Buscemi's Dreamy Eyes - Forever.

Behind the odd name Steve Buscemi’s Dreamy Eyes you’ll find one of the most promising bands on the Scandinavian indie scene. The band are now set to release their highly anticipated debut album 'Sweetie' on February 14th and will tour both Scandinavia and UK to coincide with it. Today, new single 'Forever' is released via Rama Lama Records.

The band - consisting of Siri Sjöberg, Tilde Hansen, Elias Mahfoud and Edvin Arleskär - formed in 2015 after bassist/vocalist Tilde tweeted out "Does anyone/anybody know someone who wants to play in a band together with a bassist and a singer that haven’t played in a band for a year and are dying of boredom?". Debut single Desire was released early 2016 and was followed by three more singles 2016-17, all receiving attention from both Sweden’s biggest music sites and influential international sources such as DIY, Billboard and CLASH - all hailing their dynamic and dreamy indie pop that constantly have been developing during the band's career.

The band made their festival debut at Umeå Open in 2017, a show which Swedish magazine HYMN hailed the show as "the festival's most energetic". Debut EP Four Waters with four brand new tracks was released on November 24th 2017, being described as “an illustration of the sonic genius of the little band with the great name, who in less than a year continue to leave us speechless with their music” by The Revue. After following their debut EP with two packed London shows and their biggest Stockholm show to this day, the band took some time off to write new material. In 2019, the quartet returned better than ever with the shimmering new tracks Change of Heart and Moon which is now followed by Forever, all taken from Steve Buscemi's Dreamy Eyes' long-awaited and just announced debut album Sweetie that will be released on February 14th via Rama Lama Records both digitally and on crystal transparent vinyl - pre-order here.

Steve Buscemi's Dreamy Eyes on the album: "It feels impossible to not portray the future. The album is a concoction of stories from our lives - what it means to be young today, with the challenges and dreams we have ahead of us. The songs are collections and fragments of thoughts about our future, what we can, should and want to do. We have written simple and we have written challenging. And we have finally landed in a collection of songs that formed our album. Our first. Sweetie."

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Sobranie 8 18 - Angels Fight.

Sobranie 8 18 is a union of two unique artists, Nastya and Kirill, who share personal and artistic interests - though based in Russia, they could just as easily have created their music on the surface of Jupiter, so strangely unearthly is their sound.

Formed in 2015, their early releases offered only a tantalising glimpse at their current prowess, the low-fi pop sound morphing into their current world of dark electronic whispers and ultraviolet screams. Their forthcoming self-titled album features ten tracks of transcendental melody; avant garde experimentation; retro pop and eternal truths – it is released on 3rd February 2020.

Sobranie in Russian means “meet together”, an appropriate word for the coming together of music, verse and minds of Nastya and Kirill, the masterminds behind Sobranie 8 18. Following in the wake of Sobranie 7 17 a now extinct dark electronics project and alongside Nastya’s solo project, Sobranie 9 19, Sobranie 8 18 has become the main effort of the duo. The figures 7 and 17 are sacred numbers - the other figures represent the artist’s intuitive associations with the variety of music genres. Influenced by dark techno, new euro pop, field recordings and experimental sounds, Sobranie 8 18 is the clearest manifestation of their musical manifesto.

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Lauran Hibberd - BANG BANG BANG.

Positioning herself at the forefront of the emerging indie landscape, slacker pop queen Lauran Hibberd kicks off 2020 with pulsating new single ‘Bang Bang Bang’, set to drop January 17th. Primed to capitalise on a whirlwind twelve months, the hotly-tipped Isle Of Wight native delves further into her indie rock cannon, producing her boldest release to date in ‘Bang Bang Bang’, a charisma-fuelled, sing-along-inducing anthem designed for bigger audiences and bigger stages.

With relentless acclaim across the BBC Radio 1 airwaves (Annie Mac, Huw Stephens, Jack Saunders) and loyal support amongst key tastemakers The Line Of Best Fit, Clash, Dork and Gigwise, the newcomer’s amplified potential has certainly ramped up expectations, sparking comparisons to contemporaries including Phoebe Bridgers and Weezer.

Having spent the majority of 2019 on the road, notching up extensive UK/EU support tours alongside US heavyweights Hippo Campus and The Regrettes, in addition to her debut appearance on Glastonbury’s BBC Introducing stage, Hibberd’s dazzling live show continues to woo audiences, and with a second UK headline tour lined up next month, her remarkable rise shows no sign of slowing anytime soon.

