Misty Coast - Anna Krantz - Loaver

Misty Coast have a new video for their wonderful song 'In a Million Years' where the familiar vocals of Linn Frøkedal once again shine against a rich musical backdrop. ==== Anna Krantz has shared 'Blessed Are The Free' along with a video, the song is fast flowing and melodic with hints of Americana. ==== Loaver returns to Beehive Candy with 'Apart' the final single to be taken from her October 30th, debut album 'Fern', and from we've heard so far promises to be a very creative and mixed genre collection.

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Misty Coast - In a Million Years.

Misty Coast have released a new video for ‘In A Million Years’

The video tells a sort of four-dimensional sci-fi story that takes place in a common apartment. We see three women interacting in the same spaces without crossing each other's path. Are they all different personalities of the same human being? 

Like an intergalactic Kim Deal, vocalist Linn Frøkedal’s reverb and distortion laden vocals are layered over a heavenly backdrop of fuzz, drawing in the listener like a piece of debris into a black hole.

“the song represents a recurring theme on the album, and it lingers in thoughts about whether we should choose to ignore the reality outside of what we experience as our world - or if we should dare to seek a larger, perhaps unpleasant truth." 

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Anna Krantz - Blessed Are The Free.

“Wake up to life in colour, don’t you want it” - Anna Krantz

‘Blessed Are The Free’ is the second song in Krantz’s “New moon new tune” series of releases. Co-written with Jessica Sharman (co-writer of Ward Thomas’s #1 song, Cartwheels) “Blessed Are The free” is an uplifting and relatable offering and follows “We Could Be High” which recently featured on RTE Radio 1’s recommends playlist.

At a time when the world was in a state of uncertainty and relative stillness, Krantz began to reflect on the concept of freedom:

“I wasn’t allowed to fly to London and see my family or show my masked smile to a stranger. I wasn’t allowed to go out for a meal with my boyfriend or grab a coffee with a girlfriend. I wasn’t even allowed to be in the same room with Jessica to write the song. Like everyone else, so much of my freedom had been removed. Yet I felt free in my spirit and happy in my heart. This me made wonder what freedom actually means and how it can be accessed from within as opposed to without.”

After sharing past stories and new insights, Sharman and Krantz created this catchy, uptempo number. Her yearning voice soars high above the track’s bouncy shuffle, creating a whirlwind of emotions set to rouse the heart and fortify the soul.

The self-produced track was played by a number of Krantz’s favourite Nashville musicians and was Mixed by Craig Alvin who mixed and engineered Kacey Musgrave’s multi Grammy winning album, Golden Hour. The perfectly crafted sincere single sets the bar high again with a timeless quality of song writing and a satisfying freshness for the ever- shifting 2020 landscape.

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Loaver - Apart.

Malmö, Sweden, based singer-songwriter Linnea Hall started her solo project Loaver with a desire to be able to showcase all sides of her experiences and inspirations. On October 30th, debut album 'Fern' is released via Rama Lama Records. 'Apart' is the last single taken from the album and is out now.

Linnea Hall on Apart: "Apart was originally written for the Opera Festival in Brescia, Italy, in 2018. The song plays with an excerpt from Arrigo Boito’s Mephistopheles, why "he" in the end alludes to the rapture or, if one so wishes, the evil in us. Otherwise, the song is mostly a bundle of questions or reflections of the loneliness we share."

In 2019, she put out her self-titled debut EP on Birds Records. The music – experimental, smooth and dark pop at its finest – was written and recorded in Italy during 2017, in close collaboration with artists such as Giovanni Ferrario (PJ Harvey, John Parish etc.), who produced the tracks, and Emanuele Maniscalco. Through the six tracks we were drawn between the uttermost boundaries of emotions – love, hate, dreams, doubt, chaos and naivety. The new record is once again recorded in Italy but this time in collaboration with Emanuele Maniscalco and Carlo Poddighe.

Early 2020, Loaver returned with new single 'Drömmeri (om döden)' on Rama Lama Records (Melby, Chez Ali, Julia Rakel, Steve Buscemi's Dreamy Eyes). The single, a pendant to Debussy's Reverie, is a memoriam to Linnea's grandmother that was released on her death day. This was the first taste of the upcoming album that's packed with highly unique and instantly memorable tracks, like the slow burner 'Bloom With Me', the shapeshifting 'Forget All About' and captivating 'Apart'.

The debut LP 'Fern' sees Loaver develop her creative pop and experiments with trip hop, singer-songwriter, dream pop, jazz and bedroom pop elements that together with Hall's splendid vocals and personal lyrics create a hauntingly beautiful soundscape.

Rama Lama Records · Loaver - Apart

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Misty Coast - Jenny Teator - Distant Stars - LAGS - Geppetto & The Whales - Acrylic

We commence with some fabulously sweeping shoegaze from Misty Coast, plus a no nonsense rocker and brand new single from Jenny Teator. Distant Stars are synthy, mysterious and seductive, whilst LAGS offer up some potent and almost furious post rock. Geppetto and The Whales add refinement to the collection with a beautifully crafted song, and to round off today's selection Scottish band Acrylic share a catchy and fresh alt rocker.

