Showing posts with label Mary Middlefield. Show all posts
Showing posts with label Mary Middlefield. Show all posts

Thursday, 26 January 2023

Mary Middlefield - The National Honor Society - Dubmatrix - MARBLES

Mary Middlefield
- This One's for You.

The Switzerland-based singer, songwriter, and composer Mary Middlefield is thrilled to share her new single "This Ones For You" and announce her forthcoming debut album Thank You, Alexander, due out on March 3, 2023.

"This One’s For You" was co-produced by Mary Middlefield alongside frequent collaborator Gwen Buord. The track demonstrates a more upbeat side to Mary Middlefield. Continuously pushing her songwriting abilities to the limit, Mary reflects on meeting her soul mate in the song with lines such as “Laying under blue skies talking to you, I haven’t met you yet, someday I’ll get to.” capturing the essence of a budding romance. As Mary continues to add personal touches to her growing artistry, the video, directed by Imogen Harrison (Peaky Blinders, Luz), reflects the story of a failed romance told through a fun-filled lens.

“It was a pleasure working with the same crew of musicians throughout the project, and we had a lot of fun improvising throughout the process of making the track," Middlefield explains. "As a child, we feel like we have to subscribe to certain stories we might come across in books or films and I wanted the track to mark a sarcastic tone to the traditional fairy tale, princess storylines we are fed.”




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The National Honor Society - In Your Eyes.

Like the rest of the world, Seattle indiepop band The National Honor Society found themselves facing the problem of isolation. Pre-pandemic, they recorded their debut album, 2020s To All The Glory We Never Had, which was well-received. So what to do for the follow-up, when the world is forced into isolation?

"This was a new process for everyone in the band as it was the first time any of us had recorded an album remotely," says frontman Coulter Leslie. "Having always historically gone to studios, there was the fear that maybe that unique studio magic or energy wouldn't be there, but what we found was that the unlimited time we had to record our parts really allowed us to explore ideas and to go in different directions that we might have, had the clock had been ticking. So I think that's why you'll hear a little more adventure in this record as compared to our first."

Thus was born To All The Distance Between Us, which is due for release April 10th via Shelflife/Discos de Kirlian/Subjangle Records, an album that carries on the band’s formula of dreamy pop and rock. Fans who fell in love with their gentle, Ocean Blue-style melodies will be happy to hear songs such as "As She Slips Away" and "Remember The Good Times," both gentle numbers that wouldn’t have sounded out of place on their debut album.

But the real reward comes from the results of the aforementioned experimenting. "Control" is a frenetic rocker with an XTC-minded urgency that wouldn’t sound out of place on current modern rock radio. "It’s Killing Me" gives Franz Ferdinand a run for their money, while "The Trigger" is a driving shoegaze inspired rocker that is relentless in its beat. Then there’s lead single "In Your Eyes," which is supple and lush in its harmonies and its gentle melody, a fine love song perfectly fit for the spring crush mixtape you know you want to make.

To All The Distance Between Us offers up nine gorgeously produced and lushly arranged indie-pop that will draw you in with its sunny disposition and will warm you with its windy, sunny melodies.

 

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Dubmatrix - Rewired (Album).

IRIE Magazine recently asked, “Is there a special meaning behind the title of your album, ReWired?” There are two meanings that tie in with one another, the first - A ritual I do with each new album project - I rewire my studio. Sometimes it’s a total rewire from top to bottom and others it’s swapping out gear, plugins, DAWs and working with new vocalists. All of these little changes can help rewire the brain and approach to creating music so the title has a double meaning.

ReWired continues the experimentation and musical development that is part of the natural progression but it also remains firmly rooted in the foundation of what has become the “Dubmatix” sound, horns, harmonies, heavy basslines, and fusion of genres - from dub to steppers,trip-hop to funk and beyond. When you look at the last several Dubmatix albums, Renegade Rocker, System Shakedown & Rebel Massive, ReWired continues the tradition of fusing, mashing, and blending styles into something uniquely Dubmatix.

