Showing posts with label Rude Audio. Show all posts
Showing posts with label Rude Audio. Show all posts

Rude Audio - Buffalo Tom

Rude Audio - Rumble on Arab St

London electronic music outfit Rude Audio have announced 'Rumble on Arab St' as the final single off their new 'Rude Redux' EP, accompanied by a video created by Robert Bell.

This new release sees the band refine their trademark sound, fusing their love of woozy dub with throbbing electronics. Here, house music, flecked with Arab and Indian vibes, also shamelessly cavorts with dub. These five tracks go down easy and brings you into sci-fi trance mode.

Ahead of this release, Rude Audio previewed 'To The Sun', complete with a new virtual reality-inspired video, directed by Ali Ingle, as well as 'To The Half Moon', for which Robert Bell also created the video.

Earlier Andrew Weatherall, premiered several tracks from the new EP on his radio show. This EP appeal to fans of Weatherall himself, as well as The Orb, Future Sound of London, Duncan Gray, Adrian Sherwood, On-U-Sound, Hot Chip, and Jagwar Ma.

Based in South London, Rude Audio is a collective with a history of putting on fantastic underground parties, releasing the occasional dubby Balearic opus, engineering for the disparate likes of Paul Weller, Lemon Jelly and Royal Blood and generally mooching about anywhere that doesn’t have bouncers or operate a dress code. WEBSITE.


We shared 'To The Sun' from the 'Rude Redux' E.P. back in August and commented at the time "If dub or electronic music in any shape or size is of interest to you, then dive head first into Rude Audio's music, your in for a very pleasant musical journey". 'Rumble on Arab St' the final single from the collection, I would suggest confirms that our comments regarding Rude Audio's music were reasonable to say the least.


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Buffalo Tom - Overtime.

Ahead of their forthcoming European tour, which starts in Copenhagen on 27 November, Buffalo Tom share the new video for "Overtime", a song that appeared on their recent album Quiet and Peace, out now on Schoolkids Records.

The video was directed by Rachel Lichtman from Network77.com (an absurdist music-and-comedy sketch web series). It was edited by drummer Tom Maginnis' daughter Marlena.

Singer-guitarist Bill Janovitz explains more about the video: "The idea came from the song lyric. Rachel wanted to depict a real woman at various points in her life, from childhood into motherhood. She had some of her own Super 8 footage of her mom Susan. When Rachel loaded it with the music, it just seemed to synch up perfectly. There was this footage of her mom from childhood to motherhood, all Super 8, which has to be a fairly rare case for someone of that generation.

So it is all real vintage footage of one person's pivot points, from young childhood to young adulthood. Also Tom’s daughter Marlena Maginnis edited the video, so its all in the family!"

Quiet and Peace is a compelling 11-song set that finds the trio—singer-guitarist Bill Janovitz, bassist-vocalist Chris Colbourn and drummer Tom Maginnis—simultaneously mining their best-known sonic elements while breaking new ground on emotionally resonant new tunes such as "All Be Gone," "Roman Cars," "Freckles" and "CatVMouse."  Buffalo Tom's first collection since 2011's Skins, Quiet and Peace was mixed by John Agnello (Kurt Vile, Sonic Youth, The Hold Steady) and marks the band's first collaboration with producer and fellow Boston alt-rock legend David Minehan, renowned ex-leader of the Neighborhoods. WEBSITE.

European Tour Dates:
Tue 27 Nov - Copenhagen, DK - Pumpehuset
Thu 29 Nov - Berlin, DE - Bi Nuu
Sun 2 Dec - Amsterdam, NL - Paradiso
Tue 4 Dec - Bristol, UK - Fleece
Wed 5 Dec - London, UK - Electric Ballroom
Thu 6 Dec - Birmingham, UK - Institute 2
Sat 8 Dec - Eindhoven, HOLLAND - Come as You Are Effenaar

'Overtime' typifies the sheer quality of Buffalo Tom's music, in this case as Americana and Alt Rock seemingly merge together beautifully. The video makes for a fine companion.


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Rude Audio - Greg Laswell - Glorietta - FEVA - Dave Davies

Rude Audio - To The Sun.

