Frøkedal - Stranger.
Background - Acclaimed Oslo, Norway based artist Frøkedal is now sharing her new single ‘Stranger’. Celebrated by the likes of The New Yorker, The Sunday Times, The Independent and Q Magazine; new single ‘Stranger’ is a worthy successor to her Norwegian Grammy-nominated debut LP of 2016, ‘Hold On Dreamer’.
The track explores the promise of new beginnings – both in a lyrical and more literal sense – with ‘Stranger’ signalling the first in a series of standalone singles this year for Norwegian singer/songwriter/producer Anne Lise Frøkedal.
“I was working with my own dogma on the last album,” Frøkedal explains, “the fact that I wanted everything to sound very simple and ‘less is more’ in terms of instrumentation. This time round, I wanted to work song-by-song for a little while, just to liberate myself I guess. We just followed the track and did what we thought was best for each individual song, and somehow they ended up sounding quite natural and organic – dry vocals, not a lot of effects, but probably more textured and detailed in a way.”
Despite track-by-track production, Frøkedal’s lyrical output took a much more thematic approach: “When I started writing this new material, I was picturing different ages or stages in our lives when our vision gets a little blurred. I wanted the songs (and the characters) to channel these critical moments when decisions are dominated by emotion and not necessarily by logic,” she says.
Though the new tracks are not written, or presented, in clear chronology, ‘Stranger’ does feel like a natural place to start – written from the perspective of a young person, leaving behind their childhood and stepping out into the unknown. “It’s an adventurous song, and looks upon the future positively, but in a sense of leaving behind all you know in hope of what’s around the corner. It looks back on that urge to leave with a certain nostalgia; how being a young dreamer is both a beautiful and naive thing.” Facebook here.
Last years 'Hold On Dreamer' album, was one of my favourites for 2016 and with new song 'Stranger' Frøkedal continues the momentum. It's fresh and understated musical arrangement makes a fine backdrop for her melodic and purposeful vocals. With more singles to follow this year, I hope we can share some of them in due course.
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So Below - Ruin.
Background - Following on from the success of single 'Hard', released late last year, New Zealand born goth-pop artist So Below has returned with a brand new single, 'Ruin'. Co-written with Sombear of Now, Now and Chelsea Jade - with additional production from The Naked and Famous' Aaron Short - the track takes cues from the darker reaches of electronica while readapting the modern dance format for a midnight-hued take on pop music.
Set to a tapestry of pulsing bass and heavy duty kicks, ‘Ruin’ acts as an ode to disappointment, emphasizing the emptiness after placing your trust in those who do not deserve it. Using the more electronic hints of Trent Reznor’s work in Nine Inch Nails as a reference point, So Below’s vocals glide over the track’s steadily enveloping instrumental, applying pressure and intensity leading into the track’s crescendo, a wash of full bodied synths and emotionally wrought lyricism.
Teaming up in the UK for the first time with London based label Limited Health (S4U/Raveena), ‘Ruin’ is a realization of So Below’s full potential as one of pop music’s most impactful and innovative artists. Bringing together shades of modern electronica’s darker side as well as a maturity of songwriting beyond her years, So Below’s latest single is a masterful take on pop’s tried and true formula - leaving a track that’s as subtle as it is intense, engaging existing fans while surely inspiring a wave of new ones. Facebook here.
This is the forth appearance of So Below on Beehive Candy, this time with the new single 'Ruin'. It's true to say that it's a little less goth, with some fine dance orientated electronica adding a different dimension. Overall So Below remains consistent in delivering some superb hook laden material, so much so, that a fifth appearance seems pretty likely!
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Alexa Dark - Empty Drinks.
Background - Alternative rock songwriter and guitarist, Alexa Dark, announces her debut EP, Empty Drinks/Empty Hearts, due out August 2017. The album was produced by Angelo "Doc" Velasquez (The Weeknd's Trilogy, The Fray, Christina Perri) and mixed by Patrick Kelly. Alexa Dark also debuts her new single and music video, "Empty Drinks.
Raised between Spain, London and Germany, now based in New York City and London, the songs are inspired by Alexa Dark's transient lifestyle. The songs were written in bedrooms, planes, between drinks outside East London clubs during early morning hours and on the concrete of various metropolitan cities. Conceived in heartbreak, in transit and from boundless nostalgia, these tracks intertwine cultural and personal narratives, influenced by the Spanish singer songwriters played in her childhood kitchen, in addition to female rock legends such as Patti Smith, Debbie Harry and Kim Gordon.
