Showing posts with label No Joy. Show all posts
Showing posts with label No Joy. Show all posts

Saturday Seven: Wayde - Línger - Jackson Boone - Curse Of Lono - No Joy - Altar Eagles - Hiva Oa

Wayde - Easy (don't be long).

Background - Having only released one previous single (‘Eleanor’), which earned them plaudits from the likes of BBC 6 Music and more, Essex four piece Wayde are now ready to unleash their new Lucky Aide EP. Recorded in guitarist/vocalist Tyrone Foster’s flat in Stoke Newington, in between the banging on ceilings and floors from disgruntled neighbours, Wayde’s sound is an amalgamation of sardonic indie, enveloping shoegaze and psych-infused grunge. There is a nostalgic comfort amongst Wayde’s combination of warm guitars, mid-tempo grooves and vocals, which are lyrically sharp, saccharine and melodically contagious.

Speaking about the themes behind the forthcoming EP, Miles Shawyer (bass) said, “There’s no consciously imprinted themes on the EP, however the songs were all written in a period when we were all just about to finish university and the anticipation of having to become real people and getting jobs was looming. So there’s an almost entirely unintentional coming of age/fear of adulthood theme running throughout the EP.”

It’s this charming yet almost serendipitous honesty that resonates the loudest throughout every track on the EP. The themes come naturally and candidly, whilst Wayde place their focus entirely on infectious hooks, reverb and fuzz, only abating to take rapid turns into hazy garage-punk and feedback-laden grunge. Facebook here.


'Easy (don't be long)' has a slow haunting feel from the very start. Vocals are set deeper in the mix and surrounded by a wall of slowly morphing sounds and some thunderous moments, no wonder the neighbours felt the need to join in with the beats...

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Línger - Downfall (tuple EP).

Background - In late September 2016, Línger released her debut single ‘Flyon’ and has already proven she is a powerful force to be admired. The single, and EP tuple were recorded in her home in Sydney, Australia, produced by fellow Sydney artist, Xavier Dunn. Her latest offering from the forthcoming EP is ‘Avoid’, a lush electronic-pop journey characterised by Línger’s signature vocal harmonies. They provide the foundations for an pulsing and dramatic electronic track, all supporting Línger’s beautiful melodic whimsies.

Línger is a collaboration between experience and emotion that has come to fruition through years of feeling, longing and by simply being. Her words, originating in part through the creation of poetry, seek to make sense of the world which at times mystifies us all. Her EP tuple is inspired by the five elements of air, fire, water, earth and space. Attuned to divinity, each of Línger’s songs is able to insightfully capture moments in time that reflect what it means to be human.

Flying on to the Australian music scene in late September 2016, Línger has already proven she is a powerful force to be admired. Línger has been featured on Acid Stag’s Australian artist to watch list, and received glowing reviews throughout the blogosphere. Línger will meet you in your world and her song will carry you upwards to a sky filled with ethereal beauty that is forever unfolding and everlasting. Facebook here.

This is our second feature for Linger following on from sharing 'Avoid' a few weeks ago. The new EP 'tuple' comprises of five tracks and I have chosen the final song 'Downfall' this time around. This is a refined collection of music and is well worth checking out.

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Jackson Boone - Mystic Winds (from the East).

Background - Jackson Boone is a songwriter who quietly emerged from the misty magic of Portland, Oregon. His lo-fi folk rock sound is comparable to Kevin Morby, Kurt Vile, or Damien Jurado.

With the help of producer Riley Geare (Unknown Mortal Orchestra), bassist Randy Bemrose (Radiation City), and Violinist Patti King (Radiation City), Jackson recorded his first solo album, 'Starlit,' in the basement of a green house in NE Portland. Immediately after his release, Boone, his five piece live band, The Ocean Ghosts, and Riley Geare, packed up their equipment and took off to the Oregon Coast. They spent two weeks by the beach tracking his sophomore record, 'Natural Changes' (2015).
 
On March 10th, Jackson Boone will release his third full length studio album, 'Organic Light Factory,' which features Jackson’s most realized and mature songwriting to date.

Boone and his band, the Ocean Ghosts, have honed their performing skills at festivals such as SXSW, Treefort Music Festival, Pickathon, and CMJ. They'll be on tour this March, including a stop in Austin for SXSW. Live dates on Beehive Candy tour page. Facebook here.


As lo-fi music goes, there is no shortage of atmosphere and content in the song 'Mystic Winds (from the East)'. The vocals are one of the key attractions, as is the gentle melody in this imaginative piece.

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Curse Of Lono - Pick Up The Pieces.

