Showing posts with label Ofelia K. Show all posts
Showing posts with label Ofelia K. Show all posts

Weekend Wonders: Stiffy Jones - Ofelia K - Heidi Talbot - Gitta De Ridder - Quiet Quiet Band - Dyr Faser

Stiffy Jones - Echoes.

Background promo - Stiffy Jones is back with a brand new album. After the release of their latest EP, the Disconnect Me EP, Stiffy jones has kept on their legacy of loud, sweaty and energetic stage shows to venues all around Sweden. Narrow Road Of Memories is a record full of powerful, melodic and personal punk rock songs that will leave you wanting more. The record is set for release on October 28 CD and digital download.

Since 2009, Stiffy Jones current line-up has invaded the bars and venues of Sweden with their punk rock and constant need to be on the road. Formed in 2005 by four schoolmates in Stockholm without any wider musical knowledge but with the same passion for punk rock and a need to cure boredom. In 2012 their debut album was released and they've since toured Sweden. Stiffy Jones has over the years played with among others; Koffin Kats, Skumdum, Tysta Mari, Strawberry Blondes, Saturdays Heroes and The Friday Prophets.


'Echoes' was on the 'Disconnect Me' EP and not surprisingly has been included on the forthcoming full length album 'Narrow Road of Memories'. It typifies the bands creative mixture of punk rock, with some flavours of celtic and folk twists, never far away. Pretty much energised the whole way through, the new album is a quick cure for apathy.

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Ofelia K - Another World.

Background - Ofelia K.’s voice and compelling songs are worn down to perfection and balance wistful maturity with a certain earnest and eternally young expression.  Not quite pop, not quite anything else, the young singer-songwriter showcases her beautiful symmetry with her music somewhere between an unrepressed journal entry, a comforting arm around the shoulder and her smoky, shimmering glare, her eyes so knowingly staring into you. With spins from Annie Mac at BBC Radio 1, over 2 million Spotify plays, and features on multiple television shows, the world heard her starry eyed songs and asked for oh-so-many more. 

With her upcoming EP release, 'Choas Cave' right around the corner this LA songstress once again sets her sights on capturing the public’s heart with her latest single, "Another World." As Ofelia herself mentions, “Another World seesaws between darkness and light, beauty and pain. My vision for this song was for it to take you through different worlds, as though the listener is traveling and taking in new terrain throughout. I love the visuals that the instrumentation paints, like the sounds are playing with one another and need to be hushed and contained at points. And with Ofelia K, you know that can only result in pure musical bliss.

Regarding the EP, Ofelia adds, "Chaos Cave was recorded at a couple studios in Burbank as well as at my house in Box Canyon. Massive amounts of La Croix sparkling water were consumed. My producer Andy Rosen and I both have some OCD tendencies that get compounded when working together, so there’s a lot of attention to detail throughout. We worked in Ableton, which really influenced the soundscapes we were able to achieve and allowed for quite a bit of creative freedom. My attitude is always that of letting each song go where it wants to and not feeling strictly limited to one genre, so each of the five songs brings a different mood and style to the body of work."


It's the third feature this year on Beehive Candy for Ofelia K, this time with the new song 'Another World'. With such finely crafted music and Ofelia's fetching vocals, can you blame me for taking advantage of the opportunity, to share another gem.

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Heidi Talbot - The Year That I Was Born.

Background - Heidi Talbot's fifth solo LP plays to the tune of quiet skips and giant leaps. It crosses the ages, jumps into the unknown, traverses oceans and musical styles – from folk, through Americana, to classic pop, and back again. The Co Kildare singer / songwriter, who now resides in Scotland with her musical partner and husband John McCusker, is joined by a host of musicians and co-writers on the album, including Louis Abbott (Admiral Fallow), Duke Special, Adam Holmes and Boo Hewerdine.

This sense of family and home is reinforced by the album having been recorded in Talbot and McCusker's self-built studio, housed in a converted eighteenth-century bothy next to where they live in the Scottish Borders. “Recording the album in our own studio was amazing,” Talbot says. “You're in your own environment, you're comfortable, you've got all the time you need, and the kids can come over. It feels like everyone can be a part of it.”