Discussing her first release of the year, Hibberd explained: “‘Bang Bang Bang’ is my ode to the teenage girl. It’s built for the prom scene in ’10 Things I Hate About You’. It’s the cycle of going back to the same person even when you know you shouldn’t and I guess the fallout of all of that”. Produced by Boe Weaver and mastered by Vlado Meller (Weezer, Rage Against The Machine, Oasis), Lauran Hibberd’s ‘Bang Bang Bang’ is out January 17th and will be available via all digital platforms.

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Sophie Morgan - Marmalade.

Sophie Morgan has announced brand new single Marmalade, which is out now and taken from the EP of the same name out on 20th March.

Singer-songwriter Sophie Morgan has established a loyal following for her gloriously spellbinding alternative folk sound over the past few years, through the release of two EPs Sons & Daughters and Annie and stand-out tracks Above You and Hey Annie. Over the past year, Sophie has been refining her sound and her new 4-track EP Marmalade was produced at Urchin Studios in London with Matt Ingham (Laura Marling) and features co-writes with Benjamin Francis Leftwich and long-term collaborator Simon Jones (The Verve).

Born and raised in Cheshire, 22-year-old Sophie began playing piano and songwriting at an early age, after being brought up on a musical education of Nick Drake and Van Morrison and later introduced to Joni Mitchell and Carole King. The influence of her father’s record collection led to recent covers of The Waterboy’s The Whole Of The Moon and The National’s Bloodbuzz Ohio, which is accompanied by a video inspired by the original.

New single Marmalade is the first introduction to Sophie’s forthcoming EP of the same name and it immediately transports you forwards to summer, with the aura of idyllic romance setting a vivid scene with delicate guitars, tender lyrics and Sophie’s warm honey-soaked vocal. It’s a song to make you pause, curl up and take in every word. The video is filmed in Provence in the South of France and echoes the meaning behind the song perfectly. She says;

"Marmalade is a romantic dream of this sumptuous life like you see in the old films. The title came from, when I think of luxury, I think of those little pots of jam and marmalade you get in fancy hotel breakfasts. Every time I sing the song, I imagine a big old house in the South of France with an abundance of fruit and pastries and wine. So, we flew to Provence to shoot the video and a handsome French neighbour named Vincent drove me around the village in his cool old orange Renault."

Following shows in Cheshire and London and support dates across the UK and Europe with The Waterboys, Sophie has announced a headline show at Liverpool’s LEAF on Thursday 9th April and will be announcing further live dates soon.

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Lev Snowe - Someday Soon (E.P).

Canadian dreampop artist Lev Snowe shares his sophomore EP Someday Soon. Through lush, hazy production that emerged from the confines of limited technology, Lev's voice swirls in and out of focus creating a surreal, dreamlike state for the listener. His lyrics are a foreign fantasy about needing to travel beyond his home in order to find traces of the next him as he juggles with memories that pull him backwards.

Lev Snowe on Someday Soon: "The whole EP is my study on how I evaluated time in the past and the new idea of living 'for the moment' that resulted. It was the summer of 2018, and as I had localized the mad freedom to live & experience, I in turn took a look through my past writing and inspired a creation to abolish all old insecurities. 'Someday Soon' is meant to cut to the chase — as if saying 'forget where you've been, you are done with it. It is time to be boldly you — the very person that songwriting has helped you discover!"

Lev Snowe spends his days tinkering away in his bedroom studio building up his psychedelic Xanadu. Raised on the warm hiss of '70s soul jazz recordings, the slack chill of the L.A. beat scene, and the nostalgic synth swaying of Boards of Canada, this Canadian songwriter/producer creates an atmosphere that is both washed out and danceable — pensive, yet uplifting. Like a wandering mind spent cooped up all winter, Snowe's music never sits still for too long. Lush electronics bloom around shimmering guitars and the wonky grit of '90s era hip hop grooves, all while Snowe's wistful lyricism drifts hypnotically in and out of focus—a carefree soundtrack fit for either chaotic house parties or those endless summer nights spent escaping reality.


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Siobhán O'Brien - The Kings Fool.

Conveying honesty and vulnerability, contemporary singer-songwriter Siobhán O'Brien releases new single "The King's Fool", off her new album You Can’t Run Out of Love. With heartfelt lyrics, O'Brien brings a compelling track about her assimilation into the US and combines it with the feelings of frustration in trying 'make it' as a musician.

Inspired by great American singer-songwriters such as Joni Mitchell, Bob Dylan, Neil Young, Leonard Cohen, Brandi Carlile,  Sheryl Crow, and Joan Baez, O’Brien creates emotive tracks inspired by changes throughout her life. "The King's Fool" is this introduction into her artistry and a bit of a tease for what is to come on her third full-length record, You Can't Run Out of Love, out late February 2020. Recorded in Austin, Texas, at Cicada Moon Studios, O’Brien worked alongside John Bush (percussionist for Edie Brickell &  New Bohemians) and Matt Hubbard (keyboardist for Edie Brickell &  New Bohemians). Together they brought to life 10 original songs, each documenting important moments in her life since she left Ireland for the US in 2016.

