Showing posts with label Slow Hollows. Show all posts
Showing posts with label Slow Hollows. Show all posts

Genre Wander: Kristin Hersh - Slow Hollows - Fabels - Brandish - Glenn Meling

Kristin Hersh - Soma Gone Slapstick.

Background promo - The incredibly gifted singer/songwriter and author Kristin Hersh has announced the first single "Soma Gone Slapstick" from her forthcoming solo effort “Wyatt at the Coyote Palace”. This double CD/ book combination will be released by Omnibus Press in the UK, Australia and New Zealand on October 28, 2016 and in the USA and Canada on November 11, 2016.

"I heard Soma move through seasons: fall on the rebound, a manic spring, a cruel winter, and through places: California, Chicago, New Orleans, a protest march in Koreatown. When I finished, it was dawn, my engineer and I had coffee and I walked home through fat flakes falling down instead of sideways. Goofy + falling + precise + muscular = soma with a healthy dose of slapstick," says Kristin Hersh, who currently resides in Rhode Island.

‘Wyatt’ is the third release in the ground-breaking book-CD format that Hersh began with her previous solo album “Crooked” and Throwing Muses’ 2013 release “Purgatory/Paradise”.  Since sharing essays and tour diaries on her own website, she has published the critically acclaimed “Paradoxical Undressing” in the UK (released as “Rat Girl”in the USA), a children’s book “Toby Snax,” and “Don’t Suck, Don’t Die,” a personal account of her long friendship with the late Vic Chesnutt, which earned her rave reviews.

“Wyatt” is a collection of true stories and songs of love and loss, combining Hersh’s humour with the pains and travails of a life spent constantly in motion. Defined by potent guitars, addictive melodies and poignant lyrics, this release is a serious sign of strength and depth, bringing the listener into what the BBC calls Hersh's "dark and dizzy world."

In November, she returns to the UK and Ireland for a rare solo acoustic tour in support of her new release, with an additional date just added in London due to popular demand. Her subsequent U.S. tour kicks off in Seattle on November 29. “An Evening with Kristin Hersh” celebrates her endless creativity with readings and songs spanning her entire career. Full tour details here.


Kristin Hersh continues to be a creative and fascinating artist. 'Soma Gone Slapstick' mixes acoustic and understated indie rock in an intriguing manner, one that provides the ideal backdrop for her vocals, and a fine teaser for the next release.

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Slow Hollows - Last Dance.

Background - Slow Hollows have shared the second track "Last Dance" from their upcoming album.  Romantic is due November 4 on Danger Collective Records.

Romantic is the forthcoming release from Los Angeles based post-pop band Slow Hollows. Written over the span of a few months between 2015 to 2016, Romantic is meant to serve as a response to the previous record Atelophobia. Austin Feinstein, the creative influence behind the project, wrote the songs from the album during his senior year of high school. Facebook here.

Upcoming Tour Dates
10-09-16 - Seattle, WA - Chop Suey*
10-11-16 - Reno, NV - Holland Project*
10-12-16 - San Francisco, CA - Rickshaw Stop (early/late shows)*
10-13-16 - Santa Ana, CA - The Observatory*
10-23-16 - Orange County, CA - Beach Goth
11-04-16 - Los Angeles, CA - Teragram Ballroom
* = w/ Beach Fossils
.

We featured Slow Hollows at the beginning of the month however follow up song 'Last Dance' is a good one and well worth the share. There are some additional tour dates now as mentioned above. The track is a nicely paced alt rock song and again the vocals impress as does the bands really tight feel.

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Fabels - Silent Language.

Background - Following on from 2013’s experimental debut album ‘Zimmer’, Sydney art-rock duo Fabels have just released ‘Hi’, a collection of eight eclectic songs intended and guaranteed to take the listener down a path less travelled.

Highly original and sonically challenging to describe, Fabels main stock in trade could be painted as intense guitar-loop based atmospheric electro-psyche-pop. But beneath the haunting vocals, the sonic squalls, the thoughtful vignettes and at times evocative refrains, lurks an authentic old-school punk ethos. Not the clichéd mass-marketed music of recent times, but an artful individuality and innovation that lies at the heart of the true ethic.

