Old Crow Medicine Show - Miles Away (Feat. Willie Watson).
Old Crow Medicine Show announces the August 25 release of their new album Jubilee via ATO Records. Arriving as the two-time GRAMMY award-winning band gears up to celebrate their 25th anniversary, Jubilee finds the group once again co-producing with Matt Ross-Spang (Drive-By Truckers, St. Paul & the Broken Bones) and recording at their own Hartland Studios.
The album features appearances from legendary soul singer Mavis Staples and singer/songwriter Sierra Ferrell. Along with the announcement, the band shares the debut single “Miles Away,” a sweetly reflective track co-written by bandleader Ketch Secor and bluegrass virtuoso Molly Tuttle, with guest vocals from Old Crow Medicine Show co-founder Willie Watson.
About the debut single, Ketch Secor explains: “This is one of those rearview songs where objects in the mirror are closer than they appear. 25 years of making music on the road means you’re always coming back to the same places as a different person; there’s a reminder of your past self and the choices you made back when. Molly Tuttle and I wrote this one together and when it was through, I asked my Old Crow co-founder Willie Watson to make his first appearance on an Old Crow record in years. After all, this is a song about amends, of bygones being bygones, and of renewal.”
“Miles Away” marks the first time Willie Watson has recorded with Old Crow Medicine Show in over 10 years. He will hit the road with the band this fall, performing as an opening act in addition to joining them on stage.
While songs like “Miles Away” embody a bittersweet gravity, much of Jubilee harnesses the unruly exuberance that Old Crow Medicine Show unfailingly channels into their live show. The new album finds the band doubling down on their commitment to creating roots music that bears an undeniable urgency, encompassing everything from jug-band tunes to Irish folk songs to exultant gospel jams. The result is a wildly expansive body of work showcasing the dazzling musicality and poetic yet powerfully trenchant storytelling that has made Old Crow Medicine Show one of the most potent and influential forces in American roots music for more than two decades.
End of the World is the newest single from Canada’s West Coast Roots Reggae veterans, the Phonosonics. Historically focusing on Rocksteady and Early Reggae, the band began internalizing a more 80’s-inspired sound when they were tapped to backup Sister Nancy in 2019 and subsequently Yellowman in 2020 (sadly cancelled due to COVID 19). Rehearsing these sets allowed the band to branch out into a new vibe, and one inspired by the events of our time.
This new track is a darker one, but still with a positive and conscious message: “the sickness divides us, together the cure, no on should be alone at the end of the world.” With an infectious hypnotic rhythm, spacey dubbed-out harmonies and blazing horn lines, it is sure to please on the radio and in the dancehall.
The world has become divided, but we can still come together united. As the lyrics say “there’s no storm we can’t weather if we come together as one.” Hoping all of our beloved fans and DJ friends can come together and enjoy this new one from the Phonosonics.
Alyssa is a multi-talented producer who's been making records auteur-style on her laptop for years ("I feel most comfortable when I'm completely alone" she says in the bio below). Her music is straight forward in style, but elegant in construction and form.
Here's what Alyssa had to say about the meaning behind the song and the video: I began writing “Gothenburg English” in my head while walking around the titular city near the end of my Scandinavian sojourn. Six months prior, I’d left a long term partner behind in New York City, hoping the relationship would survive. It did not. I finally accepted the end of it while wandering around Gothenburg and the Delsjö wilderness on the outskirts of the city. A friend told me the local accent is one of the most sing-songy in the Swedish language, and it’s audible when speaking English, too, creating a kind of “Gothenburg English.” I think of this song as a road song in the sense of American road novels and movies. I sing about my travels during this time, and admit the realization that I came to once I returned home: I was ready to move on from the relationship that had brought me so much stress and misery. I
eventually left New York for my home of Los Angeles, where I filmed the music video for this song with the help of some of my oldest friends. In it, the audience gets a glimpse into my home studio , as well as different locations that left marks on my adolescence, as I connect the person I was when I first started making music to the person I have become.