Her new single "The King's Fool" is the first step for O'Brien to show off her unique blend of rock and folk. Be sure to check out Siobhán O'Brien's latest single and follow her on social media for music updates.

As a fourth-generation Irish musician, music has always been an important part of Siobhan O’Brien’s life. At the age of 16, she threw aside the piano and fiddle, dedicating herself to the guitar. Her musical ambitions grew as she released her original music to the world. Her debut album Mumbo Jumbo Bla Bla, released in 1996, went on to garner praise and national airplay throughout Ireland. In 2008, Siobhan released her album I Grew Up To, which featured famed Irish musician Paddy Moloney of The Chieftans and led to a performance at the Boston Symphony Hall with them the same year. In 2016, Siobhan O’Brien made the move to America, deciding that was where she wanted to lay down her musical roots.

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LIA - Deva St. John - Steve Buscemi's Dreamy Eyes

We have the brand new E.P from LIA entitled 'Vasilia'. Her striking vocals, at times intricate musical backdrops and more often personal yet highly relatable lyrics, are at the least beautiful and occasionally simply incredible. === From Deva St. John we have 'The Information Age' which opens with synths, Morse code and drums and explodes into action with energised vocals, as this feisty alt rock song grabs hold of our ears. === Steve Buscemi's Dreamy Eyes returns for a fourth appearance here with 'Moon' the second single we have the pleasure of sharing ahead of a new album due next year, from this gorgeous indie pop/rock band.

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LIA - Vasilia (E.P).

LIA has just released her new EP called 'Vasilia'. Here are LIA's thoughts on the latest E.P.

"I wrote this EP as I was coming into myself. It was a period of my life when I learned how to love myself and what it meant to show myself respect. The root of this EP grew from the word resilience; Resilience in my mental health, as a woman and in my relationships. Upon building the lyrics and the universe of this project, pieces of inspiration found their way to me. I wrote Out of Control based on the story of Hansel and Gretel. I wrote Milk & Light from the story of Vasilisa The Beautiful. I wrote Kissel Shore from the folk tale about the land of Milky Rivers and Kissel Shores that I discovered through the photographer Uldus Bakhtiozina".

As a child, I was surrounded by story. One in particular was from a computer game called Baba Yaga. More recently, I decided to read the actual tale behind the character and I fell upon Vasilisa The Beautiful. I felt like her story was an accurate homage to my lived experience emerging from my teens into my early twenties. Trapped by Baba Yaga, Vasilisa has to trust in herself and the universe to face seemingly impossible high-stakes tasks to gain her freedom.

She prevails and Baba Yaga sees that the universe is on her side so she’s too pure to kill. I realized I was the one trapping myself. I was accepting relationships that didn’t make me feel good, binge-drinking and not trusting that I was capable enough to achieve the goals I wanted. I was battling depression and anxiety. I felt isolated and helpless. I had to start showing myself love. This EP is the mental diary of my transition into loving and respecting myself. These are the lessons I learned living the tale of Vasilia."


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Deva St. John - The Information Age.

 “I wrote ‘The Information Age’ after spending way too long comparing myself to other people. I was beginning to feel my self worth deteriorate with every passing post; watching people I love allow misinformation to cloud their judgement, while knowing the media I’m consuming is probably just as manipulative; seeing the growth and decay of important news due to a lack of any public attention span; watching entire gigs through an audience member’s phone screen. It’s become so easy to distract ourselves. I wanted to remind people that a hive mind isn’t the answer, especially when your Queen Bee is a sewer rat.”

‘The Information Age’ is a sarcastic salute to the often oppressive nature of social media, and how it distracts and divides us as quickly as it informs and connects. Channelling the grit and bratty energy of spiritual forbears like Patti Smith, early PJ Harvey and Juliette and the Licks ‘The Information Age’ captures the claustrophobia of low self-esteem. In a world where our self-worth is being buffeted daily by a relentless barrage of content, the song examines the consequences of our internet addictions on our personal wellbeing. In the clash of its drums, the protean guitar lines and in Deva St. John’s angsty lo-fi vocals, she restores a sense of what it means to be human under the dehumanising glow of the LCD screens all around us. ‘The Information Age’ was recorded with Clem Cherry at London’s Eastcote Studios and mastered with John Davis at Metropolis.