Background - Rude Audio are proud to announce their new 'Rude Redux' EP, slated for release on October 8 through Zirkus Records. Featuring five tracks, this new release sees the band refine their trademark sound, and fusing their love of woozy dub with throbbing electronics. Here, house music, flecked with Arab and Indian vibes, also shamelessly cavorts with dub.

Ahead of this release, Rude Audio present the lead track 'To The Sun', complete with a new virtual reality-inspired video, directed by Ali Ingle. This week, Andrew Weatherall also just premiered two tracks from the new EP on his radio show.

Rude Audio is a South London-based collective with a history of putting on fantastic underground parties, releasing the occasional dubby Balearic opus, engineering for the disparate likes of Paul Weller, Lemon Jelly and Royal Blood and generally mooching about anywhere that doesn’t have bouncers or operate a dress code.

The core of the collective are Mark Ratcliff (whose releases have been played by the likes of Andrew Weatherall, Laurent Garnier, Kris Needs, Don Letts, Graeme Park and Rob de Bank, as well as BBC Radio 6's Nemone and Gideon Coe), Owain Lloyd (mixing engineer for everyone from Oakenfold and Weller to Niall Horan) and Dave [The Rave] Brennan (ex The End recordings and key player at tech house dons' label, Bombis).

The EP represents a progression from Rude Audio's latest 'Rudest' EP. More hooks, more chug, and more Middle Eastern and Indian influences, while retaining an underlying commitment to the dubby end of the spectrum. Inspired by the more open-minded dancefloors proliferating in south and east London, where world music might brush up against techno, dub and indie dance, the 'Rude Redux' EP operates between 108 and 120 BPM – fast enough to dance to, slow enough to let the music breathe. WEBSITE.


The first of five tracks on the 'Rude Redux' E.P. is 'To The Sun' a piece that exemplifies this tastefully refined collection of music. If dub or electronic music in any shape or size is of interest to you, then dive head first into Rude Audio's music, your in for a very pleasant musical journey.


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Greg Laswell - Royal Empress.

Background - Veteran singer-songwriter and multi-instrumentalist Greg Laswell will release his eighth album Next Time on September 21st. Like his previous release, the acclaimed Everyone Thinks I Dodged A Bullet, the new album was entirely written, performed, produced and mixed by Laswell, with mastering by Grammy-winner Gavin Lurssen (Tom Waits, Queens of the Stone Age, Leonard Cohen).

The eleven songs comprising Next Time represent the largest breadth in sound and sentiment of any of Greg’s albums to date. The album is both more revealing and more visionary, a move from emotional crisis to biographical examination. “I feel more in control than I did on my last record,” he says. “Life is the most difficult it has ever been circumstantially, but I'm also kind of okay, even if just for moments, which is all life is anyway. My hope is that’s what came across with these songs.”

In a career of dramatic arcs, Next Time – perhaps a result of the real difficulties of seeing it through – would seem to represent a musical and emotional pinnacle for Greg. Indeed, it’s the album he has surely always meant to make, while life’s little (and sometimes very big) vagaries were getting in the way.

The first single from Next Time is the stunning departure “Royal Empress” which was world premiered by legendary radio DJ Nic Harcourt during his August 14th broadcast on KCSN in Los Angeles. Harcourt praised the song as “Broody and anthemic, pretty great” and added that it “sounded sick on the airwaves”. “Royal Empress” is available now for purchase and streaming. WEBSITE.


Greg Laswell's vocals come in two parts on 'Royal Empress'. Gritty and personal on the verses, melodic, sweeping and powerful on the chorus's, it's a gorgeous combination, accompanied by a similar musical backdrop, the song is enticing on so many levels, leaving album number eight something to keenly anticipate.


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Glorietta - Losers Lament.

Background - Glorietta was born out of a desire to collaborate with friends. Those friends; Noah Gundersen, Kelsey Wilson (Wild Child), David Ramirez, Grammy award winner Adrian Quesada (Brownout, Black Pumas), Jason Robert Blum and Matthew Logan Vasquez came together over the course of nine-day recording session in a rented house in Glorieta, NM - just outside of Santa Fe.