Empty Drinks/Empty Hearts is a collection of songs cultivated in the brief moment when the party is over, when the sobriety comes just before the morning does. "Blur" is one of the first songs Alexa wrote and has evolved to cater to many different relationships and situations throughout her life. "Nothing More" is an "anti-love" song, about loving but in an untraditional sense. Referring to the EP's title, "Empty Drinks" is a party anthem that encapsulates the sober realization and reflection on the emptiness felt at the end of the night. Website here, Facebook here.
We featured 'Blur' just last month and the latest track shared 'Empty Drinks' deserves our attention as well. We stated in our previous article that her "vocals are well suited to alt rock, tuneful with just a little rock'n'roll edge". That seems a fair assessment in light of this fine new song. Alexa Dark is a natural alt rock artist with some quality musicians alongside, adding some alt rock power.
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Showing posts with label So Below. Show all posts
Showing posts with label So Below. Show all posts
Sundays Alternative Take: Christine Leakey - Howlite - Severed Limb - Hail Taxi - So Below - Eat the Apple
Christine Leakey - Je Danse Dans Le Discotheque Avec Toulouse Lautrec.
Background from Christine - I’m thrilled to share my latest self-produced circus inspired single that I recorded in Los Angeles and Canada, *Je Danse Dans La Discotheque Avec Toulouse Lautrec* from my forthcoming second solo album, *Wanderlust Wishing Well*.
The music video by the very talented Sandra Powers features my friends, Timur Bekbosunov (Timur and the Dime Museum and opera singer), Matthew Setzer (Skinny Puppy and he sewed his green gorilla costume), Brett Loudermilk the skeleton (sword swallower with Spiegelworld), Mario Marin as Lautrec, Ghosty the dog and yours truly, the doll.
If you listen closely to the recording, you will hear that I used a vintage foley stage (sounds like stomping and kicking leaves and a pipe around) from the world’s oldest sound studio in Hollywood now called, Winslow Court Studios. The studio has such a rich history – It was built by the owner of the Los Angeles Railway at the turn of the last century and during the 60s and 70s was owned by Liberace. You can feel the history in the room and imagine all the wonderful talent over the decades who have experienced it.
Je Danse Dans La Discotheque Avec Toulouse Lautrec is one of my earliest songs that I wrote prior to an injury that left me unable to play for years. As well, it’s one of the very few pieces I’ve written on a piano. Involved in the recording are my friends Fernando Perdomo and Matt Tecu who are in Jakob Dylan’s band, Echo In The Canyon, Kristian Hoffman (El Vez, Prince Poppycock) and more. Facebook here.
'Je Danse Dans Le Discotheque Avec Toulouse Lautrec' defies genres, however I guess it sits comfortably somewhere between eccentric, lovable and surreal. The video is delicious, as it takes your imagination into a circus of the bizarre and theatrical. Musically it twists and turns with whimsy and engaging effect. Creative and pleasing, the album will be one to look out for.
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Howlite - Storm Chaser.
Background - Howlite is the reincarnation of Melbourne musician and visual artist Alison Thom. The moniker alludes to a mineral, thought to bear properties that calm the wearer and release old pains. In a way the shift is also a catharsis for Thom, who unburdens herself of her name and her folk roots to delve into pop music, a darker territory of layered vocals and synthetic sounds; freed from the past to create anew.
‘Storm Chaser’, the lead single from upcoming EP Reasons, underwent many incarnations prior to its final release, including a session with Mark Lang (Skipping Girl Vinegar) and Nick Huggins (Two Bright Lakes), at the latter’s beachside studio, which set Thom down the path of using synthesiser samples and creating loop tracks. Inspiration struck with Melbourne artist and producer Michael Robinson, and the two set about creating a hybrid of sounds, taking elements from Scandinavian pop artists like The Knife and Aurora, the dreamy guitar fuzz and soft harmonies of Daughter and a homage to the grand scale drumming patterns of Florence and the Machine. The goal was to create something bittersweet – uplifting and emotional.
“The whole EP came about as a result of a huge breakdown I had in 2013,” Thom explains. “I basically threw out all my old songs, had a huge crisis of conscience and identity and slowly began to address all the elements of my personality I was unhappy with – depression and anxieties, my behaviour in relationships, my destructive tendencies. ‘Storm Chaser’ was born from that; the constant and seemingly inevitable choice to walk into the worst situations for me, to volunteer myself as martyr or siren – deliberately leading myself or others into danger. I wanted to make a beautiful song about being a terrible person.” Howlite celebrating the release with a launch on November 11, venue soon to be announced. Facebook here.
