Showing posts with label Monophonics. Show all posts
Showing posts with label Monophonics. Show all posts

Sunday, 22 May 2022

Bryde - Monophonics - Blue Amber

Photographed by Cae Candal Sato
Bryde - Algorithms (cyber).

Bryde (aka British guitarist and vocalist Sarah Howells) shares a third single ‘Algorithms (cyber)’ from forthcoming album Still which follows 15 July via Easy Life Records.

“How do you write a song about online dating and its familiar combination of hope and disappointment” say BRYDE of ‘Algorithms (cyber)’, “It’s like a real-life social media notification you can't stop checking. How do you write about ice cream, gaslighting, fleeting feelings that can creep out the back door when you're not looking, THE INTERNET!!  About the fact we can now research each other before ever meeting IRL?”

As with all the ten songs on Bryde's album Still, ‘Algorithms (cyber)’ is not a simple tale of love, or the search for. Instead, it unpacks deep-rooted societal views on it, the preconceptions, and trappings, explored with prose that is both vulnerable it its honesty and worldly wise, wrapped in a lush soundscape led by Bryde’s dreamy guitar, pulsating drums, and the achingly beautiful vocals.

 “An algorithm is a list of rules to follow to solve a problem”, Bryde expands, “The problem of being single? Except being single isn’t a problem until we make it one. In short ‘Algorithms (cyber)’ is an ode to leaving behind the games of the digital word.”

The accompanying video created by Rhys Davies stars Drag Race UK star Scarlett Harlett (aka Harry Luke Mulvey). It captures an intimate moment in time in a couple’s life following an off-screen violent altercation with one of the lovers, a drag artist (played by Mulvey), as he returns home. It’s a beautifully vulnerable and tender portrayal of love in a sometimes-uncontrollable and unfair world.


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Photo by Geoff Whitman
Monophonics - Sage Motel.

Bay Area-based Monophonics just released their video for “Sage Motel,” the title track from their new full-length out now via Colemine Records. The world's premier psychedelic soul band, Monophonics cordially invites you to attend the grand re-opening of the once thriving, once vibrant establishment, the legendary Sage Motel. A place where folks experience the highs and lows of human existence. A place where big dreams and broken hearts live, where people arrive without ever knowing how they got there. It's where individuals find themselves at a crossroads in life.

“We decided to make a film that captures the song’s spirit - encompassing all the desperation, lust, and messiness that can often be met when falling for someone; especially at the wrong time,” says Kassy Mahea, director of the “Sage Motel” music video. “The Sage Motel that I envisioned is set in rural nowhere America, and is frequented by characters that are flawed but, at the same time, interesting and beautiful. This video is an ode to the gritty, the passionate, the lost, the hopeful, and is another glimpse into the world within The Sage Motel.“

What started as a quaint motor lodge and a common pitstop for travelers and truckers in the 1940s, Sage Motel morphed into a bohemian’s hang by the 1960s and 1970s. Artists, musicians, and vagabonds of all types would stop there as seedy ownership pumped obnoxious amounts of money into high end renovations, eventually attracting some of the most prominent acts of the era. But when the money ran out, The Sage Motel devolved into a place where you rent by the hour. Sage Motel, Monophonics' fifth studio album since 2012, tells its story.

“‘Sage Motel’ was the second song we wrote for the album and ultimately was the spark that started this whole concept and story,” says Monophonics bandleader Kelly Finnigan. “It’s a song about a complicated relationship created out of incomparable physical chemistry, lust, passion & love. It’s the struggle of chasing something that will never be a reality, no matter how bad you want it. Some things are meant to happen, but not meant to be… and it all goes down at the Sage Motel.”

 

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Blue Amber - Rockland's Workshop (album).

