Showing posts with label Nervous Twitch. Show all posts
Showing posts with label Nervous Twitch. Show all posts

Guise - Karen Harding - Derrero - Dear Misses - Quivers - Nervous Twitch

Guise - The Boy And The Thief.

Following the release of Guise’s debut album Youngest Daughter earlier this year, the folk fourtet are confirming its long-awaited release on vinyl today Friday (9 September). Commemorating the release, the band are delighted to present a new tour video for Youngest Daughter’s magnificent opening track: ‘The Boy & The Thief’.

A song that according to lead vocalist Jessica Guise “appeared like a snowball to the face”, so too does it burst from the blue with a supercharged sense of adventure.

With its lyrics delivered at a breathless pace, ‘The Boy & The Thief’ envelops the listener in a tale of love and luck that will resonate with anyone who has ever been waiting for their numbers to finally come up in the lottery that is life. As Jessica explains:

“Sometimes writing a song is like carving a sculpture or fishing by the side of a very still lake, but sometimes it’s just like being given a present that you have to unwrap really really quickly before it disappears. This was the latter; it started forming in my head on a long walk home one day and I had to run home to get it written before I forgot it. It’s about a friend of mine who was having no luck in love, and how we both consistently made terrible choices… The video is a tongue in cheek tour video aiming to capture the spirit of friendship, adventure and honesty that’s behind the band.”

From its spartan acoustic beginnings, to the galloping celtic thrum that soon overtakes; ‘The Boy & The Thief’ balances frenetic guitars with the finest of fiddle playing and makes for an exhilarating introduction to
Guise’s accomplished debut album.

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Karen Harding - Drive Away.

Melbourne, Australian singer-songwriter, Karen Harding is halfway through the release of her 4 track debut EP, I’ve Got A Secret, releasing a track each month. Her third and latest single release from the EP, ‘Drive Away’ is released today Friday 9th September, 2022.

Written during the Melbourne, Australia Covid-19 pandemic lockdowns, ‘Drive Away’ speaks to the desire to leave the mess, the difficulties and the current life experience behind and just escape.. or ‘Drive Away’.

“It is so easy to get caught up in the busy-ness and routines of life and sometimes we all experience days where it just seems so much easier to run away or escape the life we’ve created for ourselves. ‘Drive Away’ was written when I was experiencing this feeling. It was me, sitting with my guitar, daydreaming about the possibilities of getting away from my covid lockdown restraints.”

The four track EP, ‘I’ve Got A Secret’ is being released one single at a time, each month, and will be available in its entirety by October 2022. The EP is available for purchase at Bandcamp in digital download and CD formats.

Karen Harding is a Melbourne, Australia based folk/pop singer-songwriter with a passion for sharing a relatable expression of human emotion and inner experience within her music. For Karen, music is a soul conversation, that allows the masks that we hide behind to fall away for a moment of sharing.. a moment of mutual understanding.. in a language that does not discriminate in any form.

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Derrero - Morning Star.

Celebrated Welsh band Derrero continue an unstoppable 26-year trajectory with their new album Curvy Lines.

Recorded back in Nov 2021 the album sees Derrero exploring new ways of working to expand upon their sonic palette and distinctive use of cut and paste song writing. Many ideas were traded across the web and new material was rapidly realized during 4 days of marathon studio sessions.

Maintaining a resolutely DIY approach to music making Curvy Lines demonstrates a strident and confident band who remain steadfastly unafraid to swim against the tide and self-produce and self-release uncompromising music outside of the mainstream.

The members of Derrero all met at Falmouth Art college in 1993: after studies, they evolved in Brighton before settling in Newport, Wales. There they released their debut single Tiny Shoes on Size 8 Records in 1997 and also their debut LP later that same year after signing to Big Noise records in Cardiff.

Since the bands foundation Derrero have released 4 critically acclaimed albums and toured with the likes of Super Furry Animals, Catatonia, Sebadoh and Granddaddy as well as collaborating on the film ‘Beautiful Mistake’ with John Cale.

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Dear Misses - Don't Let Her Down.

After the successful release of the first single 'Leaving Town', the Swiss band Dear Misses follows up with the second single from their country concept album - and the story about the outlaw Frankie Trombone continues.