Misty Coast - Backseat Warriors.

Misty Coast is the dream-pop, shoegaze amalgam from Linn Frøkedal and Richard Myklebust (previously part of the Norwegian noise rock act The Megaphonic Thrift). September 2017 saw them release their critically acclaimed debut full-length, attaining a Norwegian Grammy nomination. The Bergen-based duo now gears up for their sophomore album Melodaze, which the band themselves has simply described as their “Berlin rebel album”.

The entirety of the second full-length was written under the brutalism of the German capital’s architecture, during their two-month stay in the locality of Schöneberg through winter 2018. Stationed in an icy-cold outpost, observing local smoky beer joints and the groaning of car exhausts through the sub-zero night, Misty Coast have created something reminiscent of the bleak optimism of Cocteau Twins, where heavily distorted guitar hooks and pulsating bass lines meld with Frøkedal’s effervescent vocals.

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Jenny Teator - Surrender.

Surrender is about lust and curiosity. It talks about the primal want you get when someone comes into your life and they leave you wanting MORE. It’s more than just “I’m attracted to you”. It was this powerful gut feeling that took over my body, creating thoughts of what it could be like with this person. I think we are quick to disregard those moments and immediately feel “dirty” or “wrong” for thinking those thoughts. I’m saying, embrace it. We are only human. The possibilities are endless y’all. - Jenny Teator.

Jenny Teator is a St. Louis native who’s made her move to Nashville sharing her soul through her guitar and vocals. Performing for over a decade, Teator’s music shows her strength and confidence both in solo shows, collaborations, or when she performed with her long-term group Jenny Teator and the Fevers – a sexy blues/rock band that rocked Columbia, Missouri for years. Inspired by singers Grace Potter and Susan Tedeschi, Teator has a very straight forward lyrical style and the music follows the feelings of those words verbatim.


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Distant Stars - Robots (Do It Better).

The Melbourne/Caen 2 piece (named after Ultravox lyrics), deliver 5 tracks of warped pop that spill their minimal/dark/cold waves over the edge of the infinity pool.

The title track is the final release on Detonic Recordings "Minimum Viable Product" singles series, it is featured as track 3 on the vinyl compilation LP.

"cerveau facultatif
mémoire en périphérique
disques durs externes
perd pas ta plaque à induction magique
robots do it better
my computer does it better
no need for you anymore
outdated format"


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LAGS - Knives and wounds.

Italian post-hardcore band LAGS have announced their return with their new single 'Knives and Wounds'.

Speaking about the 'Knives and Wounds', frontman Antonio Canestri says, "‘Knives and wounds’ is the opening track of our new album and is the first song we wrote for the new album. It’s a song written in collaboration with our former singer (Luca de Santis aka SUVARI) and addresses two very important themes in the record: a disease and the search for a cure; the difficulty of being sabotaged by our own body, the failure in breaking down the "walls" in our mind, that most of the time we build as a form of self-defense from others and also from ourselves. The video is based on the concepts expressed in the lyrics and it was written by the director Stefano Pedretti: “I am my own fears, that’s what I’ve become.”"


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Geppetto & The Whales - Faust.

Here’s a new video that sets the bar high in terms of being incredibly beautiful. It’s from Geppetto & The Whales’ long awaited new album ‘Passages’ out yesterday on PIAS:

The track is called ‘Faust’ and is set in a lo fi production oozing with honey-like pedal steel, subtle jangly guitar and restrained strings, conjuring up picture-esque campfire and log cabin reflection.

The accompanying video is an exploration of the innocence and freedom of youth with stunning visuals of a young inquisitive man investigating a forest, playing with fire, cigarettes and insects as the track softly soothes the imagination, a perfect ode to the misunderstood. Some great guest musicians feature on the album including Ben Lester (Tallest man on Earth), Rob Moose (The National, Arcade Fire) & Trever Hagen (Bon Iver).


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Acrylic - I've Got Too Many Friends.

Glasgow's Acrylic prepare to kick start 2019 with the release of their infectious new single I've Got Too Many Friends, out now and premiered via Clash with early features on Tenement TV, Netsounds, and BBC Rapal amongst others.

The single is a soaring slice of indie rock from the offset, filled with jangling hooks, sweeping guitars and effortless harmonies throughout.  Frontman Andreas Christodoulidis' rich baritone vocal feel instantly reminiscent of the likes of The National's Matt Berninger, giving the track an undeniably defiant and endearing sound.  Talking about the single, Andreas elaborates "I've Got Too Many Friends is about feeling as though you've found yourself in an ideal situation, with all the pieces falling together, and knowing that you've still going to mess it up.  It's about a rift developing in a relationship and explores the naive idea that sex will resolve your issues, even though it will, in fact, be a colourless and sad affair and will most likely send you straight to the abyss."

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