Jasmine Rodgers has shared a live video recording for 'Underwater' featuring Scott Matthews. It's a refined modern folk song and this production really is quite special.
Rod Picott has a voice just made for intimate Americana music as is witnessed with 'Mama's Boy' where his raw and personal vocals are so engaging.
Folk rock (perhaps with the emphasis more on rock) comes in the form of 'Ladidadida' by Union Duke a vibrant and hook laden song from beginning to end.
Two new singles for the price of none as Mercvrial share a couple of videos for 'Carnival' and 'Otherworld'. There both from their upcoming EP 'The Stars Like Dust' and the band deliver some fabulous shoegaze mixed with dream pop.
We featured the audio for 'Skin' by Rose Ette a couple of months back, however they now have a brand new video for the song, so I thought it's a fine tune, lets give it another play.
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Jasmine Rodgers - Underwater (featuring Scott Matthews).
Jasmine Rodgers releases Underwater, a live recording made at Kore Studios in May. Featuring Ivor Novello Award winning Scott Matthews, Underwater also features Danny Keane on cello. “I wanted to capture us all together in one room because I think the energy is different and more intense. I’ve been fortunate enough to support Scott on his last tour and I knew it would be really fun to do this. It’s a song with deep meaning for me and both Scott and Danny got it.” Filmed by Pavel from Ropo Films, the video is available to see here.
Jasmine Rodgers is a London born musician of mixed parentage and says this has nurtured a deep love of many different genres. Her solo shows feature her complex guitar picking styles and intricate vocals, effortlessly veering from folk to rock music, which is why Ivor Novello award-winning musician Scott Matthews invited her to support him on his latest tour (last one NCEM, York, 25th Jan 2019). Her song ‘Follow You’ was recently featured on Fatea Magazine compilation.
Her solo forays take her to more folk based territory, and last August she travelled up to Shetland to perform at a sold out show with Jenny Sturgeon (Jenny Sturgeon Trio, Salt House). Jasmine also has a solid fanbase in the Japanese anime world thanks to her work as frontwoman to British rock band Boa, who wrote and performed the soundtrack to award winning anime Lain Serial Xperiments.
Jasmine is currently working on new material set for release later this year and her recent collaboration with Scott Matthews and Danny Keane has culminated with a live video recording at Kore Studios.
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Rod Picott - Mama's Boy.
Rod Picott's brand-new album is Tell the Truth & Shame the Devil. Many of the new songs were promted by a heath scare that rattled Picott through the winter of early 2019.
Fact is, physicans don't make telephone calls at night. If they do, you take it seriously. "I've already called in a prescription," the doctor said when he called Picott one evening. "They're waiting for you. Your heart is about to either A) seize up or B) jump out of your chest and it will be messy. You don't have enough paper towels if B happens."
It took several weeks to chase down the devil causing the heart issue during which time Picott also underwent back surgery. In the end, the sum of his health issues informed Picott's new album profoundly in both the writing and the recording.
Along with hiis modest recording gear, Picott set about making an album as honest, raw and uncontrived as his spine would allow. Tell the Truth & Shame the Devil opens the door even wider on his typically vivid vignettes.
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Union Duke - Ladidadida.
Webster’s Dictionary defines “Union Duke” as a raucous collision of alt-rock and twang, bringing crowds to their feet with songs from the heart.
Soaring harmonies, driving rhythm, and infectious enthusiasm have seen these five guys from youth to young manhood. With three albums, countless festival stages, and hundreds of thousands of kilometers in the rearview, the band is excited to be touring new music, filming videos, and winning new fans everywhere they go.
In the two years since their last record Golden Days, Union Duke has been steadily travelling and unravelling across the country, and they’re ready to share the lessons they’ve learned with a slate of new music. In the coming months, four new songs of love, distance, heartache and revelry will be finding their way into your ears, eyes and hearts.
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Mercvrial - Carnival / Otherworld.
International collective Mercvrial release not one but two singles - "Carnival" and "Otherworld". Both come from the band's upcoming EP The Stars Like Dust out everywhere on August 9th.
Mercvrial is an eclectic group with shoegaze and dream-pop tendencies that imprint on the sounds of Ride, Slowdive, The Chills and other artists of the like that they embraced during their formative years. On their new singles - “Carnival” and “Otherworld” - we hear thick guitar beds provide backdrop to atmospheric vocals.