During this past year, when the stimuli from the outer world ceased, Alyssa Gengos was having some weird-ass dreams. In one that stuck with her, she dreamed that an old school bully was being kind to her. “That was a very strange dream for me to have because I don't think about this person really ever,” she says. “But it reflected to me that I have this really deep desire to be liked.” So poignant was this realization that it makes two appearances on her debut full-length Mechanical Sweetness, which melds her dreams and personal nostalgia into a new-wavey indie rock homecoming album.
Atlanta-born and Los Angeles-based singer, songwriter, and multi-instrumentalist Mae Mae has released “Squishy,” the first single and video from her debut EP, Gummy Heart Eyes. With shimmering xylophone and mischievous bass fluttering throughout, “Squishy” is magnified by a kaleidoscope of whimsical sounds and an infectious hook as the track emulates the joyous emotions you feel when you’re surrounded by people you love.
Inspired by the bliss she feels from life’s little pleasures, Mae Mae’s storytelling reflects how her wide-eyed wonder and optimism collide with the world around her. The same is true of the song’s video, which depicts a home movie-style walk through a garden with her very sweet four-legged companion.
The video’s calm and inviting aesthetic mirrors Mae Mae’s earnestness, “Squishy” is unconventional yet welcoming, reflecting how her distinctive charm blends into pop appeal.
‘Lay Your Head Down’ marks the 2nd release from KAVYA’s debut EP 'Know Me Better'. The song talks about what are the ingredients required for a friendship to stand the test of time. Friendship is a priceless gift which should be honoured and a common theme to be observed in a relationship of any form. What are the ingredients required to build on a promising friendship?
For KAVYA, it starts off with being present in the physical form with the other, opening up multiple conversation points, and understanding what makes the other person. Then, delving a bit deeper and exploring the future prospective she sees with the other, how she can contribute and enhance the other’s life and vice versa.
Aligned with prospective, it is equally important for her to uncover the individual’s aspirations and expectations so that she can be the friend who can encourage the other to achieve them, be aware and mindful of her role to not disappoint the other when expectations aren’t met. And in this entire process, if things don’t go as planned, she opens up the opportunity to ‘lay your head down’ and just be present as that is the truest point of friendship achieved - once of accepting the circumstances as is and not giving up on someone who you have invested your time and opened your heart too. That is the key to sustain a fruitful friendship built over time.
"Lay Your Head Down was written over many years where I found myself wanting to understand the various layers of all my friendships and what truly makes them special. This track is a tribute to my curiosity to connections made between people."
Phonosonics is a Canadian Rocksteady and Early Reggae band, pleased to announce their latest album New Again. Since 2015, this group has been dazzling audiences with their reverent yet modern take on Rocksteady, Ska and Early Reggae. Phonosonics began as the brainchild of multi-instrumentalist and producer Spencer Cleave and has grown to be one of Canada’s fastest emerging Reggae acts.
The band has been racking up accolades since their earliest days. Their releases have been featured on some of the most listened-to Reggae radio shows in the world and consistently charted in the top 10 on Canadian independent radio. They have opened for The Wailers and served as backing band for The Fabulous Lolo, Sister Nancy and Leroy “Heptone” Sibbles.
These connections to the worldwide Reggae community came in handy when production began on New Again in 2019. The album was slated for a 2020 release, but unfortunately sidelined by the pandemic. The group persevered and tenaciously finished putting together a beautiful and vintage-sounding collection of Rocksteady, Early Reggae, Ska and Blue Beat style tunes with a positive message.
With their characteristically painstaking commitment to authenticity and respect for the source material, New Again feels more like it could have been produced in 1970s Kingston than 2020s Victoria. Drawing on their friends in the Reggae community, they were able to recruit artists such as Leroy Sibbles, Horseman, Montreal’s Dr. Watson, and Roger Rivas of the Aggrolites to join in on the record. New Again is the story of rebirth and redemption, and its themes have taken on new meaning these past years. Phonosonics want you to know it's never too late to turn it all back around, and make it new again.