'Storm Chaser' flows on layers of synthy sounds with the vocals gliding smoothly above. The eruption of guitar sounds as the song suddenly builds takes everything up a notch, in this catchy song.
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Severed Limb - Bela Lugosi.
Background - Drastic Decline Records will release the new single by South London six-piece Severed Limb on Nov 12. To launch the single the band will play a benefit gig for 'Musicians Against Homelessness' at Brixton Windmill on Nov 12.
Since forming in 2009 Severed Limb have become stalwarts of the South London circuit and beyond. They have played numerous BBC sessions including one for Steve Lamacq at the legendary Maida Vale Studios. They have played to a full house at the Royal Albert Hall opening for Imelda May. They have released records with Damaged Goods, Serious Types and more. They were named in Hot Chip's "dream festival line-up" alongside Brian Eno and Aphex Twin. They have busked and gigged around Europe on numerous occasions. Bass player Si Mitchell taught Joe Strummer everything he knew... about backgammon.
Recorded to one-inch tape at the all analogue Chuckalumba Studios in Dorset, 'Bela Lugosi' sees the band move away from the punk skiffle sound they made their own. "We didn't want to be associated with bands at festivals who wear waistcoats, so you mutate and survive". Washboards, accordions and acoustic guitars are replaced with organs, full drum kit, and garage-heavy guitars. "The evolution feels natural. You learn your craft playing roots music in the street and then you plug in and see what happens." Website here.
It's hard for me not to think of Bauhaus (and their song Bela Lugosi's Dead) with the song title 'Bela Lugosi'. However this is a very different song. The band cook up a funky, beefy, rock'n'roll piece, with some retro vibes thrown in for good measure. Rather than giving you the creeps, this one just creeps under your skin, and stays there.
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Hail Taxi - Crystal Clear.
Background - Hailing from the landscapes of Edmonton, Alberta Canada comes a humble story of a solo singer/songwriter and performer - Nathaniel Sutton. While predominantly delivering folk-based indie-rock, you'll discover deeper splashes of alt-country, pop and EDM sensibilities with eclectic influences that parallel elements from artists like Folk Implosion and Beck.
Nathaniel Sutton (aka Hail Taxi) struck some inevitable fate when he was approached by Engineer Records back in 2005 (with him being a huge label fan and buying releases over the years) and was asked to submit some of his own material to their label staff. The intrigue of who took notice to his relentless dedication/purchases as a label fan, soon realised that Nathaniel was a musician himself and developed a bond with the label as an emerging artist. This relationship would eventually lead to the release of his debut album 'Dramatic Scene' in 2005.
Now, being in his early 30's, Nathaniel Sutton returns to Engineer Records under his new moniker, Hail Taxi, and with his appropriately titled EP 'Apart For So Long'. The 5 track offering contains vibes of familiarity yet foreignness and maturity that can only be heard to understand. With the prospect of strong connections, brilliantly written music and strong work ethics, Hail Taxi is a name that is becoming more recognisable by the day; with no intentions of stopping anytime soon. Facebook here.
I actually had to stop watching the video for 'Crystal Clear' just to check out if the song was being enhanced by the wonderful images. The simple answer is no, it's as catchy without the film, together though its a wonderful combination of sight and sound.
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So Below - Hard.
Background - New Zealand's reigning queen of goth pop, So Below (a.k.a Madeline North) releases her brand new single 'Hard', now available to download and stream worldwide.
Produced by Leroy Clampitt (Taste Nasa) and Aaron Short (The Naked And Famous), 'Hard' showcases North’s growing songwriting sophistication, delivering her signature synth sound combined with an undeniable earworm of a pop chorus that will echo in your brain for days. Says North of the new single, "Hard is definitely the most aggressive song I've ever written, with a pretty strong pop element. I love catchy pop melodies, if it doesn't get stuck in your head it didn't do its job!" The music video for 'Hard', directed by Susie Francis will follow in December 2016.
After leaving her native New Zealand in 2013, Auckland’s Madeline North began exploring her vocal talents, inspired by her new surroundings. Layering heavily processed vocals and harmonies over simple yet dark laptop beats, North began to formulate her style into what would so uniquely become So Below. Wanting to carry on this darker, moodier style of electro-pop, North reached out to fellow Kiwi musicians Aaron Short (The Naked And Famous), Sam McCarthy (Kids Of 88, Boyboy) and Leroy Clampitt (Taste Nasa) to help her produce her demos and ultimately complete what was to become So Below’s debut self-titled EP, released in March 2016. With an immediate debut at #5 on the NZ iTunes Alternative chart, the track ‘Sleep’ earning Top 25 placement in Spotify Canada’s Viral Chart and ‘Far’ peaking at #22 on the Hype Machine chart, this global admiration paved the way towards international collaboration and a Remixed version of the EP followed in September 2016. Facebook here.