Born in London to American parents and raised in Berkshire, Deva St. John’s sound is a bridge between the soundscapes of British and American pop culture. A peerless vocalist and authentic lyricist, her boozy lo-fi alt-rock production and gnarly vocals reveal an artist who channels her sensitivities into songs that peer under the veneer of modern life to express something fundamentally timeless, a yearning dissatisfaction; rock n’ roll in its purest form. ‘The Information Age’ will be Deva St. John’s third single since her debut release ‘Afterlife’ in October 2018. In the year since, Deva exploded onto the London gig circuit, spending the summer refining her performing nous in front of a steady growing audience. Having most recently performed for Sofar Sounds at the end of August, with a Youth Music award nomination to look forward to this month, and a headline BBC Introducing show in November, Deva St. John is one of the country’s surest rising stars, and she won’t slow down for a minute.

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Steve Buscemi's Dreamy Eyes - Moon.

Behind the odd name Steve Buscemi’s Dreamy Eyes you’ll find one of the most promising new bands on the blooming Swedish indie scene. The quartet returned this summer with the new single Change of Heart, their first in 19 months and first taste of their forthcoming debut album that is expected to be released early 2020. Now comes yet another shimmering slice of what's to come with the catchy single Moon, out now via Rama Lama Records.

Steve Buscemi's Dreamy Eyes on the song:
"Moon is a song about new beginnings. For us, that beginning was getting back together in the rehearsal space after a 6 month hiatus to write new material. Furthermore, it's a song about rekindling the spark in the things you are passionate about, but also a celebration of our relationship as a band, the things we've been through, and the things we look forward to continue experience together."

The band formed in 2015 after bassist/vocalist Tilde Hansen tweeted out "Does anyone/anybody know someone who wants to play in a band together with a bassist and a singer (Siri) that haven’t played in a band for a year and are dying of boredom?", which Elias Mahfoud (guitar/vocals) responded to. Elias then reached out to Edvin Arleskär (drums) whom he had met through an Arctic Monkeys forum, thus making Steve Buscemi's Dreamy Eyes complete.

Debut track Desire was released early 2016 and has since then been followed by three more singles, receiving attention from both Sweden’s biggest music sites and influential international sources such as DIY, Billboard and Amazing Radio. In February 2017 Closer, featuring Rama Lama Records label mates Melby's Matilda Wiezell, made it to the top 10 on the Spotify US Viral chart and Dreaming of You followed the success shortly after being praised as "one of those rare ”wow” moment" by The Revue.

The band made their festival debut at Umeå Open playing alongside some of Sweden's biggest artists such as Amanda Bergman, Solen, Säkert! and more, Swedish magazine HYMN hailed the show as "the festival's most energetic". Debut EP Four Waters with four brand new tracks was released on November 24th 2017, being described as “an illustration of the sonic genius of the little band with the great name, who in less than a year continue to leave us speechless with their music”.


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Steve Buscemi's Dreamy Eyes - Emily Breeze - Van Houten - The Astronots

Swedish Indie band Steve Buscemi's Dreamy Eyes have released a new single entitled 'Change of Heart'. The deep bass line drives the song, the vocals are both melodic and quiet dominant, whilst the overall arrangement is distinct and expansive.

'Work' is the third single from Emily Breeze ahead of the new album 'Rituals', it's a fine alt rock song with plenty of indie pop sensibilities that give the song real traction.

Van Houten have shared 'Moon' a fabulous song where the guitars remind me a little of the Cocteau Twins, however the vocals and harmonies take this song towards dream or indie pop, and the laid back vibe is gorgeous.

American rockers The Astronots have just released 'Wandering Eyes' which is described as a "quirky love song," it's also full of vibrant hooks and plenty of energy.
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Steve Buscemi's Dreamy Eyes - Change of Heart.

Behind the odd name Steve Buscemi’s Dreamy Eyes you’ll find one of the most promising new bands on the blooming Swedish indie scene.

The band is now back with new single Change of Heart after 19 months of silence. The song is true to the original sound of Steve Buscemi’s Dreamy Eyes with instantly catchy bass lines, dreamy vocals and shimmering guitar riffs but with with a more filling sound than previous outputs.

Lyricist and singer Siri Sjöberg about the song: “I wrote the song last winter when there was a governmental crisis in Sweden. It’s up to each listener to interpret the lyrics but it’s definitely about swedish politics.”

The band - consisting of Siri Sjöberg, Tilde Hansen, Elias Mahfoud (Chez Ali) and Edvin Arleskär - formed in 2015 after bassist/vocalist Tilde tweeted out "Does anyone/anybody know someone who wants to play in a band together with a bassist and a singer that haven’t played in a band for a year and are dying of boredom?".