The days were long with the tape running constantly as the players brought ideas for songs in various stages of completion to their new family of collaborators. Mid way through the sessions the group was joined by a guest appearance from Nathaniel Rateliff who drove straight through the night to join the party.

“We chose Santa Fe because it was isolated enough to where it would feel like we were at camp” said Vasquez, “the only requirements were that the house had vaulted ceilings and a Jacuzzi.” The players were all connected in one-way or another to Matthew Logan Vasquez (Delta Spirit) some of them old friends, some of them meeting for the first time when they arrived.  


The result is a their self-titled debut record; a beautiful mix of voices from six band leaders that fit perfectly together like a low-fidelity puzzle. Their self-titled album is now available digitally, and on CD / Vinyl in the UK via Bread & Butter Music, WEBSITE.

Musically 'Losers Lament' is a gutsy no nonsense rocker, add in the vocals and harmonies and it upgrades to impressive to say the least. This is one rather splendid collaboration by friends and musicians.

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FEVA - Uneasy.

Background - Rising alt-rockers FEVA storm back into the limelight with gripping new single Uneasy, furthering their reputation as one of the North East’s biggest emerging indie talents.

With a seemingly endless production line of ready-made anthems, the Newcastle quartet continue to impress with their heaviest release to date, a relentless onslaught of noise that draws welcome comparisons to the likes of Sundara Karma and The Amazons.

“It’s not as much of a story but more of a statement”, the four-piece reiterated. “The expectations of life can often leave us well and truly out of our comfort zone, torn between yesterday and tomorrow. Uneasy is a punk song at heart, simple and very, very angry. Forget yesterday, forget tomorrow, you’ll get it right eventually”.

Having already clocked up impressive supports alongside Anteros, Baby Strange and The Pale White in recent months, demonstrating their fierce live reputation in the process, the band’s widespread tastemaker approval and radio airplay (BBC Radio 1) leaves them well-placed to make their mark ahead of a busy autumn. FACEBOOK.


Alt rock with plenty of fire and passion 'Uneasy' is a mixture of superb and imaginative vocals rubbing shoulders with some sharp and potent guitar lead rock and roll.

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Dave Davies - Cradle to the Grave.

Background - Founding member of The Kinks Dave Davies has announced the upcoming release of Decade, a new collection of unreleased songs recorded in the 1970's. Davies has also shared the lead track from the record, "Cradle To The Grave," which was recorded in 1973. Decade will be released on October 12th via Red River Entertainment and Green Amp Records, and Davies will be on tour in early 2019.

In what may be considered the sequel to 2011’s Hidden Treasures, which chronicled Davies' solo recordings from the 1960's, Decade pulls back the curtain on the legendary guitarist and songwriter's unreleased works spanning 1971 to 1979. Davies writes, "I am so pleased that after all this time these tracks are being released to see the light of day. These songs have been silently nagging at me to be recognised all these years. At last I can proudly present this album Decade to the world. I do hope you all enjoy the music."

Years prior to the issue of his first “proper” solo album, 1980’s AFL1-3603, Davies was working on the fascinating tracks that make up Decade. The tapes were unearthed by his sons Simon and Martin from “under beds, in attics, in storage,” and properly mixed and mastered in a way that lets these songs shimmer and shine even brighter than they did at inception. Any album recorded over the span of 10 years runs the risk of ending up wildly erratic in tone and style, and yet, Dave’s Decade is surprisingly cohesive, the songs working together beautifully as songs on albums do.

The period 1973 to 1975 saw The Kinks make the move into their own recording studio, Konk, which Davies took a major role in setting up and developing. “I’m always really into the sound, and the mixes, and gadgets..." writes Davies. "I was able to go in, and make what I thought were demos—these recordings."

Listening to the contemporary, FM radio-friendly quality of these songs, it’s hard to fathom that these solo tracks remained under wraps, particularly as these were born in the aftermath of clear Dave Davies triumphs such as “Strangers” and “You Don’t Know My Name,” change-of-pace songs that added considerable value to the early ‘70s Kinks albums they appeared on. But with brother Ray deep into the creation of a series of high-concept albums on which Dave’s songs had no apparent place, these Dave Davies gems remained unissued on both the solo and band fronts. WEBSITE.