'Hard' is the second song by So Below, we have featured on Beehive Candy. Madeline North continues to produce atmospheric music. and on this occasion, where her vocals drive the melody above a darker synth backdrop.
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Eat the Apple - Houdini.
Background - A Glimmer of Hope or Skin or Light was a dance/theater/cabaret/glam-rock musical created by veteran choreographer/director KT Niehoff. Commissioned by Seattle’s ACT Theatre, the event was performed to sold out houses in 2010 and again in 2015. This soundtrack to that experience, set to be released on December 2, 2016, emerged out of those haunted and humidly elegant performances – a "raucous, daunting thing" dripping with an intense appreciation for the moment.
Creators KT Niehoff and Ivory Smith (AKA) Eat the Apple began collaborating in 2010. They both have a long history of projects across artistic platforms, creating multi-dimensional experimental performance work. They share a similar background and are deeply moved by both the bizarre and traditional.
This soundtrack draws on Smith and Niehoff’s diverse history, creating an end result that is both theatrical and authentic in a raw way, an album that is both all over the map and totally cohesive. It's intended to be consumed in one big bite. Websites - KT Niehoff and Ivory Smith.
'Houdini' only hints at what's in store on the fabulous 'A Glimmer of Hope or Skin or Light' album. The clue is in the description above that is, dance/theatre/cabaret/glam-rock musical. For me once the album commenced with 'Carny' there was no option but to listen to the rest. Recommended for those in search of different.
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Background from Christine - I’m thrilled to share my latest self-produced circus inspired single that I recorded in Los Angeles and Canada, *Je Danse Dans La Discotheque Avec Toulouse Lautrec* from my forthcoming second solo album, *Wanderlust Wishing Well*.
The music video by the very talented Sandra Powers features my friends, Timur Bekbosunov (Timur and the Dime Museum and opera singer), Matthew Setzer (Skinny Puppy and he sewed his green gorilla costume), Brett Loudermilk the skeleton (sword swallower with Spiegelworld), Mario Marin as Lautrec, Ghosty the dog and yours truly, the doll.
If you listen closely to the recording, you will hear that I used a vintage foley stage (sounds like stomping and kicking leaves and a pipe around) from the world’s oldest sound studio in Hollywood now called, Winslow Court Studios. The studio has such a rich history – It was built by the owner of the Los Angeles Railway at the turn of the last century and during the 60s and 70s was owned by Liberace. You can feel the history in the room and imagine all the wonderful talent over the decades who have experienced it.
Je Danse Dans La Discotheque Avec Toulouse Lautrec is one of my earliest songs that I wrote prior to an injury that left me unable to play for years. As well, it’s one of the very few pieces I’ve written on a piano. Involved in the recording are my friends Fernando Perdomo and Matt Tecu who are in Jakob Dylan’s band, Echo In The Canyon, Kristian Hoffman (El Vez, Prince Poppycock) and more. Facebook here.
'Je Danse Dans Le Discotheque Avec Toulouse Lautrec' defies genres, however I guess it sits comfortably somewhere between eccentric, lovable and surreal. The video is delicious, as it takes your imagination into a circus of the bizarre and theatrical. Musically it twists and turns with whimsy and engaging effect. Creative and pleasing, the album will be one to look out for.
------------------------------------------------------------------------------------------------------------
Howlite - Storm Chaser.
Background - Howlite is the reincarnation of Melbourne musician and visual artist Alison Thom. The moniker alludes to a mineral, thought to bear properties that calm the wearer and release old pains. In a way the shift is also a catharsis for Thom, who unburdens herself of her name and her folk roots to delve into pop music, a darker territory of layered vocals and synthetic sounds; freed from the past to create anew.
‘Storm Chaser’, the lead single from upcoming EP Reasons, underwent many incarnations prior to its final release, including a session with Mark Lang (Skipping Girl Vinegar) and Nick Huggins (Two Bright Lakes), at the latter’s beachside studio, which set Thom down the path of using synthesiser samples and creating loop tracks. Inspiration struck with Melbourne artist and producer Michael Robinson, and the two set about creating a hybrid of sounds, taking elements from Scandinavian pop artists like The Knife and Aurora, the dreamy guitar fuzz and soft harmonies of Daughter and a homage to the grand scale drumming patterns of Florence and the Machine. The goal was to create something bittersweet – uplifting and emotional.