With "Don't Let Her Down" the five-piece band devotes itself entirely to the country rock of the late sixties; two-part lead vocals in the style of the Flying Burrito Brohers, a honky-tonk piano straight from the Southern speakeasy and a pedal steel guitar that sweetens Frankie's heartbreak with a little hope.

Because in the new single 'Don't Let Her Down', Frankie Trombone is on the run, alone in the wilderness with the cold wind blowing around his ears. Alone with his Colt and a bottle of Booze, he ponders his sins and mourns his lost love, whom he will probably never see again.

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Quivers - If Only.

 Quivers, of Melbourne, Australia, have been an underground cathartic jangle pop band for long enough now to last year prick up the ears of Pitchfork, NPR and R.E.M., but it’s with a new 7” before their first US tour that they finally release the bats out of a cave and the secrets out of the bottle. Both songs see Bella Quinlan take lead vocals for the first time since the band’s full re-imagining of R.E.M.’s Out of Time (endorsed by the band themselves with fire emojis). Side A is a new original, ‘If Only’, and side B is a cover of Lucinda Williams’ mercurial ‘I Just Wanted To See You So Bad’.

All the best 45s slow down time and ask you to dance, so “If Only” is both darker and more danceable than 2nd album Golden Doubt could ever be (Ba Da Bing, 2021). While the bass and drums burn, and arpeggiated guitars scatter, Bella sings about longing for someone at the wrong time. If only I could make you love me, before you move overseas, what a fucked up thing to want, love should just be. The song is all if onlys, pushes and pulls, a song messed up by other songs about love. Bella says “it felt good to make a 7” which is a pop song but a really confused one, where every line goes back and forth between different feelings - more like love is in reality.” Don’t let it get into your lungs, she sings as the song lets too much into its lungs and just coughs up more guitars and tape loops. When recording "If Only" the band tried to imagine “being on a festival before Joan Jett, The Motels, and The Breeders and everything goes quiet and Quivers just has to deliver something.”

The recording of “If Only” is in a more minimal direction for Quivers, recorded in sessions for an upcoming 3rd album in Melbourne/Naarm again with producer Matt Redlich (The Paper Kites, Ball Park Music). Drummer Holly says, “once we found a pocket together on this song we wanted it to be a short song that feels long and big, where the more space you leave the bigger it gets.  It felt really right to sing alongside Bella, to hear her sing let romance rot all while sounding so into someone.”

The Lucinda Williams cover on side B quickens the pace and speeds time back up. Live, it kicks ass. The song was chosen for a cover according to Bella because “we all love lucinda Williams - there’s something very special about her honest lyrics and that pared-back, relaxed drawl. She’s really one of a kind! In my old Subaru Forester ‘World Without Tears’ was the only CD I had in it for the longest time, and we used to play it on our road trips to gigs. When the car died on a freeway and had to get junked for good, the CD went along with it. We chose “I Just Wanted To See You So Bad” to cover because we think it’s a hidden gem from her, and it felt so good to have a bit of a shouted call and response.”

It is a song that is certain about love. It is the rush of feelings as you drive that car in the middle of the night because you just want to see someone so bad. These two songs together show that Quivers want to drive in the middle of the night too, and after the “earnest earworms” (NPR) and “effortlessly tuneful jangle pop” (Pitchfork) of second album Golden Doubt what’s up ahead for the band might really surprise you. Grief and loss are hopefully in the rear mirror, and all kinds of other monsters real and imagined are up ahead. Bats everywhere. Tape loops in the sky.

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Nervous Twitch - History of the Wild West.

The new album by Nervous Twitch is like a guide to UK and US indiepop and indierock with nods to Mambo Taxi, Huggy Bear, Modern Lovers, Television Personalities, the Pixies, Sleeper, Ash, Lovely Eggs, Dressy Bessy, and even a bit of Swearin'. I could go on and on, but I say just check out their third single / video "History of the Wild West."

Nervous Twitch—talk about a perfect band name! Listening to their fifth album, Some People Never Change, it’s hard not to notice the nervous energy of front woman Erin Hyde’s vocals. Nervous Twitch built a solid reputation for songs that bristle with punk energy, mixing a vibe that also incorporates girl group passion, post-punk angularity, and even the occasional surf guitar cool.

