Showing posts with label Royal Castles. Show all posts
Showing posts with label Royal Castles. Show all posts

alice does computer music - Sandy Bailey - Grandaddy - Royal Castles - Denise La Grassa

alice does computer music - Coiled.

This week alice does computer music shared her new single "Coiled." The song is the second single from the cellist, songwriter, and producer's upcoming debut album, Shoegaze 5G, due out August 4th, 2023, via Jolt Music. The record was mixed by Mari Maurice (More Eaze) and mastered by Andrew Weathers.

In “Coiled,” alice does computer music entwines the fragments of her musical influences and memories in beautifully unmoored ways. Acoustic cello riffs are juxtaposed with bit-crushed drums that swirl into distorted, cavernous sound collage.

About the single, Gerlach says: "I keep accidentally pocket-dialing the SOS button on my iPhone’s lock screen. the pattern feels significant, like my subconscious is alerting me to an internal emergency. There’s a theory that there is no such thing as memory, only experience and its decay. With each occurrence I remember and forget the previous instances, lost in the uneasy stillness of being unmoored in time. coiled is a summoning of ghosts, a moment of panic as experience fragments into unawareness."

alice does computer music is an electronic project by cellist, songwriter, and producer Alice Gerlach. Conjuring a hazy space between pop and experimentalism, Gerlach’s work takes inspiration from an eclectic range of music such as ambient, avant-garde pop, breakcore, and noise. Her debut full-length, Shoegaze 5G, collects and exhibits the fragments of her wide-ranging influences, resulting in vivid, poetic electronic music.

 

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Sandy Bailey - Daughter Of Abraham.

Today Massachusetts-based artist Sandy Bailey releases the gorgeous title track to her scorcher of an album, Daughter Of Abraham (out on August 18th via Red Parlor Records).

The house Sandy lives in in Massachusetts was built in 1765 and she was told the house was a sheltering stop on the Underground Railroad. Inspired, Sandy wanted to connect with and honor her ancestors, and imagined a story where they may have traveled that route to freedom, and sought refuge in her house. She imagined her ancestors seeing their descendants living in the house that once hid them. It's a tribute to the resilience of the human spirit, that it can prevail under the cruelest, most impossible conditions. Wrap your ears around it here:

The haunting track tells the story of Abraham, who set off on foot in 1859 from "Carolina to Massachusetts" with holes in his shoes and hunger in his belly, to find his way to freedom. "I am a daughter of Abraham...whenever I'm lost / Don't know where I'm goin' / I walk and I start singin'...Light of the day, my inner flame / I am weary, guide my way," she sings.

Sandy is a biracial single mom who left her Pentecostal upbringing to play rock n' roll. With elements of soul, blues, gospel, and classic Americana, Daughter Of Abraham tells Sandy's story - one of a working-class American woman, and explores themes of loneliness, survival, getting lost, and finding your way again.

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Grandaddy - The Town where I'm Livin Now.

Modesto, CA’s influential indie-rock group Grandaddy have announced a special digital release of the Sumday: Excess Baggage, a thirteen-track collection of rarities and b-sides from the Sumday-era that unfolds like a lost Grandaddy album and is set for release on August 25 on Dangerbird Records. The band has also unveiled lead single “The Town where I’m Livin Now” alongside an official video, a spacy, wistful ode to the dissonant American landscape of California’s hardscrabble Central Valley.

Grandaddy leader Jason Lytle said, “I like making songs like this. Lots of bleak but sweet visuals. Everyday stuff available for everyone to see...but some of us just end up with the twisted work of documenting it.”

In May, Grandaddy announced Sumday Twunny, a limited edition 4-LP boxed set to be released on September 1 via Dangerbird Records. The collection includes the remastered original album as well as a complete 4-track demo version titled Sumday: The Cassette Demos, and Sumday: Excess Baggage. “After many years of hammering away at writing and recording as Grandaddy, Sumday seems to be the center of it and where it all peaked. To the journalists we were, ‘On the verge of greatness, underrated, overlooked, unsung.’ It was a tumultuous and exciting time for us for sure. Also very exhausting,” Lytle said.

“Revisiting this material and reflecting on those times has been a double edged sword. Bittersweet is an apt word, I suppose. Twenty years after the fact, I'm just grateful to be alive and kicking… celebrating that moment in time by re-releasing the original album, B sides and extras of that era, and even some raw cassette demos of the album itself a sort of sketchbook/rough draft of the LP in cassette form. So be it then. ‘On the verge of greatness, underrated, overlooked, unsung.’ This is what all of that sounds like.  I'll take it.”

