Showing posts with label Selci. Show all posts
Showing posts with label Selci. Show all posts

Selci - Violent Vickie - KAELI - In The Pines - KAVYA

Photo - Annabeth Trondsen
Selci - Ghost.

Calgary-based art-pop artist Selci released their latest single “Ghost,” mixed by Sylvia Massy, with a stunning visual accompaniment, directed by the artist herself. Watch + share via YouTube. “Ghost” offers a first taste into what will be a fruitful 2022, as Selci puts the finishing touches on a two-part album project, details of which will be announced next month.

Discussing “Ghost,” Selci noted that, “it’s about being ghosted - literally and figuratively. The first verse is about the elusiveness of truth. This feels augmented in our current reality with the lack of trustworthy sources and the influx of political conspiracies. The second is about being ghosted by a love interest and washing it away with liquor. The third is an outcry - it gives me the feeling of falling to my knees in surrender to the things that I cannot control in this life. This song is very much a response to the political climate of the past two years. It takes the laments of modern life and compares them to ghosts.”

For Selci, the pairing of music to the visual, is a natural extension of expression. “The video for ‘Ghost' recreates famous 19th century paintings of mythological women,” they noted. “In contemporary styling we recreated Charles Mengin’s ‘Sappho', Waterhouse’s 'Echo and Narcissus', and Mallais’ ‘Ophelia'. Contemporary dancers dance like ghosts in front of giant human-like statues in Calgary, known as 'The Brotherhood of Mankind'. In its time, it was created as a celebration of colonization, framing it as a gift to the rest of the world - a dated and simply incorrect view of colonization, and continued harm it has brought to Indiegneous peoples.

Continuing with that theme, the scenes of women dancing in red dresses is an intended nod of awareness to the inquiry into Missing and Murdered Indigenous Women in Canada. The final scene - featuring a woman, apple in hand, being clutched by another hand from below, is a commentary on the Garden of Eden, and forced assimilation into the Catholic Church.”

“Ghost” follows Selci’s September single “Type and Send.” The two tracks show the versatility and dynamic range of Selci’s sonic palette. And with a two-part album set for 2022, the Selci is ready to take on the world.


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Violent Vickie - Get To Me (Fragrance Remix).

After touring Mexico, Violent Vickie returns with “GET TO ME” (Fragrance Remix) , a gothy-y dance remix of her "sad girl" song by the French producer and remix artist known as  Fragrance.  “GET TO ME” (Fragrance Remix)  is the first track off of Violent Vickie's Division Remixes LP which will be out in February of 2022.

Violent Vickie is a Los Angeles based Dark Synth-Riot artist consisting of Vickie and co-producer/recording guitarist E.  Vickie has toured with Hanin Elias of Atari Teenage Riot and has shared the stage with Trans X, The Missing Persons,  Jessie Evans (The Vanishing),Them Are Us Too, Pastel Ghost and Aimon.  She has toured the US, Mexico, Canada & Europe and played Insted Fest, Solidarity Fest, Shoutback Fest & Gay Prides and Ladyfests.  

Vickie’s tracks have been released by Crunch Pod, Emerald & Doreen Recordings (Berlin), Riot Grrrl Berlin, & LoveCraft Bar (PDX).  Her track "The Wolf“ was featured in a National Organization for Women film and she was interviewed for the documentary “GRRRL”, part of the museum exhibit “Alien She”.  Her LP "Monster Alley” was voted best album by KALX and her tracks have been remixed by 25+ artists.  Violent Vickie's Division LP was released in September 2020,  followed by a remix album of "Under The Gun" in February 2021 and a cover of Johnny Cash's Ring of Fire in July 2021.  Violent Vickie’s “Division” Remixes LP will be out in February 2022.

 

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KAELI - No Mans Land.

 “There is no other time when I feel more alive. Being on stage, singing about what I have experienced and felt, and getting to share that with people who feel the same way, it’s a feeling like no other” says KAELI. New to the music scene, but not unfamiliar with the stage, KAELI is a singer-songwriter from London. Beginning her career by treading the boards in theatre, and eventually touring arenas worldwide as a featured vocalist for film star Hugh Jackman, it hasn’t been a conventional route into the music industry. But 2021 sees KAELI finally find her own voice. Combining soaring vocals, and honest lyrics with an effervescent pop sound, KAELI hopes to bring her lively energy and openness to every track.