Everyone, on this occasion, means Talbot (voice, ukulele) and producer McCusker (violin, cittern, whistles, harmonium) – plus Innes White (guitar, mandolin), James Lindsay (double bass), James Mckintosh (drums, percussion), Megan Henderson (piano, harmonium), Toby Shippey (trumpet), Andy Seward (banjo), Donald Shaw (harmonium, Wurlitzer, accordion), Michael McGoldrick (Uilleann pipes, whistles), Toby Shaer (whistle), Adam Holmes (vocals), Louis Abbott (vocals, electric guitar), Su-a Lee (Cello) and Sorren Maclean (backing vocals, electric guitar). A barnful, and then some.

The title track is inspired by an old gospel song. “I loved the idea of it being quite uplifting, of it not being a funeral hymn, even though it's about death,” Talbot offers. The same could be said of a bright and beautiful album that touches on grief, depression and love. “It's as sad as you want it to be,” she says, smiling. It's equally heartening, cheering and enlightening. Hope springs eternal.

Heidi Talbot Tour Dates 2016:


Sept 29 Paisley, Paisley Arts Centre
Sept 30th Edinburgh, Queens Hall
Oct 2nd Derby, Folk Festival
Oct 6th Liverpool, Music Room
Oct 7th Barnard Castle, The Witham
Oct 8th Bromsgrove, Artrix
Oct 9th Stroud, The Convent
Oct 11th Cambridge, The Junction
Oct 12th Bristol, St George’s
Oct 13th London, Cecil Sharp House
Oct 14th Newbury, Arlington Arts Centre
Oct 15th Colchester, Arts Centre
Nov 5th Barnsley, The Civic
Nov 6th Bury, The Met
Nov 10th Peebles, Eastgate Arts Centre
Nov 11th Stirling, The Tolbooth


Featured track 'The Year That I Was Born' is a delicate folk song, with Heidi Talbot's vocals soothing, gentle and refined. As I listened without actually watching the video, it felt more intimate and quite atmospheric. The fact that the song is just one dimension of the material she produces, suggests the latest album is a must listen, at the very least.

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Gitta De Ridder - Even If.

Background - Originally growing up in the Netherlands, Gitta taught herself to write and play songs on the guitar from a young age, and cites modern folk artists such as Anais Mitchell as her inspiration. Gitta's folkpop songs, with beautifully poetic but also conversational lyrics, go straight to the heart and are performed on a bed of warm fingerpicked guitar.

Feathers is an album which follows a true creative vision, focused on the words that make stories come to life, it explores relationships, romance, family and cities, and all that makes us human. Recorded mostly in Gitta's London home-studio with one-take vocals and guitar recordings layered with children's toy instruments, cello's and other sounds; Feathers was created intuitively, realising the treasures are in that what comes naturally.

Her debut single 'Mr Yesterday' released in September 2014 gathered attention from BBC Introducing, Amazing Radio and several Dutch radio stations; following up with her self produced EP 'Come Find Me' in January 2015 to shining reviews. The new album Feathers is due for release on September 21st. New single ‘Even If’, a song about friendship – or loneliness, shows Gitta’s lyrical ability in an effortlessly catchy chorus with beautiful vocal harmonies; previous single ‘Alternate Reality’ builds to a crescendo of instruments while first track released 'Lie With Me' closes the album with a gentle lullaby layered over delicate guitar. 

The new single 'Even If' is one of ten really good songs on the album 'Feathers'. In genre terms, the album is highly accessible folkpop, with Gitta exploring different ideas from that starting place. Melodic through out, each song has an individual feel to it, with Gitta's vocals just right for the piece. This is one very fine album.

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Quiet Quiet Band - In The Body.

Background - Something has stirred in the darker, lesser-trodden extremities of the UK folk scene. Following 2015’s raucously received (and performed) album ‘Low Noon’, that most carnivalesque quintet, Quiet Quiet Band, have re-emerged into the cold glare. The band’s new EP, ‘Come Home From The War’, released later this year, is a four-song rumination on the aftermath of conflict and, more pertinently, the ways in which humans seek to escape from it. As QQB guitarist Paul Smith puts it: “With society defined by global and personal battles, so many of our pleasures have become tactics for retreat. Pleasures of the flesh, pleasures in a bottle and pleasures of losing your mind inspired this record."