GUEST VOCALISTS - Lone Ranger, Sr Wilson, Lasai, Duane Stephenson, Ras Kayleb, Jman, Hempolics, Joe Publik, Kazam Davis and Exile Di Brave, Rootwords & Barry Ashworth


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MARBLES - Cold Water.

The Norwegian band MARBLES have released “Cold Water”, the final pre-release single and closing track from their forthcoming sophomore album Humour, which will be released on February 10th, 2023. Leading with a jangly strummed acoustic guitar and sparkling synth lines, this breezy tune shows some range compared to previous Humour singles while still fitting neatly into the sound of the record overall. 

Hailing from Kolbotn, the black metal capital of Norway, the music of MARBLES sounds about as dramatically different from the stereotypical idea you might have of the music this nordic country tends to produce, with this new song being yet another example of the immaculate sonic soundscapes and good vibes they specialize in.

This new single, “Cold Water” shows Marbles building on the strengths of previous Humour singles “Heading Out”, “World Inside Me” and “One of A Kind”, continuing to bridge the bridges the gap between washed out guitar-driven dream pop ala Wild Nothing and Jay Som blended with the more upbeat and synth-y psychedelic pop of acts like Toro Y Moi and MGMT. Check out the album cover and tracklist for Humour before it is released in full on Friday, February 10th, 2023.


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Friday, 4 November 2022

Katherine Fischer - Marlody - Caitlin Rose - Eliza McLamb - Mary Middlefield

Katherine Fischer - To This Day.

Like a re-discovered diary entry on your worst day, Katherine Fischer wants you to feel understood. With over 250 songs in her arsenal and counting, she hopes to be your tour guide through the darkest corners to the brightest balcony of her human experience.

Hailing from London Ontario, Katherine Fischer writes songs for souls with big feelings. In August 2016 Katherine released her debut EP "Here I Am" followed by her sophomore release "Wildflower Heart" in 2019.  Her EP's share folky heart led narratives that rival your favourite coming of age novel. Katherine's song "I Choose You" was included on Amazon's "Best of 2020: Folk" playlist alongside Kathleen Edwards and John Prine. In 2021 her single "Memories" was released and placed on Spotify's "New Music Friday" and most recently her song "The Current" was added to Spotify's "Folk and Friends" playlist.

Funded by the Ontario Arts Council, London Arts Council, SOCAN Foundation and SHINE Foundation, Katherine's debut full length  album "Great Loves" was released November 2022, and has garnered over 60,000 streams and 8,000+ fans worldwide. "Great Loves" blends Americana, indie pop, cinematic strings and harmonies that wrap around you to create a breathtaking folk album. Great Loves is the story of all incapsulating love, of the land, of people, of yourself.

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Marlody - Summer.

Marlody’s first album I’m Not Sure At All will be released by Skep Wax in January 2023, and this single is the first taste of what’s to come. The beauty of the music – the rolling waves of keyboard, the apparently simple vocal melody – hit you first.  But Summer is like a trap: it’s drawing you into a darker place.

Sung from the perspective of a young girl whose mother has died, Summer gives a disturbing, eerie picture of an adult world that’s losing its moorings.  The innocence of the child and the sweetness of the music pull us safely through, saving us from the worst of it, but Summer is a perfect example of Marlody’s ability to weave songs so disarming that, for a few minutes, we feel as innocent as the child in the song.  For a while, we don’t notice that summer is over. We don’t notice how dark it’s getting.

There are many echoes here: the infectiousness and daring of some of the vocal melodies might remind you of Kate Bush, the intimacy might remind you of Cate Le Bon, the stabs of anger and pain might remind you of Liz Phair. The harmonies are from another place again – you could imagine hearing them in an Unthanks recording.

 

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Caitlin Rose - Getting It Right (Featuring Courtney Marie Andrews).

