Showing posts with label Smoke Season. Show all posts
Showing posts with label Smoke Season. Show all posts

Wednesday, 8 November 2017

The Blue Hour - Smoke Season - Brass Box - Life in a Blender - Jon C Butler

The Blue Hour - On The Wall.

Background -  Seattle-based 4AD-styled ethereal folk-noir duo The Blue Hour present their new video for 'On The Wall', the second single from their new album 'Always'. This 11-track offering is replete with swoons whirling the listener into the ether, wisped along with sonic elements cherished by fans of Kate Bush, This Mortal Coil, Marissa Nadler, Dead Can Dance, and Chelsea Wolfe.

The new video was created by Carl Andrén, a young man from Gothenburg, Sweden, whose childhood love of drawing has evolved into a truly unique approach to video production and animation.  The band also recently introduced their video for 'One More Mystery', based on original animation created by Rayhan Khan and produced by Rooster Studio.

'Always' comes on the trail of the duo's 'Kyoto Songs' single, featuring a beautiful rendition of The Cure classic 'Kyoto Song'.

Living near Seattle, Brian and Marselle Hodges have been inspired by their life amongst the moss and mud and the ferns and forests of the Pacific Northwest, their raw mix channeling the purely natural and the esoteric via The Blue Hour.

Blending traditional folk melodies with dream pop, ethereal wave and synthpop, the result is ethereal folk-noir that is unique to them, charged with haunting ambience and some classical structures. This potent cocktail creates an otherworldly and hypnotic effect, focusing on texture and rhythm and beautiful discord ... and most of all magic. WEBSITE, BANDCAMP, FACEBOOK.


We featured a couple of tracks from The Blue Hour a couple of months back and the second single 'On The Wall' & it's accompanying video are a welcome addition.The creative ideas and diversity of styles, ensures the duo keep surprising me, with their unique and fabulous music.


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Smoke Season - Wolves.

Background -  Smoke Season's new single "Wolves" has now been released. LA buzz-band Smoke Season is fresh off their UK tour where they debuted new music. The new material features a shift in creative direction which showcases anthemic melodies, rocksteady grooves and hard hitting beats - including their latest single, “Wolves." 

The indie-electronic duo, once referred to as “Fleetwood Mac with beats" has upcoming singles featuring Mix Master Mike of the Beastie Boys and a collaboration Sonny Diperri (Animal Collective, Portugal the Man).

Los Angeles-based Gabrielle Wortman and Jason Rosen, the duo that comprises Smoke Season, seem to form their own genre of music drawing on electro-pop, rock steady and soul.

In the past 2 years, Smoke Season has independently released an EP with a corresponding short film (which received features at 2017 Cannes Film Festival and 2017 Hollyshort Film Festival), and toured nationwide.  


Their millions of Spotify plays and acclaim from major press outlets (W Magazine, Buzzfeed, Huffington Post, Clash Magazine, LA Weekly, and The New York Times to name a few), are proof that their sound is resonating with fans throughout the country. WEBSITE, FACEBOOK.

'Wolves' has already gained considerable attention which is hardly surprising. The songs catchy electro vibes & melodic vocals will most likely see the "plays" grow a whole lot more.

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Brass Box - Moonlight Desires.

Background - Brass Box presents their video for "Moonlight Desires" The video was directed by Joey Halter, and plays with old school filming techniques. "Moonlight Desires" was originally written by Laurence Gowan, a Canadian pop star from the 80s who now fronts the band Styx. The track was released in 1987 under his solo project Gowan. After discovering the music video for the song was filmed onsite at Teotihuacan (Mesoamerican pyramids) in northeast of Mexico City, Brass Box felt the need to record a cover fo the track, as an homage to the native Canadian and the pyramids (especially after Ammo developed a slight obsession with Teotihuacan after visiting in mid-2013).

With enchanting dream goth/ shoegaze tracks, Brass Box takes listeners on a journey through life, death and the darkness that swells beneath the surface. The inception of this artistic force began with front woman Ammo Bankoff; her obsession with being lost at sea and the intangible as the makeup for her musical expression.