KAELI is signed by Abubilla Music, and plans to release her debut EP in late 2021. Growing up to Scottish parents in a small village in Hertfordshire, KAELI never wanted to be in the spotlight. In fact, it wasn’t until her parents saw how crippling her shyness was that they decided to put her into drama and singing classes at the age of 8. It all went downhill from there. Coming into her own, a young KAELI found her passion and spent her free time performing and taking classes, or listening to the soundtracks of her favourite musicals and Disney movies. It was where she felt most at home, feeling theemotion of every song that these characters were singing.

It was a purely natural progression for her to pursue performing as a career, and after attending prestigious schools such as LAMDA and the Guildford School of Acting, KAELI went on to have a successful stage career in the West End, performing in shows such as ‘Les Misérables’, ‘Jesus Christ Superstar’ and the original cast of ‘Tina the Musical’. However, her career took a new turn after being asked to join Hugh Jackman on his 2019 world arena tour of ‘The Man. The Music’. The Show, as one of his featured singers.

Performing in venues such as Madison Square Garden, the Hollywood Bowl and the O2, KAELI travelled across the US, Europe and Australia, playing to packed out houses alongside the Hollywood star. Whilst touring, KAELI would use spare moments on the bus to work on new music and demos, as she found herself more and more inspired by her travels and experiences. Encouraged by the team on the tour, and Hugh himself, KAELI decided to pursue her songwriting further, and reached out to London label Abubilla Music on her return. She signed to the label in 2020, after some time developing her writing with the team, and began writing her debut EP. “This EP explores the different genres of music that I love, whilst also allowing me to explore where I fit in this musical world. I think each song shows a part of me, a part of how I respond to the world and to relationships, and paints a really vivid picture of who I was when I wrote each song. I see it as a kaleidoscope of 

KAELI, that’s helped me uncover exactly where I want to sit with my next record. I can’t believe I’m talking about my next record already but I feel so fired up now that I can’t wait to start writing it with this new found clarity. I just hope this first one gives everyone a taste so they’re hungry for more!”

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In The Pines - Jeez Louise.

Cincinnati, Ohio quartette In The Pines announced that their third full-length studio album, Impossible Daze, will be released on January 28, 2022 via Soul Step Records. To mark the announcement of Impossible Daze, the band has shared “Jeeze Louise," a laid-back and lo-fi cut that highlights the band’s proclivity towards immersive and atmospheric vocal harmonies.

“‘Jeeze Louise’ was one of the tunes where we knew exactly how we wanted it to sound, but we weren’t sure of the best way to go about it,” says guitarist & vocalist Michael Shular. “We wanted it to sound like it was done out on the front porch, real loose, just like we were pickin’ around, having a good time. We wanted a low fi sound so our engineer decided to run it through a cassette player in the front room of the studio using an old 50’s Altec broadcasting mic. While we were recording he was pressing on the tape to give it that warbly old school sound. It was really satisfying hearing the final result, it had exceeded our expectations and has become a favorite of ours.”

“The verses allude to some of the more exciting parts of love - the feelings of excitement and courage in a happy new relationship,” says bassist & vocalist Patrick Zopff. “Those images are contrasted with the chorus, which is a desperate apology. (“Babe I’m awful sorry, oh jeez Louise!”) It’s supposed to evoke the feeling of surprise and shame upon the realization that you can hurt someone despite the best of intentions. All of this is performed with a little whimsy, sincerely bittersweet… We chose to strip down the arrangement to just banjo, guitar, and vocals, to make it feel like four friends drunkenly singing together on the porch on a warm summer night.”


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KAVYA - Know Me Better (E.P).

KAVYA's new 4 track EP depicts the artist’s diverse creative interests ranging from fashion, art, music, and acting all of which make her thrive and are integral in shaping the person she is today.

‘Know Me Better’ is KAVYA’s humble attempt to share her personality, interests, dreams, and vulnerability with her audience through her music. In February 2021 in association with VH1 Supersonic plug-in, 'Know Me Better’ the documentary was released which highlighted Kavya's relationships with the women in her life, her interest in art, cinema, visual identity followed by a live performance. Through the next three months, we delve into her different creative worlds and bring to the forefront all the things that make her come alive.

KAVYA (Kavya Trehan) is a 27-year-old singer-songwriter from New Delhi, India who’s been performing since the age of 14. Over the course of time, she’s collaborated with some of the leading producers in India and toured with her band, MOSKO. Her solo project is a celebration of raw emotion and her roots, where all songs have been developed from guitar parts and trusty voice notes. In order to constantly evolve as an artist, in 2016 she started writing music using Ableton. Since then, she is on a relentless spree of releasing her own material that has more of an R&B, electronic, and indie-pop feel.