Some People Never Change offers up a baker’s dozen tracks that deal in attitude and the personal. “We Don’t Care” takes on critics with a snarl, “What The Hell” takes on the frustrations of modern life, while “The History of The Wild West” deals with escaping the world for a less stressful one. But it’s not all anger as an energy; “This Mad At The World” is a ballad that show you can relate your frustrations in a gorgeous, acoustic ballad. “You Never Let Me Down” is a delightful love song with a girl-group vibe, while “Forgive Yourself” offers up a meditation in self-forgiveness.

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Heavy Gus - Roofman - Splitting Edges - Nervous Twitch

Heavy Gus - Paracosm.

California-based indie/rock trio Heavy Gus just released their debut album Notions. Available everywhere through BMG, the collection of songs blur the lines between grungy garage band fare, hazy desert surf, and dreamy, sun-soaked indie rock.

The group also shared the official video for "Paracosm," a powerful visual that shows singer/songwriter/guitarist Dorota Szuta's recent pregnancy through time lapse. "Inspired by Ursula K. LeGuin and a low-grade fever, this song is the outstretched hand grasping for answers to deep questions, and is ultimately a reminder of how beautiful it can be to remain empty handed," she stated. "One thing that helps me move through times of hardship is remembering how small we are. Being alive is purpose enough."

Formed in the high desert town of Bishop, CA, Heavy Gus is led by songwriting couple Szuta and multi-instrumentalist Stelth Ulvang (The Lumineers) along with percussionist Ryan Dobrowski (Blind Pilot). The band took shape during the pandemic when couple Ulvang and Szuta (a marine scientist who also has a background in music playing with Laura Gibson and Gill Landry) took a socially distanced road trip to Nashville — picking up Dobrowski in Colorado along the way — to record at Creative Workshop. The result is a poignant offering that Under The Radar called “genuine live-wire indie rock sound.”

Their debut offering calls to mind everything from Meat Puppets and The Breeders to Yo La Tengo and Acetone in its artful balance of hope and fatalism, loneliness and desire, strength and vulnerability. While all three bandmates came to Heavy Gus from very different worlds, they fit together like puzzle pieces, bound by the kind of love and trust that can only grow from years of deep kinship. Notions was engineered and mixed by Parker Cason (Margo Price, All Them Witches, Coin) and mastered by Pete Lyman (Chris Stapleton, Jason Isbell, Brandi Carlile).

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Roofman - Fly Off, Fall Down, Come Back.

Some songs need the glitz and blitz of big city life, the concrete jungle and the urban drama, drenched in white noise. Others simply a forest, the serene whisper of the wind in the leaves. 

It’s not hard to guess which world Thijs van der Meulen alias Roofman is coming from. The reason his achingly beautiful upcoming debut album “Still The Mess I Was” sounds so big and glorious is that he decided to record it in Hamburg’s analogue heaven, Clouds Hill studio (a.o. The Killers, Peter Doherty, Elbow). The trees and the streets, the calm and the storm: Roofman is a man of contrasts.

With "Fly Off, Fall Down, Come Back" Roofman celebrates his real debut. The absolute contrast to the soft-washed 2:30 standard mush, this is an epic 8-minute track in which sound and songwriting are absolutely in the foreground.

This song was engineered and recorded live to 24 track magnetic tape by Johann Scheerer and Sebastian “Muxi” Muxfeldt at Clouds Hill Recordings, Hamburg, Rothenburgsort. Mixed by Johann Scheerer. Mastered by Chris von Rautenkranz at Soundgarden Mastering. Drum tech by Herr Schmidt.

 


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Splitting Edges - Your Waves.

Splitting Edges are a two-man band with roots in Southeast London and St. Albans. Bringing raw lyrics, punk energy and a unique sound to the indie-rock genre. Their latest single 'Your Waves' is a light-hearted and soulful love ballad written when the duo were finishing college. The song is about an unconfident boy who meets a polar opposite and finds himself falling for the “it girl". He thinks she has everything together until he gets to know her and realises she’s got just as many problems as he has. But when they’re together their troubles are all but forgotten.