“The whole EP came about as a result of a huge breakdown I had in 2013,” Thom explains. “I basically threw out all my old songs, had a huge crisis of conscience and identity and slowly began to address all the elements of my personality I was unhappy with – depression and anxieties, my behaviour in relationships, my destructive tendencies. ‘Storm Chaser’ was born from that; the constant and seemingly inevitable choice to walk into the worst situations for me, to volunteer myself as martyr or siren – deliberately leading myself or others into danger. I wanted to make a beautiful song about being a terrible person.” Howlite celebrating the release with a launch on November 11, venue soon to be announced. Facebook here.
'Storm Chaser' flows on layers of synthy sounds with the vocals gliding smoothly above. The eruption of guitar sounds as the song suddenly builds takes everything up a notch, in this catchy song.
-------------------------------------------------------------------------------------------------------------
Severed Limb - Bela Lugosi.
Background - Drastic Decline Records will release the new single by South London six-piece Severed Limb on Nov 12. To launch the single the band will play a benefit gig for 'Musicians Against Homelessness' at Brixton Windmill on Nov 12.
Since forming in 2009 Severed Limb have become stalwarts of the South London circuit and beyond. They have played numerous BBC sessions including one for Steve Lamacq at the legendary Maida Vale Studios. They have played to a full house at the Royal Albert Hall opening for Imelda May. They have released records with Damaged Goods, Serious Types and more. They were named in Hot Chip's "dream festival line-up" alongside Brian Eno and Aphex Twin. They have busked and gigged around Europe on numerous occasions. Bass player Si Mitchell taught Joe Strummer everything he knew... about backgammon.
Recorded to one-inch tape at the all analogue Chuckalumba Studios in Dorset, 'Bela Lugosi' sees the band move away from the punk skiffle sound they made their own. "We didn't want to be associated with bands at festivals who wear waistcoats, so you mutate and survive". Washboards, accordions and acoustic guitars are replaced with organs, full drum kit, and garage-heavy guitars. "The evolution feels natural. You learn your craft playing roots music in the street and then you plug in and see what happens." Website here.
It's hard for me not to think of Bauhaus (and their song Bela Lugosi's Dead) with the song title 'Bela Lugosi'. However this is a very different song. The band cook up a funky, beefy, rock'n'roll piece, with some retro vibes thrown in for good measure. Rather than giving you the creeps, this one just creeps under your skin, and stays there.
-------------------------------------------------------------------------------------------------------------
Hail Taxi - Crystal Clear.
Background - Hailing from the landscapes of Edmonton, Alberta Canada comes a humble story of a solo singer/songwriter and performer - Nathaniel Sutton. While predominantly delivering folk-based indie-rock, you'll discover deeper splashes of alt-country, pop and EDM sensibilities with eclectic influences that parallel elements from artists like Folk Implosion and Beck.
Nathaniel Sutton (aka Hail Taxi) struck some inevitable fate when he was approached by Engineer Records back in 2005 (with him being a huge label fan and buying releases over the years) and was asked to submit some of his own material to their label staff. The intrigue of who took notice to his relentless dedication/purchases as a label fan, soon realised that Nathaniel was a musician himself and developed a bond with the label as an emerging artist. This relationship would eventually lead to the release of his debut album 'Dramatic Scene' in 2005.
Now, being in his early 30's, Nathaniel Sutton returns to Engineer Records under his new moniker, Hail Taxi, and with his appropriately titled EP 'Apart For So Long'. The 5 track offering contains vibes of familiarity yet foreignness and maturity that can only be heard to understand. With the prospect of strong connections, brilliantly written music and strong work ethics, Hail Taxi is a name that is becoming more recognisable by the day; with no intentions of stopping anytime soon. Facebook here.
I actually had to stop watching the video for 'Crystal Clear' just to check out if the song was being enhanced by the wonderful images. The simple answer is no, it's as catchy without the film, together though its a wonderful combination of sight and sound.
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So Below - Hard.
Background - New Zealand's reigning queen of goth pop, So Below (a.k.a Madeline North) releases her brand new single 'Hard', now available to download and stream worldwide.