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Emily Breeze - Work.

The third single from forthcoming Emily Breeze album Rituals is a shimmering indie pop anthem entitled “Work”. The glossy sonic exterior and radio friendly chorus act as a foil for the ice cold cynicism and pitch black humour of the lyrics which were inspired by Patrick Bateman (American Psycho) and Emily’s own experiences of hauling herself out of bed every morning to make a pointless profit for somebody else.

Emily’s first two singles “Limousines” and “Ego Death” received airplay from Radio X, BBC Introducing in the West, Tom Robinson (BBC Radio 6) and led to Emily being described as “Nancy Sinatra on Ketamine” (Louder than War) and “a 21st Century Patti Smith” (Tom Robinson BBC Radio 6).

Produced by Bristol luminary Stew Jackson writer, producer for Massive Attack, who has also worked with Tom Waits, Patti Smith and Nick Cave and performed by Emily’s Stellar Band of Rob Norbury (lead guitar), Andy Sutor (drums), Graham Dalzell (bass) and Duncan Fleming (keys/synth), “Work” is the soundtrack to the world gradually falling apart in an absurd state of late capitalism, insurmountable admin, antidepressants and unreachable targets.

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Van Houten - Moon.

Leeds quintet Van Houten are a band of sharp parallels. Their languorous, sub-mersive soundscapes are dappled in evening sun, while the lyrical content within is evocative of a blanket of unforgiving fog that foretells pounding rains ahead. Newly signed to Clue Records, the band come straight out of the gate fully armed with an accomplished and immediate self-titled debut, out September 13th. Now they share lead single 'Moon' - an ode to a new love.

Talking about the track, lead singer Louis Sadler said: "Moon is essentially a very personal love song. It explores the fleeting qualities of love and the desperation of wanting to give somebody anything and everything. The line “You always leave so soon” describes how a crush or loved one always seems to leave before the one chasing has chance to show the full potential of their affection. It was written around 3 years ago after I heard Weird Fishes by Radiohead & was intrigued by the chord changes. It's been reworked lots since then until it turned into Moon."

While artists operating from a similar whimsical, slacker-pop wheelhouse (think Connan Mockasin) often draw content from literary, sci-fi planes, Van Houten use their dreamy sound world as a backdrop for their most crushing struggles. Sadler is unflinchingly honest, railing against depression and its innate ability to inhibit him from being the caring partner he wishes to be.

Largely recorded across just three December days, ‘Van Houten’ was produced by Martin Smith (Gomez, Bombay Bicycle Club, Richard Hawley). With Smith at the helm, Van Houten were able to realise their true sound. “We met Martin at a small bar in Sheffield. He went on to do a whole new mix and master of our then single ‘Ever Changing Light.’ The way Martin made the track sound made us realise what could be possible for our music. It was a match made in heaven.

“When making the album, we were able to finally sculpt the vintage Hi-Fi sound that we have always been searching for. The title is Van Houten because this is the first work we have created that truly represents our band. This new sound is the true sound of our band,” Sadler explains. An album for all seasons, it’s clear that Van Houten are already expert at their craft and a band to be reckoned with. The rest of 2019 and 2020 will see them embark on further UK tours, while the future holds a magnitude of possibility for the exciting young quintet.


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The Astronots - Wandering Eyes.

The Astronots are an American rock’n’roll outfit, spearheaded by its founding members, Niko Giaimo (Vocals/Guitar) and Allee Futterer (Vocals/Bass). The two are established musicians in their own right. Futterer has had years of cutting her musical teeth, backing some of the biggest names in the Los Angeles music scene, while Giaimo was an integral member of the scoring team behind productions such as Dexter and Dishonored II. The two come together on The Astronots, combining elements of their quintessential Los Angeles upbringing, classic rock, and west-coast cool. Now completed by guitarist Eddie Campbell, the group continues to wow audiences across the nation.

Inspired by the likes of Led Zeppelin, Alabama Shakes and Kings of Leon, the trio have crafted an EP oozing with gritty guitars, explosive percussion and raw energy. The highly anticipated Cotati is brought to life through its organic instrumentation and authentic lyricism. “We really wanted to capture something honest. The songs cover a variety of issues.. school/public mass shootings, anxiety, drinking, love, pain, passion, cheating.. I think we managed to create individual genuine stories in each song. I think the theme would be honest perspective on many of life’s challenges”, they reveal.

Leading single 'Wandering Eye' is a quirky love song. Based on a true story about a couple the duo grew up with. Giaimo reveals, "They had an insanely beautiful Cinderella wedding, but not long after that the wife started cheating, and the husband was secretly gay and going out with his friends in women's clothes. They were both cheating on each other in different ways, and somehow, everyone knew about the cheating except for the couple themselves!!! They ended up splitting up and are now both happily married in new relationships!". Sonically the single features 60's soaked melodies, soaring harmonies and an infectious toe-tapping rhythm.