“Splitting Edges are all about exploring new sounds that represent our generation and the times we live in. Our sound is defined by our experiences in life - from these experiences, we have an arsenal of details and stories to talk about in our music. For me, it’s almost like the songs are all pieces of a bigger picture.”
- Lydon Peacock

This single comes off the back of their successful 'Sympathy Smoke' EP and single 'Bleak Mornings', which saw Splitting Edges further develop their unique spin on rock and indie sounds to the world. Recently signed to DMY Artists we are proud to showcase and facilitate their rise to certain stardom.

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Nervous Twitch - We Don't Care.

It's pretty hard to put into words but I'm gonna try, but seriously I'm still way excited to be working and bringing this new album by Nervous Twitch on the awesome UK label Reckless Yes to your attention. I've been following Reckless Yes for a few years and have become a big fan of not only their roster but also the way they do business and how they treat others and create a solid inclusive community, so working with them is a big honor. 

This new album by Nervous Twitch is like a guide to UK and US indiepop and indierock with nods to Mambo Taxi, Huggy Bear, Modern Lovers, Television Personalities, the Pixies, Sleeper, Ash, Lovely Eggs, Dressy Bessy, and even a bit of Swearin'. I could go on and on, but I say just check out the fsecond single "We Don't Care" which debuted at God Is In The TV. If you want a promo copy hit me up, but you can stream or download the album below. The band are up for doing mix tapes, features, guest editor spots, you name it, and we have a few exclusive still up for grabs so seriously like reach out. ~ Mike 

Nervous Twitch—talk about a perfect band name! Listening to their fifth album, Some People Never Change, it’s hard not to notice the nervous energy of front woman Erin Hyde’s vocals. Nervous Twitch built a solid reputation for songs that bristle with punk energy, mixing a vibe that also incorporates girl group passion, post-punk angularity, and even the occasional surf guitar cool.

Some People Never Change offers up a baker’s dozen tracks that deal in attitude and the personal. “We Don’t Care” takes on critics with a snarl, “What The Hell” takes on the frustrations of modern life, while “The History of The Wild West” deals with escaping the world for a less stressful one. But it’s not all anger as an energy; “This Mad At The World” is a ballad that show you can relate your frustrations in a gorgeous, acoustic ballad. “You Never Let Me Down” is a delightful love song with a girl-group vibe, while “Forgive Yourself” offers up a meditation in self-forgiveness.

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Nervous Twitch - ACER - Rat Tally - Alison Sudol - Basset - Ashley Heath

Nervous Twitch - Forgive Yourself.

Leeds UK indierock trio Nervous Twitch debut new single "Forgive Yourself" and announce upcoming new album 'Some People Never Change' on Reckless Yes Records.

It's pretty hard to put into words but I'm gonna try, but seriously I'm way excited to be working and bringing this new album by Nervous Twitch on the awesome UK label Reckless Yes to your attention. I've been following Reckless Yes for a few years and have become a big fan of not only their roster but also the way they do business and how they treat others and create a solid inclusive community, so working with them is a big honor. 

This new album by Nervous Twitch is like a guide to UK and US indiepop and indierock with nods to Mambo Taxi, Huggy Bear, Modern Lovers, Television Personalities, the Pixies, Sleeper, Ash, Lovely Eggs, Dressy Bessy, and even a bit of Swearin'. I could go on and on, but I say just check out the first single "Forgive Yourself" which debuted earlier today at Austin Town Hall. If you want a promo copy hit me up, but you can stream or download the album below. The band are up for doing mix tapes, features, guest editor spots, you name it, and we have a few exclusive still up for grabs so seriously like reach out. ~ Mike 

Nervous Twitch—talk about a perfect band name! Listening to their fifth album, Some People Never Change, it’s hard not to notice the nervous energy of front woman Erin Hyde’s vocals. Nervous Twitch built a solid reputation for songs that bristle with punk energy, mixing a vibe that also incorporates girl group passion, post-punk angularity, and even the occasional surf guitar cool.

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ACER - Someone Else's Dream.

ACER is a dream pop duo made up of multi-instrumentalist Kyle Gottschalk & vocalist/art director Connory Ballantyne. Borrowing from the brooding post-punk sound of their former band House Art, Ballantyne’s vocals lend a confident and lyrical vision to the dynamically maximalist instrumentals written out of Gottschalk’s love for bedroom-pop & shoegaze.