Their accompanying music videos take on inspiration from Rain Parade’s “This Can’t Be Today” and Prometheus respectively, using vintage footage of carnival and sci-fi scenes. The videos also nod to VH1’s TV show Pop-Up Video, where brief pop-up factoids and comments of the band and visuals appear throughout.
The Stars, Like Dust - the new EP from Mercvrial takes its name from the Isaac Asimov work of the same moniker. It explores the size and significance of human beings on a big rock hurling through space and the ensuing feelings of existential bewilderment. The Stars, Like Dust will be available on all platforms August 9th.
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Rose Ette - Skin.
Rose Ette debut new first video "Skin" from their debut album "Ignore the Feeling" (Miss Champagne Records). “You said you were ready to listen, didn’t you?” Oh get a grip, he replied, keys already jammed in the ignition. I thought you meant something serious. He revs the engine up, neck bowed toward the wheel, not at you. Nu-metal blares from the radio and squashes the silence.
What good is rock and roll without a love story? Even in 2018, among the uneven power struggles and problematic dudes, someone is going to look across the room at someone else and wish they could stand over there, instead of standing here alone. Pretty basic aspect of the human experience, yeah? But somehow, though we can define our political stances in unambiguous terms, our affection remains a mercurial subject for words. On some days, it’s easier to argue with a GOP granddad over the existence of global warming than to face that someone across the room and tell them just what magnetic force draws you near.
“Oh, boo hoo,” say the stable, the pairs coupled in high school, the loveless bachelors in IT. But in the realm of Rose Ette – ostensibly modern-day Houston, spiritually Olympia or London from two or three decades back (respectively) – the mental hurdles that block both parties from honest and true bonds are real struggles worth fighting for. With their proper debut Ignore The Feeling, our four romantics (led by singer/guitarist Teresa Vicinanza capture those challenges in a bell jar; even manic obsessions and unwanted stalkers shine with the opal glow of Lush, or Camera Obscura, or any of your favorite C86 tapes from your lost (or invented) youth.
Don’t let these bottled sprites deceive you, though - even with the sweet perfumes of girl groups and C86 tapes long gone, Rose Ette still bear claws. Three years ago, their first EP Jungle featured the unpolished diamond of “AH AH”, a shredded telegraph from a much murkier garage (and, admittedly, a completely different crew). That tempered snarl still comes out here on “Awake”, a hefty slice of Speedy Ortiz-sized fuzz to remind everyone that the battle’s not yet over: “I’m awake, but I’m running out of time.” You can’t stage a head-on assault when old enchantments still grip the blade, after all.
Mind you, Rose Ette can fire back with charms of their own when they take the stage. Back in August, the gang picked up a limited run of Ignore the Feeling LPs before their day show at Athens Popfest. Right after their blissful set at Little Kings Shuffle Club, folks piled up at the merch table for a copy, and the line backed up to the patio. Our protagonists have allured many a crowd in the past three years, jumping on bills with Deerhoof, Fred Thomas, Dressy Bessy, and La Luz, to name a few. Like a heart possessed by either desire or stress (or both at once), these illusionists don’t stand still.
Of course, all love-weary prose aside, Ignore The Feeling simply snaps a deceptively rosy thumbnail of a band in flux. And while Rose Ette might stand up for the silenced lover, don’t expect Vicinanza and her crew to soften their own voice any time soon.
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Showing posts with label Rose Ette. Show all posts
Showing posts with label Rose Ette. Show all posts
LISA - Rose Ette - Louien
Some intriguing thoughts and comments from LISA below to accompany 'Primitive Us'. It's a gorgeous song full of melodic hooks whilst individuality brims through. From Rose Ette we have the title track from their 'Ignore The Feeling' album. It's one of nine songs and I have also included 'Skin', between them they give a good feel for bands highly engaging brand of rock. Yesterday Louien released 'Be Forgiven' and it's a fabulous singer-songwriter piece where both her refined vocals and the imaginative musical arrangement are outstanding.
LISA - Primitive Us.
“Primitive Us” is candy coated razor-blades. “Primitive Us” is phoney feelings. “Primitive Us” is dangling carrots. “Primitive Us” is self destruction. “Primitive Us” is winning big and then losing it all.
I think we’re happy to let the wool be pulled over our eyes. To sleepwalk through life a little. But as we all know, wool is hella itchy and at some point those blinders need to come off. I don’t want to know the secret behind the magicians tricks, I want to enjoy the illusion. Consciously purchasing a ticket to the magic show, then leaving it behind once the curtains are drawn and the lights go up.