Background - Acclaimed new London five-piece Curse Of Lono will release their debut album ‘Severed’ on Submarine Cat Records on April 7th. A sumptuously cinematic record that combines spaced out, harmony-laden indie-folk with driving, gothic alt-rock, ‘Severed’ was produced at Gun Factory studio by Oli Bayston (Boxed In).

Founded and fronted by Felix Bechtolsheimer, formerly the singer-guitarist in British roots pioneers Hey Negrita, Curse Of Lono formed in early 2015, though the songs on ‘Severed’ were written over a 14-year period. 


They range from the perky, Paul Simon-ish new single ‘Pick Up The Pieces’ to the more lugubrious ‘He Takes My Place’, the almost jazzy ‘London Rain’ and the rootsy, rhythmic ‘Send For The Whiskey’. The album belongs as much to the Americana tradition and old faithfuls such as Little Feat as it does to more modern, playful practitioners of the form such as Beck. Website here, Facebook here.

It was last summer when we came across Curse Of Lono and the new track 'Pick Up The Pieces' immediately grabbed my attention with the lively riffs and overall vibe. Album eagerly awaited.

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No Joy - Hellhole.

Background - No Joy recently announced the Creep EP, which will be released on Feb. 24 on the brand new label collective Grey Market, and this week shared the second single from it, "Hellhole".

For most listeners, No Joy are a standout from the shoegaze revival, that wall of noise lead by its two female band members Jasamine White-Gluz and Laura Lloyd and their long headbanging blonde locks. In a 2011 Blackbook piece on the band’s detached yet visceral live show, the writer coyly commented “they are playing with their backs to the audience…shy girls.” 

As the principal writer of their past catalog, White-Gluz steers the material on Creep in new directions, drawing on varied influences ranging from Industrial to New Age. With co-writer and producer Jorge Elbrecht, the pair create a soundscape that is both familiar and fresh. Tracked in Montreal at Hotel 2 Tango and in White-Gluz’s Little Italy apartment, the sound is huge. Dynamic juxtapositions of dark and light, feminine and virile are cemented together with their signature earworm hooks. No Joy are challenging themselves by distancing from the traditional rock band formula, creating a new live show to accompany the release. Live dates on our Tour page, Facebook here.


We featured the first single a little while back and the new song 'Hellhole' is of equal stature, and one that makes the forthcoming EP even more enticing. Plenty of atmosphere and energy works so well against dreamier vocals.

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Altar Eagles - What Are You Coming To?

Background - Quote: "'What Are You Coming To?' is a song about hindsight. Basically about looking back on a relationship and trying to own up to your own mistakes while realizing you don’t even recognize the person that you thought you knew so well. Kinda like that line about listening when people tell you who they are, but in this case you didn’t. All past tense."

Bio:Erik Alcock has been a professional songwriter since he was 17 years old.  He talked his way into a live audition with EMI Canada in his native Toronto and then proceeded to cut himself on his guitar, bleed all over the auditioning executive’s office, and play terribly. He was signed on the spot.

After getting signed Erik left home and school and spent the next two years living in a jam space.  While the experience was not all that conducive to his songwriting, Erik was able to develop his chops by playing constantly.

His quality of life improved substantially when he joined a band and spent the next few years on tour. When the band broke up he started working with DJ Khalil, Chin Injeti and Liz Rodrigues, forming The New Royales. Since then they've written songs for  Eminem, Kanye West, Pink and a host of others, which led to several Grammy wins, having the theme for  Mission Impossible 4, the Call of Duty video game, and Jake Gyllenhall’s movie “Southpaw.” Facebook here.


It's the sort of song that John Lennon could have written, asking deeper and searching questions. 'What Are You Coming To?' is however very much Alter Eagles work, and it's a pleasing and superbly delivered song and a fine showcase for his song writing skills.

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Hiva Oa - So Many Lies.

Background - Belfast duo, Hiva Oa are pleased to share their brilliant new single 'So Many Lies'. The track is taken from their forthcoming EP, mk2 (part 2) - out April 7th.

'So Many Lies' stays central to the ideals and themes presented within previous EP 'mk2 (part 1); however, it takes to the fore principles of accountability where there has been a catastrophic loss of control. It's about a personal frustration against the misuse of power in all its forms; be it introspective or a wider shared communal disapproval.

‘We have suffered all this while, for your lies.’ The track also harnesses a counterbalance, where one can look at their own guilt by association or inaction in a situation. ‘You stole it all in front of our eyes, wasted enough to gather it all for your lies.’ Hiva Oa are: Stephen Houlihan & Christine Tubridy with Matthew Collings and Daithi McNabb. Facebook here.


