Showing posts with label Natalie Holmes. Show all posts
Showing posts with label Natalie Holmes. Show all posts

Natalie Holmes - Annie Keating - Tough On Fridays

Natalie Holmes - Floating TV.

Described as a consistently astounding songwriter, South West/ Bristol based singer-songwriter Natalie Holmes writes lilting, haunting and yet also invigorating Indie-Folk tinted with a hint of Pop. Now back with new single ‘Floating TV’ taken from the upcoming album ‘Vitamin Be’, Natalie once again demonstrates her honey toned vocals and incredible musicianship.

‘Floating TV’ is a prime example of Natalie’s work, bringing together gentle musical textures with dappled moments of experimentation to create a beautiful and warming soundscape. Blending the gentle folk-infused nature of her material with shuffling drums, twinkling piano, swelling guitar lines and jazz influenced double bass, the result is a stunning, multi-faceted musical backdrop. Topped with Natalie’s effortless, ethereal vocals and a deceptively catchy vocal line, the track manages to gracefully tread the ground between Bon Iver-esque raw instrumentation and accessible indie-pop in a unique and hugely effective way.

With her soberingly relatable, yet soothing lyricism, Natalie sets out to strike a conversation between the conflicting effects of modern society, and those of the natural world on our ability to be content. With mental health struggles being talked about and diagnosed more and more, Natalie felt called to write about the simple bewilderment at being a young adult in today’s society and the pressures that brings.

From the constant comparisons we make on social media, to the over-stimulated, unrelenting pace of modern life, to the money fears that leave younger generations wanting to run for the mountains, the upcoming album touches on many elements of modern life and how they can affect mental wellbeing.

Speaking about the meaning behind the new single ‘Floating TV’, Natalie explains: “I have this ever-present sadness at the way the world is becoming more limiting, constantly feeding us stimulation and keeping us needing or wanting an endless cycle of stuff and achievements. This song is about rebelling I suppose - in a sweet, naive kinda way."

============================================================================

Annie Keating - Sunshine Parade.

Ahead of a fresh run of UK and Ireland shows this Autumn Annie Keating is revealing a surprise new single: “Sunshine Parade”. Released yesterday, the track is a taster of a brand new EP from the NYC singer-songwriter, ‘Twenty 22 Tour EP’, which will be exclusively available at her upcoming shows.

With its blazing Keith Richards-inspired guitar licks and vaporising lyrics capable of blistering even the most hydrated of tongues, “Sunshine Parade” is the tarmac-melting new release from Annie Keating.

Born in the daze of the New York heatwave in the summer of ‘21, “Sunshine Parade” came together as Keating found herself dreaming of escaping the city’s almost claustrophobic temperatures. As Mercury relentlessly rose, she began to play around with some phrases that were hounding her thoughts in the heat.

“It was hot enough to fry an egg on the pavement” remembers Annie. “When I was walking my dog in the thick August heat, I wanted to take myself someplace else with my imagination, to have some fun with words”

Inspired by a phrase inherited from her mother to not “let it rain on your parade”, the single offers a tongue-in-cheek inversion of that old adage, as Keating purrs:  “There’s no rain on this parade / yeah not today babe not today / You can lie down in the shade but sunshine’s what I really crave / There’ll be no rain now on this Sunshine Parade”.

============================================================================

Tough On Fridays - Growing Pains.

Tough On Fridays has proven time and again that they are experts at the big, in-your-face, wall of incendiary, alt-rock salvos. The new single by the alternative indie rock band, ‘Growing Pains’ expertly shows off the more understated, deft, and delicate side of their musical personality. Rock it still is, but rock showing its more sensitive side. 

Big rock guitars are replaced with washes of indie rhythms and almost country-esque vibes. On top of that, you’re reminded how great the twin vocals of Caleigh and Carly can be, especially when they are given the room to breathe, intertwine and beguile, that this song allows. This release marks a first for Tough On Fridays after finding their home at newly launched label Archangel Records, a subsidy of the Golden Robot Global Entertainment Group.