“Primitive Us” explores the claustrophobic feeling which is sometimes symptomatic of living on the grid in today’s world. Constantly plugged-in, bombardment from every direction, disconnection from ourselves and each other. Lack of control, lack of purpose, mental/environmental pollution, and the realization that what you see is rarely what you get or what you need. This song was written and first demo-ed among the trees, very much off the grid at a cottage in northern Ontario.
What percentage of your day is filled with meaningful interaction vs. distraction? Are we in charge of our lives or just slaves to the inevitable? In order to create, must you destruct?
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Rose Ette - Ignore the Feeling / Skin.
Rose Ette are a dream-pop meets post-punk band out of Houston, Texas who run their own label Miss Champagne Records and have been putting on shows in Houston for years now building the scene there.
Back in August, the gang picked up a limited run of Ignore the Feeling LPs before their day show at Athens Popfest. Right after their blissful set at Little Kings Shuffle Club, folks piled up at the merch table for a copy, and the line backed up to the patio.
Our protagonists have allured many a crowd in the past three years, jumping on bills with Deerhoof, Fred Thomas, Dressy Bessy, and La Luz, to name a few. Like a heart possessed by either desire or stress (or both at once), these illusionists don’t stand still.
Of course, all love-weary prose aside, Ignore The Feeling simply snaps a deceptively rosy thumbnail of a band in flux. And while Rose Ette might stand up for the silenced lover, don’t expect Vicinanza and her crew to soften their own voice any time soon.
-------------------------------------------------------------------------------------------------------------------------
Louien - Be Forgiven.
Louien – AKA Live Miranda Solberg – returns with new music in the form of latest single Be Forgiven. Taken from an album set to emerge later this year on revered Norwegian label Jansen Records, Be Forgiven forms part of a new works that explores how the process of mourning and grief can change a person’s outlook. It focuses not only death, but isolation and separation in general. Live’s ability to marry these themes with delicate and intricate melodies make Be Forgiven an immediately rewarding listen.
Live comments on the single; “This is a song that was easy to write, but so hard to revisit. It's about this beautiful moment that never got to grow into something more, and we never got to realise this new turn in our relationship. It’s a song about reconciling with a loved one you’ve been estranged from for a long time. The situation has gotten so complicated that you’ve lost sight of what is really wrong. But then that moment arises when you both realise how much you’ve missed each other, and how much you both have grieved because of it. You let go of the bad things in the past to give way for the love you have for each other.”
About the album, she continues, “Grief allows for beautiful things as well - love and hope, for instance - and you really get in touch with your own feelings. But this album is probably more about the first phase of a grieving process – hopelessness, isolation, anxiety and depression."
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LISA - Primitive Us.
“Primitive Us” is candy coated razor-blades. “Primitive Us” is phoney feelings. “Primitive Us” is dangling carrots. “Primitive Us” is self destruction. “Primitive Us” is winning big and then losing it all.
I think we’re happy to let the wool be pulled over our eyes. To sleepwalk through life a little. But as we all know, wool is hella itchy and at some point those blinders need to come off. I don’t want to know the secret behind the magicians tricks, I want to enjoy the illusion. Consciously purchasing a ticket to the magic show, then leaving it behind once the curtains are drawn and the lights go up.
“Primitive Us” explores the claustrophobic feeling which is sometimes symptomatic of living on the grid in today’s world. Constantly plugged-in, bombardment from every direction, disconnection from ourselves and each other. Lack of control, lack of purpose, mental/environmental pollution, and the realization that what you see is rarely what you get or what you need. This song was written and first demo-ed among the trees, very much off the grid at a cottage in northern Ontario.
What percentage of your day is filled with meaningful interaction vs. distraction? Are we in charge of our lives or just slaves to the inevitable? In order to create, must you destruct?
--------------------------------------------------------------------------------------------------------------------------
Rose Ette - Ignore the Feeling / Skin.
Rose Ette are a dream-pop meets post-punk band out of Houston, Texas who run their own label Miss Champagne Records and have been putting on shows in Houston for years now building the scene there.
Back in August, the gang picked up a limited run of Ignore the Feeling LPs before their day show at Athens Popfest. Right after their blissful set at Little Kings Shuffle Club, folks piled up at the merch table for a copy, and the line backed up to the patio.
Our protagonists have allured many a crowd in the past three years, jumping on bills with Deerhoof, Fred Thomas, Dressy Bessy, and La Luz, to name a few. Like a heart possessed by either desire or stress (or both at once), these illusionists don’t stand still.
