Showing posts with label Rebecca McCartney. Show all posts
Showing posts with label Rebecca McCartney. Show all posts

Friday, 12 November 2021

The Jaws of Brooklyn - Maria Pellicano - Rebecca McCartney - Chris Kelly

The Jaws of Brooklyn - Fever.

Seattle-based band, The Jaws of Brooklyn, announce the release of the 60s influenced Garage Soul Pop single on November 12. It’s off the album, The Shoals, due out in early 2022. Lyrically the song represents embracing every facet of being a woman – especially anger, and being unabashedly unapologetic in showing up fully in every expression of emotion, despite how “unattractive” or unacceptable it might be to society.

The Jaws of Brooklyn fully express these emotions on “Fever” with a sensual, gritty determination. Lead singer Lindsay Love, says “It touches on being someone’s desire but never their ‘dear.’ It’s about pulling the tape off my mouth to finally speak up and get loud without caring how I’m perceived. It also touches on female sexuality from a purely physical stance that dispels the historical notion that women are always seeking something more from men.”

The band recorded the single in The Shoals region of Alabama at Sundrop Sound, the studio owned by Alabama Shakes keyboardist Ben Tanner and John Paul White (formerly of The Civil Wars). The single features Alabama Shakes/Brittney Howard background vocalists Shanay Johnson and Karita Law.  Muscle Shoals Alabama’s rich musical history that includes the likes of Aretha Franklin, Rolling Stones, and Otis Redding, weaves its way into Jaw of Brooklyn’s very essence. 

The Jaws of Brooklyn formed when Radio Raheem’s three members (Zia Uddin-Drums, Paul Christofferson-Bass, Bryan Cohen-Guitar) met singer Lindsay Love in Seattle during the height of the COVID pandemic in August 2020. They recorded a series of 60’s flavored Rock n’ Roll and Soul demos in Cohen’s basement, which included background vocal contributions from Black Pumas’ Lauren Cervantes and keyboards from Funky 2 Death’s Melissa Montalto. The demos caught the ear of Alabama Shakes keyboardist Ben Tanner and Fitz and the Tantrums and Lady Blackbird writer/producer Chris Seefried.


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Maria Pellicano - Forever and Ever.

Inspiring Singer/Songwriter, author, teacher and coach, Maria Pellicano is set to release her transformative single, ‘Forever and Ever’ on 12th November 2021. A song that takes us on a journey of moving through our inner darkness and discovering what lies beyond.. In other words, painting the darkness with colours of hope.

“Often, we don’t want to look at our own darkness, because we are afraid we will find something we cannot solve.. I wanted to highlight that it’s really there for people.. If we want to grow, we have to confront that there are parts of us that we cannot solve.. you need to become aware of it and sit with it.”

After working with producer, Joshua Hennessy, of Pivotal Music Melbourne, on the creation of the track, Maria plans to combine the song with her existing tools as an experienced author, teacher and coach, to create a powerful message to those looking to grow and develop their voice, presence and confidence.

Music and songwriting have not only allowed Maria to express her own soulful song, but have been a gift that has touched and inspired so many people throughout every stage of her life.

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Rebecca McCartney - For Avery, in June.

Rebecca McCartney returns to the city where she was raised by a family of musicians and nerds, now with her own sound and much to say. She grew up immersed in NYC’s classical music world and her early songwriting eventually led to the release of an indie-folk record under the duo name Garden Party (2020) with her close friend, Jakob Leventhal.

Now, after a college career studying jazz and playing in an R&B band, McCartney is preparing to release her genre-bending debut EP, How You Feel. Calling on her eclectic musical influences and experiences, the upcoming record generates an edgy, ethereal sound that celebrates McCartney’s buttery vocals and absorbing lyrical insights. Rebecca is stoked to share her new single out this Friday, November 12th.

