Critically acclaimed Israeli Folk/Pop musician MARBL has released her new single “Everybody’s Getting Marries.”
MARBL about the song: “The new song “Everybody’s Getting Married” is a humorous song that’s winks at those who think that there’s only one right way to live. The video tells the story of a young woman running away from her wedding in the last minute.
Tomer (who created the video) and me, wanted the situation to be as crazy and exaggerated as it can get, to make our point clear - I think that interviewing and dictating someone else’s life is much crazier and rude. People can be happy and live an amazing life with or without a wedding, with or without kids, in their own pace, due to their own wishes and life-map they draw to themselves. It’s our party, and our party only. Now go pour yourself a glass of wine and chill.“
MARBL, who also works as a vocal coach in Tel-Aviv, was able to generate a great media response worldwide with several singles and her last EP "The Flight of the Hawks". In addition to countless reviews, some of her songs have been included in editorial playlists by Amazon and Spotify.
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Have you ever written a letter to the one that almost was, but never sent it? How about a letter to your future self, reminding you of the good, the bad & all the milestones in your life? What if you sent the postcard that your friend convinced you not to… would your whole life look different? Venice, California artist Monica Aben pulled the shoebox packed with letters & postcards from under her bed, and whilst reminiscing about the past, wrote a collection of songs that explores every unsent word from those pages, all encapsulated in her new EP Postcards.
This five-track release includes her latest single Reasons to Reminisce – a song that sees Monica stumbling on a thread of messages on an old cell phone to discover how much she’s changed. Through reminiscing, she realised you can learn from mistakes, feel none of the old feelings but still have appreciation for the person you once were.
Monica recorded Reasons to Reminisce with producer Justin Glasco & Ingrid Michaelson guitarist Brandon Walters. Mix duties were left to the Grammy winning Ryan Gilligan (Kanye West, Calle 13) before mastering engineer Jett Galindo (La La Land OST, Weezer) gave the release its final polish.
Other tracks on the EP include her previous two singles: CPH – an ode to Copenhagen & staying connected to your inner-self while building a life in a new city; and Kids In L.A. – about looking back on the best of times with the best of friends, while coming to terms with although life has moved on, you remain friends with your ‘besties’ from back in the day. There are also additional tracks That’s Alright – about having the courage to be yourself when changing direction, and Last Local In Venice – about how the true soul of her home town, Venice / Los Angeles has changed through recent gentrification.
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Toronto's Casper Skulls are today sharing their new single and video, "The Mouth" – this track follows on the heels of recent singles tipped by FLOOD, Exclaim, Brooklyn Vegan and more arriving as the latest from their forthcoming album, Knows No Kindness, which is out November 12, 2021, via Next Door Records. The new record follows previous support from Stereogum, MTV, Brooklyn Vegan, Billboard, KEXP and more, as well as dates opening for the likes of PUP, Thurston Moore, Speedy Ortiz and Charly Bliss.
Once again latching onto the band's new direction of icy folk-inflected rock, taking cues from the likes of Neko Case, and Gillian Welch, the new single "The Mouth" peels back those heavier tones previously associated with the band to find a sound that allows singer, Melanie St-Pierre's lyrics to shine through. Expansive, dreamlike notions are still at play here with guitarist, Neil Bednis finding something more lyrical in his playing drawing inspiration from George Harrison and Neil Young. Written early on in the process of Knows No Kindness, "The Mouth" helped layout the blueprint for how the record would sound as a full piece.
Knows No Kindness is a deeply personal body of work for the band, in particular St-Pierre who tells stories of her life growing up in small-town Northern Ontario, specifically Sudbury and Massey. This new song reminisces on a park called The Mouth Park in Massey where the Spanish and Sauble rivers meet; it was a spot that was regularly frequented by St-Pierre as a child following in the footsteps of her mother and grandmother who used to go when they were growing up.
Speaking about the track, Melanie says: "The park has a bit of a legacy in my family. My grandmother used to take my mother swimming there when she was young, and later my mother would take my sister and me. Every spring hundreds of trilliums grow along the dirt road leading to the park. The protest pictured in our album art, of which my grandmother was a big part, helped save the area from having nuclear waste dumped into it. I’m very grateful for this area and go often to check on it and sometimes bird watch."