Singing songs of love, death and Tony Robinson, Quiet Quiet Band are the rotting fruits in nu-folk’s verdant pastures. Extrovert practitioners of hillbilly hoedowns, sociopathic shanties and warped waltzes, QQB’s sometimes macabre, sometimes poignant ditties are further animated by a vociferous lyrical delivery, as they channel themes of love, desire, violence and death into wild, witty and wonderfully melodic tunes. “Our songs often evoke fictional characters who are reflecting on their own flaws, regrets, losses and mistakes,” says lead vocalist Tom Purcell. Also comprising Paul Smith (guitar/vocals), Scott Painter (bass), Jon Hare-Winton (drums) and Devon Gillespie (viola), QQB are renowned for their blistering live sets, the ferocity of which was first captured on 2015’s long-player ‘Low Noon’ to all-round praise. Now, a new EP, recorded by Sam Wheat at RekRoom Studios, seems to represent a subtle shift with a more composed, controlled collection. But you don’t need to scratch the surface too hard to know that Quiet Quiet Band still have that wicked glint in their eyes and a shindig in their souls.

Live Dates:
Friday 23 September: The Finsbury, London N4
Saturday 1 October: The Bell on the Green, Devizes
Friday 4 November: The Finsbury, London N4 (official EP launch)
Friday 25 November: Rising Sun Arts Centre, Reading


The first of four songs on the EP 'In The Body' immediately grabbed my attention, and the band held it, all the way through this wonderful EP. Infectious and stirring vocals are accompanied by varying amounts of musical power, sometimes understated, sometimes almost demanding I sit down and listen, to take it all in. Genre wise, it might be folk, rock'n'roll or anywhere in between, for me, it's superb and that's more than enough.

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Dyr Faser - Den Of Sables.

Background - Boston-based trio Dyr Faser have announced they will release their new EP 'Trio' and are teasing this new release with forerunner single 'Estranged'. On 'Trio', the band cleverly blends post-punk, electronic, and psychedelia, often with southern guitar elements. Based in Boston, Dyr Faster is comprised of Eric Boomhower (vocals, guitar, synth, Casio), Thalia Zedek (guitar, slide, backing vocals) and Katherine 'Kate' Murray (synth).

Altough multi-instrumentalist Eric Boomhower originally began Dyr Faser as a solo project, he was eventually joined by indie rock icon Thalia Zedek (Come, Uzi, Live Skull, Thalia Zedek Band). After many recordings, buzz-worthy shows and a successful tour, they were joined by Kate Murray on synth and again head out for additional touring in both the USA and Canada.

Together they make music that is entrancing, hypnotic, dreamy, kraut-rockish, and meditative. On 'Trio' EP, they fuse the European synth avant garde and krautrock leanings of Eric Boomhower and Katherine Murray with the American guitar stylings of Thalia Zedek. "The track 'Den of Sables' is how I imagine it'd be when Soft Cell meets The Gun Club," says Thalia Zedek, whose lengthy career includes founding Come with Codeine's Chris Brokaw and releasing four albums for that project. She has toured with world with Come and Live Skull.

For the first time in the band's history, Eric and Thalia sing together, sharing vocals prominently on 'Hybrid Souls'. Drum loops, synth swirl, dueling guitars, melodic vocals and electronic drum loops make for a hypnotic and inimitable release. "We made this record after years of Thalia and I supporting each other's music. As one time housemates, we talked about music a lot. And unbelievably, I found Kate who shared a love for Krautrock and space rock. With this EP I hope to bring these sounds and talent to the pop world," says Eric Boomhower.


'Den Of Sables' is the first of six tracks on the 'Trio' EP. The band seemingly swim through genres, grabbing whatever parts are right, and with the end result of constructing some intriguing and hypnotic music. It would be easy to describe the bands music as experimental at least in part, with reflection though, I would suggest they have already done the experiments, and are at the stage of crafting distinctive and for me, totally absorbing music.

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Five For You: Palace - Grieving - Divan - Ofelia K - NervousTwitch

Palace - Have Faith.