Here's what she had to say about it: "I wrote 'For Avery, in June' for my friend who has been knocked down by relationships so many times. Every time she gets hurt by one of these emotionally illiterate men, I just want her to be okay. So the song’s about that, about calling her back home, and saying that even when these men don’t show up for her, I’ll be there. It’s sad but hopeful. A good song to listen to with small tears and then call your friend you haven’t talked to in a year".

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Chris Kelly - Your Day Begins Again.

Cardiff Singer/Songwriter Chris Kelly announces his latest single 'Your Day Begins Again.'

Released independently the single will be streaming everywhere on Friday 26th November.

Former Front-man of 90's Cardiff Band 'The Scooters' Chris Kelly has made quite a name for himself across Wales as a tour de force on the live music circuit. Honing his craft as an accomplished Singer/Songwriter, Chris Kelly has played extensively across all of South Wales and impressing many an audience with his unique brand of Acoustic Americana Pop.

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Friday, 22 October 2021

Taxiway - Rebecca McCartney - Joel Jerome - Zach Churchill - Big Little Lions

Taxiway - Four Star.

Taxiway releases “Four Star,” a song for late-night lonely hotel rooms, October 21 on Seven Plates Records. It is off the album, Absence, due out November 5. The single partially inspired by the film “Up in the Air” depicts a drunken conversation with a hotel’s front desk and the broader message that everything is temporary.

The song tells the story of a man who travels frequently for his job and learns that his company plans to lay him off and replace him with the overseas workers he’s been training. He runs up an enormous hotel room service tab and charges it to his company credit card out of spite. The song’s rolling snare gives a marching undercurrent of war waged on the soon-to-be-former employer. It serves as a reminder that a comfortable way of life can be one phone call away from completely falling apart. And corporate America will cut you loose without a second thought if it results in a temporary boost in their stock price.

The album is bookended by songs where the narrators feel unseen, unnoticed, and unappreciated. The characters in these songs aren’t just looking to leave; They want other people to *feel* their absence. The songs and atmospheric music that accompanies them, invoke the lonely, unfamiliar world of airports, hotels, offices, and empty city streets, centered by narrators whose lives are in a state of transit.


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Rebecca McCartney - Just Air.

Rebecca McCartney returns to the city where she was raised by a family of musicians and nerds, now with her own sound and much to say. She grew up immersed in NYC’s classical music world and her early songwriting eventually led to the release of an indie-folk record under the duo name Garden Party (2020) with her close friend, Jakob Leventhal. 

Now, after a college career studying jazz and playing in an R&B band, McCartney is preparing to release her genre-bending debut EP, How You Feel. Calling on her eclectic musical influences and experiences, the upcoming record generates an edgy, ethereal sound that celebrates McCartney’s buttery vocals and absorbing lyrical insights.

Rebecca is stoked to share her new single out on October 22nd. Here's what she had to say about it: "I wrote this song about a relationship that was softly suffocating. It was the feeling of, I love this person, but being with them takes up more of myself than I'm able to give, and I need to figure things out with a little more space. Like most of my songs, it started with me processing my emotions with my guitar and my voice, then turned into a more ambient soundscape when we produced it in the studio, something that was more evocative of the mellow sorrow of the song".

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Joel Jerome - When You Land (Porta One Demo).

LA’s “Behind-the-Scenes Indie King” (LA Weekly) Joel Jerome has released the demo version of his new single “When You Land” as a stripped down, solitary performance. An off-the-cuff take, the “Porta One Demo” leans in close with its heartbreaking narrative, and without the orchestral flourishes of the polished studio version manages to find its own delicate wings to soar.

An artist who is no stranger to the other side of the board, Joel has a long history of recording himself and others, adding, “My life in recording music began with a simple four track and I still believe there is magic that it imparts on any sound, an intimacy and almost private one on one conversation with the listener. It’s like listening to someone singing to you over an answering machine message.”