Following in the footsteps of his Beat Generation heroes, Blue Amber’s frontman Drew set out on a journey that would take him from the bright lights of New York City, through the heartlands of America, finishing up with an excursion down the West Coast highways. The trip, sound tracked by the jazz greats, instrumental hip hop pioneers and lo-fi cult bands such as The Microphones, inspired Drew to create his own new 'Beat Generation'. On his return home, armed with dozens of filled notebooks and completed rolls of film, Blue Amber was born.

Focus track, “Fencing” is an experimental indie rock track that fills you with a beautiful melancholy yearning for more.  Speaking on the track, “Fencing” incorporates an element of hope to the final track on the album, but also a sense of foreboding; that mistakes from the past are bound to repeat themselves. The song is exactly three minutes in length, the same length as each period in a bout in fencing, an idea that my partner at the time provided.

The first half of the record was inspired by the seaside town of Aberystwyth, the people who reside there and the artist’s personal soundtrack living there. The song ‘Hinterland Girls’ is about the people who you encounter on a typical night out in the town, while ‘West Coast Renaissance’ is a tribute to the enclosed art scene within the university arts scene. Continuing the theme, the second half of the record focuses on the experiences of returning to your hometown. It explores the feelings of returning to a place from your past, seeing people you haven’t seen in years and your relationship with a place you once knew so well. As a result, the tone of the second half of the record is darker, and more critical of its surroundings.

Initially a solo project based out of Drew's bedroom, Blue Amber quickly grew into a rotating ensemble of like-minded friends and musicians from all around the UK based in Cardiff. The band, now comprised of composer Freyja Elsy (keyboards/samples/vocals), jazz guitarist Kumar Chopra, and Drew Noel (vocals and saxophone), pull together a wide range of influences from instrumental hip hop to post-punk, beat poetry to indie folk, to create sonically diverse musical offerings that capture the experiences of 20-somethings in a post-Brexit Britain.

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Wednesday, 13 April 2022

Monophonics - Drive-By Truckers

Photo by Geoff Whitman
Monophonics - Love You Better.

Bay Area-based Monophonics have released “Love You Better,” the second single from their upcoming full-length Sage Motel (out May 13th via Colemine Records). The world's premier psychedelic soul band, Monophonics cordially invites you to attend the grand re-opening of the once thriving, once vibrant establishment, the legendary Sage Motel. A place where folks experience the highs and lows of human existence. A place where big dreams and broken hearts live, where people arrive without ever knowing how they got there. It's where individuals find themselves at a crossroads in life.

“The song ‘Love You Better’ is rooted in the spirit of soul music and hip hop,” Monophonics explain. “It’s a braggadocio tune with a clear message to the one you loved that no one will ever be as good to them. It is that feeling of knowing you gave your all to your partner and really tried to love them the right way, only to be hurt and taken for granted. It’s empowering and important to have that self worth and remind somebody that they really missed out on a really good thing.” The Sage Motel album announcement came last month with a video for the first single “Warpaint.”

What started as a quaint motor lodge and a common pitstop for travelers and truckers in the 1940s, Sage Motel morphed into a bohemian’s hang by the 1960s and 1970s. Artists, musicians, and vagabonds of all types would stop there as seedy ownership pumped obnoxious amounts of money into high end renovations, eventually attracting some of the most prominent acts of the era. But when the money ran out, The Sage Motel devolved into a place where you rent by the hour.

Sage Motel, Monophonics' fifth studio album since 2012, tells its story. Once again produced by brilliant bandleader Kelly Finnigan, the album captures a timeless sound that blends heavy soul with psych-rock. With their previous album, It’s Only Us, selling over 10,000 physical units and garnering over 20 million streams, Monophonics have built a reputation over the past decade as one of the most impactful bands in the country. It’s Only Us was praised by Billboard, FLOOD, Cool Hunting, and American Songwriter, who said “Take some Norman Whitfield-era Temptations, add Sly and the Family Stone circa There’s a Riot Goin’ On’s greasy funk, inject early 70s Curtis Mayfield Superfly, Marvin Gaye vocal dynamics and Isaac Hayes’ Hot Buttered Soul dust, sprinkle in a pinch of Isley Brothers’ silky ballads and you’ve got a reasonable aural idea of the ballpark Monophonics are playing in.”

