Simone & Girlfunkle - Gary Song.
Background - Following on from this year's taster track 'Fight On', North-Perth avant-folk darlings Simone & Girlfunkle are pleased to share their summery new single 'Gary Song'. In celebration of the release, the band will be taking to stages across Perth and Margaret River this month while also showcasing new material from their forthcoming album due out in 2018.
In her ever-so poetic and enthusiastic demeanour, vocalist Bridget Turner says of the new track "Gary Song is inspired by the upbeat-meets-melancholy vibe of bands like Alvvays. It’s an ode to our dead best friends – our pets specifically, one very loving and loved, yet guitar-phobic feline: Gary."
Hailing from the city of lights avant-folk darlings Simone & Girlfunkle were born on one of North Perth’s hazy, sun-drenched afternoons. With a mesmerising combination of three-part female harmonies and delightful arrangements, they produce shimmering, winsome pop-folk perfection that demands attention. FACEBOOK.
We featured Simone & Girlfunkle back in May and it's a pleasure to share the new single 'Gary Song'. It's another top quality indie pop piece, their vocals are gorgeous and the band simmer with musical passion.
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White Room - Cannibal Song.
Background - Brighton indie upstarts White Room have announced the release of psychedelic thriller Cannibal Song, taken from their upcoming double EP Eight out later this year via Deltasonic Records (The Coral, The Vryll Society).
Recent signees to the legendary Liverpool label, White Room’s nod to 60s psychedelic rock alongside more contemporary influences (Pond, Temples, Cage The Elephant) is evident throughout their new record Eight, a collection of songs that interlock conceptually, comprising similar themes such as forward thinking, hope, positivity and escape.
Inspired by the current social and political climate of the world and the uncertainty we all live with, the synergy between the lyrics and themes signified by 8 – the number of infinity – hints at the real depth within Eight, touching on aspects of joy, strength, balance and power in unity.
Discussing the sixth track from their forthcoming double EP, the band stated: ““Cannibal Song has a real childlike playfulness in the music and melody, which complements the more sinister, comedic lyrics. Together it makes a rather pretty little nightmare. For the video we wanted to incorporate inspiration from classic low budget horror films such as Texas Chainsaw Massacre and other 70s slasher movies. The DIY nature of the production and filming process, just us and a few of our mates, really lends itself to that style.”
The band will be heading out on their debut headline UK tour this November, showcasing the record in its entirety as the band envisioned, including new material unreleased at the time of tour. White Room’s Cannibal Song, is out now via Deltasonic Records and available on all platforms. WEBSITE, FACEBOOK.
Debut Headline Tour:
25 Nov – Live At Leeds Big In 2018 Showcase
27 Nov – The Hope & Ruin, Brighton
28 Nov – The Shacklewell Arms, London
29 Nov – Actress & Bishop, Birmingham
30 Nov – The Magnet, Liverpool
02 Dec – The Eagle Inn, Manchester
Third time around for White Room on Beehive Candy this time with 'Cannibal Song' accompanied by a rather darkly humoured & almost film noir video. The song is melodic indie rock and very catchy, I might just settle for listening to the track in future, less chance of a nightmare that way!
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Mildlife - The Magnificent Moon.
Background - Mildlife have announced their debut album with the premiere of the first song to be taken from it, 'The Magnificent Moon', at Dummy Mag where it was described as a 'masterpiece'. Tom Shanahan of Mildlife has said “The Magnificent Moon feels like the veteran journeyman to the rest of the album. I’m not sure if that’s because it was written first or because it seems to know what it wants and has a more considered direction. It never really second guesses itself except for maybe just before the outro when he realises he may have journeyed too far and his space suit has a hole in it. But then he just jams some gum in the hole and gets on with it anyway.”
Mildlife take the musical canvas, rip the lids off the paint tins, and throw vibrant splashes of colour into kaleidoscopic jams. Old friends, the Australian four-piece bonded over the desire to push musical boundaries, developing tight live shows bolstered by wild improvisation and a debut record that mines jazz, psych and disco for its irresistible groove. A melting pot of musical sensations, Mildlife combine progressive 70s sounds with electronic krautrock, backed by a mixture of rhythmic funk, house, and dream-pop, to create an addictive atmosphere that’s illustrated perfectly by their first single ‘The Magnificent Moon’, out November 3rd via Research Records. The single comes as an introduction to their highly anticipated debut LP due out early next year.