The Astronots palpable garage sound has lent itself to placements on film and TV, as well as curated playlists and blogs. The Astronots song, ‘Black Milk’ from their 2017 E.P Strange Terrain was featured on the CBS hit television show Life in Pieces. While their song ‘Begging for More’ was placed in Andrew Garfield’s 2018 feature film, Under The Silver Lake.


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Sarah Schonert - Steve Buscemi's Dreamy Eyes - The Little Kicks - Half Forward Line

Sarah Schonert - Astound Me.

Background - The full-length release entitled "Penguin Party" from Illinois-based indie singer/songwriter Sarah Schonert will be released on 8th December. 

Her experimental approach should appeal to fans of innovators like Kate Bush and Imogen Heap. Sarah writes and records out of her home studio.

Sarah combines classical-sounding piano with ambient washes, vocoded synths, electronic elements, and layered vocals, and she is not afraid to experiment with vintage instruments as well as new technology to create her sound.

"For "Penguin Party," I chose to stick to the keyboards and loopers to focus on creative a more energetic album that people would want to move to. It also gave me a chance to experiment with some new ideas, such as using vocoder to make a drum track drive a bassline, looping live, and extravagant piano ornaments." WEBSITE, FACEBOOK.


I have only heard a couple of tracks from the forthcoming album including the featured song 'Astound Me'. I have to say, I am more than just a little keen on hearing the rest. Sarah's vocals bear some resemblance to one of the above mentioned artists, particularly in her phrasing and delivery. That said this one song is a delicious mixture of musical ideas that are carefully crafted together with plenty of individual uniqueness.

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Steve Buscemi's Dreamy Eyes - Four Waters (EP).

Background - Swedish indie/dream pop quartet Steve Buscemi’s Dreamy Eyes have just released their phenomenal debut EP 'Four Waters'. A delectable four track release including acclaimed single 'Swim Deep' - the band are also today announcing their debut London show - headlining The Sebright Arms on February 3rd next year.

Four Waters’ — the band’s debut EP is a hugely striking and diverse 4-track release, one that’s set to propel the band to even greater heights. "Four Waters is about not being enough” the band explain. "The frustration of not being able to do more, or doing something you thought would be the right thing but turned out not to be. Questioning your purpose and meaning and trying to be secure with who you are. It’s about helping each other out when one of you can’t manage and about finding your own ways of dealing with things. Following your intuition and doing what you feel is the right thing to do."

When we think of the songs on the EP we imagine ourselves standing by a dark lake somewhere deep in a forest in Sweden. We see the four songs as different types of water. Still, stormy, deep and obscure. Four different songs with the same wavy sound and feeling. It’s all about water and feeling blue.”

Prior to forming via Twitter, all 4 members of Steve Buscemi’s Dream Eyes had been operating in different small Stockholm bands. It was in the summer of 2015 that Tilde Hansen (bass, vocals) tweeted out a request for fellow musicians to start a new band. A couple of months later, Steve Buscemi’s Dreamy Eyes were formed. FACEBOOK.


We featured the track 'Swim Deep' earlier this month and now we get to share the full EP 'Four Waters'. This is an impressive collection of indie/dream pop, with the band delving into differing directions and styles. One consistent aspect is the melodic hooks, they are everywhere!


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The Little Kicks - Bang the Drum Slowly.

Background - Aberdeen’s The Little Kicks return with their immensely uplifting new single, Bang The Drum Slowly, out 1st December 2017 via Loosen Up Records.

Bang The Drum Slowly is a mightily infectious slice of off-kilter indie pop. It races through with scuzzy hooks, glitchy beats and sweeping harmonies, resulting in a delightfully quirky sound akin to the likes of Hot Hot Heat or OK Go. It's the fourth single to be taken from their latest album, Shake Off Your Troubles. Describing the album, lead singer Steven Milne explains “the themes of the record would be a feeling of happiness, gratitude and to be thankful with what you have and not take things for granted. Furthermore, not to let others get you down or let anyone put you in your place.”

Since forming five years ago, The Little Kicks have received critical acclaim from the likes of NME, Q, Clash and The Skinny to name but a few. They have also received support from BBC 6 Music, BBC Radio 1, Radio Scotland and XFM as well as Shake Off Your Troubles being nominated for the Scottish Album of the Year Award. Now, having shared stages with acclaimed bands such as The Maccabees, Maximo Park and White Lies, The Little Kicks hope to continue charming listeners further with the unique, vibrant sounds of Bang The Drum Slowly. WEBSITE, FACEBOOK.