Joel Jerome first gained acclaim with his pioneering South Bay indie band dios (malos), founded with his brother Kevin in Hawthorne, CA, also the hometown of The Beach Boys and Redd Kross. The release of their self-titled debut album in 2004 led to the placement of their music in the Fox series and early-aughts cultural juggernaut The O.C. Jerome has since established himself as a producer, engineer, mentor and champion for scores of up and coming LA bands such as Cherry Glazerr, while continuing to write, produce and release his own music.

“‘When You Land’ is about waiting for someone to come back from a dark place” Jerome commented. “Questioning your stamina in doing so. Hanging on to hope even though you know it may be pointless. Ultimately it's about the tender torture of unconditional love.”

Jerome’s first full-length album with Dangerbird is due out next year and is a stunning showcase for his vast gifts as a singer, songwriter and lyricist. Recorded and produced by Jerome and mixed by Rob Schnapf (Elliott Smith, Beck, Kurt Vile), the album shines a light on his creative journey as well as the unique mix of influences that shape his work: the timeless melodic pop (Beatles, Kinks, Beach Boys) and classic 70’s-era Mexican singer-songwriters that surrounded him growing up.

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Zach Churchill - Bartender.

Emerging singer-songwriter, Zach Churchill, has just released his debut single, “Bartender.” The California native opens up about a near-death experience in a powerful ballad. The song is written out of gratitude for the bar manager who saved his life after finding him dying of an overdose on the bathroom floor. “Bartender” is available to download and stream on all digital platforms worldwide.

Zach Churchill balances raw, honest lyrics with moving instrumentals, resulting in a gut-wrenching portrayal of his battle with addiction. The swelling guitar alongside a driving drumline will captivate his audience as they are engulfed in the emotional undertones that vibrate through each verse. “In 2014, I overdosed on heroin at a bar after performing there,” Churchill explains his inspiration for the single. “Everyone left, and the bar closed. The bar manager was getting ready to leave when he saw the lights still on in the bathroom. He went to turn them off, but the door was locked. He got a key from the back office and returned to find me on the bathroom floor, dying.” The release coincides with National Substance Abuse Prevention Month and “Sober October”; two causes that hit home for Churchill. “If [the bartender] had just gone home that night without checking the bathroom, I wouldn’t be here today,” he states. “I have been sober from all drugs and alcohol ever since that event and it has completely changed my life. He gave me a second chance.” The song was written by Zach Churchill and Julian Coryell, who also produced and played on the track. Churchill also recruited Stevie Blacke on strings and Eva B. Ross on backing vocals to complete the sound.

With an expressively vulnerable voice, singer-songwriter Zach Churchill breathes life, love, and gratitude into absorbing narratives. His folk-rock style is influenced by legendary alternative and rock artists such as Elton John, Radiohead, and David Bowie. He attributes his vocal inspiration to jazz musician Chet Baker and Led Zeppelin singer Robert Plant. Churchill began singing as a child, learned how to play the acoustic guitar at age 13, and began writing songs a few years later. He earned a degree in Music Industry Studies from CSUN after studying vocal performance at Saddleback College and CSUF. "Bartender" is the first single off of his debut collection, Heartbreak and Hope.

“Bartender” is a folk-rock ballad that embodies the pain of living with addiction and the hope that recovery provides.

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Big Little Lions - Beat You Up.

Big Little Lions continue their monthly releases with 'Beat You Up' (not in that way!).

"Beat You Up" is a calming song written as advice to ourselves, our loved ones and anyone else who beats themselves up over even the smallest things. A song telling us all to be kind to ourselves.

Beat You Up was written, recorded and produced by Big Little Lions who are Helen Austin and Paul Otten.