Of course, all love-weary prose aside, Ignore The Feeling simply snaps a deceptively rosy thumbnail of a band in flux. And while Rose Ette might stand up for the silenced lover, don’t expect Vicinanza and her crew to soften their own voice any time soon.
-------------------------------------------------------------------------------------------------------------------------
Louien - Be Forgiven.
Louien – AKA Live Miranda Solberg – returns with new music in the form of latest single Be Forgiven. Taken from an album set to emerge later this year on revered Norwegian label Jansen Records, Be Forgiven forms part of a new works that explores how the process of mourning and grief can change a person’s outlook. It focuses not only death, but isolation and separation in general. Live’s ability to marry these themes with delicate and intricate melodies make Be Forgiven an immediately rewarding listen.
Live comments on the single; “This is a song that was easy to write, but so hard to revisit. It's about this beautiful moment that never got to grow into something more, and we never got to realise this new turn in our relationship. It’s a song about reconciling with a loved one you’ve been estranged from for a long time. The situation has gotten so complicated that you’ve lost sight of what is really wrong. But then that moment arises when you both realise how much you’ve missed each other, and how much you both have grieved because of it. You let go of the bad things in the past to give way for the love you have for each other.”
About the album, she continues, “Grief allows for beautiful things as well - love and hope, for instance - and you really get in touch with your own feelings. But this album is probably more about the first phase of a grieving process – hopelessness, isolation, anxiety and depression."
--------------------------------------------------------------------------------------------------------------------------
Rose Ette - Lily & Madeleine - The Prescriptions
Rose Ette - Ignore the Feeling.
What good is rock and roll without a love story? Even in 2018, among the uneven power struggles and problematic dudes, someone is going to look across the room at someone else and wish they could stand over there, instead of standing here alone. Pretty basic aspect of the human experience, yeah? But somehow, though we can define our political stances in unambiguous terms, our affection remains a mercurial subject for words. On some days, it’s easier to argue with a GOP granddad over the existence of global warming than to face that someone across the room and tell them just what magnetic force draws you near.
“Oh, boo hoo,” say the stable, the pairs coupled in high school, the loveless bachelors in IT. But in the realm of Rose Ette – ostensibly modern-day Houston, spiritually Olympia or London from two or three decades back (respectively) – the mental hurdles that block both parties from honest and true bonds are real struggles worth fighting for. With their proper debut Ignore The Feeling, our four romantics (led by singer/guitarist Teresa Vicinanza capture those challenges in a bell jar; even manic obsessions and unwanted stalkers shine with the opal glow of Lush, or Camera Obscura, or any of your favorite C86 tapes from your lost (or invented) youth.
Don’t let these bottled sprites deceive you, though - even with the sweet perfumes of girl groups and C86 tapes long gone, Rose Ette still bear claws. Three years ago, their first EP Jungle featured the unpolished diamond of “AH AH”, a shredded telegraph from a much murkier garage (and, admittedly, a completely different crew). That tempered snarl still comes out here on “Awake”, a hefty slice of Speedy Ortiz-sized fuzz to remind everyone that the battle’s not yet over: “I’m awake, but I’m running out of time.” You can’t stage a head-on assault when old enchantments still grip the blade, after all.
Mind you, Rose Ette can fire back with charms of their own when they take the stage. Back in August, the gang picked up a limited run of Ignore the Feeling LPs before their day show at Athens Popfest. Right after their blissful set at Little Kings Shuffle Club, folks piled up at the merch table for a copy, and the line backed up to the patio. Our protagonists have allured many a crowd in the past three years, jumping on bills with Deerhoof, Fred Thomas, Dressy Bessy, and La Luz, to name a few. Like a heart possessed by either desire or stress (or both at once), these illusionists don’t stand still.
Of course, all love-weary prose aside, Ignore The Feeling simply snaps a deceptively rosy thumbnail of a band in flux. And while Rose Ette might stand up for the silenced lover, don’t expect Vicinanza and her crew to soften their own voice any time soon. Facebook.
'Ignore The Feeling' is a steady alt rocker with beautifully engaging vocals, along with a vast array of enticing melodic hooks.
--------------------------------------------------------------------------------------------------------------------------
Lily & Madeleine - Self Care.
Lily and Madeleine Jurkiewicz, sisters better known as New West Records duo Lily & Madeleine, fearlessly explore — and explode — the conventions of 21st century womanhood on the ten-track Canterbury Girls, due 22 Feb 2019. Co-produced by Daniel Tashian and Ian Fitchuk (Kacey Musgraves’ Golden Hour), the record is named after Canterbury Park, located in the duo’s hometown of Indianapolis, Indiana, and a place that's a breeding ground for these songs, all written or co-written by the sisters, which explore relationships, power imbalances, and the weight of expectation.