Produced by Leroy Clampitt (Taste Nasa) and Aaron Short (The Naked And Famous), 'Hard' showcases North’s growing songwriting sophistication, delivering her signature synth sound combined with an undeniable earworm of a pop chorus that will echo in your brain for days. Says North of the new single, "Hard is definitely the most aggressive song I've ever written, with a pretty strong pop element. I love catchy pop melodies, if it doesn't get stuck in your head it didn't do its job!" The music video for 'Hard', directed by Susie Francis will follow in December 2016.
After leaving her native New Zealand in 2013, Auckland’s Madeline North began exploring her vocal talents, inspired by her new surroundings. Layering heavily processed vocals and harmonies over simple yet dark laptop beats, North began to formulate her style into what would so uniquely become So Below. Wanting to carry on this darker, moodier style of electro-pop, North reached out to fellow Kiwi musicians Aaron Short (The Naked And Famous), Sam McCarthy (Kids Of 88, Boyboy) and Leroy Clampitt (Taste Nasa) to help her produce her demos and ultimately complete what was to become So Below’s debut self-titled EP, released in March 2016. With an immediate debut at #5 on the NZ iTunes Alternative chart, the track ‘Sleep’ earning Top 25 placement in Spotify Canada’s Viral Chart and ‘Far’ peaking at #22 on the Hype Machine chart, this global admiration paved the way towards international collaboration and a Remixed version of the EP followed in September 2016. Facebook here.
'Hard' is the second song by So Below, we have featured on Beehive Candy. Madeline North continues to produce atmospheric music. and on this occasion, where her vocals drive the melody above a darker synth backdrop.
-------------------------------------------------------------------------------------------------------------
Eat the Apple - Houdini.
Background - A Glimmer of Hope or Skin or Light was a dance/theater/cabaret/glam-rock musical created by veteran choreographer/director KT Niehoff. Commissioned by Seattle’s ACT Theatre, the event was performed to sold out houses in 2010 and again in 2015. This soundtrack to that experience, set to be released on December 2, 2016, emerged out of those haunted and humidly elegant performances – a "raucous, daunting thing" dripping with an intense appreciation for the moment.
Creators KT Niehoff and Ivory Smith (AKA) Eat the Apple began collaborating in 2010. They both have a long history of projects across artistic platforms, creating multi-dimensional experimental performance work. They share a similar background and are deeply moved by both the bizarre and traditional.
This soundtrack draws on Smith and Niehoff’s diverse history, creating an end result that is both theatrical and authentic in a raw way, an album that is both all over the map and totally cohesive. It's intended to be consumed in one big bite. Websites - KT Niehoff and Ivory Smith.
'Houdini' only hints at what's in store on the fabulous 'A Glimmer of Hope or Skin or Light' album. The clue is in the description above that is, dance/theatre/cabaret/glam-rock musical. For me once the album commenced with 'Carny' there was no option but to listen to the rest. Recommended for those in search of different.
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Genre Wander: Consilience - So Below - The Fireworks
Consilience - Soft And Slow.
Background promo - Consilience will transport you to dream worlds with sophisticated pop tunes that sail smoothly under Tasy Hudson's hypnotic vocals, often building to powerful crescendos under soaring lead guitar lines. Yesterday, Consilience announced their upcoming album, Under Our Beds, and share first track "Soft and Slow".
Multi-instrumentalist Tasy Hudson started performing solo with a guitar, synthesizer and a loop pedal under this name in 2011 and was quick to realize that her music is better suited with a band. Louis Mendez, Dylan Howard (Truthful Work Films) and Aidan Lucas-Buckland (Wool on Wolves, The Whitsundays, Diamond Mind) brought Consilience to life as the band broke into the Edmonton music scene. Consilience released a 4-track EP titled "Walking Through a Dead Night", recorded by Jesse Northey at Riverdale Recorders. The EP is a collection of four songs that give a glimpse of their energetic live shows, described as "all things dusky, dreamy, and just a little haunted" (All Our Blaring Lights). Consilience is releasing their first full-length piano-driven album in the July 1st 2016. Hudson performed vocals, piano, guitar, bass, drums and keyboards, and Northey taking the role of producer. Using a unique blend of organic and synthetic sounds, it is an inquisitive exploration of conflict and contrast within the themes of self-empowerment and vulnerability.
Consilience has shared the stage with notable acts such as Library Voices and Calvin Love in addition to being invited to play at Pop Montreal in September 2015. They're currently focusing on touring across Canada to promote their music while laying the groundwork for their upcoming full length. The members of Consilience are active in the local and national music scene having performed individually as members of Wool On Wolves, Doug Hoyer, Born Gold, Faith Healer, The Whitsundays, and many others. These opportunities have allowed them to gain crucial experience while performing at major festivals and opening for marquee acts like St. Vincent, Warpaint, and Chad VanGaalen. This emerging group of musicians is determined to make art that matters.
