Karl Walsh & The Happy Future - FELIN - Silas Hite - Dan Raza

Karl Walsh & The Happy Future - Wonderful.

Background - Karl Walsh & The Happy Future stunning album 'Birds' is set to be released on June 30th. The Happy Future was formed in Manchester in 2015 by Karl Walsh who was originally signed to Factory Records by Tony Wilson. Walsh, also a founder member of acoustic trio To Hell With Burgundy, played all over the world with Bob Geldof, The Pogues, Barclay James Harvest and Graham Parker before relocating to France where he wrote three novels. Returning to the UK in 2012 Walsh formed The Visitors with Mike Crook and Frederick Apps, releasing their debut album ‘Above You’ on Earliest Records.

The Happy Future’s first gigs were played as a trio with Frederick Apps on drums and Philip John on Bass. John, a multi-instrumentalist had previously fronted his own bands and enjoyed the challenge of utilising his vast musical knowledge to add a sophistication to Walsh’s catchy tunes. Frederick Apps cut his teeth playing with bands in venues all over the country. He is also an accomplished photographer and his work can be seen regularly in online magazine ‘Manchester Rocks’.

An open mic night in Didsbury called The Art of Tea led to Karl Walsh meeting Karl Markham, an extremely talented solo guitarist who was blowing audiences away with his renditions of original tapping style acoustic tunes. Having played in several bands in his hometown of Sheffield, Markham came to Manchester (where else?) to finish a music degree and took the role of lead guitarist in The Happy Future. Website here, Facebook here.

The new album 'Birds' comprises of eleven tracks of which 'Wonderful' is a fine example of the (dare I say) wonderful music to be found across the collection. Expect melodic and refined musical arrangements alongside the very pleasing vocals and harmonies, all of which has been produced to a very high standard.


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FELIN - Destruction Therapy.

Background - FELIN is a Swedish audiovisual duo consisting of songwriter/ artist Elin Blom and photographer/ director Fredrik Etoall (the “F” in F E L I N). Having worked with the likes of Icona Pop, Tove Lo, The Rolling Stones and Adam Lambert, FELIN are all about the highest quality of sound as well as image, by making the two inter-dimensional and expansive of one another. 

Being championed by Sony Music on their upcoming releases, as well as JC Jeans Company choosing their record for their national jeans ad, all eyes are on this Scandi duo as they reveal their much-anticipated material to the world.  

The upcoming new single Destruction Therapy begins with a cranked up and distorted drumbeat, which pounces out of the speakers onto the listener’s ears in an instant. Together with Elin’s cool’n’powerful lead vocal, the track rekindles the energy infused vibe of the industrialised alternative version of Gossip, early The Ting Tings and Yeah Yeah Yeahs. The song is produced in a Rangleklods-esque manner by Elin herself (yep, a female producer- still not enough of them out there) who has managed to craft this sonic hybrid of power, energy with a twinge of angst-filled apocalypse in the foreground. Website here, Facebook here.

'Destruction Therapy' is a potent mix of delicious drum beats way up in the musical mix, angry synths and the fiery and passionate vocals of Elin Blom.


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Silas Hite - Other Side.

Background - Emmy-winning composer, Silas Hite (Chef's Table, Scooby-Doo) just released a new cover song, "Other Side", originally performed by acclaimed indie-rock group, Metric from their latest album Pagans in Vegas. 

Hite has re-imagined this song as a beautifully aching indie-americana song, all while adding an 80's electronic pop flare. This new version features some of Hollywood's finest session string players including cellist, Timothy Loo, and violinist Nancy Kuo

Silas Hite is an Emmy-winning composer with music in his DNA. He began his career co-scoring blockbuster and independent films such as Nick & Norah’s Infinite Playlist and Cloudy With a Chance of Meatballs with his uncle, noted composer Mark Mothersbaugh (DEVO). His music plays in television shows around the world, from kids shows like Shaggy & Scooby-Doo Get A Clue!and Disney’s Dance-A- Lot Robot, to adult shows such as Blue Mountain State, Eureka, and Chef's Table. 

He has scored hundreds of commercials for clients such as Apple, McDonalds, and Chevy, earning him an Emmy, Adweek's Campaign of the Decade, and most recently a Titanium Grand Prix from Cannes. He’s contributed memorable music to some of the top selling video games of the past ten years such as The Sims 2, Skate 3 and The Simpsons. His music has played in such venerable institutions as the San Francisco Museum of Modern Art, the Los Angeles Museum of Contemporary Art, the New York Museum of Modern Art, and The Whitney Museum. Website here.