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Selci - Home Counties - Fassine - Beauty Pill

Selci has just shared 'Hide Forever' following on from 'Strangers' which we shared last month, her creative alt pop taking a slower, moody electro pop direction on this occasion. === Bristol, England band Home Counties have released 'Redevelopment' which is a vibrant and addictive indie rocker. === Last month we shared 'Magpie' from Fassine who return for a sixth time on Beehive Candy with 'Max' an atmospheric and more electronic piece, from this imaginative trio. === Released today Beauty Pill share 'Please Advise' a creative and highly individual piece, that exudes intrigue.
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Selci - Hide Forever.

Calgary soundscaper Selci is returning with the languid electro-R&B number, “Hide Forever,” which will appear on her second EP in less than a year, A SOFT PLACE. As the world is gripped by the Coronavirus pandemic, the track’s message of finding comfort in isolation seems especially fitting in these uncertain times.

“Hide Forever” is a slumbering reflection of the artist trapped in a sleep state during a periodic low. Produced with the help of prolific Vancouver beatmaker Neighbour and tempered by Selci’s narcotic vocals, the track flows like a curl of smoke.

“I wrote 'Hide Forever' when I was in a major depression and I wasn’t able to face the world,” Selci says. “Sleep was my only place of solace. The world would shut off and I could drift away. For A SOFT PLACE, I needed to dig into the places that made me feel safe, where the fear and stress of the world was silenced: laying on a couch with family, dancing by myself, or sleeping. Sometimes finding a soft place is a site of peace.

Sometimes it’s a place of refuge or a part of you that you need to protect. Now with people all over the world going into self-isolation, this song seems to resonate more. I hope that people who are struggling with their mental health because of the pandemic are able to find their own places of softness and comfort. While you may feel like hiding forever, just know that you're not alone—we’re all in this together."

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Home Counties - Redevelopment.

Home Counties reside in Bristol and combine angular guitar work with furious percussion. Supporting Whenyoung and Pip Blom on tour in previous incarnations of the band, the 5-piece make melodically rigid, socially-charged anthems that are lyrically tongue-in-cheek and scathingly satirical.

Yesterday (March 24th) the band shared their debut single as Home Counties, 'Redevelopment'. A raucously danceable earworm examining gentrification in the UK; the interplay between its intricate guitar passages and singer Will Harrison's impassioned yelps is infectious.

“‘‘Redevelopment’ is about town redevelopment,” the band explain. “Lyrically, the first half of the song takes the view of 1960s redevelopers, with the second half addressing the tearing down of modernist buildings and replacing them with gentrified luxury flats. The song points out that these ideas of nostalgia, urban decay and progress come around in cycles. Fundamentally, it suggests that we should be as wary of arguments against redevelopment, as of redevelopment itself.”

Having already caught the attention of Huw Stephens – receiving airplay on BBC Radio 1 and 6Music, 'Redevelopment' also stands as the title track from the bands upcoming debut EP, produced by Theo Verney (Egyptian Blue, Fur) – due for release later this year.

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Fassine - Max.

Asserting a fierce electronic element to their acclaimed pop formula, UK industrial-pop trio Fassine will release new album FORGE this Friday, March 27 via Trapped Animal Records/Cargo Records. A gripping tribute to the unassuming heroes on the fringes of society, the new collection is bolder than ever, elevating the London trio’s distinctive take on electronic music with heavier, more aggressive instrumentation.

The band continues their tradition of covering obscure tracks, this time choosing Italian jazz singer Paolo Conte’s “Max” which debuted with New Noise Magazine today. Conte, an Italian legend who the UK’s Guardian once described as a “Maestro of a lost elegance” has been a part of the country’s DNA for over forty- five years. Aggressive and commanding, the band has reimagined the largely instrumental original with their uniquely cinematic and bombastic approach. Fabrizio of ARQTIC offers his authentic Italian vocals to the track, and performs the piano solo at the end.

Says Sarah Palmer “We were in the studio late one night and were debating about how to record the small section of Italian in the song. Not being Italian we were concerned that our English accents would destroy the song. We wandered down to grab a coffee and Stefano Fiori and Fabrizio Pagni just happened to be there. We couldn’t believe our luck and asked them if they would do the vocal. Initially, they were a bit skeptical owing to the fact that the song was so strange and niche but they ended up not only doing the vocal part but also contributing musically to the song. One of those serendipitous moments that worked big time”.

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Beauty Pill - Please Advise.