With recent Australian shows tucked under their belt, Fabels have now set up camp in Berlin as they prepare for their upcoming European tour. Already boasting a diverse short history of overseas adventures, Fabels have performed at venues across Germany and Sweden, at art galleries in Milan, former Soviet spy bases in East Berlin and at much loved dope cafes in Amsterdam. Fabels are well on track to keep stamping their individuality on psyched-out experimental music globally. ‘Hi’ featuring the single ‘Silent Language’ is out now via all good digital retailers and CD via Bandcamp. Facebook here


'Silent Language' slips and slides between genres and with an overall psyche-rock feel to it. It's a deliciously non conformist piece of music that seemingly just kicks off and wanders where it feels is right, love it!

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Brandish - Running.

Background - Two years after Brandish registered a momentary blip on the radar with ‘The Ellyse Perry Song’, the Launceston comedy band has returned - with slightly more attitude and some sexy activewear.

The band’s first offering from their forthcoming debut Self-Titled EP is ‘Running’, showcasing long-time mates, Hamish Geale (vocals, guitar, keys) Brent Jacobson (lead guitar), Rob O’Brien (drums) and Ryan Goodger (bass) at their creative best. ‘Running’ pairs jangly guitar riffs with juicy urban imagery.

Recorded, mixed and mastered by part-time producer Doug Briton in a bedroom studio in Launceston, ‘Running’ sees the band step away from its fondness of guitar-driven alternative pop to explore the foreign world of hip-hop. "The lyrics have a bit of attitude so we were keen to put some hip-hop vibes into this one," Geale said. "We'd always used traditional drums up until now so it felt like this song was the perfect track to try out some electronic percussion for a change."

Deciding that the song needed female vocals to make the chorus sparkle, the band considered names like Beyonce and Taylor Swift before eventually settling on Geale’s sister Victoria, who also happens to be quite good at singing. "We tossed around names like Sia and Adele but in the end my sister was the best option and also was the only one who returned calls from our manager,” says Geale.

With lyrics such as "I'm born to win, I ain't born to lose, if life's a 10k I'm Hicham El Guerrouj", ‘Running’ doubles as a quasi-motivational backing track to all those times you managed to hustle into something you thought you'd be too late for. “Running” will be in Digital Stores on the 30th of September Brandish’s Self-Titled EP will be released 14th of October 2016. Facebook here.


Lyrically superb and musically melodic (and very catchy) 'Running' mixes humour and fine pop, and does it to a very high and impressive standard. The video adds to the charm and in all honesty I'm left wanting more!

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Glenn Meling - Brother Jonathan (Album Version).

Background - Glenn Meling, 44,is an independent artist, songwriter and producer from Oslo. He has lived in Australia, United Kingdom and Norway, making music from an early age. Whilst living in London studying and performing solo gigs, he met sound engineer Steve Honest and made the album ‘Sometimes a Bigger Heart’ (2009). He had previously made the album  ‘Melingrad’ (2007) in a Norwegian boathouse in one of the fjords near  Bergen. ‘Minnesota’ will be his third album.

Glenn became interested in the journeys of his countrymen after travelling extensively in the States  where the influence of the Norwegian settlers continues to this day.  In the 1800s the American midwest became a popular destination for the settlers and today you’ll find collages like St. Olaf in Minnesota which is an institution that studies Norwegian heritage and immigration. Also, the famous Joel and Ethan Cohen-film Fargo, has been inspirational and something that sparked an interest in the subject.

Lead single "Brother Jonathan" is about migration to America in the 19th century, when Brother Jonathan was a term used by immigrants to refer to the USA. Brother Jonathan, which predates the more widely known phrase Uncle Sam, personifies the spirit of the new nation in the eyes of the Europeans who left their homelands behind for a fresh start across the Atlantic. The album Minnesota release date: October 14,2016. Website here.


'Brother Jonathan' is a powerful and very beautiful song. Musical production is of a very high standard and the vocals and harmonies just add so much more. Totally impressed and looking forward to hearing the album.

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Weekend Wonders: Diamond Mind - Krief - Ayla - Taylor Payne - The Radio Dept. - Slow Hollows

Diamond Mind - Horseless Coach.

Background promo - Diamond Mind have announced their debut full-length album Heavy Metal Sunshine and shared the first track "Horseless Coach". Heavy Metal Sunshine is due October 7 on Wyatt Records. Formed in the summer of 2013, Diamond Mind is one of Edmonton, Alberta's favourite musical exports. Always looking to draw from many diverse wells - pop, noise, soul, all with an eye to the baroque - the band has already mapped extensive territory, leaping forward with the release of each of their three EPs. With these releases the band has won audiences through the unique character of their songs, recorded in environments ranging from attic bedrooms to storied, established studios.