Starting in 2019- and writing together during the past year of lockdown as housemates- the duo is set to debut their first mini-album in 2021- the 6 track self titled “ACER” – a youthful, hungry record showcasing the musical diversity & raw energy of the two producers.

Dreamy atmospheres abound (a nod to Beach House, Daniel Lanois, or Eno), the tracks sputter & glitch to life reminiscent of bedroom producers like JPEGMAFIA or the recent work of Toro Y Moi, and Ballantyne’s vocals constantly flirt between the swaggering bravado of artists like Archie Marshal’s King Krule, the effect-laden Justin Vernon or Kanye, and the soft ambience of Slowdive.

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Rat Tally - Longshot.

Singer-songwriter Rat Tally has shared a new track from her upcoming debut album. Single Longshot is an insight into the singer's anxiety and cyclical thought patterns, adorned with lush instrumentation and elevated by her unique vocal style.

Out August 12th, the debut album from one of the most exciting young singer-songwriters to emerge in recent years, 'In My Car' sees Rat Tally (aka Addy Harris) deliver on the promise of her earlier releases and her distinctive candid style both sonically and lyrically. With concise yet poignant lyrics, and guest features from Jay Som and Madeline Kenney, 'In My Car' is easily one of the most fully realised debut albums in the indie rock realm.

"This is the opening track and one of my favorites off the record. The song is a lot about anxiety and not being able to stop overthinking, so I wanted the verses to feel tense, lyrically and musically" says Harris of the song.

“Longshot and In My Car have a wall of quadrupled power chord guitars that my producer Max Grazier recorded that just absolutely smack you in the face. When I wrote it I was really obsessively listening to Fountains of Wayne, XTC, and a lot of 90s and early 2000s hits, and I wanted it to have a big stadium rock vibe. I had this hook that I hummed in the demo and thought I would eventually write words to it, but it works so much better as just a melody riding on top of the huge guitars."

Hailing from Chicago (by way of LA and Boston), Rat Tally emerged in 2019 with an impressively fully formed sound on her self-released debut EP, 'When You Wake Up'. The release quickly caught the attention of 6131 Records (Julien Baker, Joyce Manor, Katie Malco), who were eager to work with the young, yet clearly very talented musician.

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Alison Sudol - Meteor Shower.

American singer-songwriter and actress Alison Sudol unveils the hypnotic visuals for her recently released single ‘Meteor Shower’ and shares the details of her upcoming new album, ‘Still Come The Night’, due for release on September 30th via Kartel Music Group.

The video is an invitation to witness and partake in a series of self-imposed actions and rituals.  Alison presents herself to the camera in her truest form; raw, vulnerable, enduring, powerful, while using a variety of visual approaches - from  irregular depth of field, video feedback loops, erratic zooms to affected speeds - the director transports the viewer beyond this dimension, intimately navigating levels of Alison’s subconscious.

Directed by Alison’s close collaborator and Creative Director Federico Nessi, also responsible for the upcoming album’s art direction, the video concept, Nessi explains “stemmed from the song’s hypnotically repetitive beat and Alison’s stoic tone - a mystical force seducing the listener to join in on a meditative journey of self-exploration.”

Talking about the visuals, Alison adds; “Federico’s vision for ‘Meteor Shower’ matched the heartbeat of the song and leaned into it. Sitting with grief - whether noticed or not - kinetic ritual. I had never seen tapping before Fede introduced it to me but I have done it naturally at different points in my life. Energy and emotion can get trapped and settle in parts of the body. There’s a tremendous amount of power in movement and healing in touch”.

‘Meteor Shower’ serves as the upcoming album’s poetic finale, book ending the equally hypnotic opener, ‘Bone Tired’. “It’s the moment of space between one chapter ending and a new one beginning - a moment of uncertainty, the unknown... of possibility. The record begins with exhaustion and ends the same way, but with light pouring in.”

The video follows the release of recent single ‘Meteor Shower’ and the deeply personal ‘Peaches’, as well as her recent support dates with Goldfrapp at London’s Royal Festival Hall, and the UK release of ‘Fantastic Beasts: The Secrets Of Dumbledore’, in which Alison reprised her role as Queenie Goldstein. The new tracks precede the release of the full length ‘Still Come The Night’, the album Alison wrote, co-produced and recorded at Giant Wafer Studios nestled between sheep fields in the Welsh countryside with London based multi-instrumentalist, producer and composer Chris Hyson, who is also half of adventurous collective Snowpoet.

