Mountaintop Junkshop - Misadventureland (Album).
Leicester UK-based alternative folk unit Mountaintop Junkshop are thrilled to share their first full length album, Misadventureland. The record showcases the band’s signature blend of Americana, country, and indie folk, delivering heartfelt narratives that explore themes of resilience, longing, and human connection.
Hailing from Leicester UK, Mountaintop Junkshop could easily be mistaken for alt/country misfits from some lost California scene. The band make country-tinged minimal torch songs leaving space to hear pins drop and hearts breaking. Since forming they have shared stages with Jolie Holland, Herman Dune, Ronnie Lane’s Slim Chance, Nina Nastasia and many more. File in your record collection somewhere between Low, Mazzy Star, Songs Ohia and next to an old, yellowing, red-wine-stained copy of Frank Stanford poems.
Mountaintop Junkshop consists of Jon Bennett (Vocals/Guitar), Amy Cooper (Vocals/Keys), Dave Fellows (Bass), Natasha Pattinson (Violin), Katie Shields (Drums). Misadventureland, the first full length album from Mountaintop Junkshop, is now available now across music platforms courtesy of Electric Blanket Records.
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Mercury’s Antennae - Among the Black Trees (Album).
Seven years after the release of their celestial The Moon Viewing Garden EP (Sett Records, 2018), Mercury’s Antennae have re-emerged with their latest offering of sonic lullabies, Among the Black Trees. Nine existential tales inhabit a ghostly realm of reflection, rebirth and reconciliation, overlaying dense bass, swirling ghostly guitars, and atmospheric electronics, all melding with lustrous and soaring vocal melodies.
Currently based between Geneva, Switzerland and Portland, Oregon in the US, the trio comprises Dru Allen (This Ascension), Cindy Coulter (This Ascension, Faith and the Muse), and Erick r. Scheid (The Palace of Tears). Their sound incorporates influences from shoegaze pop, ethereal darkwave, and unadorned acoustic beauty, often compared to ‘90s-era Projekt artists, while also drawing inspiration from modern ambient electronica.
Through the iconic Projekt label, Mercury’s Antennae released their debut album, A Waking Ghost Inside (2014); followed by The Guides EP (2015); and sophomore album, Beneath the Serene (2016). Their debut for Sett Records was 2018’s The Moon Viewing Garden EP, followed by appearances at prestigious festivals Wave-Gotik-Treffen in Leipzig, Germany; and Tomorrow’s Ghosts Festival in Whitby, England. It was also during this period (c.2018) that songs for Among the Black Trees were conceived, prior to a hiatus as members went on to explore other projects. Reflecting on the themes explored by the new album, guitarist and multi-instrumentalist Erick r. Scheid says:
“Among the Black Trees is almost concept album in a way. Themes of love, death, rebirth, reconciliation and the imagined landscape of the unseen world are all intentionally, sonically and emotionally fed into the music. And Dru’s lyrical contribution truly adds a vastness of beauty and life to the music. Her lyrics on this album are my favorite; literally every song. Cindy was very receptive and active in writing this music alongside of me. While I had the demos, her ideas and creative insights held the music to be very truthful and not to be too overindulgent. Her openness to explore a deeper bass sound with tunings makes this album truly different from all our previous work. Both Dru and Cindy have had a huge impact on this work, and it’s the first album where we all three equally wrote the music together.”
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Lala Salama - Miltähän me näytettäis yhdessä (Album).
Rising Helsinki-based indie band Lala Salama is set to release their highly anticipated debut album, Miltähän me näytettäis yhdessä, on March 21, 2025. The album will be available digitally as well as in limited-edition colored vinyl pressings (150 copies each of yellow & violet editions). Blending Nordic melancholy, dreamy shoegaze textures, post-punk energy, and raw storytelling, the album serves as a soundtrack for those navigating the space between youth and adulthood, longing for something just out of reach.
"The songs move from the euphoria of falling in love to the fear of commitment, from the highs of a party to the anxiety of the morning after. This album is for those searching for themselves, dreaming of summer love, and learning to let go." – Rosa Jules
Beyond their music, Lala Salama's members are engaging, dynamic, and compelling interview subjects. Rosa Jules – A fiercely independent frontwoman, singer, guitarist, violinist, and proudly Lahti-born engineer. A charismatic force on and off stage, she blends feminist energy with Jack White-like artistry. Rosa also plays in Swedish-Finnish superstar Markus Krunegård’s band, further cementing her role in the Nordic indie scene.