Grandaddy formed in 1992 and have released five official LPs, most recently 2017’s Last Place. Grandaddy members include Jason Lytle, Aaron Burtch, Jim Fairchild, Tim Dryden, and the late Kevin Garcia, who passed away in 2017.

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Royal Castles - Bad Business Barbie.

Royal Castles describe themselves as a contemporary garage-rock band from Guelph, Ontario. Going by "Bad Business Barbie" they are all of that and pack some style and attitude for good measure on this highly addictive track.

The band tell us "As a band, we've really hit our stride (we've got three albums now!) which is why we wanted to mix it up and keep things fresh. In a first for Royal Castles, our drummer Katrin Sawatzky took the lead on the songwriting direction and vocals.

"Bad Business Barbie" is a bold love letter to the women who are tamed by patriarchy – a rally cry, a confession about vulnerability, power, freedom and the secrets we keep. We celebrate women everyday in our lives, and this is one of the ways we want to show it."

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Denise La Grassa - Dawn of the New Day.

Chicago-based singer-songwriter Denise La Grassa continues her inspiring musical journey with the impending release of The Flame. This powerful collection of 10 songs is a testament to the strength and resilience of the human spirit - attributes that also embody her own 'North of 40' journey, itself ignited by the closing of Lincoln College in Central Illinois. “I was heading into my sixth year of transforming the former jazz studies program into one with more practical music production and business degrees," La Grassa says. "The closing was a shock to everyone as the college had been around for 157 years. It was then I decided to follow my own dream by focusing full-time on songwriting and performance.”

The Flame blends raw roots-rock and soulful blues with Americana as the musical bedrock for two profound ideas: the significance of inclusivity in a united nation and the transformative power of immigration, inspired by La Grassa's own family history.

The album encapsulates La Grassa’s advocacy for social change. The album's title pays homage to the inherent strength that lies within a nation when it looks out for all people, particularly those who have been marginalized. La Grassa's poignant lyrics and soulful melodies serve as a rallying cry for compassion, urging listeners to embrace unity and stand up against injustice.  “I feel compelled to write music that reminds us as human beings why we’re here," La Grassa explains. "Jesus really had a simple message: ‘love one another and uplift the poor and marginalized.'"

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Royal Castles - KEG - Looms - Ziemba - Ashley Shadow (feat. Bonnie Prince Billy)

Royal Castles - Schönsee.

Produced by Zane Whitfield (The Glorious Sons, Sarah Harmer), this triumphant 90s rock anthem sparkles and uplifts, as it reminds us of our resilience as humans, and that sunnier days are always around the corner. We dedicate it to all of our grandparents, who worked so hard to give us a better life.

"Schönsee" means beautiful lake, named after the Russian-Mennonite colony in ode to drummer Katrin Sawatzky's ancestors, who made the Great Trek across Europe by caravan to escape religious persecution in WWII.

Prominently featuring the voice and songwriting of Katrin, who sings in both German and English, this song builds upon the German lullaby often sung to Katrin as a child, telling the story of curiosity, resilience, fear and hope for a better life.

"Schönsee" summons an inner feeling of safety and peace when the world around you feels chaotic. The feeling of triumph after tribulation. The elation of making it out alive.


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KEG - Farmhands.

Brighton based 7-piece Keg today announce their new single "Farmhands" alongside an otherworldly animated video directed by Andrew Howarth - which drops the septet into the "Smelve Village" - eventually succumbing to a sea-beast-version of the band's guitarist Frank Lindsay.

Keg have quickly seen their profile rise over the past 6 months, with widespread acclaim from BBC 6Music (Steve Lamacq, Huw Stephens), NME, So Young Magazine, DIY Magazine, Clash Magazine, The Line Of Best Fit and more, coinciding with a relentless touring schedule with acts including Squid, Talk Show, The Lounge Society, Opus Kink, Bull, Blue Bendy and LICE.

New single "Farmhands" was produced by the band and mixed by Sean Oakley (Show Me The Body, Sorry, Scalping, Kae Tempest) and is the latest single to be lifted from Keg's debut EP 'Assembly'.

Described by the band as: "a lovestory to St James Street [in Brighton] and its many erratic personalities and the eternal clash of oat flat whites and heroin poos" - "Farmhands" carefully builds from its driving, post-rock opening, singer Albert Haddenham riling against the gentrification of Brighton's city centre: ["My bamboo products quake in their cupboards / My macchiato spills over the plant ladder / All the greasy spoons hemmed in by bike shops / Their dishwashers shrink and fall down the drain"] - interspersed with trombone-laden breaks and moving towards an erratic brass-fuelled crescendo.