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Basset - In The Clay.

We’re Sam Clark and Yasmine Shelton. Together we are the folk-duo Basset. We call Toronto home, and this gritty, massive, in-your-face, messy place is woven deep into the music we create. Through fiddle and intricate harmonies, our voices wrap around each other and evoke the rawness of this city.

Our lead single, “In The Clay,” is from our debut full-length album and is an account of our experience living in a big city yet feeling isolated for 2 years. We came far, we still managed to grow in the dark,  but it was very heavy.

This album was conceived in isolation. We felt very tucked away underground, and we couldn’t go anywhere aside from the long, long walks we took through the west end of the city. It was easy to feel trapped in the monotony, the rhythms we repeated each day; especially underground, where the lack of sunlight was crushing. This got morbidly fascinating. Maybe to distract ourselves, we fell into some rhythms of really intense work, trying to shape ourselves into the musicians - and humans - we wanted to be, to create this album.

We practiced hard, we studied, and we pushed our bodies too. We ate less and worked out. At times, we ate too little and worked ourselves too hard. We constantly chased after light, on long walks on the coldest day of the winter, our “happy lamps” and “grow lights.” All these, perhaps, were ways of trying to make something of being trapped in that basement and the trials that everyone faced for the past few years.

This song evokes the feelings from Sam’s weeks-long canoe trips in the Canadian wilderness. The first few hours of paddling are always hard, and aches start to set in. It’s easy to wonder how you could possibly do this for days on end. But then the aches seem to settle, and your mind flows into the rhythm.

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Ashley Heath - Something To Believe.

A powerful singer and songwriter who can convey passion, confusion, strength, pleading and more sometimes all at once Asheville, North Carolina’s Ashley Heath has gained a fervent fan base with appearances at festivals like MerleFest, Bonnaroo, Shakori Hills, and Floydfest. Now, she’s signed with Organic Records and is making a head-turning debut with “Something to Believe,” the first single and title track from her forthcoming EP. 

The track opens with guitar, bass and organ serving up a twisty blues-rock figure that sets an ominous tone before Heath makes her entrance, giving soulful voice to the mood of unease:

"I spent my time getting lost in a dream
But I can’t let go of memories of the bad things I’ve seen" 

From there, the song never lets up in intensity, even as it swells and subsides in volume and complexity, underlining the insistent questions of its chorus: 

"Let me in or let me out
Give me answers show me somehow
Are we gonna end this or work it out?...
Give me, give me, something to believe" 

Accompanied by members of her touring band, Heath gives a compelling performance that is at once boldly and intimately expressive, offering a common thread of emotion that fits equally well not only with a personal interpretation of the song’s plea, but of a broader one, too, revealing the distinctive outlook and artistry that has earned Heath a growing number of fans around her western North Carolina home. 

“There have been many times in the last few years where we as a collective have felt very powerless and lacking a sense of control,” she notes. “The entire world shut down due to Covid-19 and with it crashed our livelihoods, our sense of safety in the world, and being able to be close with our family and friends. When we did see each other, our faces were behind masks. ‘Something to Believe’ was written about these angsty yet melancholy feelings that came up by trying to make sense of it all. At certain points, I was thinking, give me any sign that I can continue doing this thing that I love and have put my heart into for years. ‘Are we done with the hard times, are they over?’

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The Fuzillis - Krief - Nervous Twitch - J Lee and The Hoodoo Skulls

The Fuzillis - UNGAWA!

Background - London's latest and greatest rock'n'roll party band, The Fuzillis, are ready to Blast Off! This non stop, rock’and’roll grind-a-go go machine was formed in London in late 2014 and features the high energy rock and roll twang of guitar player Dan Criscuolo; the sleazy, growly tenor sax-tones of Thomas "T-Mag" Maguire; the thunderous jungle rhythms of Wilco “The Hammer” van Eijk and the low down tones of the boss of the bass, Mr Frankie Fuzilli Sr. (a.k.a. Zig Criscuolo, bass player of MFC Chicken).