Canterbury Girls was recorded in Nashville over a feverishly-inspired ten days with Tashian and Fitchuk. Lily and Madeleine — now age 21 and 23 respectively — recently relocated to New York City and worked separately and together on musical ideas, a process that allowed their individual styles to shine. While Canterbury Girls contains plenty of the duo’s signature ornate arrangements and stunning blood-harmony, the album also finds them exploring new sonic vistas and delivering goosebump-worthy musical moments with quiet authority.
"This is the first record Lily and I have ever done where we have full control over all of the songwriting," says Madeleine. "By the end, I felt like the songs had their own life; they had their own energy. It was incredible to see them blossom so quickly."
Despite Canterbury Girls' understated veneer, the album’s lyrics are dense, vivid and intense. "Pachinko Song" gives voice to the feeling of being unable to escape another person’s gaze, even from halfway across the globe; and the deceptively breezy “Supernatural Sadness” confronts the pull of a toxic relationship.
Since the 2016 release of Keep It Together (New West Records), Lily & Madeleine have toured as a headlining act, opened for everyone from Dawes to Rodriguez, and in summer 2017, were invited to be backup singers on John Mellencamp's Sad Clowns and Hillbillies Tour, joining him onstage every night to sing harmonies every night. They will embark on an extensive headline tour in 2019 with dates to be announced soon. Website.
Gorgeous vocals with a simple piano backdrop opens 'Self Care' and as the rhythm kicks in the soundtrack expands ensuring that the song becomes a tasteful tease for the album due in February 2019.
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The Prescriptions - Cuts Like a Knife.
Nashville-based rock band The Prescriptions released a new single "Cuts Like A Knife," and announced a January 18 release date for their debut album Hollywood Gold.
"Cuts Like A Knife" follows previous singles "She Is Waiting" and "Hollywood Gold." Mother Church Pew said "With its bright harmonica-laced refrains, understated organ sizzles, and vintage, wide-open road feel, 'She Is Waiting' is sunshine from beginning to end."
The band recently partnered with the acclaimed Nashville-based YouTube channel GemsOnVHS to release a live video for "Hollywood Gold." East of 8th debuted the video stating "Their sound, influenced by the likes of Neil Young and Wilco, brims with a soothing ease that provides a balm for the ears and a salve for the soul."
While The Prescriptions may come by their Southern style of narrative songwriting honestly, they refuse to rest on the laurels of their musical heritage. Songs like “Hollywood Gold” reflect the band's deep appreciation for their musical heroes while also showcasing the commitment and drive towards something new. Website.
The musical arrangement is superb on 'Cuts Like a Knife' boasting plenty of originality whilst the sweeping and majestic vocals seal the deal.
--------------------------------------------------------------------------------------------------------------------------
What good is rock and roll without a love story? Even in 2018, among the uneven power struggles and problematic dudes, someone is going to look across the room at someone else and wish they could stand over there, instead of standing here alone. Pretty basic aspect of the human experience, yeah? But somehow, though we can define our political stances in unambiguous terms, our affection remains a mercurial subject for words. On some days, it’s easier to argue with a GOP granddad over the existence of global warming than to face that someone across the room and tell them just what magnetic force draws you near.
“Oh, boo hoo,” say the stable, the pairs coupled in high school, the loveless bachelors in IT. But in the realm of Rose Ette – ostensibly modern-day Houston, spiritually Olympia or London from two or three decades back (respectively) – the mental hurdles that block both parties from honest and true bonds are real struggles worth fighting for. With their proper debut Ignore The Feeling, our four romantics (led by singer/guitarist Teresa Vicinanza capture those challenges in a bell jar; even manic obsessions and unwanted stalkers shine with the opal glow of Lush, or Camera Obscura, or any of your favorite C86 tapes from your lost (or invented) youth.
Don’t let these bottled sprites deceive you, though - even with the sweet perfumes of girl groups and C86 tapes long gone, Rose Ette still bear claws. Three years ago, their first EP Jungle featured the unpolished diamond of “AH AH”, a shredded telegraph from a much murkier garage (and, admittedly, a completely different crew). That tempered snarl still comes out here on “Awake”, a hefty slice of Speedy Ortiz-sized fuzz to remind everyone that the battle’s not yet over: “I’m awake, but I’m running out of time.” You can’t stage a head-on assault when old enchantments still grip the blade, after all.
