Sofie Winterson - Jump.
Amsterdam-based musician Sofie Winterson announces details of her forthcoming album Southern Skies produced by Benny Sings via Excelsior Recordings in June. The project is a continuation and expansion of their 2019 collaborative EP Moral and new single "Jump" offers up more of the accidental magic which is at the core of their partnership.
"Jump" chronicles uncertainty yet offers soothing reassurance with its lilting, warm indie-pop sound. A nod to the rest of the album which saw Sofie embrace simplicity and foster a new perspective. Of the new single Sofie says: "Jump is about wanting to make a big change in life, but not knowing where that change will take you. It’s meant to comfort you in this state of insecurity. It can encourage you not to overthink where that change will lead you, since you will be a different person by the time you’ll get there."
Created in primarily Benny Sings' canal-hugging studio in Amsterdam, Southern Skies was formed as an act of stripping-back and growing as a songwriter. Sofie’s last full-length album Sophia Electric instead acted as a way to expand her work as a producer. Her varied influences, from the soul and folk she grew up on to the dream-pop of her university years can all be heard as part of the album’s eclectic palette which leans in a more minimal direction than before.
Putting the lyrics and storytelling front and centre, Sofie’s love of reading has never been more evident than in the way she approached writing for this record. “What I try to do in my lyrics [is] to find the best way to describe a thought,” she says, “the thought could be anything, it’s always my challenge to try and find exactly the right words.” Noting that her favourite part of reading is not so much following the narrative, but revelling in the descriptions of situations.
Featuring original vocal takes and lyrics that were written in the room, it marked a new way of working for Sofie, with Benny encouraging her to approach writing in a different way, a more technical way. Pulling inspiration from both Adrienne Lenker and Rachel Cusk’s ‘Transit’ in tandem, what’s clear is Sofie Winterson’s never-failing ability to tell a story with grace, immense consideration and the freedom to be projected upon and moulded as her listener’s see fit.
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Dutch artist Pitou’s musical awakening came from an unlikely source. From a very young age, she developed an unexplainable interest in classical music – her father would often find her crouched down by the radio, in search of the sound of orchestras and choirs. From the age of 9, Pitou started singing in a children’s choir, and she soon found herself performing at the baptism of Catharina Amalia, the Princess of the Netherlands, and in renowned music halls throughout Europe. “Singing together with other singers, making harmonies together, made me feel like nothing had ever done before,” she says of that moment.
It's a memory that continues to inspire. Big Tear, her long-awaited debut album, is a rich, fearlessly creative collection of alternative pop that draws from her classical background; unexpected harmonies and song structures, vocal layering, loops, wistful melodies, and classical instruments all swirled together in stylish, clever ways.
The record also marks her own development, both as a performer and a songwriter. “I knew I wanted to move away from the guitar being self-evidently always there,” she says. “I also wanted to find out what it felt like to tell the stories of my songs on stage with just my body and voice, without the physical restriction of the guitar.” Eager to move into other sonic worlds, she embraced the creative possibilities of different instruments – piano, harp, synths – and using computer programs to build and refine her music; some tracks were written entirely on piano or using software.
To celebrate the release of her new album, today Pitou has shared a new music video, 'Knife'. Of the video, she says: "'Knife' is the emotional axis of this record, very raw in its sentiment, which is always a challenge to translate into visuals. The song is about a person deciding to break away from a bond, for their own sake. I visualised a couple living in a small, quiet home. One half of the couple would be a human, the other a faceless but ever-present being.
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Eora/Sydney based musician Georgia Mooney (All Our Exes Live In Texas), shares her empowering new single ‘I Am Not In A Hurry’. Celebrating freedom and all the adventures born along the way, the track comes as a glacial moment of escapism. Following her cinematic debut solo single ‘War Romance’, ‘I Am Not In A Hurry’ is the second single taken from Mooney’s to-be-announced debut solo album, and is out now globally through Nettwerk.
A beautifully matter-of-fact bucking of pressures to stay in one place or settle down, ‘I Am Not In A Hurry’ was written in Florence, Italy just after a spontaneous three-day holiday marriage to a painter in Skopelos, Greece. Its sonic warmth comes via a dulcimer that Mooney won in a raffle in Canberra - a suitably whimsical fit for a song that celebrates the impulsive, unexpected moments in life; the impossibility of settling down when something new and exciting could be around the corner.
The track is accompanied by a diaristic music video bursting with nostalgia and a lust for life. Georgia Mooney shares on the video, “The video for ‘I Am Not In A Hurry’ is comprised entirely of little snapshots of moments from the last fifteen years of my life. Some of them are small and gentle like a cat on a fence, some of them are more momentous, love affairs, big concerts, cross-continental adventures. The video is personal, nostalgic and whimsical. It is no more extraordinary a life than any other, it is just a little open window into one.”
I Am Not In A Hurry was Co-produced with Noah Georgeson (Cate Le Bon, Devendra Banhart, Marlon Williams, Joanna Newsom), the release itself is a tribute to Joni Mitchell, one of Mooney’s musical and personal idols - and her song Cactus Tree, in both spirit and sound. “Mitchell (a painter, poet, songwriter, traveller) is herself hard to pin down”, says Mooney.
On ‘I Am Not In A Hurry’, Georgia Mooney shares, “I was in Florence for almost a month writing songs… It is no wonder that this song emerged there. In those weeks, travelling alone and caught up in the romance of it all, I couldn’t imagine ever wanting to stay in one place again. How could you when there is so much to explore and there are so many people to meet? This song is about internal restlessness too and the desire to throw off the expectation society imposes on us to settle down, find a partner, have a baby. Why the hurry?”
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Southern Indiana-born, Nashville-based artist Stephen Wilson Jr. announced he has signed to Big Loud Records, and released his debut EP bon aqua. The seven-song collection compiles 6 previously released songs and the brand new single “American Gothic” (feat. Hailey Whitters) that was co-written with Whitters. Wilson is currently on the road supporting Whitters and will hit the road with The Lone Bellow next month before performing at Bourbon and Beyond Festival and CMA Fest later this year.
“Fellow cornfield kid, Hailey Whitters and I met some years ago writing songs and she had this beautiful idea inspired by her favorite Grant Wood painting to showcase parts of the American cultural fabric using nostalgia and the same duality that the painting seems to represent. We ran with it and sang it from the top of our lungs,” Wilson explains about the song.
“The first time I heard Stephen Wilson Jr. was at The Basement a few years back and he absolutely blew me away.... his writing, his songs and his live show is next level. He’s one of a kind and this genre is so much for the better with him in it,” Hailey Whitters proclaimed.
About his debut EP, Wilson adds: “Bon Aqua: Good water. Everything starts with good water. We are made of mostly water. The world is mostly water. As a microbiologist, I used to test water for pharmaceutical companies and everything from shampoo to aspirin to pet food to anything you can think of requires water. Not just any water… good water. I was in charge of making sure the water was good. In and around Bon Aqua, Tennessee is coincidentally where I wrote and conceived most of this EP and filmed most of the videos and visual aspects. Hence the name, it is known for its good water and it only made sense for it to all start there."
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