Aliisa Keränen – A powerhouse drummer, known for her work in Bad Sauna and Kaksipäinen Koira. Not just a force behind the kit, she’s also a national team athlete in Finland’s Roller Derby squad, bringing the same relentless energy to music as she does to the sport. Santeri Hytönen – A bassist and one of the most genuine and respected figures in the indie scene, also known from Bad Sauna. He’s a mix of Lemmy and your friendly next-door neighbor, fiercely standing up for the underdog and always ready to support those who need it.
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Showing posts with label Mountaintop Junkshop. Show all posts
Showing posts with label Mountaintop Junkshop. Show all posts
Saturday, 22 March 2025
Saturday, 22 February 2025
Mountaintop Junkshop - Oswald Slain - Phoebe Green
Mountaintop Junkshop - I'm Still Looking For The Light.
Leicester UK-based alternative folk unit Mountaintop Junkshop are thrilled to share their latest single "I'm Still Looking For The Light", available now across music platforms courtesy of Electric Blanket Records.
"I'm Still Looking For The Light" acts as the latest sample from the group's upcoming album Misadventureland, due to be released on March 20th. A heartfelt blend of love, hope, and redemption, "I'm Still Looking for the Light" is a retro-inspired folk track that weaves together elements of Americana, country, and indie folk. With gentle guitars and soaring violins, the song evokes themes of resilience and desire, creating a rich, emotive sound that feels both timeless and deeply personal.
Hailing from Leicester UK, Mountaintop Junkshop could easily be mistaken for alt/country misfits from some lost California scene. The band make country-tinged minimal torch songs leaving space to hear pins drop and hearts breaking. Since forming they have shared stages with Jolie Holland, Herman Dune, Ronnie Lane’s Slim Chance, Nina Nastasia and many more. File in your record collection somewhere between Low, Mazzy Star, Songs Ohia and next to an old, yellowing, red-wine-stained copy of Frank Stanford poems.
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Oswald Slain - Ugly.
Bristol rock group Oswald Slain return with their new single ‘UGLY’, out now, taken from their debut EP ‘Kiss Me On The Mouth’ due for release April 2025.
Formerly known as Little Thief, Oswald Swain’s sound is a rich tapestry woven from the threads of classic Americana, echoing the timeless vibes of Neil Young and The Band, whilst infusing it with the gritty, energetic rock essence familiar from their previous works. Anchored by the driving rhythms and fuzzy guitars, their music offers both reflective depth and an irresistible groove, promising music that resonates with both heart and soul.
Under their previous moniker, the band toured the UK multiple times, playing slots at esteemed festivals such as Glastonbury, Shambala, Liverpool Sound City, Isle of Wight, Kendal Calling and Greenman Festival, receiving support from the likes of Far Out Magazine, RTE, BBC Radio 6’s Steve Lamacq and BBC Radio 1. Co-founding members Charlie Fitzgerald and Rhii Williams, who have been writing music together for over 10 years, made the difficult decision to change the band name and move forward in a new direction.
Born from the creative cocoon of their home studio, Oswald Slain is a testament to both personal growth and musical evolution. Recorded over the miserable January of 2024, Oswald Slain’s music reflects a period of introspection and growth. Having reconciled with the chaos of youth and the trials of aging, lyricist Fitz channels these experiences into sincere, humorous, evocative songwriting alongside the timeless swagger of old retro rock records.
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Phoebe Green - Rage Of A Kid.
Manchester's Phoebe Green releases new single 'Rage Of A Kid' - the final taste of new five-track EP 'The Container' out 21st March via The Green Dream Machine. Phoebe will launch the EP with a run of headline dates this April, with stops in Leeds, Bristol, Manchester, Brighton and London.
Marking a significant evolution in her artistry, new EP 'The Container' was written and produced by Phoebe within the intimate settings of her flat in Manchester and her parents' house in the coastal town of Lytham St Annes, lyrically delving into the complexities of intense emotional connections, exploring themes of longing, obsession, and the delicate balance between self-love and self-sacrifice.
'Rage Of A Kid,' the opening track on 'The Container', is a powerful, electronically-tinged ballad about healing from past trauma. Sparse soundscapes evoke loneliness as the lyrics explore suppressed emotions - particularly anger. The song builds to a cathartic release with lush synths and atmospheric textures, culminating in Phoebe's visceral message: "Kicking and crying and taking a bite" - reclaiming the right to feel.