After demoing multiple songs, she contacted her long lost friend Neil Popkin to join her after running into each other at a seedy Echo Park bar. The duo had originally met several years prior at an underground new wave/ goth party in Los Angeles. The bands in which Bankoff played (Tête, Black Flamingo) occasionally shared bills with Popkin’s bands (War Tapes, Rituals). Due to their musical connection both musicians naturally collaborated.

Neil then brought in guitarist Matt Bennett (War Tapes) and drummer Pablo Amador (Rituals), to round out the heavy sounds of Brass Box. Since joining forces the quartet has assembled lush compositions of melody and noise while recording in their Downtown Los Angeles home studio. Some describe the sound as a mix between My Bloody Valentine and Cocteau Twins, but you can decide for yourself. BANDCAMP, FACEBOOK.


Maybe it's just the video but 'Moonlight Desires' has something of a psych feel, alongside the mixture of dream pop & shoegaze that compete with each other beautifully as the song develops.


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Life in a Blender - Happy Enough.

Background - For over 25 years, Life in a Blender has been the canvas for singer and songwriter Don Rauf's blackly comic landscapes. The group has released eight albums ranging from screaming punk to orchestrated chamber pop, and has brought the high theatrics of its live act to stages from Berlin to Austin to Toronto to Brooklyn and Seattle.

Don Rauf formed the band with high school friend Dave Moody (then bassist, now cellist), and within a couple of years had acquired the drumming services of Ken Meyer. Guitarist Al Houghton and bassist Mark Lerner joined in 1992, and violinist Rebecca Weiner Tompkins signed on in 1993. While the band's core lineup has remained remarkably constant for the past 18 years, the list of former members, guest artists, and collaborators includes Chris Butler (The Waitresses, Tin Huey), Chris Rael (Church of Betty), Jonathan Gregg, John Linnell (They Might Be Giants), Gavin Smith (Les Sans Culottes), Susan Hwang (Debutante Hour), Brian Dewan, and Olivier Conan (Chicha Libre, Las Rubias Del Norte).

Life in a Blender (featuring Don Rauf of Seattle), squirreled away at Old Soul Studios in the summer of 2016 at Old Soul Studios in Catskill, NY, to record their most personal album ever.  Each CD comes with its own special tissue. In between endless bowls of pale pasta and bourbon from a can, a visibly distraught Blender committed their secrets to tape. Kenny Siegal manned the large recording knob. 

In the title song "Happy Enough," lead singer Don Rauf laid bare the workings of his tortured innards. "Happy Enough is not for cowards," said Rauf, through three-day-old growth (not hair). "I hope you feel as bad as I did when I wrote it.

Some of the better songs are inspired by (not stolen from) other people's works of art. A few of the songs were written for the Bushwick Book Club, a project developed by the shimmering Susan Hwang.  The BBC forces musicians to write songs based on books and other written works. WEBSITE.


The title track & the first of ten songs 'Happy Enough' is a gentle opener. Be prepared for the incredible assortment of sonic brilliance that follows. Sometimes loud & full on, other times crazy, this is a fabulous collection of individual pieces that all battle to be the best!

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Jon C Butler - When The Walls Went Down.

Background - Jon C Butler is a writer and singer from Leicester, England who first came to attention with the classic album Shakespeare Alabama by Diesel Park West at the dawn of the nineties. With a particular awareness of the beauty and richness of sixties American west coast rock'n'roll the band were responsible for a clutch of highly invigorating albums from 1989 to 2011.

'When The Walls Went Down' is a contemporary take being filtered through time. Taken from Jon's  'brilliantly infectious' album Universal Stranger, the song is a sonic shoot along the decades since the Great Society.

“Well, my take on it at least”, says Jon. “I wonder if we could have got things together better than we have? I certainly think so, but you never know! Maybe this actually is the best we can do!” — Jon C Butler

The soul-searching resonance of the lyrics also take us into familiar territory for Jon - wrong turns and the passing of time. A deft reminder of those infrequent moments when, maybe, we should have let our emotional walls come down and allowed our hearts to rule our heads. 'When The Walls Went Down' is available from 10 November 2017 on Strataville. WEBSITE, FACEBOOK.