If your going to do a cover version then 'Other Side' is an exceptional example of how to make it work. Taking the song into another genre and totally different arrangement, then adding in superb musicians, pretty much seals the deal, Silas Hite's vocals ensure it.

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Dan Raza - Pay Day.

Background - In the wake of the Iraq war, Neil Young featured a stirring song called ‘Every Little Dog’ on his ‘Living With War’ website. The track was by Indian / British singer-songwriter Dan Raza, a writer who, like Young, creates music that whilst rooted in immediate genres transcends them by being able to touch on universal feelings and concepts. His songs have a strong sense of place and an enigmatic, wistful, restless quality at their heart.

The release of Dan Raza’s critically acclaimed debut album in 2012, alongside dates with Joan Armatrading, Badly Drawn Boy, Cara Dillon, Bellowhead, Mary Gauthier, Slaid Cleaves and more, cemented his place in the UK folk and roots scene and led BBC documentary maker, James Ashley Smith, to create ‘Can’t Go Back’, a short feature film about Raza’s sacrifices and struggles for his musical dreams. 

Now with the release of his second album simply titled ‘Two’, it should be time that Raza is recognized as one of the UK’s most exciting and authentic new homegrown independent singer-songwriters with an outstanding new album of deeply written songs that every real music lover should lend their ears to.

The album features some great legendary talents backing Raza including BJ Cole (Dolly Parton, Bert Jansch), Frank Mead (Albert King, Paul McCartney), and members of Slim Chance, Geraint Watkins (Van Morrison, Nick Lowe), Steve Simpson (Eric Bibb, Ronnie Lane) and Charlie Hart (Ian Dury, Eric Clapton). The result is a finely produced album that is warm and immediate, yet has a depth and textural range that rewards repeat listening. 

Moments like ‘Shadowlands’ have a Tom Waits or Nick Cave feel with dark moody landscapes, classic sounding guitars and haunting folk instrumentation; others, like ‘Where The Rivers Divide’, suggest bittersweet blue atmospheres that ebb and flow with confidence and mastery whilst ‘Pay Day’ is a straight up gutsy folk-rock belter. The tracks are full of stories influenced by and reflecting all aspects of Raza’s travelling and personal life and the production oozes with quality. ‘Two’ is a special collection of songs which have been honed and lovingly created and should be cherished at home on nights alone or with friends. Release date 7th July. Website here, Facebook here.

'Pay Day' is natural and a little rough around the edges, the way a song like this should be. Passionate and forceful folk rock, delivered with class.

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Music The American Way: Silas Hite - Ben de la Cour - Vaudeville Etiquette

The Satin Cowboy & The Seven Deadly Sins (Silas Hite) - Fools Paradise.

Background bio - The Satin Cowboy is Emmy winning film and television composer Silas Hite. Silas has music in his DNA. He began his career co-scoring blockbuster and independent films such as Nick & Norah’s Infinite Playlist and Cloudy With a Chance of Meatballs with his uncle, noted composer Mark Mothersbaugh of Devo.  Now Silas’s music plays in television shows around the world, from kids shows like Shaggy & Scooby-Doo Get A Clue! and Disney’s Dance-A-Lot Robot, to adult shows such as Blue Mountain State, Eureka, Duck Dynasty, and Chef's Table.  He has scored hundreds of commercials earning him an Emmy, a Cannes Gold Lion, a Grand Effie and Adweek's Campaign of the Decade.  He’s contributed memorable music to some of the top selling video games such as The Sims 4, Skate 3, and The Simpsons. His music has played in such venerable institutions as the San Francisco Museum of Modern Art, the Los Angeles Museum of Contemporary Art, the New York Museum of Modern Art, and The Whitney Museum.

Silas was raised in the remote mountain town of Crown King, Arizona.  He attended a one room school with a handful of other children and was able to run free in woods after school.  He grew up listening to the rock and roll and old country music wafting through the air from the local 100 year old swinging door saloon.  His father, also a musician, was often in the bands playing the music.  This is the environment that informed the Satin Cowboy. "Duel" is a celebration of the golden intersection of rock n' roll & roots country. 

"Duel" is the second full-length album from The Satin Cowboy & The Seven Deadly Sins, AKA Emmy winning film & television composer Silas Hite.