The songs themselves echo this varied topography, ranging in content from intimate, confidential entries, elaborate pseudo-histories and haunting character sketches. Tracing the line back-and-forth between the accessible and the challenging, the music of Diamond Mind carved out an audience among both critics and fans, registering praise not only across Canada but from the international music community. In 2016, Diamond Mind partnered with Wyatt Records for the release of their debut album Heavy Metal Sunshine.


Melodic vocals and a fascinating range of sounds within the music makes 'Horseless Coach' stand out. It's a pop song, that is given a vital edge by the bands mass of imagination.

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Krief - Deo Gratias.

Background - Montreal singer, songwriter and multi-instrumentalist, Patrick Krief, has announced details of his highly anticipated fourth solo studio album, ‘automanic’ which will be released on September 30th via Culvert Music- available for pre-order now. He’s also celebrating the premiere of the latest single from the album, “Deo Gratias” which he shared on The Huffington Post this past week.  Krief is set to embark on an extensive Canadian tour in support of ‘automanic’ this fall. 

‘automanic’ is a double album comprised of ‘automanic red’ and ‘automanic blue’, which Krief describes as "autonomous in their flow, yet not meant to be listened to in one sitting." Krief’s deep content is a result of a string of deaths he experienced, blended with heartbreak, grief and despair. Creativity healed adversity and inspired Krief to write poetic lyrics, both earnest and abstract, paired against sounds of contemporary pop and rock, atop dreamy soundscapes and rock ballads alike.

Similarly to his previous albums, Krief created ‘automanic’ independently, playing all guitars, bass, drums, percussion, piano and keyboards. He also recorded, produced and mixed the album between Studio Mixart in Montreal and Studio Bottega, on an alpaca farm in Kelowna, B.C. Mastering duties were undertaken by Phil Demetro (Kevin Drew, Hey Rosetta) in Toronto and engineer David Schiffman (Red Hot Chili Peppers, Tom Petty, Johnny Cash, Nine Inch Nails) monitored the Montreal sessions, the album also features long time collaborator Roberto Piccioni.

Known for his role as cowriter and guitarist in Montreal’s orchestral rock-noir band The Dears, Krief spent a decade with the band crafting a unique style. ‘automanic’ highlights the contrast of sounds in his solo endeavour.


'Deo Gratias' builds gently into a quite powerful song and is most definitely, an enticing taste of what you will hear on the double album to come. With twenty songs in total, it's hard to know where to start. Put simply the variety is staggering, as is the consistent quality across both albums. The statement above that the material is not meant to be listened to in one sitting, is actually quite reasonable. There is a richness across the material that deserves to be broken down, so as to take in the whole and enjoy each track. In summary this is a powerful work, musical art in all it's glory.

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Ayla - Like the Other Kids.

Background - After the unmeasured success of her 2015 debut EP When The World Ends, Ayla returns today with a new offering in 'Like the Other Kids' and a subsequent launch tour.

Premiered last night on triple j's Goodnights, the song's chugging, layered production is anchored by a pounding drum motif that takes it from stunning to anthemic, a catalyst for misty eyes and gentle steps forward despite its "dark imagery". Then there's that voice. The smooth, effortless gliding heights. The insouciant depths. Given a delicate yet self-determined vehicle through the considered nature of Ayla's songwriting prowess, 'Like the Other Kids' represents the dawning of a new age. You'd never guess it was conceived of while Ayla was washing dishes at her parents' house, testing out her rap flow.

Aylas reputation, built to its towering esteem via consistent support from triple j, a deal with Italy's Ego Records (Emma Louise, The Jezabels) and an awestruck slew of online outlets, has reached unshakable heights. Her single 'Wish I Was' claims the accolade of being the #15 most played song on triple j in the year of its release, and snagged international remixes from Spada and Zwette. Ayla has toured her own show across the country and supported heavyweights such as Kate Miller-Heidke (national tour), Husky and Asta. At Woodford Folk Festival, The Big Pineapple Festival, Bigsound 2015 and soon Caloundra Music Festival, her irresistible live show has stood out as a glittering jewel amongst the fray.

Ayla is not up-and-coming anymore, she's here. And with a headline 'Like the Other Kids' single launch tour and new EP on its way, she's only getting started.


'Like the Other Kids' is easy on the ear, and yet there is a lot packed into the song. It's melodic and Ayla provides really good vocals, in what is an imaginative song that flows oh so beautifully.

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Taylor Payne - The Jungle Talks.