Taking cues from artistic pioneers such as Can and Herbie Hancock, creating a Mildlife song is a constant process of teasing and tugging, expanding and refining. But Mildlife are adamantly not a studio band. Between 2014 and 2015 they took a year off playing shows to figure out how they could produce as much of their music live as they possibly could without losing its complexity. “It makes the performance, the composition, more malleable,” says guitarist and multi-instrumentalist Adam Halliwell. Bassist Tom Shanahan adds “It feels more authentic. The energy can be in the song rather than sitting on top of it. We wanted to leave a lot of room for improvisation.”
On the first single to be released from the upcoming album, bassist Tom Shanahan explains its entrancing grip further, “The Magnificent Moon feels like the veteran journeyman to the rest of the album. I’m not sure if that’s because it was written first or because it seems to know what it wants and has a more considered direction. It never really second guesses itself except for maybe just before the outro when he realises he may have journeyed too far and his space suit has a hole in it. But then he just jams some gum in the hole and gets on with it anyway.” WEBSITE, FACEBOOK.
'The Magnificent Moon' is just seconds short of nine minutes duration, and not a moment is wasted. Layers of rich musical sounds twirl & swirl around, as the band morph between genres and create a fabulous sound. The vocals are refined, the rhythm occasionally adding a funk feel, whilst the synths are creatively used. The debut album is eagerly looked forward to.
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Showing posts with label Simone & Girlfunkle. Show all posts
Showing posts with label Simone & Girlfunkle. Show all posts
Rat Fancy - Swirlies - Simone & Girlfunkle
Rat Fancy - I Cant Dance To The Smiths Anymore.
Background - Rat Fancy (ex-Sweater Girls) debut new track "I Can't Dance to the Smiths Anymore" and announce new album "Suck A Lemon" released May 26th on HHBTM Records. Dreaming of a world where reruns of The Adventures Of Pete And Pete are on every channel and kids are free to be as weird as they want to be, Rat Fancy emerges with their fiercely different brand of indie pop. Hailing from Los Angeles, CA—where despite all that sunshine you might choke on the smog and ambition all around you—Rat Fancy is ex Sweater Girl Diana Barraza (vocals/guitar), Gregory Johnson (guitar / keyboard) and Gavin Glidewell (drums).
It’s a six-song EP about saying goodbye to all that, one kiss-off after another, possibly the sweetest collection of ‘fuck you’s ever committed to vinyl. Every track is a killer. Every track is a keeper. It’s the sound of being fd up on pollen and sugar, skidding through a dizzy blissful spring of laughter and loss.
The title track appears in two versions, a fast one and a slow one (just like Yo La Tengo used to do!) and they’re both capable of moving you to tears, because despite the sourness of the EP’s title, this music is almost impossibly sweet.
Subject matter veers from the ultra-personal to the paranormal. ‘I Can’t Dance To The Smiths Anymore’ isn’t about the Smiths, it’s about growing up. ‘Five Fingers’ is, quite literally, a slap in the face. Its synth-line stays in your head for days. ‘About You’ is a killer rant against small-mindedness, a manifesto for non-conformity that blends the Pixies and bubblegum into something altogether amazing.
Indiepop is in tatters and the ashes are all around us, and yet, and yet, a record this vital and brave, a record this alive, gives us hope for the future. Suck A Lemon succeeds by being smarter, sharper, and realer than its contemporaries. And if you don’t like it, I think you know by now what you can go do. Website here, Facebook here.
A fabulous song title such as 'I Cant Dance To The Smiths Anymore' deserves a fine tune to go with it. Thankfully Rat Fancy dish up a beautiful indie pop/rock track, that coming in at just over two minutes, requires an immediate replay at the very least.
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Swirlies - Vigilant Always.
Background - This August, 90s shoegaze veterans Swirlies will play their first west coast dates in 14 years, on the heels of the vinyl reissue of their Blonder Tongue Audio Baton LP (1993), which recently reached #11 on Pitchfork’s list of the 50 best shoegaze albums of all time.
Swirlies' last US appearances were in the eastern US and Canada in 2015. The lineup will include founding members Damon Tutunjian (guitar/vocals) and Andy Bernick (bass/keyboards), Adam Pierce (Mice Parade) on drums, Deb Warfield (Gold Muse) on guitar/keyboards/vocals, and Elliott Malvas (You're Jovian) on guitar and keyboards.