The ironically named single 'Growing Pains' is nothing short of sonic anarchy to trip up those who would pigeon-hole the band or the sound of them evolving, being adventurous, and spreading their sonic wings. Instead of being weighed down by expectation Cayleigh and Carly remain expertly in control, staying true to their eclectic sound and pushing the limits of genre and familiarity. As long as it is an approach and attitude that they don't lose, who needs, or indeed would want to maintain, musical comfort zones when you have bands like Tough On Fridays in the world?


============================================================================

Team Picture - Edan Archer - Odetta Hartman - Natalie Holmes

Team Picture - EVE.

Background - The six-piece Leeds-based Team Picture have just shared the video for their ltd. edition 7" single 'EVE' - released on Come Play With Me. 'EVE' is a re-working of a track by fellow Leeds trio, Laminate Pet Animal. Recorded and released initially under the band’s alias, ‘Group Photograph’ for West Yorkshire-based label, Come Play With Me, the new video arrives hot off the back of their recent 6 Music-supported mini-album, ‘Recital’, and just ahead of a headline at Camden Assembly Hall on July 27, 2018 for Come Play With Me/War Child.

“We chose to mangle 'Eve' after sharing one side of a 7" with Laminate Pet Animal's original, excellent, version of the song,” says Team Picture frontman, Josh. “We didn't bother trying to recreate the original because we knew we had nowhere near enough bloopy and bleepy machinery, so we came at it as a re-imagining of the source material.”

Speaking about the video for ‘EVE’, visual artist and director of the clip, Theresa Steinmetz says: “The video references the important topic of mental illness using the routines of three women as the narrative. I worked with light, contrast and tempo in the footage to emphasise mood changes and frustrations. I wanted to bring up, and contribute to the conversation of depression, as it is a topic that’s often forgotten.”

On June 1, 2018, Team Picture released their acclaimed Matt Peel-produced (Menace Beach, Eagulls) debut mini-album, 'Recital' - the band supported the release with a debut headline tour, ticking off a date at Leeds' Brudenell Social Club, and further dates at The Great Escape, Liverpool Sound City,  and Hit The North. Since forming in 2016, the group have earned praise at Radio 1, Radio X, and 6 Music, alongside ticking off support slots with the likes of Parquet Courts, Psychic Ills, The Orielles, Wire, and Ulrika Spacek. We’ll have more new music and live dates from Team Picture to come later in 2018. WEBSITE.


Following on from the song '(I Want Your) Life Hack' which we shared last month and described as  "a creative song where power and eccentricity come together" we now have 'EVE' a piece that differs considerably. There is something of a core band sound that is present, however the tone is a little more sombre, but again intriguing and hypnotically attractive. 


------------------------------------------------------------------------------------------------------------------------

Edan Archer - Bad Imitation Of Something Good.

Background - Florida-bred Nashville-based alt-country songcrafter Edan Archer has unleashed a brand new tune--a carefree Tom Petty-esque ode to being liberated from others' ideas and assumptions about ourselves. The song shines a bright rock n' roll spotlight on the absurdity of people trying to change each other. "Basically, this car ain't changing directions," explains Archer. "So, you can either stand back or get in."

“The sentiment behind this song is that 'to hell with it' feeling when you just accept yourself as you are. I came up with the phrase 'bad imitation of something good' to describe when others don’t really see you; they see a bad version of what they think you should be. Specifically, this song is about love and relationships, and priorities: does he see me as the feminine force of nature that I am, or does he see me as someone who can’t put the toothpaste cap on right?”

Archer's swampy sensibilities come through loud and clear, her voice is sultry as sweet tea and crackles like the ever-present heat lightning of her Everglades upbringing. All moonshine and honey, Archer combines rock and country with her roots in Appalachian folk as she gets gritty with guitar magic and casts spells with intimate ballads and finger picking, alternate tunings, and rich effects. There is more music on the way, so keep Edan Archer on your radar. WEBSITE.


'Bad Imitation Of Something Good' is a feisty and lively Americana song that mixes country and rock and roll together, whilst retaining the separate character of both genres. It's also sing along and catchy stuff.

--------------------------------------------------------------------------------------------------------------------------

Odetta Hartman - Widow's Peak.

Background - NYC artist Odetta Hartman releases her new album 'Old Rockhounds Never Die' through Memphis Industries on 10th August.