Background promo - Palace's latest release ‘Have Faith’ is the second track to be taken from their hugely anticipated debut album ‘So Long Forever’. According to the band the song, “plays with the idea of a kind of self analysis of one's emotional strength, but it's also addressed to someone else. It's that need to find a foundation of confidence and belief so that you can both grow as people - that you need to be strong for each other, and not self sabotage yourself on a daily basis. It's the everyday struggle to find strength based on a lack of faith.”

Palace’s first show of 2016 was at the ICA in June and, just like their show at Scala last October, sold out at speed. They have just announced a November UK tour to coincide with the release of ‘So Long Forever’ on 4th November that includes a London date at Brixton Electric on 23rd November. Full details below. Ahead of this they will be playing Reading & Leeds festivals.

They began writing ‘So Long Forever’ last autumn in The Arch - a creative nerve centre in deepest, darkest Tottenham packed with young artists, designers and musicians. It has been produced by Adam Jaffery (Beach Baby, Dev Hynes, Francis Lung) and mixed by Cenzo Townshend (The Maccabees, Florence + the Machine, Wild Beasts). The album artwork - as with all previous artwork - has been painted by Wilm Danby.

In late 2014 Palace released their debut EP ‘Lost in the Night’, which garnered an overwhelming amount of critical and fan support, with the NME proclaiming, “the award for the fastest rise of 2014 goes to Palace.” 2015 saw them embark on two UK and European tours that book-ended the release of their second EP ‘Chase The Light’, which received continued support from Radio 1’s Huw Stephens and Annie Mac, 6Music’s Steve Lamacq and Radio X’s Georgie Rogers, Maz Tappuni, John Kennedy and Jo Good. They spent last summer in a whirlwind of festival performances including Live at Leeds, The Great Escape, Liverpool Sound City, Blissfields, Kendall Calling, Green Man and Bestival, to name just a few. Palace are Leo Wyndham (guitar, vocals), Rupert Turner (guitar), Will Dorey (bass) and Matt Hodges (drums).

Live Dates:
27th Aug - Reading - Reading Festival
28th Aug - Leeds - Leeds Festival
21st Nov - Brighton - Patterns
22nd Nov - Bristol - Exchange
23rd Nov - London - Brixton Electric
24th Nov - Leeds - Belgrave Music Hall
25th Nov - Manchester - Deaf Institute
26th Nov - Glasgow - King Tut’s Wah Wah Hut.


'Have Faith' is an exceptionally refined song. It's melodic, with both the vocals and the bands music, sounding polished and very natural, something quite amazing for a band who only released their debut EP in late 2014. I'm highly impressed.

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Grieving - Warmest Jets.

Background -  Grieving are a new, unsigned band from Cambridge, playing direct, twisting art-punk. Their first demo was debuted by tastemakers The Fader in March and their second track - the raw, dual vocalled post-hardcore / 90's indie-rock of "Ownership" - saw them pick up their first Radio 1 play from Dan P Carter. Their third track, the more direct and anthemic sounds of "My Friend, The Ghost", saw support from Huw Stephens on Radio 1.

Earlier this month they debuted "Little Armoured", the title inspired by a book of poetry by Rebecca Perry, a leftfield track, off-kilter in places and melodic in others. Showing once more a diverse set of influences at work here, it takes another sharp turn in its final third. Their fifth and final track from “Demonstrations”, the brief, melodic rush of “Warmest Jets” was debuted today on Punktastic.

The band have played their first shows over the last three months, alongside the likes of Tellison, the much buzzed about Muncie Girls and Three Trapped Tigers and have recorded five songs as an EP release, "Demonstrations", on July 29th. They join The New Tusk and Pet Grief for a handful of tour dates in late September and will announce further shows for November in the coming weeks.

In debt to the likes of Les Savy Fav, Television, Spy Versus Spy, Bear vs Shark, Dismemberment Plan, Fugazi and elsewhere the lo-fi pop and fully charged punk of Guided By Voices, Pylon, Samiam, The Lemonheads, Bob Mould etc.

August 04 London The Lexington w/ Young Legionnaire & USA Nails
August 15 London The Old Blue Last w/ Cassels & So-Crates


September 22 Norwich Gringos w/ The New Tusk, Pet Grief & Algae Bloom
September 23 Cambridge The Blue Moon w/ The New Tusk & Pet Grief
September 24 Brighton The Green Door Store w/ The New Tusk, Munez & Pet Grief
October 30 Norwich Podstock @ The Owl Sanctuary


Grieving have been featured by Beehive Candy twice this year already, so perhaps regular readers may think I have some bias towards the band. Well last time I thought to myself, that's enough for this year, and then they come up with another song, that I cannot help but feature. Obviously there is something that really connects with myself, maybe it's the raw, genuine and passionate feeling, that is just so rock'n'roll.