Hey, you don't have to worry
it’s only human to get it wrong
Hey I know that you're sorry
I want you to know that you’ll always belong
You let it beat you up again
Beat you up again
I wanna wake you up again
Wake you up again
So forgive yourself
Like I forgive you
You know, it’s so far behind us
and it’s time to walk with grace
I know you try to be flawless
But it’s such an impossible weight
You let it beat you up again
Beat you up again
I wanna wake you up again
You let it beat you up again
Beat you up again
I wanna wake you up again
So hey, let go of the worry
Look for the better days ahead
we’re all on a difficult journey
so take care of the words in your head
You let it beat you up again
I wanna wake you up again
You let it beat you up again
Beat you up  again
I wanna wake you up again
Wake you up again
So forgive yourself
Like I forgive you

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Friday, 24 September 2021

Derw - The Wild Violets - Ada Lea - Rebecca McCartney - Red Leaf Hill

Derw - Ci.

Following on from their highly praised debut EP ‘Yr Unig Rai Sy’n Cofio’ in February 2021, Welsh language band Derw return with their latest single ‘Ci’, released on CEG Records.

The band was founded by mother & son duo, guitarist Dafydd Dabson and lyricist Anna Georgina, following their success in reaching the final of 2018’s Cân i Gymru contest, a national Welsh language songwriting competition aired annually on S4C.

Derw is fronted by Welsh/Iranian singer Elin Fouladi, with musicians from Welsh acts Zervas and Pepper, Afrocluster and Codewalkers involved in the recording of ‘Ci’. In ‘Ci’, Anna writes about the return of the depression that dogged her teens and how she feels better equipped to deal with it now - knowing that it will pass. The chorus is a plea to her former self that there is hope and light at the end of the
tunnel - ‘Paid bod ofn fy ffrind’ (‘don’t be scared my friend’). She says of the song ‘To face depression at the beginning of life, a time which should be full of hope but instead is shadowed by uncertainly and self-doubt, is a very different matter from facing it later in a life shot through with times of great happiness.’

The band has had a busy time during lockdown, filming a series of live videos at Acapela Studios as well as making their first festival appearances at Tafwyl and Sesiwn Fawr Dolgellau. Drawing influence from chamber pop and indie bands such as The National and combining it with Fouladi’s soulful vocals, the band have already garnered radio play from national and local radio stations across Wales, as well as features in popular Welsh publications Golwg and Y Selar.


Derw · Ci

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The Wild Violets - Something New.

''Something New sees The WildViolets strive for fresh ground with this soulful ballad. 

It expertly marries the string-infused elegance of 60's pop music with a passionately executed chorus, warm, jazzy strings and dreamy guitars. An acoustic version of the song and a lyric video will be released.

The song tells the tale of a hopeful longing of spending time with a special someone in one's life, knowing it will enhance their life; having created that 'Something New'.''

 

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Ada Lea - can't stop me from dying.

In a historic bustling city where the old world meets the ever-new, young people are chatting outside of French-Canadian diners over coffee and cigarettes. They stumble over words to describe the events of the previous evening, while little old ladies walk by hunched over with grocery bags. Above, sheets hang from balconies drying in the wind. It’s partly cloudy. Just like any other city, to be alive here is to balance the realities of past and future. All inhabitants constantly move forward in time yet remain bound by personal histories, painful memories that won’t let go. This is the city of Montreal Quebec. It’s the hometown of songwriter Alexandra Levy, publicly known by the moniker Ada Lea.

one hand on the steering wheel the other sewing a garden is the name of Levy’s second album. On one hand, it’s a collection of walking-paced, cathartic pop/folk songs, on the other it’s a book of heart-twisting, rear-view stories of city life. Ada Lea has followed up the creative, indie-rock songcraft of her debut what we say in private with surprising arrangements and new perspectives. The album is set in Montreal and each song exists as a dot on a personal history map of the city where Levy grew up. The physical record, due on September 24th from Saddle Creek and Next Door Records in Canada, will be released alongside a map of song locations and a songbook with chords and lyrics, inspired by Levy’s studies in jazz bass and love of real book standards.