You can catch The Little Kicks live at the following dates:

December 8th 2017 - Mad Hatters, Inverness
December 14th 2017 - Clarks, Dundee
December 23rd 2017 - The Tunnels, Aberdeen
January 12th 2017 - King Tut's Wah Wah Hut, Glasgow.


'Bang The Drum Slowly' is an infectious indie pop/rock song that is both vibrant and extremely catchy. Upbeat in nature the bands delivery is high quality and confident, whilst they write and perform material this good, that is hardly surprising.

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Half Forward Line - For Centuries.

Background - Half Forward Line debut first single "Hey, Can I Try on Your Glasses" from their debut album The Back of Mass.

Half Forward Line is the new band from Brian Kelly (So Cow), Niall Murphy (Oh Boland) and drummer/recordist Ciaran o Maoláin. The trio have crafted a short sharp dose of power pop, recorded over two days in the lounge of a derelict rural Irish pub. "The Back Of Mass" takes in tales of wedded bliss, social anxiety and the perils of letting someone try on your glasses. Infused with the pioneering jangling spirit of the Flying Nun roster, along with garage rock sonics and Kelly's inimitable brand of buzzsaw pop and slice-of-life lyrics, Half Forward Line have delivered a half-hour album hallmarked by hook-laden songs.

The back of mass is the rear of the church, near the doors, home of the last people to come in and the first people to leave. There's the whispered running commentary on the ceremony. There is the shifting of weight from foot to foot, counting down the minutes. People who would probably rather not be there, but would rather the insurance when their final day comes. 

Half Forward Line will be releasing their album on cassette on Rusted Rail of Galway, with the CD version on Jigsaw Records of Seattle. FACEBOOK.

'For Centuries' cuts to the chase in an energised musical manner, with the vocals adding some melody above a feisty guitar driven musical soundtrack. Power pop with a pleasing and healthy element of natural rock & roll.

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Oddnesse - Novah - Steve Buscemi's Dreamy Eyes - Madeline Tasquin

Oddnesse - I Used To.

Background - “It started with the keyboard part. Doug (Grey Goon) played it in the studio one day. It found it very peaceful and aligned with a kind of freedom I had been enjoying lately. That year I had driven alone from LA to Utah and back twice. I absolutely loved it, in the way I’ve always loved the independence of no one needing me, no one expecting me, no one to confer with about where I might stop, when I might leave, if I might come back. I was grateful on those trips (as one usually is) for the dissolution of a relationship I had been overly attached to.  I was grateful that my mind was clear and that I had the experience to myself. I was happy. I didn’t need to know what was next.” - Rebeca Arango

Oddnesse is the soulchild of songwriter-producer Rebeca Arango, a first generation American from Hoboken, New Jersey. Arango met her partner-in-crime, fellow songwriter-producer Grey Goon (aka Doug Walters), in Los Angeles. The two east-coast expats bonded easily over pop hooks and apocalyptic prep while sporting the mandatory black uniform of studio nerds who find solace spending hours inside making music even when it's very very nice out.

The Oddnesse directive is to construct heavy, harmonious dreamscapes of soaring melodies and simple grooves, pulled freely from a wide range of nostalgic sounds. The project features numerous contributors and collaborators, including musicians Casey Feldman, Eddie Rivera and Lauren Kinney (who all perform in the live band), and designer/art director Dexsy Repuyan. WEBSITE, FACEBOOK.


'I Used To' is the fourth song we have featured by Oddnesse this year. Last time we stated that "the ability to sound both powerful and yet uncomplicated is increasingly becoming a hallmark of their dreamy and passionate music." I stand by that assessment, with yet another fine track to enjoy.

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Novah - Ghost (featuring Amanda Mair).

Background - Stockholm-based Dream Pop band Novah have teamed up with acclaimed singer/songwriter Amanda Mair for new single ‘Ghost’. This follows their debut EP ‘Alaska’, which won them fans across Scandinavia, North America and the UK.

Taking their cues from the likes of Broken Social Scene, Beach House and The Radio Department, the track features industrial drum grooves, which are juxtaposed with haunting piano chords and Mair’s delicate voice. On working with Amanda Mair Novah told us: “Amanda is a really cool artist, we’ve been talking for a long time about doing a collaboration with her and when this song came up it just felt right.”

 Having recorded their debut EP on a remote island, a studios’ individuality has a significant effect on Novah’s recording process: “We were recording in Stockholm in a studio with an old upright piano, and started messing around with complex beats on a drum machine and then adding piano chords together with it. It took a while before it turned into something you can actually listen to… but it ended up as a beautiful song and we are very proud of this one!”