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Divan - Shards.

Background - Their music; all pulsating rhythm, soaring vocals and oscillating guitars, draws on a rich tapestry of styles and sounds, which evolves into a real statement of intent: the desire to understand art and its relevance in modern life.

 Singer, Jamie Clarke writes: 'I think always having an innate desire to surround yourself with activity & action when all you've known is peace & tranquillity comes out in our music. It draws me to people, and also to the art that I love.' The lyrical narrative in Modern Knowledge weaves its way through such themes, affecting not just today's artists and creators but everyone that, like Jamie, is drawn to the bustle of something more than what was known...

From experimenting with accessible but unusual time signatures in ‘Shards’ to exploring vulnerability both lyrically and vocally in ‘A Clarity Appears’, the heart and soul that runs through this record is achieved via subtle nods to the likes of Radiohead, The National and Richard Hawley, as well as the band’s own profound voice and subject matter.

There are mournful sparks of looped piano from Brent (Knopf) in ‘Darkened Room’ and dark melodies inspired by the encompassing warmth of Sufjan Stevens…while front man Clarke’s subtly reedy voice is reminiscent of Benjamin Gibbard in his more delicate moments. Major chords are utilised to strengthen the depths alongside jolting, haunted stabs of guitar and the end result is compelling, intense and overwhelmingly thoughtful; demanding repeated listens.


We featured Divan just over a month ago, and so far I have just loved everything I have heard by the band. I guess the Irish musical styling is a key part, however the band put a very definitive slant on their songs, and are happy to test out ideas rather than just take the safe path.

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Ofelia K - Killing Me.

Background - Ofelia K.’s voice and compelling songs are worn down to perfection and balance wistful maturity with a certain earnest and eternally young expression.  Not quite pop, not quite anything else, the young singer-songwriter showcases her beautiful symmetry with her music somewhere between an unrepressed journal entry, a comforting arm around the shoulder and her smoky, shimmering glare, her eyes so knowingly staring into you. With spins from Annie Mac at BBC Radio 1, over 2 million Spotify plays, and features on multiple television shows, the world heard her starry eyed songs and asked for oh-so-many more. 

With her upcoming single release, "Killing Me," right around the corner this LA songstress once again sets her sights on capturing the public’s heart with her  tunes. As Ofelia herself mentions, “Killing Me is about the strange paradox that those who love you the  most can also hurt you the most. Loving deeply makes you vulnerable and the highs  and lows can be extreme.”  And with Ofelia K, you know that can only result in pure musical bliss.


'Killing Me' is getting considerable attention after just a few days, and that is not surprising, as this is a delightful and massively catchy song. Sometimes that's all that's needed!

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NervousTwitch - So Rock'n'Roll.

Background - Odd Box Records are re-issuing Nervous Twitch’s incredible LP Don’t Take My TV on vinyl for the first time, with an official release date of August 26th. Nervous Twitch are a Leeds based band who serve up “catchy, effervescent punk-pop” Louder Than War, one that’s angst-ridden and dining on an ode to Riot Grrl, surf and garage-rock.

Don’t Take My TV is the bands second album but comes from a pretty expansive back-catalogue of singles and EPs, one which has seen them acquire significant praise and a recent radio session onMarc Riley’s BBC 6 Music show. The band will be performing at this year’s Indietracks festival.


'So Rock'n'Roll' is the opening song, and one of eleven wonderfully punk pop tracks, on this first time on vinyl release. The featured song reminds me in part of Blondies first album, which remains my favourite, because it had a genuine rough around the edges feel to it. Likewise the Nervous Twitch album 'Dont Take My TV' has that vital ingredient for anything punk orientated, along with alot of enthusiasm and charm. Love It! 

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Singers & Songs: Maria Usbeck - Silver Pools - Ofelia K

Maria Usbeck - Moai Y Yo.