Beauty Pill announces Please Advise, the first new music the band has released since 2015’s Describes Things As They Are, an album that earned widespread acclaim including NPR Music's album of the year list and TIME Magazine's 10 best albums of the decade list.

The lead single “Pardon Our Dust” is now available worldwide on streaming platforms as of today. This past Friday, the track was released early (exclusively on Bandcamp) to help raise funds for Beauty Pill and bandleader Chad Clark, whose rare heart condition puts him at critical risk should he contract COVID-19. "If I become infected, I’m gonna die pretty swiftly. My doctor has assured me of this," Clark shared recently via Twitter.

The accompanying music video for lead single "Pardon Our Dust" features newest Beauty Pill member Erin Nelson and debuted this past weekend via Spin. "Most Beauty Pill songs work by insinuation,” Clark explains, “but “Pardon Our Dust” is more abstract. It’s about oblivion. The dictionary says oblivion is “the state of being unaware of what is happening.” To me, oblivion seemed an idea worth interrogating in the Trump age when a lot of people feel like disappearing... To me, cumulatively the song feels like science fiction and the voice is some kind of malfunctioning artificial intelligence. What do "so few reasons left" and "willing to burn” mean? Something is happening in this song, but I can’t tell what. I’m not sure.”Please Advise will be available May 8th, 2020 via Northern Spy Records on Digital/CD/Cassette/Vinyl, each with distinct artwork (designed by Grammy-winning artist Brian Grunert) and unique bonus track exclusive to that format.

In conjunction with the release of Please Advise, Beauty Pill will host a weekend art exhibit of Yes I Am A Hologram at the highly respected D.C. art gallery, Lost Origins, where the band will also perform in an intimate, special one-off configuration.

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Fake Shape - Nicole Atkins - Kite - On-The-Go - Britt - Tim Cheesebrow - Inbetween Movies - Selci

Fake Shape just released 'Headspace' a slick and stylish indie song with exquisite vocals and musicianship. === Nicole Atkins shares a video for 'Captain' featuring Britt Daniel, it's a dreamy pop piece with a gorgeous retro film. === From Sweden we have Kite and 'Tranås/Stenslanda' where the indie electro duo share an expansive, emotional and dramatic song. === Moscow based band On-The-Go have released 'Unsaid' a distinctive multi genre influenced song that is oozing hooks. === Britt shares song and video 'Looking For Another' a rhythmic, melodic and in all fairness quite mesmerising track. === Tim Cheesebrow has a new album out simply called '7' from which we have the first of twelve tracks 'Almost Through the Dark'. The song gives a good feel for the album where crafted musicianship and arrangements are driven by Tim's notably fine vocals. === Inbetween Movies first appeared here just a couple of months back and now we have 'Kiddios Cave' which is another beautifully crafted and dreamy song. === Selci also makes her second appearance on Beehive Candy with 'Strangers' where her unique and creative alt pop once again stands out and impresses.
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Fake Shape - Headspace.

Fake Shape is an Alternative-Indie band from Hamilton, Ontario that formed in September 2018.

All five musicians offer their own aesthetic, creating music that falls between funk, indie-rock, pop and ambient electronic.

They have been writing and recording at Fort Rose in Hamilton and are getting ready to release their debut EP, Night Swim.

The songs drift through contrasting mindsets and morphing textures like navigating a solitary swim through dark water.

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Nicole Atkins - Captain feat. Britt Daniel.

The wild magic of the Jersey Shore boardwalk has inspired musicians across generations, but it takes a uniquely distinct vision to go find that slice of regional wonder in Northern Alabama. On 'Italian Ice' (17th April / Single Lock Records), that’s exactly what Nicole Atkins has done, taking over the hallowed Muscle Shoals Sound Studio with a one-of-a-kind band featuring members of the Bad Seeds, Dap-Kings, the legendary Muscle Shoals Rhythm Section and more. "Musically, it doesn’t make any sense,” says Atkins half-jokingly. “But I’m a superfan of all of them and we ended up with the weirdest, craziest band ever. It just became this awesome misfit party.”

The video for 'Captain,' which features guest vocals from Spoon’s Britt Daniel and finds Nicole starring in the most fashion-forward 80s infomercial ever.

Named dually for her favourite summer treat growing up in Asbury Park and an alter ego she’s taken on while shooting dice, 'Italian Ice' has been described by Nicole as “an acid trip through my record collection,” at turns as opulent as symphonic pop and as gritty as garage punk with shades of psych-rock, honky-tonk and girl-group melodrama. Conjuring the romance and danger of the Jersey Shore, 'Italian Ice’s eleven tracks ultimately channel an endless summer set to the sounds of the AM radio dial.