Mind you, Rose Ette can fire back with charms of their own when they take the stage. Back in August, the gang picked up a limited run of Ignore the Feeling LPs before their day show at Athens Popfest. Right after their blissful set at Little Kings Shuffle Club, folks piled up at the merch table for a copy, and the line backed up to the patio. Our protagonists have allured many a crowd in the past three years, jumping on bills with Deerhoof, Fred Thomas, Dressy Bessy, and La Luz, to name a few. Like a heart possessed by either desire or stress (or both at once), these illusionists don’t stand still.
Of course, all love-weary prose aside, Ignore The Feeling simply snaps a deceptively rosy thumbnail of a band in flux. And while Rose Ette might stand up for the silenced lover, don’t expect Vicinanza and her crew to soften their own voice any time soon. Facebook.
'Ignore The Feeling' is a steady alt rocker with beautifully engaging vocals, along with a vast array of enticing melodic hooks.
--------------------------------------------------------------------------------------------------------------------------
Lily & Madeleine - Self Care.
Lily and Madeleine Jurkiewicz, sisters better known as New West Records duo Lily & Madeleine, fearlessly explore — and explode — the conventions of 21st century womanhood on the ten-track Canterbury Girls, due 22 Feb 2019. Co-produced by Daniel Tashian and Ian Fitchuk (Kacey Musgraves’ Golden Hour), the record is named after Canterbury Park, located in the duo’s hometown of Indianapolis, Indiana, and a place that's a breeding ground for these songs, all written or co-written by the sisters, which explore relationships, power imbalances, and the weight of expectation.
Canterbury Girls was recorded in Nashville over a feverishly-inspired ten days with Tashian and Fitchuk. Lily and Madeleine — now age 21 and 23 respectively — recently relocated to New York City and worked separately and together on musical ideas, a process that allowed their individual styles to shine. While Canterbury Girls contains plenty of the duo’s signature ornate arrangements and stunning blood-harmony, the album also finds them exploring new sonic vistas and delivering goosebump-worthy musical moments with quiet authority.
"This is the first record Lily and I have ever done where we have full control over all of the songwriting," says Madeleine. "By the end, I felt like the songs had their own life; they had their own energy. It was incredible to see them blossom so quickly."
Despite Canterbury Girls' understated veneer, the album’s lyrics are dense, vivid and intense. "Pachinko Song" gives voice to the feeling of being unable to escape another person’s gaze, even from halfway across the globe; and the deceptively breezy “Supernatural Sadness” confronts the pull of a toxic relationship.
Since the 2016 release of Keep It Together (New West Records), Lily & Madeleine have toured as a headlining act, opened for everyone from Dawes to Rodriguez, and in summer 2017, were invited to be backup singers on John Mellencamp's Sad Clowns and Hillbillies Tour, joining him onstage every night to sing harmonies every night. They will embark on an extensive headline tour in 2019 with dates to be announced soon. Website.
Gorgeous vocals with a simple piano backdrop opens 'Self Care' and as the rhythm kicks in the soundtrack expands ensuring that the song becomes a tasteful tease for the album due in February 2019.
------------------------------------------------------------------------------------------------------------------------
The Prescriptions - Cuts Like a Knife.
Nashville-based rock band The Prescriptions released a new single "Cuts Like A Knife," and announced a January 18 release date for their debut album Hollywood Gold.
"Cuts Like A Knife" follows previous singles "She Is Waiting" and "Hollywood Gold." Mother Church Pew said "With its bright harmonica-laced refrains, understated organ sizzles, and vintage, wide-open road feel, 'She Is Waiting' is sunshine from beginning to end."
The band recently partnered with the acclaimed Nashville-based YouTube channel GemsOnVHS to release a live video for "Hollywood Gold." East of 8th debuted the video stating "Their sound, influenced by the likes of Neil Young and Wilco, brims with a soothing ease that provides a balm for the ears and a salve for the soul."
While The Prescriptions may come by their Southern style of narrative songwriting honestly, they refuse to rest on the laurels of their musical heritage. Songs like “Hollywood Gold” reflect the band's deep appreciation for their musical heroes while also showcasing the commitment and drive towards something new. Website.
The musical arrangement is superb on 'Cuts Like a Knife' boasting plenty of originality whilst the sweeping and majestic vocals seal the deal.
--------------------------------------------------------------------------------------------------------------------------
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...