Background promo - Maria Usbeck (former front woman of Selebrities) today announces her debut solo LP and shares lead single, "Moai Y Yo."

The album "Amparo", to be released May 27 via Labrador in Europe and Cascine in the US, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn.

Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek of Chairlift who has also produced Beyoncé and engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic colour on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

So my native language is English and sadly my grasp of Spanish is extremely lacking. That music can transcend languages is reinforced for me with this wonderful song. Musically it is superb & Maria's voice becomes another instrument for me, and a wonderful one, at that. She could be singing the local bus timetable for all I know, however one thing I am clear on this is going to get quite few more plays by me.

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Silver Pools - Leap Year.

Background promo - Silver Pools is an ambient-pop entity led by Toronto based mandolinist, songwriter & producer Todd Macdonald. Following the disintegration of the baroque pop group The Winks in 2010, Macdonald went back to school, studied jazz composition & performance while continuing his work as a sound engineer and producer.

Recorded over a four year period in studios and bedrooms between Montréal and Toronto, Memoirs of An Oblong Sphere features contributions musicians from both cities. The lushly orchestrated album explores rich, harmonic and sonic textural combinations through blending analogue synthesisers with horns and woodwinds and mandolins melting into warped classical vinyl samples. This process of layering multiple musical performances was in part inspired by techniques he learned from the production team of John Collins & David Carswell. They produced The Winks' 2008 album Birthday Party as well as The New Pornographers' Twin Cinema, an album which Macdonald played mandolin on.

The lyrics for Leap Year are taken from the correspondence between Macdonald and Vancouver writer Shmuel Marmorstein. The two have been writing songs & stories together since they were high school students in the 90s. Memoirs of An Oblong Sphere will be out on cassette April 22, 2016 via UR Audiovisual.

Silver Pools Tour Dates:
Thursday April 14th: Guelph @ The Golden Bus - Silver Pools, The Blue Funz, M. Mucci
Friday April 15th: Toronto @ Secret Venue - Silver Pools, The Blue Funz & Still Monk
Saturday April 16th: Kitchener @ Open Sesame - Silver Pools, the Blue Funz, Eiyn Sof
Sunday April 17th: Hamilton @ Baltimore House - Silver Pools, The Blue Funz, Blunt Chunks & ZONES
Thursday April 21st: Toronto @ Handlebar (For Frequencies) *Memoirs of An Oblong Sphere album release - Silver Pools, Anzola, Ajage No Anne & "Valkyrie... is about to Die!"

Saturday April 23rd: Montreal @ La Plante - Silver Pools, Syngja, Man Meets Bear & Dromia

'Leap Year' is my introduction to Silver Pools and it's a really fine song. Todd Macdonald's vocals are pretty special in my opinion, and he knows how to find just the right musical accompaniment and balance so that both vocals and music really shine. An excellent taster for the now highly anticipated album on my part.

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Ofelia K - Cinco.

Background promo - The 'Plastic Flower' EP featuring “White T-Shirt”, "As A Bell," "Gone" and "Hawk Fly Tiger Run" reintroduced Ofelia K.’s voice to the world - compelling songs worn down to perfection that balance wistful maturity with a certain earnest and eternally young expression.  Not quite pop, not quite anything else, the young singer-songwriter showcased her beautiful symmetry with her music somewhere between an unrepressed journal entry, a comforting arm around the shoulder and her smoky, shimmering glare, her eyes so knowingly staring into you. With spins from Annie Mac at BBC Radio 1, over 1.8 million Spotify plays, and features on multiple NBC television shows, the world heard her starry eyed songs and asked for oh-so-many more.

With her upcoming single release, "Cinco," this LA songstress once again sets her sights on capturing the public’s heart with her tunes. As Ofelia herself mentions, "I was embracing the freedom to get loose and play, and I think that energy that comes through in the songs."  And with Ofelia K, you know that freedom can only result in pure musical bliss.  With every single on the ‘Plastic Flower’ EP reaching top 5 on Hypem, and  Zane Lowe premiering, her forthcoming EP is guaranteed to leave your ears enraptured.

This is a beautiful piece of sparkly indie pop. Bright and uplifting the vocals skip and hop across the equally upbeat soundtrack. That her music is already popular is clear by the statistics above, it's so very, very pleasing.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...