Novah consist of David Tranberg on Vocals/Guitar, Simon Hagström Rennerstedt on Vocals/Guitar/Keys, and Filip Hagström Rennerstedt on Bass. Raised on the same street on an island outside Stockholm, they played in different formations during their early teenage years until they decided to form their first band together at the age of 15 with British Indie as a common musical thread. The project quickly became serious, and their melancholic sounds can be heard on TV shows on networks such as MTV – their intense crescendos are the perfect backdrop for emotional drama. FACEBOOK.


We featured a couple of songs from Amanda Mair back in early October, this time she is featured in the new Novah piece 'Ghost'. This is a gentle dream pop track where the dual vocals contrast beautifully with a detailed & refined soundtrack adding additional dynamics.

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Steve Buscemi's Dreamy Eyes - Swim Deep.

Background - Swedish indie/dream pop quartet Steve Buscemi’s Dreamy Eyes are back with an excellent first taste of their upcoming debut EP ‘Four Waters’. New single ‘Swim Deep’ explores the idea of wanting to hide away from your own mistakes in life, deconstructing the feeling behind wanting to simply “disappear”. Effervescent, intriguing pop music, with a pure Swedish heart, on this new single the band meld indie pop, electronic rock, and dream pop - into one fluid hybrid.

Prior to forming via Twitter, all 4 members of Steve Buscemi’s Dream Eyes had been operating in different small Stockholm bands. It was in the summer of 2015 that Tilde Hansen (bass, vocals) tweeted out a request for fellow musicians to start a new band. A couple of months later, Steve Buscemi’s Dreamy Eyes were formed.

Behind the odd name — you’ll find one of the most promising new bands on the blooming Swedish indie scene. With all the band members still at the tender age of 22, they’ve already picked up an impressive amount of attention; from both Sweden’s biggest music sites and influential international sources such as DIY, Billboard and Amazing Radio, Spotify also included the band’s 2016 dance-friendly indie pop single ‘Closer' in their Fresh Finds playlist which helped get the track into the top 10 on the Top 50 Viral in USA Spotify chart.

On 'Swim Deep', Siri Sjöberg leads the vocals, and bassist / songwriter Tilde Hansen said this on the lyrical meaning behind the new single: "Swim Deep is about wanting to hide from your mistakes and all the embarrassing things you’ve done. It’s about wanting to disappear and not having to deal with life. But then realising that you eventually have to face it all and stand for what you've said and done. There will always be people who do it better than you, but that doesn't matter because you will find your way and your people.” FACEBOOK.


'Swim Deep' is a mash of genres that come together in a coherent and gorgeous manner. Atmospheric and flowing, everything from the impassioned vocals to the intriguing musical arrangement works.

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Madeline Tasquin - Future Telephone.

Background - "The title track of Future Telephone is a lament on modern day (mis)communication. It was written, recorded, mixed and mastered in Montreal, but Madeline's been based in the San Francisco Bay Area since 2006. These past few years of living a bi-coastal lifestyle have made holding down an intimate relationship challenging. "The lyrics of this tune are paraphrased from actual lines and emotions spoken and felt by myself and my (now ex-) sweetheart in a long period in different timezones, when our words and intentions got lost in pixelation thanks to these future telephones we were trying to communicate complex emotions through.

This felt like the right title for the whole EP because these songs are largely a response to the heaviness of 2016 and they carry so much hope and love for humanity and this beautiful planet, but then I think to myself ... who knows if all that intention will land on peoples' hearts like I hope it will, or if it'll be "lost in pixelation" somehow. Or just drowned out by radio noise of modern life. I feel like our communication as a species is rife with misunderstanding, riddled with assumption and an epidemic single-mindedness. These songs carry with them a hope that we can regain some of our natural empathy and the humility that comes with some sense of the vast complexity of life and all things."

Accompanying herself on piano, guitar and ukulele, Canadian-Californian songcrafter Madeline Tasquin weaves from jazzy folk to soulful ballads in odd meters to playful new romantic pop to delicately dark musical fairytales, delivering it all with a stage presence that radiates joy. With influences including Primus to Billie Holiday to Joni Mitchell to Chopin, it's no surprise that her songs takes harmonic and rhythmic twists and turns, though whether performing solo or fronting one of her bands, she manages to pull this off without leaving anyone in the room behind. WEBSITE, FACEBOOK.


Madeline Tasquin vocals are gentle & melodic to begin with, however they are clearly not without passion & power. 'Future Telephone' is a fabulous song, the music builds, with hints of jazz, folk and more.


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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...