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Photo - Brantley Guitierrez
Drive-By Truckers - Welcome 2 Club XIII.

Drive-By Truckers will release their 14th studio album 'Welcome 2 Club XIII' on 3rd June via ATO Records. Pre-orders are available now. 'Welcome 2 Club XIII' is heralded by today’s premiere of its swinging title track, available for streaming and download. The track, which pays homage to the Muscle Shoals honky-tonk where founding members Patterson Hood and Mike Cooley got their start, is joined by an official music video streaming now via YouTube.

“There were no cool bars in town and Club XIII was the best we had,” says Hood, referring to the two vocalist/guitarists’ former band, Adam’s House Cat, “but it wasn’t all that good, and our band wasn’t particularly liked there. From time to time the owner would throw us a Wednesday night or let us open for a hair-metal band we were a terrible fit for, and everyone would hang out outside until we were done playing. It wasn’t very funny at the time, but it’s funny to us now.”

Arriving as Drive-By Truckers enters its 26th year, 'Welcome 2 Club XIII' marks a sharp departure from the trenchant commentary of 'The Unraveling' and 'The New OK' (both released in 2020). Produced by longtime Drive-By Truckers collaborator David Barbe and mainly recorded at his studio in Athens, GA, 'Welcome 2 Club XIII' took shape over the course of three frenetic days in summer 2021 – a doubly extraordinary feat considering that the band had no prior intentions of making a new album. 

Featuring background vocals from the likes of Margo Price, R.E.M.’s Mike Mills, and Mississippi-bred singer/songwriter Schaefer Llana, 'Welcome 2 Club XIII' was recorded live with most songs cut in one or two takes, fully harnessing Drive-By Truckers’ freewheeling energy. Songs like epic, darkly thrilling 'The Driver' and the spirited, horn-blasted 'Every Single Storied Flameout' see the band – whose lineup also includes keyboardist/guitarist Jay Gonzalez, bassist Matt Patton, and drummer Brad Morgan – looking back on their formative years with both deadpan pragmatism and profound tenderness, instilling each song with the kind of lived-in detail that invites bittersweet reminiscence of your own misspent youth.

“Cooley and I have been playing together for 37 years now,” Hood says. “That first band might have failed miserably on a commercial level, but I’m really proud of what we did back then. It had a lot to do with who we ended up becoming.”

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Tuesday, 15 March 2022

Scrunchies - Ben Talmi - Monophonics

Scrunchies - Parallel.

Dirtnap Records recently announced the addition of Scrunchies to their roster, and now the band is back with a new single called "Parallel."

"We wanted “Parallel” to be like "Squirrel Song" by Shellac, and have these jarring, uneven measures to the verses." says Scrunchies vocalist and guitarist, Laura Larson, adding "I was also very interested in having Danielle do this Kim Gordon-esque deadpan call-and-response vocal delivery in the bridge, almost as a juxtaposition to the song's loose theme of both self-imposed and external hope + idealism vs turbulence + obstruction of being a woman making art during late stage capitalism."

Scrunchies is a Minneapolis, MN-based rock band formed by Laura Larson (she/her; guitar, vocals) and Danielle Cusack (she/her; drums, vocals). Larson earned notoriety early on, leading brash punk band Baby Guts. She is also currently a member of seminal dance-punk drums and bass trio, Kitten Forever. Cusack, raised by veterans of the 70s NYC art and music scene, also came to prominence in the Twin Cities music scene as a teenager with her indie grunge rock band, Bruise Violet.

Larson and Cusack began Scrunchies after mutual admiration of each others' bands as well as a short stint together in a Buzzcocks cover band called Buzzcuts (with Clara Sayler of Babes in Toyland). Both are passionate about encouraging young women and queers to find empowerment in playing music and embracing a DIY ethos.