Our third feature for Hiva Oa who consistently deliver really good alt rock music. 'So Many Lies' is notable for the emotive almost pleading vocals. The soundtrack gradually builds into a formidable and expansive piece that adds even more potency to this really fine song.

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Six On Sunday: Oddnesse - Los Colognes - Dot Dash - No Joy - Winstons - The Forgotten Ghost

Oddnesse - Incoming Call.

Background - Fresh off the success of her first single “Somewhere Somehow”, which was recently featured on Spotify’s “Fresh Finds” and Apple Music’s “Isolation” playlists, Oddnesse dropped her second single entitled “Incoming Call”.

The project began as a studio collaboration between musician Rebeca Arango and producer Grey Goon. The two east-coast expats had arrived independently in Los Angeles plagued by ghosts of old bands, with many gigs at the Cake Shop under their belts and expensive degrees in music on their linked-ins. They both shared a vision for infectious beautiful music with a dark, heavy groove and as friends occasionally dropped by the studio with contributions, the band was born.

Both singles are taken from Oddnesse’s debut self-titled EP that will be released later this Spring via Myster Music. Facebook here. Buy here.


The music on 'Incoming Call' is a swirling, layered and creative feast of sounds. Add in the rhythmic vocals, and we have one very addictive and intriguing song.

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Los Colognes - Flying Apart.

Background - Nashville based Los Colognes have just announced their third album The Wave, out May 12th via Big Deal Media / Thirty Tigers. One of the highest and rarest aspirations in popular music is to reach for the transcendental, to access the spirit. On The Wave, Los Colognes succeeds at this – in breaking through the confines of everyday pop song lyricism to tell a holistic story. It’s not a concept piece, but it’s a brooding and joyful song cycle filled with philosophical rumination, effortless hooks, inspiring musicianship, and expansive arrangements. It’s an album perfectly suited of the current zeitgeist of unease and hope.

Guitarist/singer Jay Rutherford opines in “Flying Apart” - ‘Nobody believed / We’re all just hoping / Floating down streams.” It’s a song that invokes “the wave” metaphor of the album’s title, while churning through its own sonic sea of shimmering keyboards and guitars anchored by drummer Aaron Mortenson. The music evokes any of the best moments of late seventies or mid eighties FM radio while never being weighed down by the specter of influence. Los Colognes are a young band who have managed to forge their own sound while channeling the best sonic worlds of the decades past. Website here, Facebook here. Tour dates on the next page.


The first track from forthcoming album 'The Wave' is the song 'Flying Apart'. After a brief wall of sound intro, we are into a melodic, upbeat soundtrack with vocals adding in some additional feeling. As a taste of what's to come, then it's job done, I'm hooked.

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Dot Dash - 5/5/5 (EP).

Background - Over the last five years Washington D.C.-based Dot Dash has had five albums released, all via Canadian indie label The Beautiful Music. The band have a newly released free-for-download 5-song Dot Dash digital e.p. This comprises of five songs, one from each album.

Dot Dash has played shows with The B-52s, Tommy Keene, The Fleshtones, Ash, The Psychedelic Furs, The Chameleons, The Dickies, Hugh Cornwell, The Monochrome Set, Ian Hunter, Stiff Little Fingers, Glen Matlock, The Bats, Sylvain Sylvain, The Godfathers, Wussy, Urge Overkill, The Drums, The Trashcan Sinatras, Frankie Rose, The Clientele, Drivin'n'Cryin', The Empty Hearts, Matt Pond PA, Jack Grisham, Moon Duo, Chris Stamey, Wax Idols, The Explorers Club, Allo Darlin', The Supersuckers, Stevie Jackson, and lots of other rocking combos.

Washington Post: “Everything we've ever read about Dot Dash plays up the group's collective resume: Singer/guitarist Terry Banks was in St. Christopher and the Saturday People before teaming up with bassist Hunter Bennett in acclaimed indie-rock band Julie Ocean; guitarist Steve Hansgen played bass for hardcore legends Minor Threat and Government Issue, and then the mod group Modest Proposal; drummer Danny Ingram co-founded harDCore band Youth Brigade. Very impressive. But we're more interested in the music, a retro cocktail that recalls the yearning indie-pop of Sarah Records; the '80s neo-Byrds jangle of R.E.M., Orange Juice and other seminal college radio artists, and the tight, throbbing basslines and slashing guitars that evoke the Jam and the Clash."  Facebook here.


The new EP '5/5/5' with one track each from the bands five albums released so far, is a good way to get to know their music. These are no copycats, they consistently create indie rock & pop (and more), of a high calibre, and the comparisons above are at best references of their quality. Checking out who they have performed with along the way, says a lot more.