They mix up a sleazy atomic age r’n’r cocktail blending Link Wray and the craziest Las Vegas Grind tunes with a large shot of Grady Gaines' Upsetters, a dash of The Fabulous Wailers, a slice of Nick Curran and top it all off with the wildest titty twistin' tunes on the Planet Earth.

Recent live activity includes multiple Spanish tours and two Dutch tours, the Festival del Valle di Tobalina (with Mambo Jambo and The Limboos), headlining The 10th Anniversary Rock and Roll Circus in Amsterdam, Weirdsville (with Big Boss Man and King Salamis), What’s Cookin’, Bule Bule Toga Fest (with Les Grys Grys and Dr Explosion), The New Barcelona Hayride and Funtastic Dracula Carnival, Benidorm (with Guitar Wolf and The Mummies).

2017 has also been incredibly busy with main feature slots at Hipsville (UK), Surforama (Spain), Voodoo Festival (Italy), Montesquiou On The Rocks (France) and The Rockabilly (Rave). In 2016 they released their (now Sold out) debut single Mogul Monster c/w Beavershot on strictly limited 7” vinyl through FOLC Records.

In 2017 they completed the recording of their first LP "Grind A Go Go, Volume 1" at Space Eko East Recording Studios with Alex McGowan (Jim Jones Revue, MFC Chicken, Josh Homme, Oh! Gunquit, Wilco Johnson, Jah Wobble) in the chair. The album features 16 brand new and vintage grind a go go classics. To support the launch of the record, the Fuzillis will be gigging around Europe starting in Nottingham (Blast Off! Festival) followed by Spain (including support slots with Barrence Whitfield and Mambo Jambo), Italy and the UK. They’re also planning a special UK LP London launch show at Weirdsville on Jan 27th, 2018.

The Fuzillis... One word instr-o-mental grind-a-go go party monsters who’ll make you twist till your toes bleed. BAND-PAGE, FACEBOOK.

Tour dates:

10 Nov UK     Nottingham Blast Off Festival
16 Nov Spain     Barcelona  Apolo 2
17 Nov Spain     Castellon Four Seasons
18 Nov Spain     Madrid Funhouse
19 Nov Spain     Segovia Beat Club
20 Nov Spain     R3 Interview Madrid
21 Nov Spain     TV Show Madrid
21 Nov Spain     Valladolid Backstage Bar
22 Nov Spain     Oviedo Lata de Zinc
23 Nov Spain     Burgos Carmen 13
24 Nov Spain     Ubeda La Teteria
25 Nov Spain     Malaga Sala Velvet
26 Nov Spain     Cox TnT Blues
30 Nov Spain     Valencia 16 Toneladas
01 Dec Spain     Zaragoza Casa del loco
02 Dec Spain     Tomelloso Sala Beat
07 Dec Italy     Macerata Terminal
08 Dec Italy     Perugia Urban
09 Dec Italy     Treviso Nasty Boys Saloon           
06 Jan UK     Brixton Stranger Than Paradise
27 Jan UK     London Weirdsville
03 Feb Spain   Torremolinos   


Just one of sixteen wonderful tracks on 'GRIND A GO GO, Volume 1' I have chosen 'UNGAWA!' for you to savour over. I just love this album, as described above the band are "one word instr-o-mental grind-a-go go party monsters." If you are in need of a massive mood lift, or just want to take a discreet and personal cobweb removal session, then The Fuzillis are a remarkable starting point.

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Krief - Ordinary Lies.

Background - Throughout his successful career as the lead guitarist and co-writer of the Canadian indie rock band The Dears, Patrick Krief has been busy, and we mean b u s y. 

Touring with the likes of Midlake, Morrissey, Metric, Broken Social Scene in places like the Wembley Arena, Hyde Park, Electric Ballroom, Koko as well as V Festival, Redding, Leeds, Glastonbury, T in the Park to name (not) a few, we can confidently say that sonically Krief knows his stuff.

Signed to Fierce Panda Records, his upcoming new single “Ordinary Lies” unveils a musician with a true eloquence of expression. The intimate piano-based intro, in the style of Cat Power’s “I Don’t Blame You”, instantly grabs both ears with its authenticity (fyi, sounds incredible on headphones). It hits you from the get-go and you just know that this is going to be good.