'When The Walls Went Down' has some thought provoking lyrics that are passionately delivered by Jon C Butler. Emotionally charged the song simply demands to be noticed, the accompanying video adds to the narrative, it's time to go & check out the album.


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Friday, 17 June 2016

Friday Five: Feuds - Teddy and The Love Gang - Emily Capell - Manwomanchild - Smoke Season

Feuds - River Of Wine.

Background promo - Brisbane's Feuds herald the dawn of a new musical era in their journey with their unmistakably stadium-worthy single 'River Of Wine'.

Anthemic from start to finish, the crowning glory of 'River Of Wine' lies in its chorus, which is driven by what is arguably one of the most colossal vocal hooks in recent memory. Frontman Jeremy Hunter was inspired by his struggles with using alcohol as a crutch, and never finding the peace he craved. "The bulk of the track comes from the struggles I was having with drinking a couple years back, suffering these awful bouts of depression for days afterwards, in this never ending cycle," says Hunter.

Feuds are a curious beast; not exactly a new band, but not exactly old either. They performed in various forms under a different moniker for years, building up a respectable following and supporting the likes of Bad//Dreems, Holy Holy, Harts, and The Belligerents. Now they're ready for a musical genesis, a rebirth that sees them baptised in a 'River Of Wine'.

Their debut EP in this new, reinvigorated form is due out in late August, with live shows to follow.

'River Of Wine' leans towards indie rock, and as described above has a powerful chorus that really makes the song stand out.

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Teddy and The Love Gang - Childhood.

Background promo - Teddy and the Love Gang is an Oslo based weird-pop band coming to the table with fresh faces, open eyes, a cache full of catchy music and the childlike ambition to take over the world. They combine groovy and catchy melodies and the expression of the child with a dark and moody sound that appeals to an adult audience without taking itself too seriously. 

The lyrics focus on important topics and they ask philosophical questions about our existence, while the sound takes you back to your best memories of your childhood and all of it's early video game glory.

"Childhood" is the first single full of heartwarming nostalgia that makes you want to move and dance with no abandon...just like a little kid. Teddy and the Love Gang want you to experience their musical fairytale beyond what you have experienced before!


'Childhood' is a highly like-able mood lifter. There is something about weird pop like this that just puts me in a good place.

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Emily Capell - Brixton Prison.

Background promo - The refreshing Emily Capell returns with a new EP “The Notorious M.L.E.” and lead single “Brixton Prison”. Catching the eye of legendary music producer Steve Osborne (New Order, U2, Gregory Porter, The Doves), this bright eyed, bushy tailed 21 year old from North-West London has been honing her sound in the Oxford studio under the careful eye of this masterful producer. “Brixton Prison” is the lead track from a new 5 track EP. The track showcases Emily’s bittersweet, gritty lyrics about prison life over a candy-coated, catchy melody. “Joey” is a frisky homage to her then QPR hero, Joey Barton and “Who Killed Smiley Culture?” is a quizzical, sombre tribute to the reggae pioneer. Emily’s influences from her parents record collections (Johnny Cash, The Smiths, The Clash to The Libertines, Blondie and Jamie T) are conspicuous and flattering. Her sound is a mixture of blues, pop, ska and indie. She plays her Gretch Electromatic guitar with aplomb and her storytelling has a ‘real world’ dark edge infliction, doused in a light hearted delivery.
 
Emily began writing songs and playing gigs since she was 14. She is the complete antithesis of her generation – whilst her peers were bingeing on junk TV and finding idols from reality talent shows, Emily was devouring her parents record collections and creating a style and look that represented her character and music.  Previous releases have caught the attention and support of John Kennedy, Gary Crowley, Robert Elms and Steve Lamacq and an endorsement from the Joe Strummer Foundation and Fred Perry has put Emily on the path to success.

Emily plays a regular residency at The Dublin Castle (London), and booked festivals this summer include Secret Garden Party (11am, Where The Wild Things Are Stage and 8pm The Living Room) , Glastonbury (23/6 Strummerville Stage at 7pm and 25/6 The Leftfield Stage at 3pm with Billy Bragg, Will Varley and Lewis & Leigh).