Nicole Atkins is a songwriter and performer with a fearless and frank style. Fans of Atkins’ previous release 'Goodnight Rhonda Lee' include Rolling Stone (who previously named her a “Top 10 Artist to Watch”), Uncut, Mojo, NME, NPR and American Songwriter. In addition to writing, recording, and playing music, the Nashville-by-way-of-Asbury Park musician is an art school graduate who specialised in wildlife illustration and is an active painter. Nicole will also be sharing her original artwork with fans through her newly-launched Patreon page, 'Natkins Funhouse'.

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Kite - Tranås/Stenslanda

Swedish indie-electro duo Kite has shared new track 'Tranås/Stenslanda'. The song combines an adventurous sonic approach with a pop sensibility, and it's a prime example of their sound, a dark wonderland of droning synthesizers and throbbing beats, full of majestic melodies.

The track comes accompanied by a video directed by Marcus Malmström. Asked about the video, he said: ”Having grown up in a small, rural place myself, I wanted to capture that decade-long wait to get away and start a life for yourself. Those drifting, longing thoughts that become rarer as you get older and in hindsight shaped the person you are today.”

Based in Stockholm, the duo is composed by singer Nicklas Stenemo, who grew up in the small town of Stenslanda and keyboard player Christian Berg who came from the even smaller town Tranås. After performing with various synth/indie outfits separately, they finally joined forces and started Kite. The opening track of their first EP, 'Ways to Dance', was an instant club hit in Sweden.

Their live experience – featuring spectacular lights, breathtaking projections and sometimes cat statues shooting laser beams from their eyes – have gained them a reputation as a great live band. This is how Dagens Nyheter, one of Sweden's main broadsheets, described one of their shows ”Projected on the dome over our heads are marching skeletons, hummingbirds in slow-motion, bomber aircrafts on a purple sky, lunar craters, the snow-covered peaks of Himalaya, neon shimmering nebulas and a space baby à la Kubrick´s 2001. The Native American dream catcher dangling from Christian Berg´s synthesizers must have been switched to reverse.”

Following last year's performance at Way Out West Festival and two sold-out shows at The Royal Opera in Stockholm, alongside a 16-piece orchestra, Kite are currently working on new music and gearing up for more live shows later on in the year.

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On-The-Go - Unsaid.

With their brand-new album around the corner, the Moscow-based band On-The-Go release their fourth single, ‘Unsaid.’ Influenced by electronica, pop, and folk, ‘Unsaid’ offers intimacy through its lyrics, whilst projecting a large amount of energy across its sound of indie-pop, and sonic surges.

The track tackles the feelings of regret surrounding the things we wish we were able to tell the people we care about, but never could. Whilst there is a guilty feeling of regret, lyrics such as ‘say what you have to, before you leave,’ suggest that there is hope for forgiveness, although there is a doubt of unlikeliness.

Discussing their new album, Yura Makarychev, the frontman of On-The-Go says: “We wanted to make sure that each song is based on specific ideas, and lyrics with the rhythm, and melody forming around the subject”.

Influenced by pop, folk and electronica, the band combine progressive time signatures, an ecstatic energy and crystal-clear production. Complex arrangements, delicately layered textures and heartfelt lyricism result in an affecting, nuanced record. The band tells us that “we wanted to make sure that each song is based on specific ideas and lyrics with the rhythm and melody forming around the subject.”

The songs tackle subjects such as looking for balance in relationships in the ever-changing and unpredictable world, the conflicting emotions around raising children within a political climate of fear and hatred, and the changing nature of memories as our current experiences increasingly conflict with the beliefs we held in the past. This is evident on tracks like ‘Happy’ (feat. Kate NV) which explores the effect of mental health on relationships, and the moral dilemma of trying to help or be supported by a loved one while trying not to be dragged under yourself.

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Britt - Looking For Another

Britt tells us - My new song, “Looking For Another,” was written as I walked alone around Toronto on a summer day. Wherever I looked, there were groups of people who all seemed to know each other and have it “figured out.”

I produced the song as I wrote it, and it was important to me to hold onto its initial spark, as I built it out and mixed it myself later.

With the video for the track, I strove to tap into that same feeling I had as I was writing it, the longing and desire to connect with others, and the pain at feeling unable to do so.

I juxtaposed scenes shot in downtown LA by Eric Bilitch, with footage that I shot in my childhood bedroom back in Toronto. I edited these two worlds together - my past home in TO and my present home of LA.