Roadworn and broke from a long European tour, Levy penned and demoed this batch of songs in an artist residency in Banff, Alberta. After sorting and editing she made her way to Los Angeles to record with engineer Marshal Vore who had previously worked on 2020’s woman, here E.P. With a nearly maxed-out credit card, Levy walked to and from the studio and lived off of cans of vegetarian chili. Session days were spent diving into the arrangements, playfully letting everything fall in place with complete trust for her collaborators. The resulting sounds range from classic, mid-tempo soft-rock to intimate finger-picked folk passages to night-drive art-pop. And the textures are frequently surprising due to the collage of lo-fi and hi-fi sounds that tastefully decorate the album without ever clouding the heart-center of the song. Tracks like “damn” and “oranges” feel timeless with their AM gold groove and 70’s studio sheen, while songs like “saltspring '' and “can’t stop me from dying” sound completely modern in their use of electronics, sound effects, and pitched vocals.

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Rebecca McCartney - Behind Closed Doors.

Rebecca McCartney returns to the city where she was raised by a family of musicians and nerds, now with her own sound and much to say. She grew up immersed in NYC’s classical music world and her early songwriting eventually led to the release of an indie-folk record under the duo name Garden Party (2020) with her close friend, Jakob Leventhal. 

Now, after a college career studying jazz and playing in an R&B band, McCartney is preparing to release her genre-bending debut EP, How You Feel. Calling on her eclectic musical influences and experiences, the upcoming record generates an edgy, ethereal sound that celebrates McCartney’s buttery vocals and absorbing lyrical insights.

Here's what she had to say about it: "'Behind Closed Doors' is about being in a relationship with someone who wants to keep you a secret from their world, but choosing to turn that quiet rejection into a dance-y celebration of yourself. It’s about reminding the world that you will not be held back or made to feel embarrassed. Let’s dance about it instead".

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Red Leaf Hill - Feels Like Home Acoustic Version.

Upcoming Friday Red Leaf Hill releases her new single ‘Feels Like Home’. ‘Feels Like Home’ is her third single of the upcoming EP which is planned to release February 2022. When we ask Red Leaf Hill about her single she says the following: ‘Sometimes life has its dark sides that probably everyone can relate to. When you’re not completely in your power it’s easy to be dragged along in these feelings or moments. Noticing this is usually the first step to recovery’.

’Feels Like Home’ is a song about that moment, the realization, when things start to flow again and when you find a new source of energy inside of yourself to look towards a brighter future. Water is used symbolically as the ‘place’ within yourself where things can finally heal. Letting go of the darkness, letting it flow away from you, whilst new water flows through you. New water to give strength and lightness to build a better future.

Under the name Red Leaf Hill, singer-songwriter Carmijn Bakker shares the beauty of nature with the whole world. Her cozy pop songs immediately take you to majestic and breathtaking landscapes, the places that inspire Red Leaf Hill to translate her deepest emotions into music. Red leaf Hill gets her inspiration from nature. From the simple afternoon walks in her backyard, somewhere in a rural area on the border of Germany. To shooting beautiful images with her drone in the fjords of Norway; nature is a majestic place Red Leaf Hill gladly wants to share with you.

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Monday, 30 August 2021

Sadie Campbell - Rebecca McCartney - Mikaela Finne - Ben Heffernan - Gal Musette

Sadie Campbell - Darkroom (E.P).

Singer/songwriter Sadie Campbell has released her new EP Darkroom. Campbell wrote Darkroom about her own mental health struggle in 2020, when isolation and uncertainty gave way to despair and, eventually, healing. On three gripping songs, the Canadian-born, Nashville-based artist tracks the mind’s disorienting descent into depression. “2020 for me felt like a darkroom," says Campbell, "It was a lot of isolation and alone time, but it was a place of creativity and development."

Last month, Campbell shared the EP’s effervescent opening track “Fade,” co-written by Vinnie Paolizzi. As Campbell explains, "’Fade’ is about finding comfort in the darkness. Being able to sit in the low points of life because you know they will eventually pass."