Live Dates:
18/06 - Rhoda Dakar (Bodysnatchers) 100 Club, London
04/07 - Dublin Castle, London (8.30pm)
18/07 - Cabaret Futura
01/08 - Dublin Castle, London 8.30pm
12/08 -  The Elgin (Ladbroke Grove), London 10pm


In my misspent youth I did know a few folk who had the pleasure of the wonderful hospitality of  'Brixton Prison'. Emily Capell's song is absolutely gorgeous, and I highly recommend checking out her new EP.


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Manwomanchild - I Know a Man.

Background bio - Manwomanchild is a rock band from Philadelphia, Pennsylvania fronted by David Child.

The band was started in Rhode Island in 2008. In February 2010, the band release a self-titled EP recorded at Machines with Magnets in Pawtucket, RI. The band’s lineup for the EP and album consisted of David Child on vocals, guitars, and synths, Mason Neely on drums, and Craig Gifford on bass. In May 2010, Manwomanchild released the song “Chile La Roja” in support of Chile’s 2010 World Cup team. The song was featured in 4 national newspapers and on 2 Chilean TV networks.

The band released its self-titled debut album on 12/14/2010 on West Cortez Records. In 2013, Manwomanchild moved to Philadelphia. In April 2014, they wrote and recorded the soundtrack for Decidedly‘s iOS and Android game “Floyd’s Worthwhile Endeavor“.

In September and October of 2014, the band released the singles “Wedding Toast” and “Recent History”, followed by another, “The Telepath Returns,” in December of the same year. In March 2015, “The Difficult Years” was released. Music blog “Surviving the Golden Age” described the song’s sound as “LCD Soundsystem being fronted by Ben Gibbard” as well as “hybrid glam rock/chamber pop”. Bandcamp preorder (Here).


It was October last year that Beehive Candy first featured ManWomenChild.  'I Know A Man' is from the second album due out on June 28th and is an indicator of the fine music you can expect. You can also hear the first single off the album 'Change The Channel' via the Bandcamp link above.

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Smoke Season - Loose.

Background bio - Ask Smoke Season where they get their hazy blend of psychedelic Americana and electro-soul from and they’ll give you two words: “manifest destiny.”  Los Angeles-based Gabrielle Wortman and Jason Rosen, the duo that comprises Smoke Season, both grew up around the NYC area, ironically meeting in California after their separate musical paths brought them to make the move west.  Their sound stems from what they call “east coast heads and west coast hearts."

From the outside looking in, the first thing one notices about this fiercely independent duo is the buzz that has mounted around them in recent years — earning them a place as "the up and coming band you wish you were in” (Pancakes & Whiskey, 2015).  However, it’s where this buzz is generating from that makes for Smoke Season’s most defining characteristic.

Since forming in 2013, Smoke Season has proven themselves to be in a constant state of artistic fervor, with a flurry of activity and creative output surrounding them at all times.   They’ve independently released 3 EPs, 5+ music videos, toured tirelessly with internationally known acts and become a regular on the stages of nation-wide festivals, such as SXSW and CMJ. 

Judging by their millions of Spotify plays and acclaim from major press outlets (Buzzfeed, Huffington Post, Clash Magazine, LA Weekly, and The New York Times to name a few), it looks like their hard work is finally paying off.  

The duo has consistently (if not stubbornly) foregone traditional routes and branded their artistic output as multi-sensory in nature.  Their live show is a great example of this, employing synchronized light shows, smoke and unique sampling — all of which are programmed and executed by the duo.  “We want audiences to do more than just hear what we’re making.  We want them to see, smell, feel it as a multimedia experience.  Jason and I both studied film scoring as college students so a fully immersive experience was somewhat undeniable,” Wortman explains. 


'Loose' is the second song on the fabulous 'Ouroboros EP'. It's hardly surprising Smoke Season have been noticed far and wide, their highly stylised indie music is so well crafted and absorbing.

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Soot Sprite - Winter Gardens - LAWN CHAIR

Photo - Sofia Irini Soot Sprite - Days After Days. There is a beautifully distinct feel to Soot Sprite's music, that includes simmering...