Speaking more on the inspiration behind new song 'Rage Of A Kid', Phoebe said: "‘Rage Of A Kid’ follows the discomfort of growing into myself and healing from past trauma. I spent a long time suppressing anger and any other difficult emotion in order to keep my head above water, but looking back I feel as though I wasted valuable years of my life doing anything in my power to avoid being consumed by it. It got to the point where I found it almost impossible to access, and when I did it was directed towards myself, because I felt so guilty for experiencing an emotion I had perceived for so long as “violent”. I learned eventually that anger is healthy and necessary and it serves a purpose when trying to process negative experiences, and especially in our current political climate, anger towards injustice is vital."
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Leicester UK-based alternative folk unit Mountaintop Junkshop are thrilled to share their latest single "I'm Still Looking For The Light", available now across music platforms courtesy of Electric Blanket Records.
"I'm Still Looking For The Light" acts as the latest sample from the group's upcoming album Misadventureland, due to be released on March 20th. A heartfelt blend of love, hope, and redemption, "I'm Still Looking for the Light" is a retro-inspired folk track that weaves together elements of Americana, country, and indie folk. With gentle guitars and soaring violins, the song evokes themes of resilience and desire, creating a rich, emotive sound that feels both timeless and deeply personal.
Hailing from Leicester UK, Mountaintop Junkshop could easily be mistaken for alt/country misfits from some lost California scene. The band make country-tinged minimal torch songs leaving space to hear pins drop and hearts breaking. Since forming they have shared stages with Jolie Holland, Herman Dune, Ronnie Lane’s Slim Chance, Nina Nastasia and many more. File in your record collection somewhere between Low, Mazzy Star, Songs Ohia and next to an old, yellowing, red-wine-stained copy of Frank Stanford poems.
============================================================================
Oswald Slain - Ugly.
Bristol rock group Oswald Slain return with their new single ‘UGLY’, out now, taken from their debut EP ‘Kiss Me On The Mouth’ due for release April 2025.
Formerly known as Little Thief, Oswald Swain’s sound is a rich tapestry woven from the threads of classic Americana, echoing the timeless vibes of Neil Young and The Band, whilst infusing it with the gritty, energetic rock essence familiar from their previous works. Anchored by the driving rhythms and fuzzy guitars, their music offers both reflective depth and an irresistible groove, promising music that resonates with both heart and soul.
Under their previous moniker, the band toured the UK multiple times, playing slots at esteemed festivals such as Glastonbury, Shambala, Liverpool Sound City, Isle of Wight, Kendal Calling and Greenman Festival, receiving support from the likes of Far Out Magazine, RTE, BBC Radio 6’s Steve Lamacq and BBC Radio 1. Co-founding members Charlie Fitzgerald and Rhii Williams, who have been writing music together for over 10 years, made the difficult decision to change the band name and move forward in a new direction.
Born from the creative cocoon of their home studio, Oswald Slain is a testament to both personal growth and musical evolution. Recorded over the miserable January of 2024, Oswald Slain’s music reflects a period of introspection and growth. Having reconciled with the chaos of youth and the trials of aging, lyricist Fitz channels these experiences into sincere, humorous, evocative songwriting alongside the timeless swagger of old retro rock records.
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Photo - Sara Carpentieri |
Manchester's Phoebe Green releases new single 'Rage Of A Kid' - the final taste of new five-track EP 'The Container' out 21st March via The Green Dream Machine. Phoebe will launch the EP with a run of headline dates this April, with stops in Leeds, Bristol, Manchester, Brighton and London.
Marking a significant evolution in her artistry, new EP 'The Container' was written and produced by Phoebe within the intimate settings of her flat in Manchester and her parents' house in the coastal town of Lytham St Annes, lyrically delving into the complexities of intense emotional connections, exploring themes of longing, obsession, and the delicate balance between self-love and self-sacrifice.
'Rage Of A Kid,' the opening track on 'The Container', is a powerful, electronically-tinged ballad about healing from past trauma. Sparse soundscapes evoke loneliness as the lyrics explore suppressed emotions - particularly anger. The song builds to a cathartic release with lush synths and atmospheric textures, culminating in Phoebe's visceral message: "Kicking and crying and taking a bite" - reclaiming the right to feel.
Speaking more on the inspiration behind new song 'Rage Of A Kid', Phoebe said: "‘Rage Of A Kid’ follows the discomfort of growing into myself and healing from past trauma. I spent a long time suppressing anger and any other difficult emotion in order to keep my head above water, but looking back I feel as though I wasted valuable years of my life doing anything in my power to avoid being consumed by it. It got to the point where I found it almost impossible to access, and when I did it was directed towards myself, because I felt so guilty for experiencing an emotion I had perceived for so long as “violent”. I learned eventually that anger is healthy and necessary and it serves a purpose when trying to process negative experiences, and especially in our current political climate, anger towards injustice is vital."
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