Tour Dates
07/08 Edmonton, Canada @ 9910
07/23 Victoria BC, Canada @ Copper Owl
07/28 Calgary AB, Canada @ Broken City with Jesse And The Dandelions
I have to say I really do like the song 'Soft And Slow'. It's musically so full of varying sounds and the vocals are a delight. It is almost a mini opera as the song twists and turns and the pace varies. The album 'Under Our Beds' will definitely be on my personal radar.
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So Below - Far.
Background promo - Since making her musical debut with her single ‘Drift’ and attracting over 60,000 SoundCloud plays in just a few short months, So Below has become the mysterious goth pop chanteuse that everyone can’t stop talking about.
After leaving her native New Zealand, Madeline North began exploring her vocal talents inspired by her new surroundings. Layering heavily processed vocals and harmonies over simple yet dark laptop beats, North began to formulate her style into what would so uniquely become So Below. Wanting to carry on this darker, moodier style of electro-pop, North reached out to fellow Kiwi musicians Aaron Short (The Naked And Famous), Sam McCarthy (Kids Of 88) and Leroy Clampitt (Taste Nasa) to help her produce her demos and ultimately complete what has become her debut self-titled EP.
Having a combined 165,000 plays on SoundCloud with her singles ‘Drift’, ‘Sleep’ and ‘Luna’, the support of notable sites such as as V Magazine, HillyDilly and Neon Gold and receiving high rotation on New Zealand alternative radio, So Below is poised to be one of 2016’s artists to watch. Don’t say you weren’t warned…
'Far' is a goth pop song that occasionally morphs into a dance track, (and then back out again). Vocals are intriguing as Madeline North adds layers, that really do complement the soundtrack. Having checked some of So Belows other songs, I reckon the one to watch label is fair, to say the least.
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The Fireworks - All The Time.
Background promo - Shelflife is proud to bring you the Black and Blue EP, the first release by London and Brighton-based group The Fireworks since their debut LP, 2015's Switch Me On. The heavily anticipated four-track EP will be out July 15 on limited 10" blue vinyl and digital formats.
Following a handful of fantastic 7" singles and a self-titled EP, the quartet exceeded already high expectations on their debut album. Switch Me On's 13 tracks soar by in a blur of warm, fuzzed-out feedback, infectious hooks and pure unadulterated energy. One reviewers comparison of their sound to "the Shangri-Las after eight pints of Harvest Pale" is a telling testament to both their pop songwriting prowess, and also how flat-out fun their music is. Fans old and new of The Fireworks will not be let down by their new Black and Blue EP.
The release may only be four tracks long, but you'll be needing to take a breather after it's done. These songs mark the most rocking we've heard The Fireworks thus far, while still keeping the catchy melodies and pop sensibility we've come to expect from them. The driving opener "All the Time" is an instant favourite, and the dynamic track tells listeners right off the bat that this is no mellow, passive listen. "The Ghost Of You" features jangly guitar work and fantastic dual vocals from Matthew Rimell and Emma Hall, making the track a shimmering pop gem. Of course, the distortion that smattered Switch Me On is still present, and tracks like "Bury Me" will have you jumping around in a fit of uncontrollable vigor (perhaps why they chose to name this the Black and Blue EP?). The band touches down on all bases on this new release, making it an essential listen whether or not you've been a fan in the past.
'All The Time' is most definitely a power packed and pretty potent punky song (try saying that three times quickly). Raw energy and passion by the ton, based on this song the band are most aptly named.
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Background promo - Consilience will transport you to dream worlds with sophisticated pop tunes that sail smoothly under Tasy Hudson's hypnotic vocals, often building to powerful crescendos under soaring lead guitar lines. Yesterday, Consilience announced their upcoming album, Under Our Beds, and share first track "Soft and Slow".
Multi-instrumentalist Tasy Hudson started performing solo with a guitar, synthesizer and a loop pedal under this name in 2011 and was quick to realize that her music is better suited with a band. Louis Mendez, Dylan Howard (Truthful Work Films) and Aidan Lucas-Buckland (Wool on Wolves, The Whitsundays, Diamond Mind) brought Consilience to life as the band broke into the Edmonton music scene. Consilience released a 4-track EP titled "Walking Through a Dead Night", recorded by Jesse Northey at Riverdale Recorders. The EP is a collection of four songs that give a glimpse of their energetic live shows, described as "all things dusky, dreamy, and just a little haunted" (All Our Blaring Lights). Consilience is releasing their first full-length piano-driven album in the July 1st 2016. Hudson performed vocals, piano, guitar, bass, drums and keyboards, and Northey taking the role of producer. Using a unique blend of organic and synthetic sounds, it is an inquisitive exploration of conflict and contrast within the themes of self-empowerment and vulnerability.