Silas Hite really does take us on a musical journey with his album 'Duel'. The featured song 'Fool Paradise' has been described as Californian Americana, an apt and highly descriptive expression that really does sum up this wonderful song. There's southern rock, through to more gentle indie folk type music on the album, the one constant is the quality, these are all classy songs.

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Ben de la Cour - Down to the Water's Edge.

Background promo - The fine line between love and obsession is carefully toed by rising singer/songwriter Ben de la Cour on his haunting new single “Down to the Water’s Edge.” Credited by Red Line Roots with offering “subtle hints of Johnny Cash, Townes Van Zandt, and Leonard Cohen,” de la Cour’s hauntingly dark and sometimes humorous style is rapidly making the well-travelled singer the face of the increasingly popular Americanoir sound. Described by de la Cour as a “creepshow manifesto” in which the narrator obsesses over his unknowing victim, “Down to the Water’s Edge” is the first single from de la Cour’s forthcoming Midnight in Havana album. Midnight in Havana will be released via Nashville’s Flour Sack Cape Records, a label that “aims to document the constantly evolving sound of one city.”

De la Cour has lived a different kind of life. After growing up in Brooklyn, he set out to see the world as an amateur boxer, bartender, and agricultural worker. He lived in Havana, Paris, London, Los Angeles, and New Orleans before finally settling in Nashville. It was at Nashville’s Greenland Sound that de la Cour recorded the eleven songs of perfectly crafted Americanoir that make up Midnight in Havana.

De la Cour’s extensive travels have taken him to some strange and sometimes dark and desperate places, places he documents so eloquently on Midnight in Havana. Tales of substance abuse, murder, and mental illness sit in perfect juxtaposition with playful lightheartedness and an ever-present glimmer of hope. However, upon closer inspection, darkness almost always wins. An unlikely hero, but one that suits de la Cour.

'Down to the Water's Edge' showcases Ben's vocals beautifully. It also gives his song writing skills a pretty good showing off. I'm still trying to figure out, quite what the 'Americanoir sound' really is, however if this is an example I'm definitely up for more. New album lands in May.

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Vaudeville Etiquette - Tipping Point.

Background promo - When we last saw Vaudeville Etiquette, the Seattle band was touring in support of critically acclaimed debut album Debutantes & Dealers, an album that No Depression said was “in the same vein as Mumford & Sons and the Lumineers. Their seamless harmonies and sense of spontaneity makes them a good candidate for mainstream success.” The Seattle Times called the band “one of the bright new faces of Seattle music,” American Songwriter gave the album 3 stars and compared lead vocalist Tayler Lynn to Neko Case,” USA Today praised their ability to “mix folk, jazz and country with free wheeling abandon.”

The new album gets its name from the motel that once occupied an infamous stretch of Highway 99 in Seattle. In its heyday, here was a motorist’s utopia, filled with a thriving middle class that was ready to explore America, traversed by the likes of Kerouac and Salinger, and full of romantic intrigue and possibility. Today, it’s a forgotten relic, a notoriously seedy stretch of road that attracts violence, drugs, prostitution, and one 5-piece folk-rock band that relentlessly believes in its spirit and potential.

What used to be the Aura Vista Motel is now where the band writes, rehearses, celebrates, argues, hones their music, and shoot their videos. It’s the Vaudeville Etiquette headquarters, it’s haunted, and it’s the catalyst behind all that they do. You can hear it on this record, as each song plays like a guest in a different room; separate but united by our wayfaring desires and sordid expectations. They recorded the album with producer Shawn Simmons Studio Litho in Seattle, WA. “His knack for honing an intrinsic Seattle sound in the work he’s done with bands like The Head and The Heart and Lemolo was exactly what this record needed,” says Lynn. “He pushed us to create unique arrangements and employ unconventional recording and burrito-eating techniques that take the sounds on this album and gracefully elevate them to a psychedelic whirlwind, then down to an intimate lullaby and back around again. He’s a joy to work with and a hero at the helm.” Play Aura Vista Motel on late nights, behind the wheel of your car, volume up, windows down, and drive somewhere dark that makes you feel like you’ve got the whole world ahead of you.

'Tipping Point' is another new track from their upcoming album, Aura Vista Motel, having already received positive feedback for a couple of other preview songs. There are eleven tracks on the new album due out on May 6th and each one is a solid engaging song. The band have a refined natural sound and the production on the new album is exceptional. If you like 'Tipping Point' I think you should seriously consider an album purchase next month!

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