With the narrative, I wanted to capture that feeling that we’re never enough in the eyes of others, that there’s something inherently wrong with who we are.

I did this through the eyes of a young girl (played by Charlotte Lindsay Marron) who struggles to look like the Instagram celebrities, even as it leaves her feeling deeply unhappy.

“Looking For Another” is tongue-in-cheek because although I felt like I was the only one, in writing the song I acknowledged the universality of feeling alone.

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Tim Cheesebrow - Almost Through the Dark

Background from Tim - My name is Tim Cheesebrow, and I've been a performing musician in Minnesota for 20 years. During that time I've written seven albums of original material, written a book on songwriting and its effect on the mind and body, spent 9 years operating a nonprofit that teaches young people to write songs, and I play over 120 shows a year.

This latest album, "7," is quite special. It's a folk-rock, singer/songwriter's playground with a range of styles from driving rock to haunting dirges and soaring ballands. Stylistically it lives in the vicinity of Jackson Browne and the Eagles, with some 90's influence.

Calling on the talents of some of the Midwest's finest studio musicians, I produced and recorded the songs in my own studio. It's been a true labor of love to bring all the pieces together, and it allowed me to take time to craft the songs thoughtfully and artistically. I enjoyed every minute working on this project. I hope you'll enjoy listening to it just as much.

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Inbetween Movies - Kiddios Cave.

One week ago, Inbetween Movies released their modern and playful anthem 'Kiddios Cave', followed now with a video.

Electronic, modern and playful: Zurich-based dreampop and shoegaze-quartet Inbetween Movies are back with new single 'Kiddios Cave'. Their refreshing mixture of frayed melodies and modern beats is reaching people around the world. The previous first two singles have gained thousands of plays on Youtube and Spotify – without the band's effort doing extensive promo.

With the new single «Kiddios Cave» getting into radio-programmes could work for the first time. The pulsating beat, carried by spherical hooklines, goes deep. Thematically, the song revolves around the moment when a relationship is actually already over, but both sides are still fighting for getting it together again. A situation that everyone knows and that moves. Yoiu can feel the glue of hope between the chords.

The video clip is also worth seeing. It shows how loneliness first needs to leave the body in order to allow hope growing again.

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Selci - Strangers.

Calgary alt-pop artist Selci is sharing a new video for “Strangers,” an anti-Valentine’s Day track about a love that’s faded and gone, off her debut Effervescence EP. The song recalls a run-in with an ex-lover, and the painful realization that after knowing someone so intimately you, hardly know them at all.

The video is framed around the deterioration of a relationship, juxtaposing Selci’s own memories in a surreal, subconscious world. A series of hazy vignettes spiral through memory, romance, dissociation and the loss of self. Blending high-definition and 8 mm film, home video and stop motion animation, analog textures are used to imply nostalgia and the timeless nature of broken relationships, while flickers of animation enhance the surrealist vibe.

“As the video progresses, I become cloaked in layers of fabric,” says Selci. “Happy memories are overcome by recollections of anger and violence, and I become engulfed by tulle. As the intensity increases, the boundary between reality and the subconscious world is blurred. This veiling is meant to signify the loss of self in a relationship. It mirrors the sensation of distance from the self and the distance from a lover as the relationship falls apart.”

Effervescence examines the aftermath of various relationships (“Strangers” and “Old Wounds”), a split with a bandmate (“Eyes of Amber”), and ponders the concept of artistic and societal freedom by using the metaphor of a mythic, mermaid-like creature confined to land (“Truth in the Sea”).

Though trained in opera, contemporary and classical musical styles, Selci uses ambience and rhythm to compose sounds that exist on the fringes of pop music. To create Effervescence, Selci spent years in isolation while learning the craft of production, setting her on a path of rediscovery and self-acceptance.

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Rubita - Selci - Bananagun - Ets Trio - FEVA

Rubita has just shared a new song entitled 'Let Me Know'. Gently paced and lyrically quite personal this melodic indie folk piece, eases and charms it's way into our lives.

From Selci we have a live video for 'We Could Be Together' and the E.P. that its taken from namely 'Effervescence'. Described below as "gorgeous and otherworldly", I can only agree, her definitive style of alt pop really is something special.

Bananagun have shared the final track 'Crane In The Tiger's Mouth' from their upcoming 7" single. The timeless pop vibes are there from the moment go as their woodwind and harmonies create a unique and very pleasing sound.