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Photo - Josh Goleman
Ben Talmi - Ralph & Mary.

Berkshires, the new album from Brooklyn-based singer/songwriter/producer Ben Talmi. According to the artist, Berkshires is "a love letter to my hometown of Pittsfield, MA nestled between the mountain ranges and valleys of Berkshire County."

Ben is best known as an orchestral arranger for artists like Wild Nothing and Manchester Orchestra, but it's his nostalgic, down-to-earth songwriting that takes center stage here. Lead single "Ralph + Mary" bounces along with charming fingerpicked guitar and Talmi's signature string arrangements anchoring the track.

Ben notes, "Ralph & Mary'' is a true story about my grandparents who served in WWII and used my grandfather's GI bill to fund their diner, “The Sugar Bowl” which they ran for 40 years." Much of the album is dedicated to friends and characters from Talmi's childhood, and his appreciation for Pittsfield and the surrounding area shines throughout the album's eight tracks.

At its best, this record reminds me a lot of Belle and Sebastian with a hefty dose of Paris 1919-era John Cale thrown in as well. Many tracks (especially the lovely "Canoe Meadows") make brilliant use of a string quartet, and I really love Talmi's excellent ear for a catchy melody. In an age where screens and information anxiety seem to be inescapable, I hope that listening to this album makes you think back to a simpler time and place in your lives.


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Photo - Emily Sevin
Monophonics - Warpaint.

Today, Bay Area-based Monophonics announced their upcoming full-length Sage Motel, out May 13th via Colemine Records. The world's premier psychedelic soul band, Monophonics, cordially invites you to attend the grand re-opening of the once thriving, once vibrant establishment, the legendary Sage Motel. A place where folks experience the highs and lows of human existence. A place where big dreams and broken hearts live, where people arrive without ever knowing how they got there. It's where individuals find themselves at a crossroads in life. The album announcement comes with a video for the first single “Warpaint.”

What started as a quaint motor lodge and a common pitstop for travelers and truckers in the 1940s morphed into a bohemian’s hang by the 1960s and 1970s. Artists, musicians, and vagabonds of all types would stop there as seedy ownership pumped obnoxious amounts of money into high end renovations, eventually attracting some of the most prominent acts of the era. But when the money ran out, The Sage Motel devolved into a place where you rent by the hour.

Sage Motel, Monophonics' fifth studio album since 2012, tells its story. Once again produced by brilliant bandleader Kelly Finnigan, the album captures a timeless sound that blends heavy soul with psych-rock. With their previous album, It’s Only Us, selling over 10,000 physical units and garnering over 20 million streams, Monophonics have built a reputation over the past decade as one of the most impactful bands in the country. It’s Only Us was praised by Billboard, FLOOD, Cool Hunting, and American Songwriter, who said “Take some Norman Whitfield-era Temptations, add Sly and the Family Stone circa There’s a Riot Goin’ On’s greasy funk, inject early 70s Curtis Mayfield Superfly, Marvin Gaye vocal dynamics and Isaac Hayes’ Hot Buttered Soul dust, sprinkle in a pinch of Isley Brothers’ silky ballads and you’ve got a reasonable aural idea of the ballpark Monophonics are playing in.”

“Warpaint,” the leading single from Sage Motel, reveals the vices of each resident and confronts the struggles of substance abuse and addiction. Their warpaint becomes compulsory to face the day, tolerate the struggle, get through the hardest parts of the world, humanity, life and to fight the good fight. Cloaked in heavy riffs and robust vocals, “Warpaint” gives you the first look through the doors of the Sage Motel.



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Bedolina - Melys - Avery Friedman - Hallelujah The Hills

Bedolina - We Are the Clock Ourselves Again. Out today March 28th, "We Are the Clock Ourselves Again" is an indie rock hymn about...