Yes that Dave Davis! That songs like 'Cradle to the Grave' have remained on the shelf for so long is explained above, that they are now getting a proper airing is very welcome.


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Good Ones: BANFF x Caitlin Park - Wildlife - Rude Audio - The United Skies - The Jacques

BANFF x Caitlin Park - My Love, My Lover.

Background promo - Brisbane singer-songwriter BANFF (aka Benjamin Forbes) and Sydney subtronica artist Caitlin Park have teamed up to release their debut collaborative single ‘My Love, My Lover’ – released Friday, May 20 via London-based singles club 0E0E.

Incredible lyricism is the craft of both singer-songwriters, who have together shaped a spacious, soul-drenched indie-pop song. The song tells the story of a disrupted relationship - exploring the dialogue between a confused, apathetic young man with his head in the clouds and his compassionate but at times over-committed girlfriend. But in the end, an all over sense of unity and strength between that pair is revealed, as they realise they would inevitably be OK.

BANFF says of the song, “When I was initially writing the track, I kept hearing this dialogue between a girl/boy, talking through their struggles and how they were trying to get onto the same page. Insert Caitlin and we began discussing ways we could bring the story of a deluded couple in love to life’.” The track lands ahead of back-to-back BANFF showcases at The Great Escape next week, alongside billings at The French Escape and London Calling festivals and a couple of co-headlines in London and Germany.

'My Love, My Lover' is a really beautiful and melodic duet from BANFF and Caitlin Park. Their vocals seemingly skip around each other, above a sensitive soundtrack. A precious piece of Indie Pop.

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Wildlife - Dead Century.

Background from Toronto indie rockers Wildlife - We've returned from the depths of a Canadian winter with our first offering since 2013. Years of touring north america led to our hard-fought first top 10 radio hit, and while this was happening a new album was brewing.

 Dead Century is a song about moving forward through lost time; what it feels like to have one foot in an age that no longer exists, and coming to terms with having the other in a world you may never understand. This song is an anthem born from the energy we pour into our live performances, with the added world-class sparkle courtesy of legendary producer Tawgs Salter.

Dead Century is the flag-bearer of our upcoming brand new full length album, due out late summer 2016.

This is a fine rock song from Wildlife. 'Dead Century' has something of an anthem feel to it, with powerful choruses rising above a melodic piece, and a good balance production wise, between vocals and the band.

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Rude Audio - Crystal Pylon.

Background promo - Rude Audio are proud to announce their newest Rudest EP, due for release on June 7 through Zirkus Records. Featuring four tracks, this new release sees the band refining their trademark sound, and fusing their love of woozy dub with throbbing electronics. 

Crystal Pylon demonstrates Rude Audio’s ability to weave the kind of hypnotic, Balaeric spell that merges an early 90s sensibility with something shiny and new. Knockemdub takes their Radio 6 championed tune Knockemdead, which featured the dulcet tones and melodic sound of rising star Eucalypta LV and rams it through the dubby, smoke filled orgone accumulator that comprises the collective’s hidden studio basement in the backstreets of south east London, to produce a mutant dub monster with half an eye on the appalling political melee that is Britain in 2016. Half Moon Lane Glitter reflects the band's love of short and sweet stompathons – pulsating electronics meet staccato piano, uptown. User taps into their oldest love, crunchy, chugging, dubby analogue sounds, to create something that operates in the hinterland between melodic and relentless.

This DJ and production collective range in age from 19-53 with origins rooted in the gutters of south London and north east England. Historically, they have put on brilliant underground parties, created critically acclaimed electronic music, engineered for top artists and generally popped up at events with an open-minded underground ethos. 

To date Rude Audio have three distinctly dubby and balaeric releases, which have garnered radio play and support from the likes of Don Letts, Tom Robinson, Gideon Coe and Nemone on Radio 6, Max Reinhardt on Radio 3, Rob Da Bank on Radio 1 and John Kennedy on XFM.  They have also recently remixed the single Off The Drop for Bedford Falls Players, which is set for release this summer, and have produced music for End Recordings.