Ets Trio have released a video for their imaginative folk rock song 'Lovers to Strangers'. With a combination of refined musicianship and melodic vocals the piece ebbs and flows in a calm and peaceful manner.

FEVA return for a fourth time on Beehive Candy with 'We're Not Defective'. Opening with a short burst of "out there" vocals, the alt rockers are soon barnstorming into a full on rocker that demands our attention to say the least!
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Rubita - Let Me Know.

A musician of great resilience and determination, Rubita presents a compelling swirl of conflict and desire in her latest single Let Me Know.

In the 3 years since the release of her warmly received Brutal yet Dulce Soap EP, Rubita returns with Let Me Know, a song born from torn relationships and informed by her hard work to date. Let Me Know was written in the heart of a student flat in Leith St, Dunedin, well known for its student population. Amongst disarming jangles and wistful harmonies, it describes the hesitant story of going back into a relationship with someone that broke their heart once before, and whether or not they have the strength to go through that again.

Let Me Know is one of many songs from the album that I wrote while living as a student in the freezing flats of Dunedin. Sitting back on a couch with someone I didn’t think I’d have much to do with again is where this song started coming together.’ - Rubita

No stranger to challenges, Rubita brings an impressive sense of character to her storytelling, her exchange in Rosario, Argentina found her performing her songs to the locals in order to communicate and make new friendships and graduating with a music degree as the sole female student. Her dedication to music helping to bolster her resolve and in turn these formative experiences have helped to craft an openness and intimacy within her work.

With 3 years of touring and and writing since her EP, Let Me Know signals the arrival her debut album, Distinctive Thrill. And as the tales of yesterday inform the songs of today, Rubita imbues an earnest charm into her developing wisdom and storytelling.

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Selci - We Could Be Together (live) / Effervescence (E.P).

Calgary alt-pop artist Selci has released her gorgeous, otherworldly debut EP, Effervescence, with a live video for third single, 'We Could Be Together’. Recorded inside Selci’s Calgary apartment, 'We Could Be Together' soothes and sparkles at the hands of jazzist Timothonius on keys, and features Calgary producer Egypt on beat pad and young singer Heidi Shanklies.

“Doing this video was the start of getting a band together,” Selci says. “I've collaborated with Timonthonius in the past, but It was my first time playing live in this configuration. All of the songs on the EP are drenched in harmonies, so I'd love to add more singers and continue experimenting with different musicians.”

The song itself grapples with falling in love while dealing with depression, self-love over loving another. “Managing depression and anxiety is an ongoing battle for me, and my current partner has helped me work through so much, but that cliché sentiment about loving yourself before loving someone else has never felt so true,” she says. “You can’t rely on someone to fix you no matter how much you love each other.”

Effervescence examines the aftermath of various relationships ('Strangers' and 'Old Wounds'), a painful split with a bandmate ('Eyes of Amber'), and ponders the concept of artistic and societal freedom by using the metaphor of a mythic, mermaid-like creature confined to land ('Truth in the Sea'). Though trained in opera, contemporary and classical musical styles, Selci uses ambience and rhythm to compose sounds that exist on the fringes of pop music. To create Effervescence, Selci spent years in isolation while mastering the craft of production, setting her on a path of rediscovery and self-acceptance.

Sound guru Sylvia Massy (Prince, Kate Bush) was enlisted to mix Effervescence, and Matt Colton (New Order, Blood Orange, James Blake) was tapped for his mastering touch. The record also features an array of rare instruments and equipment from the National Music Centre in Calgary.  It’s an album of thoughtful, meticulous detail; as much an exploration of sounds and textures as it is a journey of Selci’s abilities as a sound designer and her dedication to carving out more space for herself and other women in technical roles.

“I always wanted to be involved in production and sound, but I didn’t think I was capable of it,” she says. “In the last few years, I gained a lot of confidence in my abilities. I felt like it was time to put out a complete piece of work. After performing countless shows, writing hundreds of songs that will never see the light of day, and hustling to bring my skills in production to a level that I believe in, I’m finally here.”


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Bananagun - Crane In The Tiger's Mouth.

Bananagun deliver the final track from their upcoming 7" "Crane In The Tiger's Mouth". Regarding the sunny woodwind centric single the band stated "I guess sometimes you can feel like a fragile crane and the powers that be have got you in their jaw, you'll have to rise above or the tiger will swipe you down! Soar high little birdie for the night sky is and endless plane of dreams."