Consilience has shared the stage with notable acts such as Library Voices and Calvin Love in addition to being invited to play at Pop Montreal in September 2015. They're currently focusing on touring across Canada to promote their music while laying the groundwork for their upcoming full length. The members of Consilience are active in the local and national music scene having performed individually as members of Wool On Wolves, Doug Hoyer, Born Gold, Faith Healer, The Whitsundays, and many others. These opportunities have allowed them to gain crucial experience while performing at major festivals and opening for marquee acts like St. Vincent, Warpaint, and Chad VanGaalen. This emerging group of musicians is determined to make art that matters.
Tour Dates
07/08 Edmonton, Canada @ 9910
07/23 Victoria BC, Canada @ Copper Owl
07/28 Calgary AB, Canada @ Broken City with Jesse And The Dandelions
I have to say I really do like the song 'Soft And Slow'. It's musically so full of varying sounds and the vocals are a delight. It is almost a mini opera as the song twists and turns and the pace varies. The album 'Under Our Beds' will definitely be on my personal radar.
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So Below - Far.
Background promo - Since making her musical debut with her single ‘Drift’ and attracting over 60,000 SoundCloud plays in just a few short months, So Below has become the mysterious goth pop chanteuse that everyone can’t stop talking about.
After leaving her native New Zealand, Madeline North began exploring her vocal talents inspired by her new surroundings. Layering heavily processed vocals and harmonies over simple yet dark laptop beats, North began to formulate her style into what would so uniquely become So Below. Wanting to carry on this darker, moodier style of electro-pop, North reached out to fellow Kiwi musicians Aaron Short (The Naked And Famous), Sam McCarthy (Kids Of 88) and Leroy Clampitt (Taste Nasa) to help her produce her demos and ultimately complete what has become her debut self-titled EP.
Having a combined 165,000 plays on SoundCloud with her singles ‘Drift’, ‘Sleep’ and ‘Luna’, the support of notable sites such as as V Magazine, HillyDilly and Neon Gold and receiving high rotation on New Zealand alternative radio, So Below is poised to be one of 2016’s artists to watch. Don’t say you weren’t warned…
'Far' is a goth pop song that occasionally morphs into a dance track, (and then back out again). Vocals are intriguing as Madeline North adds layers, that really do complement the soundtrack. Having checked some of So Belows other songs, I reckon the one to watch label is fair, to say the least.
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The Fireworks - All The Time.
Background promo - Shelflife is proud to bring you the Black and Blue EP, the first release by London and Brighton-based group The Fireworks since their debut LP, 2015's Switch Me On. The heavily anticipated four-track EP will be out July 15 on limited 10" blue vinyl and digital formats.
Following a handful of fantastic 7" singles and a self-titled EP, the quartet exceeded already high expectations on their debut album. Switch Me On's 13 tracks soar by in a blur of warm, fuzzed-out feedback, infectious hooks and pure unadulterated energy. One reviewers comparison of their sound to "the Shangri-Las after eight pints of Harvest Pale" is a telling testament to both their pop songwriting prowess, and also how flat-out fun their music is. Fans old and new of The Fireworks will not be let down by their new Black and Blue EP.
The release may only be four tracks long, but you'll be needing to take a breather after it's done. These songs mark the most rocking we've heard The Fireworks thus far, while still keeping the catchy melodies and pop sensibility we've come to expect from them. The driving opener "All the Time" is an instant favourite, and the dynamic track tells listeners right off the bat that this is no mellow, passive listen. "The Ghost Of You" features jangly guitar work and fantastic dual vocals from Matthew Rimell and Emma Hall, making the track a shimmering pop gem. Of course, the distortion that smattered Switch Me On is still present, and tracks like "Bury Me" will have you jumping around in a fit of uncontrollable vigor (perhaps why they chose to name this the Black and Blue EP?). The band touches down on all bases on this new release, making it an essential listen whether or not you've been a fan in the past.
'All The Time' is most definitely a power packed and pretty potent punky song (try saying that three times quickly). Raw energy and passion by the ton, based on this song the band are most aptly named.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...