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Following on from this year’s debut single ‘noman’ - hailed as “pop perfection” by Wonderland, and recent follow-ups ‘upstream’ and ‘roses’, emie nathan last week unveiled her debut EP ‘white light’, set for release on November 26th ... You can now watch a video for the title track now out via Platoon.
A seven-track offering, the EP picks up the baton of nathan’s crystalline, soaring, Maggie Rogers-esque pop and fleshes it out, offering deeper insights into her internal world than ever. The first comes in the form of ‘white light’’s title track - which is now available to stream. An expansive highlight of the EP, it draws on the New York and London-based singer’s Jewish heritage, using the holiday of Yom Kippur (the day of atonement) as a stepping off point for some wider questions.
“I was inspired by the concept of “starting over” to write an irreligious song about reconciling with one’s own shortcomings and choosing to be a better version of themselves moving forward,” she explains. “Separating the religious ideology for a moment, atonement and reconciliation are two very real and widely applicable actions we as humans face all the time. I wanted to write something that encourages improvement in whatever way that manifests. When I try to envision an image of sorts that best represents self-reflection and working to right wrongs, I visualise the brightest light you could possibly imagine. It doesn’t really take shape or assume a form, it is just ever present and forceful in its shine. If we can embody this image of goodness and take it with us into our daily choices, I think we as people can do a lot better for each other and for ourselves going through the day to day motions.
“I grew up in a reformed Jewish household which meant we practised as Jews, but largely stuck to the traditional side of the religion that centres itself around family, food and song. My brothers and I have largely forged our own individual perspectives and relationships regarding our religion as we have grown up, but I think we can agree on how much of the hidden meaning can be translated as good advice for life. Make mistakes? Own them. Hurt someone? Apologise. Hurt yourself? Heal and move on.”
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Lydia Brownfield announces the release of the single “We Are Bound” on October 12. Through gentle strumming and Brownfield’s nurturing vocals, the single serves as a reminder that what we teach our kids is who they grow up to be. We can either lift up or tear down. It’s completely up to us. It’s off the upcoming album, Dig, due out November 19.
A plea for empathy, the song focuses on the idea that we all play a part in everyone’s life. Brownfield says, “I was feeling particularly isolated and also very frustrated, mostly within the political climate, near the end of 2019. Watching our political leaders only looking out for themselves was sad and infuriating. I wanted to write something to remind myself – we have the power to heal each other, to teach each other right from wrong and to lift up those who are down or less fortunate.”
The single produced by Fred Blitzer features Brownfield and Jeff Dalrymple on acoustic guitar, Andy Harrison on electric guitar, Jeff Martin on drums, and Phil Maneri on bass. Brownfield also added strings and piano.
The album travels the euphoric highs of being in love and the dramatic lows of breaking up and discovering internal power. Through genre-bending twists and turns of folk, punk, and pop, it explores the journey of getting caught up in someone else and losing sight of one’s journey of self-discovery.
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Lafayette, Louisiana musician Renée Reed shares the second single and title track "J’ai rêvé" from her forthcoming digital EP coming November 2 while touring with Whitney across the US.
The song is one of two French covers on the record. "J’ai rêvé" was written and originally recorded by Joëlle Patural in 1979. The EP also includes two original songs by Renée sung in English.
Renée says this about "J’ai rêvé": "I originally found this song on youtube a few years ago, and it took my breath away. The video hardly had any information about it or the artist, Joëlle Patural, which made it even more intriguing for me. I have since tracked down a copy of the LP from 1979, and even exchanged a few messages with Ms Patural. She said she wrote the song when she was about my age and longing to travel and see the world but feeling stuck in her small hometown. I think it’s such a beautiful song, and I want it to go out into the world."
These songs were recorded during the same four-track album sessions as her stunning self-titled debut album, released earlier this year. That album garnered early praise from tastemakers Gorilla vs. Bear and Gold Flake Paint and a 7.7 Pitchfork review which describes her music as "full of dreamy, odd notes, and a sense of unreality shimmers around her songs."
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