Featured track 'Crystal Pylon' is one of four superb tracks on the exceptional 'Rudest' EP. Dubby in nature the music pulses with stunning drum beats and imaginative electronics. The vocals come and go, whilst the music just hammers away, sometimes a little more softly, sometimes demanding you leap out of your seat, wonderful.

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The United Skies - Red Eyes.

Background promo - The United Skies is the solo project of singer-songwriter Will Sandnes.  Born in NYC, he moved at age 6 to the small farm town of Mt. Bethel. Then at age 16 moved to Minnesota, where he finished high school.  His parents are of Norwegian descent, so growing up Will spent every summer in Norway.  After high school he moved to Bergen, Norway’s second largest city, where he lived for 7 months. All of these different places have helped to form his musical core. It was at a young age that Sandnes first turned to songwriting, as a way to cope with his emotions.

In the last year and a half Will has dug deep into his craft and the result is The United Skies. He took songs that had been written on acoustic guitar and brought them to Los Angeles hooking up with producer Gemini.  A blend of alternative, indie, and eclectic sounds with raw, vulnerable lyrics complemented by catchy melodies. When he writes Will holds nothing back, which is made evident by his highly personal lyrics, taken from his life and experience. One lyric from his song “So Young” sums it up “All my memories fade to melodies.” While listening to The United Skies musical influences from Blink 182, The Early November , Death Cab For Cutie and Lydia can be heard.


I have listened to a couple of songs by The United Skies and both have impressed. With pop vibes 'Red Eyes' has both melody and a notable chorus line. Will Sandnes vocals do indeed suggest a sense of vulnerability, which adds that little something special - it's a fine song delivered with real feeling.

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The Jacques - Eleanor Ring Me.

Background promo - Two minutes and thirty seven seconds is probably the perfect length for a pop song. Eleanor Ring Me could well be that song. Revolving around a riff that will stick in your brain, a voice that rasps out the words and a beat that walks along the sidewalk this is the sound of a band about to embark on their next musical journey.

With two critically acclaimed EP's and mini album releases in Japan and Germany, this new song is the band's first of 2016 and was recorded at the legendary RAK Studios, London and produced by Dan Swift. It is released on the band's own label, Vegan Cyanide via The Orchard. Since making their London debut at Hyde Park in May 2014 with The Libertines, The Jacques have been quietly establishing themselves as one of the UK's best kept secrets - playing over 75 shows in the UK, Netherlands, Germany and USA.

Their forthcoming live schedule includes festival appearances at Dot To Dot, Live At Leeds, Kendal Calling, Down To The  Woods, Grillstock Bristol and venturing further afield playing Amsterdam  Damaris and Zomerparkfest in The Netherlands, Antwerp Les Nuits Botanique, Treviso Home Festival Italy and their debut show in Paris, France. Recording has already begun on the band's eagerly anticipated debut album, scheduled for release sometime next year. In the meantime shake your hips gently to the next two minutes and thirty seven seconds of pop history...... Eleanor Ring Me.

EU/UK Tour Dates:

Thurs 28th April – The Montague Arms, London UK
Sat 30th April – Leeds Metropolitan Music Festival, Leeds UK
Fri 13th May – l’Alimentation Generale, Paris France
Sat 14th May – Les Nuit Botanique, Brussels Belgium
Fri 27th May – Dot to Dot Festival, Manchester UK
Sat 28th May – Dot to Dot Festival, Bristol UK
Sun 29th May – Dot to Dot Festival, Nottingham UK
Fri 29th July – Kendal Calling Festival, UK
Sun 31st July- Damaris Festival, Amsterdam Holland
Sat 13th Aug – Down to The Woods Festival, Durham UK.


The band are gaining a whole lot of attention on the live circuit across ther UK. Raw and feisty 'Eleanor Ring Me' is a punky, indie rock song, which stands out from the crowd. I don't think The Jacques are going to go away quietly, anytime soon.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...