Celebrated Nashville singer/songwriter Caitlin Rose released a new single called "Getting It Right" off her forthcoming album CAZIMI (out November 18th via Missing Piece Records). Co-written with Courtney Marie Andrews, who also sings harmonies on the track, "Getting It Right" finds a resolute Rose trying her wearied best at self-improvement.

“Several years ago, I fell in love with Courtney’s first album,” stated Rose. “I had been doing co-writes for a while, but realized I needed to start focusing in on the writers and artists I really wanted to collaborate with. I wasn’t really being set up on things that were fulfilling that desire so I snuck into her DM’s and proposed a write whenever she was in town. Luckily she was already in town and we spent an extremely hot afternoon on the patio talking astrology and music and walking away with what I always thought of as a bit of a banger.”

She continued, “It feels like an obvious anthem for the album with all the time that’s gone by and the hole I was in for a few years. All the disappointment of feeling like I couldn’t do a damn thing right. I’m not even sure how much of that discussion was had, but it was really refreshing to talk and create something with someone on the brink of their own amazing journey. A little of my own cynicism dissolved that day, and even though it would take a few more years before I could actually embark on my own re-entry into the field, it’s definitely a song that helped push me in the right direction

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Eliza McLamb - Pulp.

Singer-songwriter Eliza McLamb is coming of age right in front of us. When the beginning of the pandemic interrupted McLamb’s studies at George Washington University, she eschewed the pre-law path she’d planned for herself and headed west. She started sharing original songs on TikTok while working on farms in North Carolina and Kansas, and was shocked to see her videos find a devoted audience. “I'd been writing songs since I was six years old. It just never really occurred to me that there would be anyone interested,” says McLamb.

Soon, her intimate songs about relationships, body image, and the complexities of life as a young woman started racking up millions of views apiece. Her earliest tracks were deeply personal, made from nothing but her voice and a guitar and recorded in the laundry shed where she lived at the time. Nevertheless, they contained something that resonated — an intimacy borne from her ability to speak to the universal while also speaking only for herself.

Last month McLamb announced her signing to Royal Mountain Records (Wild Pink, Pillow Queens, Girlpuppy), with a track called "Doing Fine", that received a glowing write up from FADER, who said that McLamb "pins down big feelings with sharp observations" adding that her writing is "sharp and heavy at the same time, packing a heftier kick than her singer-songwriter peers." Today, McLamb is back to announce her debut EP Salt Circle, produced by Sarah Tudzin (aka Illuminati Hotties), and sharing a new track entitled “Pulp."

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Mary Middlefield - Band Aid.

Mary Middlefield is a singer, songwriter, guitarist, and classically-trained violinist from Switzerland. Her debut single “Band Aid” features Middlefield’s melody, guitar, and violin writing skills all of which is on full display.

“I really wanted to write a song in which the lyrics could really transmit plenty of different scenes and images,” Explains Mary Middlefield. “I ended up creating a story in which two characters fall out of love before their love story actually begins. I loved the idea of using specific vocabulary that would make the story take place in a theater, where a show should have taken place but never did. I chose to lead with ‘Band Aid’ as a single because I think it’s very relatable. Relationships often break before they even begin and someone always gets hurt, especially if they put themselves out there from the start. The production incorporates everything I love: violins and cellos, folky guitars and smooth drums…”

“The video for ‘Band Aid’ is very similar to the song,” Middlefield continues. “I really wanted it to be set in a theatre where I’m the one putting on a show for a man, desperately trying to give him any character he could potentially want. But it ends up being all in vain as he gets bored and falls asleep during this pathetic show that he doesn’t enjoy. I’m a very openly vulnerable person and give people around me often big pieces of me from the very start. I feel that this video is very true to me and sincere.”

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The Yesters - Steph Cameron - St. Catherine's Child - The Yagas

The Yesters - Billy Blue. Dynamic classic rock duo, The Yesters, has released their latest song and music video titled Billy Blue. This evo...