Holler.Country recently named Campbell New Artist of The Week saying, “Country-folk is built on the beauty of lyricism, but sometimes a particular musical interlude ends up saying far more than any one verse can. That's the case with singer/songwriter Sadie Campbell's single 'Fade.’ Across a slow, and increasingly intense, opening build of electric guitar, synths and vocals, Campbell captures the difficulty of breaking out of a darker moment.”

The Tennessee Star also spotlighted Campbell recently, raving that the “singer-songwriter has a strong sense of self, and the music that pours out of her is meaningful, purposeful, and it will draw you in like a moth to a flame.”

Campbell grew up in Pritchard, BC, a town so small she says it consists of just one general store. There, she sang in the church choir before taking off for the open-mic scene in Vancouver, ultimately dropping everything to try her luck in Music City, USA. Years of couch-surfing turned to a home in Nashville where Campbell found full-time work performing in the city’s bustling honky-tonks. No stranger to odd-jobs, she has worked as a mail carrier and karaoke host, and has serviced airplanes and flagged logging roads on ATVS in Canada.


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Rebecca McCartney - Remember Less.

Rebecca McCartney returns to the city where she was raised by a family of musicians and nerds, now with her own sound and much to say. She grew up immersed in NYC’s classical music world and her early songwriting eventually led to the release of an indie-folk record under the duo name Garden Party (2020) with her close friend, Jakob Leventhal. 

Now, after a college career studying jazz and playing in an R&B band, McCartney is preparing to release her genre-bending debut EP, How You Feel. Calling on her eclectic musical influences and experiences, the upcoming record generates an edgy, ethereal sound that celebrates McCartney’s buttery vocals and absorbing lyrical insights.

Here's what she had to say about it: "I wrote this song in my college house in Minnesota, thinking about the boy I had just left behind in New York, where I'm from. You can hear me working through the day-by-day loss of the tactile feeling of our time together as his memory got farther away, even as I was trying to convince myself I didn't care. 

It's a moody fusion of R&B, indie rock, and wondering whether someone's moving on faster than you. I worked with my close friend and collaborator, Jakob Leventhal, who produced the whole EP that Remember Less is on".

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Mikaela Finne - Time Stands Still (Album).

With its Telecaster leads, acoustic strums, mid-tempo waltzes and tales of outlaw women and lost love, one might naturally assume Time Stands Still, the new album from Mikaela Finne, is a product of Nashville, TN.

Truth be told, Finne was born and spent her childhood on the coast of Finland in Vaasa, and now hails from Stockholm, Sweden, where the album was recorded with producer Brady Blade (Emmylou Harris, Steve Earle and the Dukes, Jewel, Indigo Girls, Buddy & Julie Miller). Somewhat fitting for an album that’s laden with contrasts, Finne actually found as much inspiration in heavy metal as she did the country genre during her youth, the rebellious spirit she found in both prompting her to pursue her musical passion.

Like her contemporaries Sarah Shook and Lydia Loveless, Finne’s emotive vibrato is its own instrument, adding an undeniable passion to her songs and making lines like “I’ve lost count, how many times you’ve broken my heart“ even more impactful. “The country music comes from my dad,” she explains, recalling his love for Dolly Parton and Creedence. “The word ‘outlaw’, for me, [means] you do something that you love regardless of what anybody else thinks about what you’re doing. … When I was a teenager, the music and the heavy metal that I listened to were totally outlaw.”

While topics like self-awareness and confidence are certainly not new terrain for a songwriter to excavate, Finne puts her own spin on them, with lead-off track “What If I” revealing a realization that sometimes self-confidence means admitting a sense of uncertainty and taking a step back to think things through if another’s intentions don’t seem to be pure. Set to a swinging rhythm section and tasty guitar riffs, and wrapping up with a nice classic country modulation that exudes swagger and confidence, the track finds Finne “second guessing … stressing … going out of [her] mind,” but make no mistake, as she also warns the listener, she can be a bit headstrong and they best get on board or get left behind.