In January 2016, Swirlies were included on Cherry Red's definitive box-set of the early shoegaze movement: Still in a Dream. In July 2016, Swirlies released a new song ("Fantastic Trumpets Forever") exclusive to the Joyful Noise Recordings’ 2016 Flexi Disc Series. A remixed version will be released digitally in summer 2017. In October 2016, the Swirlies' 1993 classic Blonder Tongue Audio Baton LP was finally repressed on vinyl. It is currently available for purchase online and in local record stores. Copies will also be available for direct purchase from the band during the tour.
The band's members have collaborated with a number of noteworthy artists. Damon Tutunjian produced Mew's first LP, co-wrote a number of their songs, and has performed (guitar, bass, vocals, and keyboards) on all of their recordings to date. Adam Pierce has played with Mice Parade, HiM, Philistines Jr. and múm. Rob Laakso has played bass, guitar, and keyboards for Kurt Vile and the Violators since 2011. Facebook here, live dates on Beehive Candy's tour page.
As shoegaze goes 'Vigilant Always' is no wall of sound, the power can and does occasionally explode, however there is plenty of clarity and at times an alt rock feel, that just adds more passion to the track.
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Simone & Girlfunkle - Fight On.
Background - Beloved WA six-piece Simone & Girlfunkle are pleased to announce their new effervescent single Fight On, a delightfully arranged slice of indie-pop featuring the group’s signature three-part female harmonies.
Produced and engineered by Dave Parkin (Tired Lion, Bob Evans) and mastered by William Bowden (Gotye, Emma Louise), Fight On revels in upbeat, lush, wall-of-sound Belle and Sebastian style smarts while exploring themes of heartache, conflict and loss. It’s a balance the band strike effortlessly, holding space for joy and despair - offering a weight and substance to their dreamy pop spirit.
Simone & Girlfunkle were born on one of North Perth's hazy, sun-drenched afternoons and quickly issued a self-titled EP followed by the full-length ‘Hurry, Harry’ which X-Press hailed as “A debut that has no weak points”. Their music has been heard all over TV in programs like Winners & Losers, MTV's Awkward, ABC's Giggle and Hoot and Packed to the Rafters, while diverse support from radio has been very welcoming from many at community radio, Triple J, Radio National and commercial stations Triple M and Mix FM.
As warm and captivating on stage as they are on record, Simone & Girlfunkle have appeared alongside some of Australia’s finest - Gurrumul, Holly Throsby, Wendy Matthews, Owl Eyes and more - while notching up performances at Southbound, St. Kilda Festival, State of the Art, Channel Nine's The Weekend Today Show, Nannup Music Festival and Fairbridge Folk Festival, where The Music wrote "the girls' flawless harmonies were a force to be reckoned with”.
Combining a solid artistic vision with an antipodean sense of humour, these best mates have been busily writing, recording and sprinkling harmonic joy all over their upcoming sophomore album, due for release this year. Facebook here.
'Fight On' mixes rich and well produced music with vivacious and sparkling vocals. Production is top class allowing this indie pop song to ooze with quality and good feeling.
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Background - Rat Fancy (ex-Sweater Girls) debut new track "I Can't Dance to the Smiths Anymore" and announce new album "Suck A Lemon" released May 26th on HHBTM Records. Dreaming of a world where reruns of The Adventures Of Pete And Pete are on every channel and kids are free to be as weird as they want to be, Rat Fancy emerges with their fiercely different brand of indie pop. Hailing from Los Angeles, CA—where despite all that sunshine you might choke on the smog and ambition all around you—Rat Fancy is ex Sweater Girl Diana Barraza (vocals/guitar), Gregory Johnson (guitar / keyboard) and Gavin Glidewell (drums).
It’s a six-song EP about saying goodbye to all that, one kiss-off after another, possibly the sweetest collection of ‘fuck you’s ever committed to vinyl. Every track is a killer. Every track is a keeper. It’s the sound of being fd up on pollen and sugar, skidding through a dizzy blissful spring of laughter and loss.
The title track appears in two versions, a fast one and a slow one (just like Yo La Tengo used to do!) and they’re both capable of moving you to tears, because despite the sourness of the EP’s title, this music is almost impossibly sweet.
Subject matter veers from the ultra-personal to the paranormal. ‘I Can’t Dance To The Smiths Anymore’ isn’t about the Smiths, it’s about growing up. ‘Five Fingers’ is, quite literally, a slap in the face. Its synth-line stays in your head for days. ‘About You’ is a killer rant against small-mindedness, a manifesto for non-conformity that blends the Pixies and bubblegum into something altogether amazing.