Speaking on the track's accompanying video, the band said: "In the summer in Brighton, the city council were giving homeless people train fare money to leave the city. I remember thinking this is an obscene solution to a really serious undeniable housing issue. The stark contrast of real poverty and gentrified coffee/juiceries is quite startling along most of the south coast, I’m sure everyone has an equivalent. The video came from us imagining the lyrics taking place in a small magical toadstool town of ‘smelves’ and seeing their reaction. If I could summon a sea beast I would."

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Looms - A Different Variety of Same (E.P).

What was originally written at the beginning of a supposed to be busy 2020 for Looms turned into a larger recording project as they navigated the pandemic. The themes of love, loss and isolation were in place pre-shutdown but turned out to be all too timely as they were eventually completed remotely.

The EP release includes two brand new tracks, "A Different Kind of Light" and "Nothin' Didn't Change," closing and coalescing with a sound that FLOOD Magazine noted it lands, "somewhere between the alt-country flavors of Wilco and the heartland rock inclinations of The War on Drugs."

The band shares:

Speaking a prayer of longing and uncertainty
Delicate ground crumbles at only the thought of steps
But the drum shows there is a path
As guitars churn and chug and swirl
Weaving the singular now…

Here is a bouquet of the gathered years
The countless unfolding of momentary togetherness
Standing in circles has been so important
To ring the bounds of the ancient well
And glimpse the divine as it slips
From the flat, black waters of the underneath
This is the sunken source of many tongues
Where our sciences and our spells are but a different variety of same.


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Photo - Ian Torres
Ziemba - Fear.

El Paso-based artist, Ziemba – a moniker for songwriter, producer, vocalist and pianist, René Kladzyk – is sharing her new single, "Fear" alongside details of a new album titled Unsubtle Magic which is set for release on December 10, 2021, via Sister Polygon Records. The new record arrives as the latest installment of Kladzyk's Ziemba project following previous releases that found support at Pitchfork, i-D, FADER, Stereogum, Vogue, Bandcamp Daily and more.

This first single acts as a fitting introduction to the musically eclectic album which touches on zany New Wave, baroque-pop and 1970s art-rock. Kladzyk's upright Steinway piano sits at the beating center of "Fear," flanked by fuzzy guitars and emphatic percussion.

Speaking about the single, Kladzyk explains: "One time a psychic told me that a curse was placed on me in the womb, and of course that was bullshit, she tried to sell me $800 in crystal therapy to lift the curse. But at the same time, intergenerational legacies of addiction, abuse, trauma and mental illness seep out at very inconvenient moments and for me often take the form of wondering if I’m cursed to destroy myself or the ones I love, just like some of my ancestors. This song is a journal entry from a day I felt very weighed down by that baggage.

"Musically, "Fear" is indebted to The Roches, the Plastic Ono Band, Richard and Linda Thompson, and John Cale. Arranging it was a fun and intuitive process in collaboration with Don Godwin, and it arrived pretty naturally at its final state."


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Ashley Shadow (feat. Bonnie Prince Billy) - Don't Slow Me Down.

The Vancouver, B.C.-based songwriter, Ashley Shadowhas just shared the video for her recent Pitchfork, Stereogum and Brooklyn Vegan-tipped single, "Don't Slow Me Down" (feat Bonnie "Prince" Billy). The visual piece, directed by Tyler McLeod, comes off the back of critical acclaim for the recent album, Only the End – out now via Felte – which found positive support from Pitchfork, MOJO, Stereogum, Brooklyn Vegan, All Music, Secret Meeting and more upon release.

The video is a moving addition to the music. Filmed separately it finds Ashley and Bonnie "Prince" Billy (aka Will Oldham) connecting in isolation to produce something that touches on nostalgic references, presented with stuttering tape reels and analog effects.

Speaking about the making of the video, Ashley says: "Since we had trouble connecting in the flesh with Will Oldham we decided to get creative with our approach to this video. I asked Will to send some footage to the song with little direction and said to get as weird as he wanted with it, he’s a professional.

When Will’s footage arrived Tyler McLeod and I were pumped up and the gears started turning. The creative juices were flowing and it all unfolded a wave of cosmic vibrations. Through analog effects and nostalgic references the video took on its own life and we succumbed to the creative forces of multi-dimensional techniques. Thus a video was born."

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...