Krief’s soul-bearing Jose Gonzalez/ Ray Lamontagne-esque vocals begin singing with the soft Whitley-like harmonies joining soon after. David Schiffman’s production (RHCP, Tom Petty, NIN, Johnny Cash) is impeccably modest in its approach, where each part- from synths through guitar bits to piano plonks (all played by Krief himself)- serves its purpose, holds its depth and builds the arrangement’s thematic expansion.

“Ordinary Lies” is taken from the forth-coming Automanic Red + Automanic Blue albums, which according to Krief, are "autonomous in their flow and not meant to be listened to in one sitting. Although releasing one without the other simply wouldn’t make any sense — the plot truly exists within the invisible line that bonds them." “Ordinary Lies” is out everywhere via Fierce Panda Records Now, with the double album Automanic to follow on the 17th November 2017. WEBSITE, FACEBOOK.

UK Tour Dates:

18th November - The Swan, Ipswich
21st November- The Wheatsheat- Oxford City Festival
23rd November- Paper Dress Vintage, London
24th November- Sofar Sounds, London
25th November- Factory, Manchester


Personal and gently developing 'Ordinary Lies' is a captivating song, rich with vocal intimacy, alongside a musical arrangement that drifts up and down with layers of gorgeous sounds. 

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Nervous Twitch - She's So Hip.

Background - Nervous Twitch matched twisted rock’n’roll and punk rock on their previous LPs ‘Get Back In Line’ (2015) and ‘Don’t Take My TV’ (2016). With a Marc Riley 6 Music session under the belts the band return with their 3rd LP ‘I Won’t Hide’ – their first as a three piece.

Nervous Twitch take on both personal and universal themes of alienation, anxiety and adversity transform it into 14 tracks of hook filled fuzzy New Wave Pop – sounding more cohesive than ever before.

This new LP expands on their previous releases pushing their arrangements further whilst maintaining their pop sensibilities, with a range of influences from The Swell Maps to The Crystals, Nervous Twitch take you on a trip through the modern world as seen through their eyes. FACEBOOK.

'She's So Hip' is a small glimpse of the fourteen songs that make up 'I Won't Hide' a feisty affair in part, accompanied by some slower paced tracks. That said the potency, passion and energy is clearly trying to burst out from just beneath the surface throughout the album. It's new wave pop with some clear respect for older new wave, if you get my drift.

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J Lee and The Hoodoo Skulls - 2 Bit Lovers.

Background - J Lee and the Hoodoo Skulls are an instantly addictive contemporary blues rock band projecting dirty guitar riffs, stomping swamp percussion, and gut wrenching vocals. The Surrey based band blends Americana with bluesy retro vibes to create their unique brand of urban blues rock. Their unique, innovative sound is typically the stuff of biker rock legend that you'd find somewhere down an American highway, and thus have to pinch yourself to remember that they come from the UK!

Fronted by Jason Lee Barratt of whom has adopted a phenomenal vocal range thanks to the lineage from his father (Shakin Stevens), but also honed his own sound which soars over the driving guitars of Harun Kotch on lead guitar and Luke Sohl Williams on bass, whilst sitting on solid drum grooves by drummer Wayne Riches (has also been the live drummer for Skin- Skunk Anansie amongst others.) Between them, the band have already played on every corner of the globe with international chart success, received national award nominations, and had music used for various advertising campaigns, (including Henri Lloyd and the Mercerdes Petronas F1 Team.)

Off the back of their debut single Woman going viral online and a successful UK tour earlier this year supporting Shakin Stevens, J Lee and the Hoodoo Skulls are now back with their next single 2 Bit Lovers, which is out on Friday 1st December ahead of a debut album release set for Spring next year.

The new video exposes the band members themselves for the first time, performing amidst chunky choppers with gritty smokey surroundings pulling you into their atmosphere of ballsy blues rock! 2 Bit Lovers sits perfectly between a classic vintage sound, and something originally raw...J Lee and the Hoodoo Skulls have smashed it again! WEBSITE, FACEBOOK.


'2 Bit Lovers' just gets on with being a blues rock song that we know is new, however could easily pass for something decades old. It's the modern production that gives the game away, apart from that, this is a timeless blast of full on rock & roll, with more to follow.


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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...