Indiepop is in tatters and the ashes are all around us, and yet, and yet, a record this vital and brave, a record this alive, gives us hope for the future. Suck A Lemon succeeds by being smarter, sharper, and realer than its contemporaries. And if you don’t like it, I think you know by now what you can go do. Website here, Facebook here.
A fabulous song title such as 'I Cant Dance To The Smiths Anymore' deserves a fine tune to go with it. Thankfully Rat Fancy dish up a beautiful indie pop/rock track, that coming in at just over two minutes, requires an immediate replay at the very least.
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Swirlies - Vigilant Always.
Background - This August, 90s shoegaze veterans Swirlies will play their first west coast dates in 14 years, on the heels of the vinyl reissue of their Blonder Tongue Audio Baton LP (1993), which recently reached #11 on Pitchfork’s list of the 50 best shoegaze albums of all time.
Swirlies' last US appearances were in the eastern US and Canada in 2015. The lineup will include founding members Damon Tutunjian (guitar/vocals) and Andy Bernick (bass/keyboards), Adam Pierce (Mice Parade) on drums, Deb Warfield (Gold Muse) on guitar/keyboards/vocals, and Elliott Malvas (You're Jovian) on guitar and keyboards.
In January 2016, Swirlies were included on Cherry Red's definitive box-set of the early shoegaze movement: Still in a Dream. In July 2016, Swirlies released a new song ("Fantastic Trumpets Forever") exclusive to the Joyful Noise Recordings’ 2016 Flexi Disc Series. A remixed version will be released digitally in summer 2017. In October 2016, the Swirlies' 1993 classic Blonder Tongue Audio Baton LP was finally repressed on vinyl. It is currently available for purchase online and in local record stores. Copies will also be available for direct purchase from the band during the tour.
The band's members have collaborated with a number of noteworthy artists. Damon Tutunjian produced Mew's first LP, co-wrote a number of their songs, and has performed (guitar, bass, vocals, and keyboards) on all of their recordings to date. Adam Pierce has played with Mice Parade, HiM, Philistines Jr. and múm. Rob Laakso has played bass, guitar, and keyboards for Kurt Vile and the Violators since 2011. Facebook here, live dates on Beehive Candy's tour page.
As shoegaze goes 'Vigilant Always' is no wall of sound, the power can and does occasionally explode, however there is plenty of clarity and at times an alt rock feel, that just adds more passion to the track.
--------------------------------------------------------------------------------------------------------------------------
Simone & Girlfunkle - Fight On.
Background - Beloved WA six-piece Simone & Girlfunkle are pleased to announce their new effervescent single Fight On, a delightfully arranged slice of indie-pop featuring the group’s signature three-part female harmonies.
Produced and engineered by Dave Parkin (Tired Lion, Bob Evans) and mastered by William Bowden (Gotye, Emma Louise), Fight On revels in upbeat, lush, wall-of-sound Belle and Sebastian style smarts while exploring themes of heartache, conflict and loss. It’s a balance the band strike effortlessly, holding space for joy and despair - offering a weight and substance to their dreamy pop spirit.
Simone & Girlfunkle were born on one of North Perth's hazy, sun-drenched afternoons and quickly issued a self-titled EP followed by the full-length ‘Hurry, Harry’ which X-Press hailed as “A debut that has no weak points”. Their music has been heard all over TV in programs like Winners & Losers, MTV's Awkward, ABC's Giggle and Hoot and Packed to the Rafters, while diverse support from radio has been very welcoming from many at community radio, Triple J, Radio National and commercial stations Triple M and Mix FM.
As warm and captivating on stage as they are on record, Simone & Girlfunkle have appeared alongside some of Australia’s finest - Gurrumul, Holly Throsby, Wendy Matthews, Owl Eyes and more - while notching up performances at Southbound, St. Kilda Festival, State of the Art, Channel Nine's The Weekend Today Show, Nannup Music Festival and Fairbridge Folk Festival, where The Music wrote "the girls' flawless harmonies were a force to be reckoned with”.
Combining a solid artistic vision with an antipodean sense of humour, these best mates have been busily writing, recording and sprinkling harmonic joy all over their upcoming sophomore album, due for release this year. Facebook here.
'Fight On' mixes rich and well produced music with vivacious and sparkling vocals. Production is top class allowing this indie pop song to ooze with quality and good feeling.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...