There are some records that you come across that sound like you’ve discovered an unearthed gem from a previous decade; a lost moment in musical history that has cruelly been sat gathering dust in a record shop for years. From the opening seconds of Bananagun’s “Do Yeah” – which stirs to life in an intoxicating blend of 1970s afrobeat, fuzzed out psychedelia and immersive pop – this very much feels like the case of discovering something special.

There’s a deeply percussive element to the band’s psychedelic ode to mother nature, touching upon Fela Kuti-esque repetitions, exotica, jazz and 1960s pop-rock. Much like a lot of the influences it filters into its own unique spin on it all, it’s intended as “music for the people” – a unifying groove that spans genres. Even the seemingly innocuous band name has an underlying message of connectivity that matches the universality of the music. “It’s like non-violent combat! Or the guy who does a stick up but it’s just a banana, not a gun, and he tells the authorities not to take themselves too seriously.” This extends to the underlying message of their debut single too: “try to love and not hate because you’re the one who has to carry it around.”

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Ets Trio - Lovers to Strangers.

Ets Trio deliver folk-rock with worldly textures, bringing discipline, environments and a wealth of experience into a so; and accepting realm. Their single Lovers to Strangers a song of wisdom set to quell the an unsettling melancholy.

Fronted by Etienne (Ets) de Kock (vocals, acoustic guitar, lead guitar), the trio offer a grace with which to learn and accept the unfastening of relationships. The delicate finger picking, stunning harmonies, and heart-stopping lyrics vibrate Lovers to Strangers so to resonate distinctly with anyone who has felt the loss of someone special.

‘Lovers to Strangers has evolved over time as I’ve gathered more life experiences, and as my context has shifted. These days, rather than being an expression of my own heartbreak, Lovers to Strangers is a song of triumph for having made it out the other side, and an expression of empathy for someone who might be now going through something similar.’ - Etienne de Kock

Lovers to Strangers was written by Ets de Kock and recorded by Ets Trio (Oliver Wells drums and percussion and Jay Pyefinch bass) at Organic Patch Studio in the Perth Hills with Ets’ good mate Sound Engineer/Producer Matt Cal. Tucked away amongst the Jarrah Marri forest, it was the perfect place to bring together the final touches for the song. Lovers to Strangers was mastered by Lee Buddle at Crank Studio, known for working with artists such as Justin Beiber, Kelly Clarkson, Peking Duck and Gurrumul.

Born in South Africa, a childhood in New Zealand, and adolescence and adulthood in Australia, each of these settings have shaped Ets’ music. A WAAPA graduate Ets started playing Spanish guitar at age ten and has played most days since. Ets is also the lead guitarist of Mystic Rebellion a three-piece electronic outfit with West Australian Music Industry (WAMI) Award winner Mat Cal, and Mat Parker (Bambuseae Rhythym Section). Ets is also recording with Bomi Rock, a five piece specializing in indie surf rock.

Lovers to Strangers gently eases you through the sadness and dissipates the sense of loss with alluring tones of hope and acoustic swells of courage. Ets Trio bring the introspection of personal experience into an outwardly resilient world of folk-rock with a keenly perceptive dignity.


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FEVA - We're Not Defective.

Heightening their credentials as one of the North East’s biggest emerging acts, Newcastle alt-rockers FEVA share raucous new cut We’re Not Defective, the lead track from the band’s forthcoming debut EP out later this autumn.

Spearheaded by charismatic frontman Sam Reynolds’ snarling lead vocals, the rising quartet’s latest effort shimmers with fierce indie licks and aggressive guitar tones, trademark qualities that’ve already earned widespread critical acclaim (The Line Of Best Fit, Clash, Dork) and praise across the airwaves (BBC Radio 1, BBC 6 Music).

“We feel like this track is where we’ve been trying to get to since we started as a band and we’re very proud to release it as the lead single off our debut EP”, the four-piece explained. “We’ve maintained since day one that we want to write heavy tunes that have a profound meaning and we feel like we’ve done so here”.

“The song is meant to empower people and we sincerely hope it does. We’re all navigating our way through life, one storm, one pipedream at a time and just because you take a different path or never quite make it to your end, it doesn’t mean there’s anything wrong with you, it doesn’t mean you’re defective”.

Following on from summer shows alongside Noel Gallagher’s High Flying Birds and The Vaccines, the Geordie risers are shaping up for their busiest period to date with further EP material on the way and their debut UK tour lined up in October.

Live Dates:
07 Sept – Riverside, Newcastle
18 Oct – Nice N Sleazy, Glasgow
25 Oct – Café Totem, Sheffield
26 Oct – Jimmy’s, Manchester

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...