Following the release of first two singles 'Misery' and 'Sweet Teeth', Odetta has now unveiled new track 'Widow's Peak'. 'Widow’s Peak' begins as a dusty banjo dirge but soon opens up into a sublime wall of sound comprised of strings, drum machines and deep bass. A sonically diverse palette of sounds that only Odetta Hartman can conjure up. Odetta says about the track: “Sometimes lightning strikes and an entire song reveals itself in an instant. Sometimes I feel like a vessel, channeling stories from beyond, and this spooky tale certainly sounds like it came from another world. With the intention of playing a fiddle solo, I sound-checked the violin in multiple rooms. Thanks to a happy accident, we played back all of the test takes together and fell in love with the wall of sound. At the end, we featured a prayer call & street sounds from our walk through Fez. Of all the songs on the record, I am most proud of this composition.”

'Old Rockhounds Never Die' is a bonanza of beautiful contradictions: intimate yet fiercely internationalist, spiritual and yet tangible, sweet and also sexy. It convenes with the ghosts of the past while marching relentlessly forwards.

Drawn from experiences as far-flung as riding a train from San Francisco to Chicago with an old-style, rootin'-tootin' cowboy for company ('Cowboy Song'), to experiencing the intense natural beauty of Icelandic waterfalls ('Dettifoss'), it’s a record that taps into the musical traditions of the past while being a collection of songs about living in the moment.

Raised by pioneering parents on the Lower East Side of Manhattan, NYC, Odetta’s milieu was a “colourful culture of artistry,” that included early exposure to community activism, renegade film screenings, poetry readings and trips to CBGB's. Inchoate punk and hip hop were aural wallpaper, as were the 45s spinning in the household jukebox featuring her dad’s extensive collection of soul and afrobeat records, as well as her Appalachian mother’s classic country selections. A classically trained violinist with a penchant for back-porch banjo, Odetta combines these variegated sounds of her childhood with her personal passion for folk music and the musicological legacy of Alan Lomax. Lomax is writ large on 'Old Rockhounds...' at least in spirit anyway. Odetta plays all the instruments on this and her debut '222'. TWITTER.

 
Our second feature in less than a month for Odetta Hartman and 'Widow's Peak' is a softer and much slower affair. The delicious and well described "cowboy soul" gently oozes through again adding distinction and hooks throughout.

--------------------------------------------------------------------------------------------------------------------------

Natalie Holmes - Hideout (Live Piano Session).

Background - Top 10 iTunes singer-songwriter Natalie Holmes has just unveiled a stunning live piano session video of her new single ‘Hideout’. Bristol-based singer/songwriter Natalie Holmes writes lilting, haunting and yet somehow invigorating pop, with honey toned vocals and an incredible depth to every song. An independent artist building her fan base entirely from scratch, she kick-started her musical career by uploading songs and now has over a million hits on YouTube, thousands of subscribers and a loyal following on social media. Although just into her twenties, Natalie has clocked up four successful EP’s: The Simplest Things, Child, Over & Out and her most recent release, Calm Places, all of which featured in the iTunes and Top 10 Singer/Songwriter Charts.

In 2016, Natalie was asked to accompany trance legends ‘Above & Beyond’ as the new female vocalist on their Acoustic II world tour, performing to sold out audiences at the Hollywood Bowl, Royal Albert Hall and Sydney Opera House to name a few. Since Over & Out, Natalie has been writing and making plans for her next solo release, taking time to hone her sound before making her comeback. On top of the A&B tour, the last 12 months have seen her travelling all over Europe, showcasing her existing material to a new audience and trialing new songs.

Described as one of the most consistently astounding new songwriters the music world has seen in ages, Natalie admits that her latest EP, Calm Places, marks a real milestone in her life, where she realised the importance of sitting back and taking care of yourself, making time for all the things and people you love. Listeners have said that she’s coming back with a new edge of maturity on every release, transforming her music into something truly new and unexpected. WEBSITE.

I have added the studio version of 'Hideout' alongside the live piano session, both are superb, it' no wonder the attention Natalie Holmes has received. If her material is new to you, enjoy exploring her previous EP's, and join the large crowd of folk looking forward to more.

 
--------------------------------------------------------------------------------------------------------------------------

Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...