Background - Taylor Payne, a prolific song writer from the Sunshine Coast releases her second single after teaming up with The A&R Department. ‘The Jungle Talks’ is pure allure, reeling in the listener with its moody introduction, then diving into the verse with buzzing Pop synths and syncopated drums. It’s a supremely crafted song that builds anticipation right until the very end. Taylor's voice commands a distinct authority, as she brings her story of the jungle to life, taking inspirational cues from The Cure, and Eurythmics.

‘The Jungle Talks’ was recorded at Heliport Studios, Buderim, mixed by Elliot Hendrich and mastered by Mike Marsh. Taylor calls the unique style of ‘The Jungle Talks’ “dark-pop”, and it’s been described as having an 80's pop vibe, riding on a bold synth sound throughout the song, but her voice’s deep register brings a dusky atmosphere to the track. She conveys the song’s sense of adventure with lyrics like, "No need to hide if you know how to run,” before sinking into a deep reverie.

Taylor released her first single ‘Outsider’ in 2015 along with a colourful music video, getting national airplay across Australia as well the US. Her track reached listeners around the globe from it’s feature on Spotify’s The Indie Mixtape playlist. Her latest, ‘The Jungle Talks’ will be released with a music video to exemplify the song’s character. As always, you can expect something slightly askew, yet fun and eccentric. “The Jungle Talks” by Taylor Payne will be released 9th of September 2016.


The first notable thing with 'The Jungle Talks' is Taylor's attention grabbing vocals, and pretty soon after, the fact that this is a really good song. Layered synth sounds and a commanding rhythm work so well with the melodic and pleasing vocals.

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The Radio Dept. - Swedish Guns.

Background - Running Out Of Love is an album about life in Sweden in 2016 moving in the wrong direction:  politically, intellectually, morally. It's about the impatience that turns into anger, hate and ultimately withdrawal and apathy when love for the world and our existence begins to falter. 

The issues addressed throughout the band’s stunning fourth LP - out 10/21 via Labrador - are relevant not just to Sweden but around the globe. New single “Swedish Guns” is a haunting take down of the Swedish arms industry.

The Radio Dept’s new album Running Out Of Love will be released on October 21st via Sweden’s Labrador Records. It's their first album since the critically acclaimed success of 2010’s Clinging To A Scheme. Pre-order the album and receive Swedish Guns as an instant track download.

This is one potent piece of electronic music. 'Swedish Guns' is music with a relevant and meaningful message. The musical soundtrack is very imaginative, complimenting and carrying the vocals superbly.

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Slow Hollows - Softer.

Background - Romantic is the forthcoming release from Los Angeles based post-pop band Slow Hollows. Written over the span of a few months between 2015 to 2016, Romantic is meant to serve as a response to the previous record Atelophobia. Austin Feinstein, the creative influence behind the project, wrote the songs from the album during his senior year of high school.

The project was original started by Feinstein in 2014 and was previously called Hollows. Their first record, I'm Just As Bad As You Are, was recorded in a minimal space and lead Hollows to receive some success playing along side such as Beach Fossils, Nothing, Twin Peaks, Spencer Moody, Antwon and more. In 2014 the name eventually changed to Slow Hollows after a shift in members and style. The current lineup is Austin Feinstein (vocals/lead guitar), Dylan Thinnes (guitar), Aaron Jassenoff (bass), Reed Kanter (synth/keys), and Jackson Katz (drums).

As time progressed, Slow Hollows grew into the post pop five piece from influences of the likes of Pavement and Radiohead as underlying tones of melancholy and indie rock are complemented by horns and various lush instrumentation. Band members were able to mold a sound that echoed truth of fears, self-doubt, and loneliness that speaks universal lengths to their audiences.

The album captures the sadness behind love, being an artist, and is ironically guilty of expressing the hardships and dejection that artists and people face day in and day out. Stating that the band members of this talented group have a deep understanding of emotion is an understatement. The music they create speaks at lengths of the unique interpretation they have of life and they way people feel. why romantic as the title to express their music? Feinstein realized that our society has this romanticised view of mental illness and instability of people who have some merit and are mentally ill. Or have problems that they can't handle. Our society tends to look at that from romanticised standpoint, Cool to look well-tortured artist is sexy.

Record Release Show
11-04-16 - Los Angeles, CA - Teragram Ballroom.


Understated vocals against a melodic and laid back indie rock soundtrack make 'Softer' a very accessible and likable song. It's one of those songs that just drew me in, so much so, that by the end, I was checking out the album release details, pretty much as an automatic response.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...