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Ben Heffernan - drive in movies (E.P).

Ben Heffernan’s third EP, drive in movies, sees the Canadian Folk Music Award nominated singer-songwriter move into new sonic and lyrical territory. drive in movies is a personal, cinematic collection of songs that chronicles key events in the life of a teenager: falling in love for the first time, losing someone for the first time, frustration with the world around you, and the speed in which one’s young life tends to change.

After spending the larger part of the second half of 2018 and the first half of 2019 playing over 150 shows across Canada, Ireland and the UK, Heffernan chose to record his by then well road-tested group of new songs at home. While “Drive In Movies” acknowledges Heffernan’s roots in what he describes as “classic singer-songwriter folk-pop”, it also reflects his love for 80s-inspired maximalist pop/rock productions and widescreen, stadium-sized ballads. The songs are neatly tied together through the use of vintage movie samples, which lends the EP a conceptual, unified feel.

Lead single “Movie Nights”, an up-tempo, 80s-inspired pop/rock track, reflects the frustration with the questions asked about a generation determined to see change as well as the “nagging feeling that we might just be living through the end of the world as we know it”, as Heffernan suggests. This is bookended by “When the Stars Collide”, a stadium-sized two-part singalong that leaves more questions unresolved than it answers. This is intentional, as Heffernan points out, as it “reflects the people that this EP is really about – most of us haven’t turned 21 yet. None of us have any kind of real resolution to our stories yet either.”

Ben Heffernan has become recognized as a young Canadian artist to watch over the last few years, after being nominated for Young Performer of the Year and performing at the Canadian Folk Music Awards after the release of his 2018 EP “Home”, and contributing a cover of Tom Petty’s “Angel Dream” to a Petty tribute compilation that included artists such as Matt Mays, Terra Lightfoot, and Royal Wood. Roots Music Canada called his Canadian Folk Music Award performance “a highlight”, while Spill Magazine called his cover of Angel Dream “incredible”. Among an ever-growing list of dive bars, bowling alleys, moving trains, and hair salons, Heffernan’s touring schedule has seen him play the Winnipeg Folk Festival, JUNOfest, and the Ruby Sessions in Dublin, Ireland (previous acts have included Ed Sheeran and Mumford & Sons), among other high-profile festivals and live appearances.


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Gal Musette - Julia.

Gal Musette is the nom de plum of Grace Freeman, a musical prodigy who began writing piano based lyrical compositions and performing at open mics in her home city of San Clemente, CA at the age of 10. Her graceful approach to melody-driven indie-folk and French chansons has captured audiences all over Southern California. At age 14, inspired by The Magnetic Fields’ triple album 69 Love Songs, Gal recorded her own collection titled 70 Love Songs, which caught the attention of the band, and won her an opening slot on a few of their Midwestern U.S. tour dates. 

In more recent years, Gal has opened for several renowned artists such as Macy Gray, Suzanne Vega, Todd Snyder, and Donavon Frankenreiter. While her artist name is taken from bal-musette, the accordion-based, waltz-style French instrumental music, Gal’s primary inspiration is drawn from songwriters including Joni Mitchell, Regina Spektor, Bjork, Cocteau Twins, Burt Bacharach, Irving Berlin and The Cure.

In October 2021, Gal will be releasing her debut album, Backwards Lullaby, featuring a vocal duet with one of her biggest musical inspirations, Rufus Wainwright. The upcoming album explores the pangs of hopeless romances and unrequited love, what it’s like to move beyond idealized love into the acceptance of what is real and constant, as well as the cyclical nature of life and love in relationships.

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Soot Sprite - Winter Gardens - LAWN CHAIR

Photo - Sofia Irini Soot Sprite - Days After Days. There is a beautifully distinct feel to Soot Sprite's music, that includes simmering...