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No Joy - Califone.

Background - For most listeners, No Joy are a standout from the shoegaze revival, that wall of noise lead by its two female band members Jasamine White-Gluz and Laura Lloyd and their long headbanging blonde locks. In a 2011 Blackbook piece on the band’s detached yet visceral live show, the writer coyly commented “they are playing with their backs to the audience…shy girls.”

For years, principal songwriter and lead vocalist Jasamine White-Gluz was that shy girl. It translated onto their albums (her voice was never too high in the mixes, constantly obscured by layers of guitar) as well as their live shows (instead of standing center stage in the shows, she opted to stay hidden in the corner of the stage). With the latest effort Creep EP, (Street Date, February 24th, 2017) White-Gluz is starting to shed those insecurities and bring a revived spirit to who we know as No Joy.

As the principal writer of their past catalog, White-Gluz steers the material on Creep in new directions, drawing on varied influences ranging from Industrial to New Age. With co-writer and producer Jorge Elbrecht (Violens, Ariel Pink, Tamaryn, Lansing-Dreiden), the pair create a soundscape that is both familiar and fresh. Tracked in Montreal at Hotel 2 Tango and in White-Gluz’s Little Italy apartment, the sound is huge. Dynamic juxtapositions of dark and light, feminine and virile are cemented together with their signature earworm hooks. No Joy are challenging themselves by distancing from the traditional rock band formula, creating a new live show to accompany the release.

By taking control of their new direction, it’s the beginning of a new era for No Joy. Facebook here. See out Tour page for live dates. Amazon here.


From the forthcoming EP we have 'Califone', a jangly and melodic track. With the shoegaze vibe a little more understated, the vocals and musicianship really standout, an indicator of the quality and growing confidence to be found on the new release.

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Winstons - Without You.

Background - Winstons have released a new single "Without You". It will be part of a release slated to come out later this year. The band released two EP's in 2015 entitled 'Turpentine' & 'Black Dust'. The new single came out on Friday via Grand Jury.

Winstons is a garage-soul duo out of Virginia, residing in Brooklyn. They do love songs, blue songs, and dance songs with drums, guitar, harmonies, and a harmonica. Their live show is raw and earnest, with a dynamic juxtaposing devotion and depravity. Their sound has drawn comparisons to Screaming' Jay Hawkins and The Cramps. They self-released two EPs in 2015. Website here, Facebook here. Buy track here.

As genre crossovers go, garage soul was bound to be a must listen for myself. 'Without You' is all of that and more. The vocals are just so naturally soulful and genuine, whilst the guitar rock vibes make a surprisingly suitable musical soundtrack. Winston's have got something special going on here.

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The Forgotten Ghost - Too Close To The Sun.

Background - Clown is Melbourne based, Scottish born, James Henderson’s 5th solo studio album and his debut under the pseudonym, The Forgotten Ghost. He composed all the instrumentation and enlisted some very talented friends to assist with the final recording.

‘Too Close To The Sun’ is the first preview of the forthcoming album. Ambitious and beautiful instrumentation characterises the new single, akin to the most lush tracks on Elliott Smith’s XO. James’ delicate falsetto carries a haunting melody through the song, ranging in atmosphere from intimacy to epic strokes.

Clown was recorded over the course of one year and was engineered and co-produced by Peter Camilleri (brother of Jo Camilleri) who has worked with artists such as the Black Sorrows, Jo Jo Zep, Renay Geyer and Paul Kelly. Clown was recorded in various locations across Melbourne including the famous Buckland room in Melbourne’s Arts Centre (home to the MSO) and was mastered by Peter Mew at Abbey Road Studios. Peter was chosen to master the record due to his work with David Bowie and the Beatles. “I feel very privileged to have been able to work with Peter, his knowledge and experience have added a beautiful sparkle to the finished recording”, says James.

At the beginning of 2016 James set out with intention of moving The Forgotten Ghost from a solo project into a band and slowly amassed a collective of very talented musicians. With the addition of Kirsty Morphet’s stunning voice and beautiful piano, Cam Pretipino’s solidifying bass and Conrad Tracey’s thoughtful drums, the live performances so far have been extremely well received. ‘Too Close To The Sun’ by The Forgotten Ghost will be released 3rd of February 2017. Website here, Facebook here.


'Too Close To The Sun' almost tiptoes into being. James Henderson’s falsetto vocals emerge against a piano soundtrack and we build towards a fuller and delightfully arranged piece. Melodic and refined this is a superb song.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...